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SKU
43992
DBX 560A 500 Series VCA Compressor
500 Series VCA compressor taking cues from the classic 160A rackmount compressor
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to our 900 Series and the 560A continues that tradition.
Featuring the same switch-selectable OverEasy® and Hard Knee compression curves as our industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! It’s also versatile enough to go from subtle compression to "brick wall" peak limiting.
Choose low ratios and OverEasy compression to expertly smooth out fluctuating vocal and instrumental levels, or use the 560A's Hard Knee compression and high ratios for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals.
The 560A's 19-segment, switchable Input/Output LEDs and 12-segment Gain Reduction LEDs provide precise analysis at a glance. And, the dbx 560A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway mix levels.
Load up your 500 Series rack with some dbx 560A Compressor/Limiters and go to work!
Features:
OverEasy® or classic hard knee compression with dbx’s ultra-musical program dependent attack and release times
Compression ratio variable from 1:1 through infinity:1 to -1:1
Precise RMS gain reduction and input/output meter displays with calibration control for different operating levels
True RMS level detection
Exclusive Infinity+ compression using negative ratios
If you require compression that you've heard on many hit records.
This is the one... Not to heavy handed, easy to use...
Thanks Again to Vintage King.
John Spousta Jr.
By John S on November 13, 2021
Hello. I had to order it from France. Here in Europe there is no store that has sold them for two years. So on a whim I ordered it in the United States. Vintage King's service was impeccable. unit 560a sounds good. it's definitely not a one-size-fits-all compressor, nor does it sound like the original 160 but it does its job well and you can do tough things with it. the next module may be the Pultec 500.
Compressors and limiters are some of the most important and versatile tools that any audio engineer can use. Virtually every modern recording uses compression somewhere in the chain of tracking, mixing, and mastering. This ubiquity makes them valuable but also creates confusion when considering the many choices in the marketplace. To help straighten that out, we’ll discuss the main types of compressors and the terminology that explains their usage.
The purpose of a compressor is to even out the audio signal in order to tame loud transients and bring up lower amplitude material. Compressors were born out of necessity to fill that very straightforward role, to protect radio transmitters from overly hot signals, and to keep recordings in a narrower dynamic range that was easier to reproduce on tape or record. Continue reading →
The 500 Series format consists of a whole slew of different signal processing modules in a compact rack unit. Mic preamps, equalizers, compressors, DI boxes, filters, effects... You name it, you can find it in a 500 Series version from a wide variety of manufacturers.Most of those manufacturers participate in the VPR Alliance, established to set standards for the format to ensure that the end user can rely on consistent specifications with regard to voltage, current draw, size, etc. along with proper compatibility with existing modules. The essence of this idea is to make it simple for the user to mix and match modules from different makers, thus allowing for the broadest range of implementation for their products. Continue reading →
Compressors are one of the keys to dialing in a professional-sounding drum mix. Whether you’re going for an aggressive, punchy sound or a tight, controlled performance, compressors help you shape transients and control dynamics to achieve the perfect sound.Some compressors excel at certain tasks while others struggle, so it's important to select the right one for the job. When mixing drums, many engineers reach for fast-acting compressors with program-dependent release times and just a touch of saturation. While there are many quality options out there, here are six compressors for dialing in unforgettable drum mixes. Continue reading →
Thanks to the advancement of technology, it’s easier than ever to record professional-sounding audio on any budget. It may sound like hyperbole, but it’s not. The current crop of gear has completely leveled the playing field, giving you the option to record and mix with the same setups as the best engineers without going into bankruptcy. Continue reading →
When it comes to getting the best gear, your tastes are probably pretty particular. Vintage King can help answer any and every question to help you make the right decisions for your sound. Fill out the form below and we'll be in contact with you shortly.
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In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
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The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
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