{"title":"Used \u0026 Vintage Latest Arrivals","description":null,"products":[{"product_id":"rupert-neve-designs-portico-5043-2-channel-compressor-limiter-43e0328-used","title":"Rupert Neve Designs Portico 5043 2-Channel Compressor\/Limiter #43E0328 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Design Portico 5043 Limiter\/Compressor Duo\u003c\/strong\u003e features fully controllable dual mono or stereo operation plus innovative feedforward\/feedback detection switching and yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eFEEDFORWARD AND FEEDBACK DETECTION\u003c\/h3\u003e  \u003cp\u003ePerhaps the most significant aspect of the Portico 5043 is the ability to switch between feedforward and feedback detection. In most of Mr. Rupert Neve’s earliest designs, feedback detection — controlling the VCA with a rectified voltage from the unit’s output — was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit. To offer faster, more technically accurate response times, feedforward detection was implemented on all of Mr. Rupert Neve’s more modern designs.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eINDEPENDENT AND LINKED OPERATION\u003c\/h3\u003e  \u003cp\u003eEach channel of the 5043 encompasses individually controllable threshold, makeup gain from -6 dB to +20 dB, ratio and VCA detection mode (feedforward\/feedback). The channels may be used independently or connected in sequence to provide two separate control slopes on a single source. The D.C. control circuits may be linked via a front panel push-button so that the level of each channel may be held in a constant relationship for stereo operation. With the compressor inactive, the 5043 may be used as a transformer-coupled, high-performance line amplifier.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCONNECTIVTY\u003c\/h3\u003e  \u003cp\u003eRear panel connections are provided to enable the linking of multiple Portico 5043s. The 5043 can link both internal control lines or multiple additional 5043s, enabling one of them to serve as “master.” When either the buss or line level input is selected, custom-designed transformers couple the input and output to create a true floating ground, ensuring compatibility with modules outside of the Portico Range, and imparting the rich warmth that is so revered in Mr. Rupert Neve’s classic designs.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44451352412263,"sku":"496833","price":1329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-portico-5043-2-channel-compressor-limiter-43e0328-used_496833_1_8a263317-f43f-4aa8-b846-a5c3b78cc645.jpg?v=1790175464"},{"product_id":"neumann-u-87-large-diaphragm-multipattern-condenser-microphone-11690-vintage","title":"Neumann U 87 Large Diaphragm Multipattern Condenser Microphone #11690 (Vintage)","description":"\u003cp\u003eThe venerable \u003cstrong\u003eNeumann U 87\u003c\/strong\u003e is the gold standard of studio condenser microphones. It was originally designed by Gerhart Bore of Neumann as a solid state replacement for the very successful U 67 tube condenser microphone (somewhat ironically, the U 87 was debuted in 1967). The mic used the new K87 capsule which was sonically identical to the K67 capsule, but utilized phantom power instead of an external PSU. In order to guarantee usability in the absence of a power source, the microphone body was fitted with a pair of 22.5V batteries to power the mic. By 1986, when phantom power had become an industry standard, there was no longer a need for the battery compartment, and so the chamber was modified to house a DC\/DC converter instead, and these mics are designated U 87A. The output of this version is 6 dB higher, with a noise floor that is 4 dB lower than the original U 87. Those models that had an XLR connector instead of a Tuchel are designated U 87 Ai.\u003c\/p\u003e \u003cp\u003eThe U 87's smooth and refined sound is as iconic as its elegant exterior design. It is simply the standard microphone for speech and vocals. Three polar patterns plus pad and low cut options make it adaptable to a wide range of applications.\u003c\/p\u003e \u003ch3\u003eA STUDIO WORKHORSE\u003c\/h3\u003e \u003cp\u003eThe U 87 is ubiquitous in studios across the world and has been widely used for pop and rock recordings since its introduction. Its fidelity and midrange presence make it indispensable as a vocal microphone. Due to the balanced response in each of its three directional patterns, the U 87 can be used on anything from acoustic guitar to drum overheads. Its solid bass response and excellent midrange detail make it great for placing in front of bass and guitar cabinets. For classical recordings, the U 87 is frequently used as a spot mic for soloists, e.g. cello. A stereo pair of U 87s is the preferred choice of many engineers for recording piano in virtually any genre from pop and jazz to classical music.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44540153528423,"sku":"508373","price":4495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-u-87-large-diaphragm-multipattern-condenser-microphone-11690-vintage_508373_1_ce554e5f-5421-4cc1-8b20-aeb28a8a2f60.jpg?v=1790175464"},{"product_id":"neumann-u-87-ai-large-diaphragm-condenser-microphone-84126-used","title":"Neumann U 87 Ai Large Diaphragm Condenser Microphone #84126 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eNeumann U 87 Ai\u003c\/strong\u003e is the gold standard of microphones in modern audio recording. For over 50 years, the U 87 Ai has been used in recording studios all over the world to capture award-winning performances. Adored for its smooth, refined sound, this classic large diaphragm condenser mic will instantly bring any instrument to life.