DiGiCo SD10 Control Surface - MADI & Multi-Mode Optics HMA

Live mixer with a potent blend of features, performance and flexibility
MFR# X-SD10-W-WS-OP
DiGiCo SD10 Control Surface - MADI & Multi-Mode Optics HMA
DiGiCo SD10 Control Surface - MADI & Multi-Mode Optics HMA DiGiCo SD10 Control Surface - MADI & Multi-Mode Optics HMA DiGiCo SD10 Control Surface - MADI & Multi-Mode Optics HMA

$69,500.00

$66,025.00
No interest if paid in full within 12 months Learn more
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Description

The DiGiCo SD10 includes many of DiGiCo's flagship SD7's features and benefits, including Stealth Digital Processing and floating-point Super FPGA technology, and provides a fully-loaded feature set that will cater to any front-of-house or monitor engineer's needs.

Scratching the surface

SD10 features three banks of 12 motorized faders and one master fader, each of which benefits from its own high resolution LED bar graph meter. In the centre of the work surface sits the familiar 15-inch backlit color-keyed TFT touch screen, home of the console's super-intuitive control interface.

The sheer intelligence of the SD10 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.

What's under the hood?

The SD10 boasts 132 processing channels at 48 kHz/96 kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24 dB/octave, four-band parametric EQ with band curve selection, DiGiCo's DYN 1 (Compressor, De-esser or Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

DiGiCo have included 56 busses, which can be configured as groups or auxiliary busses; and in addition to these busses, for further configurability, they've provided a 24 x 24 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

At the rear of the SD10, there is an abundance of local I/O: eight mic inputs, eight line inputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections.

The SD10 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192 kHz high resolution analog conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I/O connections are achievable (56 inputs and 56 outputs per SD-Rack).

In short, you could mix the Philharmonic on this – comfortably.

Features:

  • 132 Input Channels
  • 56 Aux / Sub-Group Busses
  • LR/LCR/LCRS/5.1 Master Bus
  • 24 x 24 Full Processing Matrix
  • 2 Solo
  • 218 Dynamic Equalizers
  • 218 DiGiTuBes
  • 218 Multiband Compressors
  • 24 Digital FX
  • 24 Graphic Equalizers
  • 48/96 kHz Sample Rate
  • Standard Optics
Specs

Additional Information

Condition New
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