JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser.
Stock up on studio essentials before your next session. Explore top selling gear from the best brands.
Checkout using your account
This form is protected by reCAPTCHA - the Google Privacy Policy and Terms of Service apply.
Checkout as a new customer
Creating an account has many benefits:
(0)
* Required Fields
MICROPHONES
OUTBOARD
SOFTWARE
MONITORS
INSTRUMENTS
Premium VK serviced and recapped; matching 6386 tubes, complete faceplate re-painting/re-screening to original specs, excellent stereo alignment.
The 670 is a variable-mu type compressor, using the vacuum tubes for reduction of gain right in the audio signal path, (no re-routing to a compression circuit).
Controls are paired for the left and right sides, and include a stepped Input Gain and continuously variable Threshold control, as well as a stepped 6-position switch for Attack and Release, that allow for four different combinations and two program-dependent settings. Set-screws on the back of the unit control the ratio; anywhere from 2:1 as a compressor to 30:1 as a limiter.
The Fairchild 670 is the grandaddy of all analog compressors. Used on too many famous recordings to list, this was a studio mainstay throughout the heyday of vacuum tube equipment in the 1950s and 60s. Its use in Bill Putnam's United Western Recorders alone accounted for numerous hit records. This unit is not for the meek, sporting 14 transformers and 20 tubes, with a single push-pull amplification stage, using high control voltage. The 670 weighs in at over 60 lbs. but you may not want to put that extra strain on your rack, when you can show off the impressive backside of this gorgeous unit, meticulously restored by our expert tech staff.The Fairchild 670 was originally employed for its excellent capabilities in making stereo masters for vinyl records. Dr. Rudy van Gelder was an early proponent, using it on many Blue Note pressings, as well as numerous classical records he mastered for Vox. By splitting the stereo channels into lateral and vertical segments, (via the LAT/VERT knobs on the far right of the unit), and using two separate limiters to limit those channels, and then running them back together through a second matrixing network, the 670 allowed for maximum use of the stereo groove space, making records louder with less distortion. While you may not be mastering for vinyl with this unit today, it is still a monster stereo compressor.No plug-in can match the sound of the original. There is only one Fairchild 670.
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the Fairchild 670 #535 (Used) . Once you submit your review, please check your email and verify your address to have it posted.
exclamation-circle