\u003c\/p\u003e \u003ch3\u003eTHE LEGENDARY U 87\u003c\/h3\u003e \u003cp\u003eIntroduced in 1967, Neumann’s U 87 has shaped the sound of hundreds of hit records over the last 50 years. To this day, no professional recording studio is complete without a Neumann U 87 Ai. The U 87 Ai is the quintessential large diaphragm condenser microphone. The iconic design and musical sonic character have become the gold standard by which other microphones are measured.\u003c\/p\u003e \u003cp\u003eFeaturing a balanced frequency response with a unique midrange presence, the U 87 Ai offers a unique, yet instantly recognizable tone. Equipped with selectable omni, cardioid, and figure-8 polar patterns, the U 87 Ai is a versatile studio workhorse that will shine in any situation: from acoustic guitar to drum overheads.\u003c\/p\u003e \u003ch3\u003eCLASSIC NEUMANN ENGINEERING\u003c\/h3\u003e \u003cp\u003eThe U 87 was originally created as a solid state version of the legendary U 67 tube condenser microphone from the 1960s. U 87 Ai combines the same K67 dual diaphragm condenser capsule as its tube-based predecessor with innovative FET 80 technology to deliver unparalleled clarity.\u003c\/p\u003e \u003cp\u003eThe built-in switchable low cut filter makes it easy to combat low frequency build up caused by the proximity effect. The on-board pad and remarkably low self-noise mean you can record even louder performances without any unwanted distortion.\u003c\/p\u003e \u003cp\u003eDue to its solid bass response and excellent midrange detail, the U 87 Ai sounds great on bass and guitar cabinets, while the extended top-end makes it he ultimate vocal microphone. Perfect for any genre from pop and jazz to classical music, the U 87 Ai is the world’s most famous studio microphone for a reason.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44540153888871,"sku":"514800","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-u-87-ai-large-diaphragm-condenser-microphone-84126-used_514800_1_05071ab4-8297-4b60-a74e-254b3ae792b1.jpg?v=1790175463"},{"product_id":"wesaudio-_hyperion-500-series-parametric-eq-241246-used","title":"WesAudio _Hyperion 500 Series Parametric EQ #241246 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eWesAudio Hyperion 500 Series Parametric EQ\u003c\/strong\u003e is fully analog parametric EQ with +24 dBu of headroom. It features a lot of innovative improvements that no other processor on the market provides. It's innovative design utilizes 18 VCAs per channel to provide noiseless parameter changes and very musical nature. HYPERION is next product in NG500 line where total recall is implemented through front panel USB socket, or TITAN chassis.\u003c\/p\u003e","brand":"WesAudio","offers":[{"title":"Default Title","offer_id":44654854766695,"sku":"511534","price":889.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wesaudio-_hyperion-500-series-parametric-eq-241246-used_511534_1_ccd16a15-e807-48e7-99b4-3e59fb40b36f.jpg?v=1789740314"},{"product_id":"rupert-neve-designs-portico-5032-microphone-preamp-eq-horizontal-32e0249-used","title":"Rupert Neve Designs Portico 5032 Microphone Preamp\/EQ - Horizontal #32E0249 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 5032\u003c\/strong\u003e is a single channel Mic Pre\/EQ having an independent transformer coupled Line level input for the EQ section. It includes a full-featured mic preamp identical to the 5012 with the addition of a flexible 3 band equalizer in the Mr. Rupert Neve tradition. The 5032 is equipped with high and low frequency shelving curves and a Parametric Mid Band covering 80 Hz - 8 kHz in two ranges.\u003c\/p\u003e  \u003cp\u003eThe RND 5032 module is a half rack width, 1U module in the now well-known Portico style. The 5032 is ideal for both tracking and mixing applications with selectable mic or line inputs. Both paths have full access to the EQ, phase, silk and mute making it the ideal choice for either standalone operation, or forming the core of a larger mixing system. As with the entire Portico range, the construction is a heavy and robust steel shell that provides total magnetic screening and exceptional mechanical stability. The front panel is machined from a solid 1\/8-inch aluminum plate with a steel sub panel behind it.\u003c\/p\u003e  \u003cp\u003eThe output stage is identical with that of the Portico 5012, using single-sided circuitry, driving a carefully configured output transformer that can deliver a full +25 dBu from the balanced and ground-free secondary winding.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44654854799463,"sku":"503210","price":1129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-portico-5032-microphone-preamp-eq-horizontal-32e0249-used_503210_1_d2e2a906-0e3e-4704-ab19-b047b0b9903a.jpg?v=1789740313"},{"product_id":"universal-audio-apollo-x16-16x18-thunderbolt-3-audio-interface-22072020100202-used","title":"Universal Audio Apollo x16 16x18 Thunderbolt 3 Audio Interface #22072020100202 (Used)","description":"\u003cp\u003eThe Apollo X series from Universal Audio sees the brand pushing their flagship audio interface further forward than ever before. With the \u003cstrong\u003eUniversal Audio Apollo x16\u003c\/strong\u003e, recording engineers and producers will have more connectivity, unparalleled processing power, improved conversion and expanded monitoring features for their studio rig.