RedNet is Focusrite’s new flagship range of Ethernet-networked studio interfaces, based around the tried and tested Dante Ethernet audio networking system from Australian company Audinate. Focusrite’s RedNet is the first to offer IP network audio interfaces for the recording studio – or any application that requires moving high quality audio around with ultra-low latency.
RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.
Key Features And Performance:
Eight high-quality Focusrite mic preamps
Selectable line and DI inputs for input flexibility
In a recent blog, we covered the basics of Audio Over IP networks and how they can benefit your workflow. We’re diving in deeper with a more focused look at Dante and the way this technology works with gear from Focusrite.
What is Dante? It's the leading AoIP technology created by Audinate. Dante allows the use of the same Ethernet technology in consumer and commercial networks for uncompressed multi-channel audio distribution, minimal latency, and sampling rates of up to 192kHz. You can even use Dante AoIP in conjunction with conventional network traffic. There's support for Cat 5e, Cat 6, and even fiber optic cables. Continue reading →
Located in the heart of Nashville’s Belmont University, Robert E. Mulloy Studios offers students a world-class studio space to learn the ropes and hone their craft. Home base for junior-level classes that focus on micing and mixing techniques, it’s here where students get hands-on experience in pre-production, tracking sessions, overdubs, editing and more. Continue reading →
Opened in 2015 as part of the Mike Curb College of Entertainment Music Business, Belmont University’s Johnson Theater is a 250-seat, multi-purpose space that serves the Motion Pictures, Media Studies and Audio Engineering departments. Acting as a full, theatrical-sized mix stage, the Johnson Theater was the first university-based theater in the world equipped to mix in Dolby Atmos. Continue reading →
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