RedNet is Focusrite’s new flagship range of Ethernet-networked studio interfaces, based around the tried and tested Dante Ethernet audio networking system from Australian company Audinate. Focusrite’s RedNet is the first to offer IP network audio interfaces for the recording studio – or any application that requires moving high quality audio around with ultra-low latency.
RedNet 5 connects your RedNet system to Pro Tools HD®. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools HD® Native and Pro Toos HD® (TDM) are also supported. RedNet 5 is interoperable with other Pro Tools interfaces and no RedNet PCIe card is required.
Key Features And Performance:
Upgrade to RedNet interfaces while remaining fully compatible with your saved sessions
Each RedNet 5 can route up to 32 input and 32 output channels between your RedNet network and Pro Tools HD system
Connecting six RedNet 5 units to a Pro Tools HDX system allows up to 192 inputs and outputs - the maximum supported by Pro Tools HDX.
Maintain your existing Pro Tools workflow with simple, logical assignment of RedNet I/O to Pro Tools HD inputs and outputs
In a recent blog, we covered the basics of Audio Over IP networks and how they can benefit your workflow. We’re diving in deeper with a more focused look at Dante and the way this technology works with gear from Focusrite.
What is Dante? It's the leading AoIP technology created by Audinate. Dante allows the use of the same Ethernet technology in consumer and commercial networks for uncompressed multi-channel audio distribution, minimal latency, and sampling rates of up to 192kHz. You can even use Dante AoIP in conjunction with conventional network traffic. There's support for Cat 5e, Cat 6, and even fiber optic cables. Continue reading →
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Maxton Waller was playing in rock bands when he first moved to California in 2007, but quickly transitioned full-time into composing for film and television. Since becoming a Los Angeles resident, he's racked up an incredible resume including scoring the Hulu Original Series RocketJump: The Show, Stan Lee’s Cosmic Crusaders, and SpacePOP. Continue reading →
Located in the heart of Nashville’s Belmont University, Robert E. Mulloy Studios offers students a world-class studio space to learn the ropes and hone their craft. Home base for junior-level classes that focus on micing and mixing techniques, it’s here where students get hands-on experience in pre-production, tracking sessions, overdubs, editing and more. Continue reading →
Opened in 2015 as part of the Mike Curb College of Entertainment Music Business, Belmont University’s Johnson Theater is a 250-seat, multi-purpose space that serves the Motion Pictures, Media Studies and Audio Engineering departments. Acting as a full, theatrical-sized mix stage, the Johnson Theater was the first university-based theater in the world equipped to mix in Dolby Atmos. Continue reading →
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