\u003c\/p\u003e  \u003cp\u003eApollo x16 will find a perfect fit in professional recording studios, as it enables audio creators to track and mix through a 16x18 (16x18 analog I\/O) interface with new HEXA core processing. With six SHARC DSP processors, the Apollo X series now allows for 50% more DSP for running UAD plug-ins when working on audio tracks on Mac or PC.\u003c\/p\u003e  \u003cp\u003eThe Apollo x16's sleek rack mount unit features Thunderbolt 3 connectivity and also has new improvements in conversion and monitoring. Universal Audio engineers have updated their converters for more natural sounding recordings and now offers up to 7.1 surround sound monitoring*, an integrated monitor controller and built-in talkback mic.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eIMPROVED CONVERSION FOR THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eUniversal Audio has improved the Apollo interfaces conversion capabilities for the launch of the Apollo X line. For the Apollo x16, the engineering team at Universal Audio paired together 24-bit\/192 kHz converters with new analog circuitry to offer best-in-class conversion with 133 dB dynamic range and THD+N of -129 dB\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eADDING MORE POWER TO THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eThe Apollo x16 offers more power than ever before with HEXA Core processing that utilizes six DSP chips. With 50% more DSP than previous generations of the interface, you'll be able to take advantage of Universal Audio's extensive UAD library and have a higher plug-in count when recording and mixing with the Apollo x16.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eA SEAMLESS FIT IN ANY STUDIO\u003c\/h3\u003e  \u003cp\u003eUsing Apollo interfaces in a professional recording studio has never been easier. The Apollo x16 features up to 7.1 surround monitoring for engineers, producers and musicians working in any type of studio setting. There is also a selectable +24 dBU option for working outside of the box and using the Apollo x16 in conjunction with recording consoles and analog outboard gear.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eBUILDING A NETWORKED STUDIO WITH THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eIf you're looking to build out a networked studio, the Apollo x16 is the perfect option for a centerpiece. The interface offers 16x18 inputs\/outputs (16x16 analog I\/O) and two built-in Thunderbolt 3 ports. These Thunderbolt 3 ports can be used to combine Thunderbolt-compatible Apollo Twins or other rack mount Apollos with your Apollo x16 and increase I\/O and DSP. In total, it's possible to combine up to four Apollos and six total UAD-2 devices with the Apollo x16.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":44654854832231,"sku":"516918","price":2489.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/universal-audio-apollo-x16-16x18-thunderbolt-3-audio-interface-22072020100202-used_516918_1_2d0e0690-4c91-467a-b63d-201915c7e14b.jpg?v=1789740314"},{"product_id":"tube-tech-cl-1b-optical-tube-compressor-22-226-used","title":"Tube-Tech CL 1B Optical Tube Compressor #22.226 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eTUBE-TECH CL1B Optical Tube Compressor\u003c\/strong\u003e is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL1B really stands out compared to other compressors. Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.\u003c\/p\u003e  \u003cp\u003eCL1B is by far the most popular TUBE-TECH unit, and this is not without a reason: For vocals and instruments like guitar bass and keys (regardless of musical genre) the CL1B delivers extremely musical and smooth compression, just what’s needed to make the track fit into your mix without any muddiness or distortion, even at very extreme settings.\u003c\/p\u003e  \u003cp\u003eThe CL1B is VERY easy to use; just dial in what you need! You’ll hear and feel the action immediately and don’t have to doubt whether the setting works, it’s always obvious.\u003c\/p\u003e  \u003cp\u003eWith thousands of units sold, the CL1B is by far the most successful TUBE-TECH device to date, and its distinctive sound can be heard on countless legendary recordings.\u003c\/p\u003e  \u003cp\u003eThe number of hit records featuring the CL1B is countless and the rule is that the majority of all top singers and musicians demands the CL1B for their recordings regardless of the genre they perform. As an example, it’s well known secret that all the big Hip Hop \/ Rap stars depend heavily on the CL1B for their vocal performance.\u003c\/p\u003e","brand":"Tube-Tech","offers":[{"title":"Default Title","offer_id":44654854864999,"sku":"514802","price":4625.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tube-tech-cl-1b-optical-tube-compressor-22-226-used_514802_1_d2ebc9c3-d57e-45a1-8102-503ded9f6d1f.jpg?v=1789740313"},{"product_id":"black-box-analog-design-hg-2-saturation-processor-251132-used","title":"Black Box Analog Design HG-2 Saturation Processor #251132 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eBlack Box Analog Design HG-2\u003c\/strong\u003e is a line level, stereo unit designed to add saturation, harmonics, natural compression, increased RMS and enhancement during mixing and mastering. It is designed to easily and naturally do what usually requires multiple pieces of gear and do it better!