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Focusrite ISA 215 Mic Pre/4-Band EQ #f06972t (Used)

Dual-mono mic pre/4-band EQ
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Focusrite ISA 215 Mic Pre/4-Band EQ #f06972t (Used)

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Focusrite ISA 215 Mic Pre/4-Band EQ #f06972t (Used)
Dual-mono mic pre/4-band EQ

Out of stock

Product Description

The Focusrite ISA 215 Dual Channel Mic-pre and Equaliser was designed by Rupert Neve in the 80s. The ISA 215 delivers the flawless, seductive sound quality that marked all of Neve's original Focusrite designs. It's renowned for its combination of world-class audio performance and incredibly powerful EQ.

Features
  • The controls on this module are identical for both channels and are described from left to right along the front panel.
  • Mains Power Switch - this is a mini rocker switch. When switched on, two LEDs indicate correct operation of the bipolar 15volt power rails.
  • Phase Invert Switch - A latching, illuminated push switch which inverts the phase of the input signal by 180°
  • Overload Indicator - illuminates when the peak of the signal level reaches or exceeds +20dB, which is 6dB prior to the onset of clipping.
  • High Pass Filter - Frequency selection is by a six way rotary switch with the highest position switching the filter out.
  • Low Pass Filter - Situated to the right of the High Pass Filter, frequency selection is again by a six way rotary switch with the highest position switching the filter out.
  • Both filters have a rolloff of -18dB/octave and their operation is independent of the All EQ In switch.
  • All EQ In switch - An illuminated, latching push switch situated at the bottom left of the Low Frequency Shelving section. This is a master EQ switch which inserts the EQ circuitry into the signal path. This switch must be engaged to enable operation of the other EQ In switches.
  • Low and High Frequency Shelving Stages - The EQ In switch, an illuminated, latching push switch inserts the two equaliser stages into the signal path. This switch only operates when the All EQ In switch is engaged.
  • The controls for these two sections are identical, except for the frequency range of the stages. Each stage has a six way rotary switch for frequency selection with six frequencies available for each.
  • Each stage has a continuously variable boost and cut control with centre detent providing up to 16dB cut or boost.
  • Low Mid and High Mid Frequency Parametric Stages - The EQ In switch, an illuminated, latching push switch inserts the two equaliser stages into the signal path. Again this switch only operates when the All EQ In switch is engaged.
  • The controls for these two sections are identical, except for the frequency range of the stages. There is a frequency sweep control with two ranges, the higher range being available when the x 3 switch is engaged.
  • Each stage has a continuously variable boost and cut control with centre detent providing up to 16dB cut or boost.
  • Last but not least is a variable Q or bandwidth control.
  • Line Input - Selected when the momentary push switch “Line” is illuminated. A seven way rotary switch selects the Line Input sensitivity, ranging from -18dB to +18dB in 6dB steps
  • Mic Input - Selected when the momentary push switch “Mic” is illuminated. An eleven way rotary switch selects the Mic Input sensitivity, ranging from -60dB to 0dB in 6dB steps.
  • +48v - An illuminated, latching push switch providing phantom power to the Mic input XLR.
  • Trim - A continuously variable control providing up to 12dB of gain trim which can be applied to either Line or Mic input.

More Information

Condition Used / Vintage

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