Exponential Audio Reverb Pack Bundle - Electronic Delivery

Transport your music to new places with iZotope's Exponential Audio Reverb Pack Bundle. Featuring 3 unique Exponential Audio reverbs, you'll get tools to add personality and character to your music—without compromising clarity. Precisely control natural stereo reverbs with NIMBUS, introduce lush, colorful sounds with R2, or add historic warmth with R4.

NIMBUS

Meet the Exponential Audio NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities:

Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better.

No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer.

Easy to use: While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes.

There were always elements - like overdrive - that NIMBUS creator Michael Carnes felt would be helpful in 'warming up' a reverb. He also saw a need to dynamically lower reverb levels in louder parts of a mix: with dynamic tail suppression NIMBUS now has this covered.

Users have long asked for tempo-controllable pre-delay: NIMBUS now has this implemented.

Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.

FEATURES:

• The familiar core of PhoenixVerb, extended in new directions
• New warp section with compressor/expander and overdrive
• Pre-delay and reverb delay now adjustable by tempo
• New tail suppression circuit for more dynamic response
• Over 1200 presets
• Helpful tool-tips to guide new users

R2

The Exponential Audio R2 reverb plug-in is a reverb with attitude. In many ways, it harkens back to classic reverbs of the 80s and 90s. The reverb tail is fat and full of movement. The chorus controls can even add subtle (or unsubtle) pitch effects. Whether it's a choir or a power ballad,

R2 adds a rich character to the mix. But it doesn't end there. Like its little brother PhoenixVerb, R2 can also create rooms and plates of its own. The gate control has found special applications as an auto-ducker for dialog mixers or even for traditional mixes keeping the reverb under control. R2 is a traditional reverb with a modern attitude.

R2 has also been designed with ease of use as a primary concern. The most important parameters are always available, and a richer set of controls are available only a click away. Presets are organized with application-specific keywords, and the user can easily create new presets and keywords to tailor R2 to the needs of any particular facility.

R2 also supports external controllers that use the EuCon control. R2 can now be driven and automated directly from the channel strips of Avid and EuPhonix consoles. Whether the user is a weekend warrior or a busy professional, R2 fits into that user's workflow.

R4

Every generation of engineers and producers has iconic pieces of studio equipment; they act like markers along the path of recording history. Many top engineers will talk about reverbs in the same way, they will speak of the first time they heard some of the classic hardware reverb units which have created a dynasty over the past few decades. Some of these units have Michael Carnes' fingerprints on them, and his new creation, the Exponential Audio R4 is the next reverb in this royal lineage. R4 offers all the class of historic hardware reverb units but with many new features only possible with modern plug-in development technology. R4 is pure class and for this reason, is destined to become a classic.

No CPU hog: R4 is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer.

Easy to use: While R4 is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes.

There were always elements - like overdrive - that NIMBUS creator Michael Carnes felt would be helpful in 'warming up' a reverb. He also saw a need to dynamically lower reverb levels in louder parts of a mix: with dynamic tail suppression, R4 and NIMBUS now have this covered.

Users have long asked for tempo-controllable pre-delay: R4 now has this implemented.

Over 1200 presets and handy new tool-tips: R4 has everything under control to get you started.

FEATURES:

• A character reverb that outdoes all the classics
• A new hall algorithm, as well as updated versions of the R2 algorithms
• Warp section with compressor/expander and overdrive
• Modulated EQ
• Pre-delay and reverb delay now adjustable by tempo
• Tail suppression circuit for more dynamic response
• Gated reverb effects
• Over 1200 presets
• Helpful tool-tips to guide new users