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTUBES, TRANSFORMERS AND TONE\u003c\/h3\u003e  \u003cp\u003eThe HG-2 uses custom-wound transformers to feed two paths: The main signal path travels through a 6U8A Pentode tube stage that then drives into the Triode stage that follows, resulting in everything from subtle harmonics to full-on saturation.\u003c\/p\u003e  \u003cp\u003eAlso fed from the input transformer is a parallel signal path that utilizes a set of 12AX7 tubes, voiced specifically for harmonics and saturation. This parallel saturation circuit is outfitted with a 3 way “Freq. Select” switch that allows the user to choose the frequency content of the signal feeding the circuit. The “low position saturates just the low mids and sub frequencies, the “flat” position saturates full bandwidth and the “high” position saturates only the high mids and high frequencies. The result is the ability to add top end to dull tracks, enhance low end or enhance and add energy to the entire signal. The “harmonics” knob allows the user to control how much of the processed, parallel signal is fed into the main signal before hitting the Pentode stage. Finally, both stages reach the passive output attenuation before a pair of Cinemag output transformers.\u003c\/p\u003e  \u003cp\u003eIn addition to the saturation stages, an “air” switch adds a subtle top end lift and the “alt” tube button switches between two different 12AX7 tubes in the parallel circuit. Switching between tubes allows the user to swap tubes for different types of saturation and switch back and forth instantly.\u003c\/p\u003e  \u003cp\u003eThe meter select chooses whether the meter is fed from the input or output, and the “bypass” switch is a true bypass that shorts the input directly to the output with no additional circuitry in line.\u003c\/p\u003e","brand":"Black Box Analog Design","offers":[{"title":"Default Title","offer_id":44654854897767,"sku":"512963","price":3399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/black-box-analog-design-hg-2-saturation-processor-251132-used_512963_1_16a7f9a9-13dc-45a9-b044-57b918b45feb.jpg?v=1789740313"},{"product_id":"api-500-6b-500-series-6-slot-module-lunchbox-7681-21n-used","title":"API 500-6B 500 Series 6-Slot Module Lunchbox #7681-21N (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 500-6B Lunchbox\u003c\/strong\u003e is a 6-slot rack designed to accept all API standard 5.25\" x 1.5\" modules. 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A near-identical recreation of the classic Solid State Logic SL 4000 E console channel strip design, the SSL 611EQ combines the beloved four-band design with a versatile Black\/Brown switch for two totally different response curves.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTWIN EQ CIRCUITS\u003c\/h3\u003e  \u003cp\u003eThe SL 4000 E console has been used to mix countless classic records. Renowned for its punchy, grungy sound, the E-series channel strip is one of the most beloved EQ designs ever created. Now with the new SSL 611EQ, you can capture the sound of the original “Brown knob” design from the early 80s as well as the updated “Black knob” design from the mid to late 80s in one flexible 500 Series package.\u003c\/p\u003e  \u003cp\u003eAll SSL consoles prior to the summer of 1985 were equipped with “Brown-02” card, which offer a cut\/boost of +\/-15 dB. The last version of the standard E series EQ is the ‘Black-242’ card, which features a cut\/boost of +\/-18 dB. Both models feature unique frequency response curves, giving you two totally different tonal options a single module.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eFOUR-BAND DESIGN\u003c\/h3\u003e  \u003cp\u003eThe SSL 611EQ features a four-band design, providing plenty of flexibility for tone shaping. Both the high and low frequency bands can be toggled from shelf to bell, allowing for broad adjustments or surgical precision. The midrange bands are fully parametric with controls for gain, frequency and Q allowing for diverse tone sculpting options. The BLK button toggles between the Brown and Black EQ circuits, while the IN button provides an easily accessible bypass button for A\/Bing tracks.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eFLEXIBLE FREQUENCIES\u003c\/h3\u003e  \u003cp\u003eThe low-frequency band on the SSL 611EQ features a frequency range of 30 Hz to 450 Hz for thick, rich lows. 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The single-fader DAW controller from SSL builds on the legendary British manufacturer’s decades-long heritage of design expertise. The compact UF1 features deep control of leading DAW software with a 100mm motorized fader, dual high-resolution displays, soft-feel durable rubber keys, and a weighted jog wheel. Housed in a robust metal enclosure, UF1 gives you complete command of essential DAW functions like pans, sends, plug-in controls, and more. With 46 customizable soft keys, detailed visual feedback, and deep integration with SSL metering software, UF1 is the top-performing compact DAW controller.\u003c\/p\u003e \u003ch3\u003eUF1 TO CONTROL THEM ALL\u003c\/h3\u003e \u003cp\u003eControl up the three DAWs at once with dedicated profiles for Pro Tools, Logic, Ableton Live, and others. Navigate massive DAW sessions easily with the weighted jog wheel and convenient transport keys. Use the Secondary Transport buttons to configure custom shortcuts for toggling workflow elements like loop playback and click track. Access automation controls with the Shift button and get precision control for automation and track volume with UF1’s premium 100 mm SSL fader. Get instant visual feedback with UF1’s dual high-resolution displays and see track names, plug-in parameters, SSL Meter readouts, and more. Control other SSL Native plug-ins directly from UF1 and see dynamics activity, EQ curves, and other features of SSL Channel Strip on its displays. The UF1’s multi-purpose notched encoder lets you easily bank through channels, control computer system volume and emulate mouse wheel behavior while in Focus mode.\u003c\/p\u003e \u003ch3\u003eMETER PLUG-IN AND SSL 360° INTEGRATION\u003c\/h3\u003e \u003cp\u003eThe SSL UF1 comes bundled with a perpetual license for the SSL Meter plug-in to give you pro metering directly from UF1’s 4.3” IPS display. 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The Shelford Channel is built around Rupert Neve’s first new transformer-gain, Class-A microphone preamplifier in over 40 years, the “best-of-the-classics” inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel Strip without clipping standard converters, and twice the operating voltage of vintage designs.\u003c\/p\u003e  \u003cp\u003eWith richly-colored tonal options for making bold statements with your music, and precisely-engineered detented controls for recall, the vintage-inspired Shelford Channel maintains the soul of Rupert’s classic designs with new levels of versatility, delivering what can only be described as the combined essence of fifty years of Rupert Neve’s designs.\u003c\/p\u003e  \u003ch3\u003eTHE INPUT STAGE AND TRANSFORMER GAIN MIC PREAMP\u003c\/h3\u003e  \u003cp\u003eLike Rupert’s designs from his time in Little Shelford, the Shelford Channel’s preamplifier uses a directly-coupled transformer input with gain provided by the custom transformer itself - a first in over 40 years for Rupert Neve. This new custom-designed input transformer, along with its careful integration with the surrounding circuitry, is critical to the Channel’s bold and instantly recognizable character.\u003c\/p\u003e  \u003cp\u003eWith this classic topology, the input transformer design is extraordinarily challenging, and the RN4012 transformer utilized in the Channel went through many generations before Mr. Rupert Neve was satisfied. This transformer provides the first 15 dB of gain, with the rest of the 72 dB of gain provided by the discrete, Class-A amplifier blocks controlled by a stepped attenuator and precision trim pot. Whereas Rupert’s more modern designs (e.g. the Portico Series) utilize a combination of TLAs (Transformer-Like Amplifiers) followed by an input transformer for pristine low \u0026amp; high frequency detail and galvanic isolation (see comparing input topologies notes), the Shelford Channel’s design directly couples the input transformer to the microphone line. When this new transformer is combined with its surrounding class-A input amplifiers, the result is the unmistakably smooth high and low frequencies of the most famous vintage modules in the world, yet with incredibly low noise and superior isolation. The mic preamp section also includes a sweepable 20-250 Hz high-pass filter, Mic \/ Line selection, 48 V phantom power, and polarity reverse.\u003c\/p\u003e  \u003ch3\u003eTHE DUAL TAP TRANSFORMER OUTPUT WITH VARIABLE SILK\u003c\/h3\u003e  \u003cp\u003eSimilarly to the input stage, the new output stage is designed to provide the texture and power of Rupert’s classics while allowing for significantly more versatility in tone.\u003c\/p\u003e  \u003cp\u003eThe dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance. The high headroom tap is designed capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The low headroom tap however is optimized to allow an engineer to drive the full voltage range of the Channel Strip - adding dynamic tone with these same non-linear “colorations” - without clipping most professional interfaces. On drums, vocals, guitars and other instruments, this output lets you easily hit the transformer’s “sweet-spot” of non-linear harmonic content, which can bring a recorded performance to life in a way that other effects can’t.\u003c\/p\u003e  \u003cp\u003eAnother advantage of the output stage versus vintage modules is the addition of the variable Silk circuitry, which allows complete control over the harmonic content and saturation of the output transformer. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. When engaged, the harmonic content - predominantly 2nd order and 3rd order with no high order distortion - can be dialed up to several times beyond that found in his vintage units like the 1073. This is further controlled with Silk Red and Blue modes, which emphasize harmonic content generated by the source’s high frequencies (Red) or low frequencies (Blue).\u003c\/p\u003e  \u003ch3\u003eTHE DIRECT INPUT\u003c\/h3\u003e  \u003cp\u003eThe Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain. This pro audio design, made world-famous by the best-selling RNDI, delivers unmatched clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.\u003c\/p\u003e  \u003ch3\u003eTHE “BEST OF THE CLASSICS” EQ\u003c\/h3\u003e  \u003cp\u003eThe 3-band, custom-tapped inductor EQ on the Shelford Channel was inspired by our favorite portions of Rupert’s vintage EQ designs. The low frequency band is primarily based on the 1064 - renowned for its creamy, resonant bass. Unlike the 1064 however, the LF band on the Channel Strip can be used as either a shelf or a peak filter; adding punch, dimension, and immense control to your low end.\u003c\/p\u003e  \u003cp\u003eThe Shelford Channel’s inductor midrange band is based on Rupert’s 1073, ideal for sweetening vocals and instruments while bringing them ever-so-slightly forward in a mix. Additionally, the mid frequency band’s proportional “Q” response makes it well-suited for minimizing problematic frequencies in a source.\u003c\/p\u003e  \u003cp\u003eThe Channel’s high frequency band is a hybrid vintage \/ modern design, using capacitor-based topologies to achieve a richer tone with enhanced control, perfect for pro audio studios. As Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. The EQ circuit itself, however, is a decidedly modern design using techniques and components that were simply not available 40 years ago, and should not be considered a “clone”.\u003c\/p\u003e  \u003ch3\u003eTHE DIODE BRIDGE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eLike the Inductor EQ and Transformer Gain mic preamp, the diode bridge compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs - such as the 2254 - but it expands on these early design by incorporating full-wave rectification and a slew of new control features.\u003c\/p\u003e  \u003cp\u003eWhile Rupert’s vintage diode bridge compressors have a uniquely punchy and warm response, they were also quite limited by inflexible attack times, high noise, low headroom, \u0026amp; imprecise controls. With the Super Diode Bridge Compressor, Rupert Neve Designs is able to recapture the vibe-filled, “in your face” sound of those classics with a new level of precision and flexibility, allowing the compressor to be fully utilized on virtually any source. Where the VCA compressor found in the Portico II Master Buss Processor delivers unrivaled transparency, the Shelford Channel’s Super Diode Bridge Design is all about making a statement with compression.\u003c\/p\u003e  \u003cp\u003eThe compressor includes controls for TIMING, THRESHOLD, RATIO, BLEND, MAKE UP GAIN, FAST (attack-release modifier), HPF to Side Chain, Pre-EQ, Bypass, Side Chain Insert, and Stereo Link for the new high-performance diode bridge.\u003c\/p\u003e  \u003cp\u003eTIMING is a six-position switch that affects both attack \u0026amp; release settings for Auto, Fast, Medium Fast, Medium, Medium Slow, Slow (here is a chart of applicable times). The FAST button speeds up the attack for every setting - highly useful when it becomes vital to clamp down on transients. These settings provide a vast range of attack \/ release combinations, all with easy auditioning \u0026amp; recall.\u003c\/p\u003e  \u003cp\u003eThe RATIO control has 6 steps between 1.5:1 to 8:1 to achieve subtle or extreme reductions, and the THRESHOLD control has 31 steps dented between -25dBU and +20dBU for a wide variety of input levels. MAKE UP GAIN has 31 steps from -6dB to +20dB, and is affected by the blend setting - more on that later. The HPF to SC button moves the Swept HPF in the mic pre to the compressor side chain, reducing the impact of low frequencies in the compressor’s response. The SC INSERT allows more elaborate equalization of the side-chain signal, accessible via TS I\/O on the rear panel.\u003c\/p\u003e  \u003cp\u003eThe BLEND control is incredibly useful on the Diode bridge compressor, because it allows an extremely colored compressor sound and massive amounts of gain reduction to be gradually mixed into the signal - giving the compressor a potential for subtlety and precision not found in its predecessors.\u003c\/p\u003e  \u003ch3\u003eDOUBLE VOLTAGE POWER\u003c\/h3\u003e  \u003cp\u003eThe Shelford Channel uses an internal power supply with +\/- 24V rails using a standard IEC cable input versus a single 24V rail in Rupert’s vintage design. This extra voltage helps improve dynamic range and noise performance for improved sonic detail. The power supply is auto-switching for reliable performance anywhere in the world from 100 to 240VAC, 50 - 60 Hz.\u003c\/p\u003e  \u003ch3\u003eTRANSFORMER GAIN MIC INPUT\u003c\/h3\u003e  \u003cp\u003eLike Rupert’s classic designs, the Shelford Channel’s mic input uses direct transformer coupling with 15dB of gain in the transformer itself. This extremely sensitive design utilizes the new RN4012 transformer, which spent years in development. The resulting sonic performance allows the mic pre to capture the more forward mid’s and slightly rounded off high and low frequencies of vintage designs like the 1073.\u003c\/p\u003e  \u003ch3\u003eDIRECT INPUT\u003c\/h3\u003e  \u003cp\u003eThe Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the mic preamp for gain. This design delivers exceptional clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.\u003c\/p\u003e  \u003ch3\u003eDUAL TAP OUTPUT\u003c\/h3\u003e  \u003cp\u003eThe dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance. The high headroom tap is designed to capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The low headroom tap however is optimized to allow an engineer to drive the full voltage range of the Channel - adding dynamic tone with these same nonlinear “colorations” - without clipping most professional interfaces (Max output level +19dBU). 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With the \u003cstrong\u003eUniversal Audio Apollo x16\u003c\/strong\u003e, recording engineers and producers will have more connectivity, unparalleled processing power, improved conversion and expanded monitoring features for their studio rig.\u003c\/p\u003e  \u003cp\u003eApollo x16 will find a perfect fit in professional recording studios, as it enables audio creators to track and mix through a 16x18 (16x18 analog I\/O) interface with new HEXA core processing. With six SHARC DSP processors, the Apollo X series now allows for 50% more DSP for running UAD plug-ins when working on audio tracks on Mac or PC.\u003c\/p\u003e  \u003cp\u003eThe Apollo x16's sleek rack mount unit features Thunderbolt 3 connectivity and also has new improvements in conversion and monitoring. Universal Audio engineers have updated their converters for more natural sounding recordings and now offers up to 7.1 surround sound monitoring*, an integrated monitor controller and built-in talkback mic.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eIMPROVED CONVERSION FOR THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eUniversal Audio has improved the Apollo interfaces conversion capabilities for the launch of the Apollo X line. For the Apollo x16, the engineering team at Universal Audio paired together 24-bit\/192 kHz converters with new analog circuitry to offer best-in-class conversion with 133 dB dynamic range and THD+N of -129 dB\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eADDING MORE POWER TO THE APOLLO X16\u003c\/h3\u003e  \u003cp\u003eThe Apollo x16 offers more power than ever before with HEXA Core processing that utilizes six DSP chips. 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The interface offers 16x18 inputs\/outputs (16x16 analog I\/O) and two built-in Thunderbolt 3 ports. These Thunderbolt 3 ports can be used to combine Thunderbolt-compatible Apollo Twins or other rack mount Apollos with your Apollo x16 and increase I\/O and DSP. 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The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The 2.5” aluminum cone midrange is housed in a cutting edge 3D printed waveguide enclosure. The 5.25″ woofers feature a phalanx of advanced technology, yielding upper bass and lower midrange detail that rivals any driver on the planet. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage used in every Barefoot monitor. Melding the system together is a groundbreaking new DSP crossover that took Thomas Barefoot more than 4 years to develop. With beautifully designed high end converters and cutting edge proprietary filtering techniques the MM26 sound stage is seamlessly coherent and deeply revealing.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMEME TECHNOLOGY:\u003c\/h3\u003e  \u003cp\u003eDespite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM26 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain 26′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM26 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. 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Coupled with Rupert’s famous custom audio transformers and Silk Red \u0026amp; Blue circuitry for variable harmonic saturation, the Orbit launches sterile in-the-box mixes to new heights of tone, depth and clarity – without compromising the recallable convenience and repeatability of your DAW-based workflow.\u003c\/p\u003e \u003ch3 id=\"toc_0\"\u003eBORN TO DRIVE\u003c\/h3\u003e \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen you push a mix bus and output transformers towards saturation, the non-linear, musical harmonics that occur are what truly glue a recording together and bring it to life. Rather than using an external summing converter that offers little more than an ultra-clean representation of the in-the-box experience, the RND Orbit Summing Mixer provides the extraordinary richness, harmonic complexity and depth that only a Rupert Neve console can bring to your pro audio mixes.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003eThe RND Orbit utilizes a highly custom output transformer configuration originally developed for the acclaimed Shelford Channel, which provides both a Main Output and a -6dB Output – the latter of which enables you to fully drive the Orbit to achieve more transformer harmonics without clipping the next device in the chain. This unique transformer drive is a hallmark of the sound of Rupert Neve throughout the years – and the sound of countless classic hit records.\u003c\/p\u003e \u003ch3 id=\"toc_1\"\u003eCLASSIC SOUNDS ON DEMAND\u003c\/h3\u003e \u003cp\u003eEvery mix demands its own treatment. 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This 18 x 24 Thunderbolt interface features onboard UAD-2 DUO processing, genuine UA analog design, and next-generation A\/D and D\/A conversion, putting class-leading sonic performance in a sleek package.\u003c\/p\u003e  \u003cp\u003eApollo 8 further distinguishes itself with Realtime UAD Processing and Unison technology, letting you record at near-zero latency through the full range of UAD plug-ins from Neve, Studer, Manley, Lexicon, and more — including new mic preamp emulations from Neve, API and Universal Audio.* Apollo Expanded software now allows cascading up to four Apollos in a single system over Thunderbolt (Mac), so you can scale up your studio as your needs grow.\u003c\/p\u003e  \u003ch3\u003eNEXT-GENERATION APOLLO A\/D AND D\/A CONVERSION\u003c\/h3\u003e  \u003cp\u003eApollo 8 improves upon the original Apollo’s gold-standard audio quality with completely redesigned, class-leading A\/D and D\/A conversion — giving you increased dynamic range and even lower THD. This results in breathtaking clarity, depth, and accuracy in your recordings, from tracking and overdubbing, to mixing and mastering.\u003c\/p\u003e  \u003ch3\u003eREALTIME UAD PLUG-IN PROCESSING FOR TRACKING, MIXING, AND MASTERING\u003c\/h3\u003e  \u003cp\u003eWhile Apollo 8’s “natural” sound is very open and transparent, it can quickly deliver a stunning range of classic analog tones and color via its Realtime UAD Processing. Available with UAD-2 DUO processing onboard, Apollo’s DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency — letting you monitor and “print” audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.\u003c\/p\u003e  \u003cp\u003eUsing Apollo, UAD plug-ins are also available during mixing and mastering, putting UAD plug-ins (VST, RTAS, AU, AAX 64) at your disposal throughout the creative process.\u003c\/p\u003e  \u003ch3\u003eFOUR MIC PREAMPS WITH UNISON TECHNOLOGY\u003c\/h3\u003e  \u003cp\u003eA Universal Audio breakthrough, Apollo 8’s Unison technology gives you the tone of the world's most sought-after tube and solid state mic preamps — including their impedance, gain stage “sweet spots,” and component-level circuit behaviors.\u003c\/p\u003e  \u003cp\u003eBased on unprecedented hardware-software integration between Apollo’s mic preamps and its onboard UAD plug-in processing, Unison lets you record through stunning emulations like the bundled UA 610-B Tube Preamp plug-in, or exclusive preamp emulations from API and Neve.\u003c\/p\u003e  \u003cp\u003eUnison technology is further enhanced in Apollo 8 to include its panel Hi-Z instrument inputs, giving you dead-on impedance and gain matching for new stompbox models.\u003c\/p\u003e  \u003ch3\u003eAPOLLO EXPANDED AND CONSOLE 2.0\u003c\/h3\u003e  \u003cp\u003eThanks to Apollo Expanded software, users of Thunderbolt-equipped Apollo Twin, Apollo 8, Apollo 8p, and Apollo 16 audio interfaces can combine up to four Apollos and six total UAD-2 devices — adding I\/O and DSP as their studio grows. Apollo Expanded also permits integration with previous generation Apollo over Thunderbolt. With Apollo 8’s Console 2.0 application — a complete re-imagining of Apollo’s original Console software — you can take advantage of over 25 user-requested features such as Channel Strip presets, Drag \u0026amp; Drop functionality, dynamically resizable windows, and more.\u003c\/p\u003e  \u003ch3\u003eIMPROVED MONITORING AND WORKFLOW\u003c\/h3\u003e  \u003cp\u003eApollo 8 features a host of front-panel upgrades over the original Apollo, including Alt Speakers, Dim, and Mono functions as well as input and output metering capabilities via the new Meter button. These features combine with Apollo’s system scalability to make it the new standard in professional multi-channel audio recording.\u003c\/p\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":50313536602215,"sku":"517547","price":789.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/universal-audio-apollo-8-duo-thunderbolt-interface-black-16341208004853c-used_517547_1_02b93875-7d54-4d52-929b-d1a56b6dda72.jpg?v=1790175463"},{"product_id":"rupert-neve-designs-shelford-channel-02996-used","title":"Rupert Neve Designs Shelford Channel #02996 (Used)","description":"\u003cp\u003eOver fifty years in the making, the \u003cstrong\u003eRupert Neve Designs Shelford Channel\u003c\/strong\u003e is the definitive evolution of the original technologies in Rupert’s classic console modules like the 1073, 1064, 1081 \u0026amp; 2254, thoughtfully advanced and refined for the 21st century studio. The Shelford Channel is built around Rupert Neve’s first new transformer-gain, Class-A microphone preamplifier in over 40 years, the “best-of-the-classics” inductor EQ section from the Shelford 5052, a tone-packed Diode bridge compressor, the analog power of variable Silk saturation, a new dual-tap transformer output stage for maintaining headroom or allowing the full driving of the Channel Strip without clipping standard converters, and twice the operating voltage of vintage designs.\u003c\/p\u003e  \u003cp\u003eWith richly-colored tonal options for making bold statements with your music, and precisely-engineered detented controls for recall, the vintage-inspired Shelford Channel maintains the soul of Rupert’s classic designs with new levels of versatility, delivering what can only be described as the combined essence of fifty years of Rupert Neve’s designs.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eTHE INPUT STAGE AND TRANSFORMER GAIN MIC PREAMP\u003c\/h3\u003e  \u003cp\u003eLike Rupert’s designs from his time in Little Shelford, the Shelford Channel’s preamplifier uses a directly-coupled transformer input with gain provided by the custom transformer itself - a first in over 40 years for Rupert Neve. This new custom-designed input transformer, along with its careful integration with the surrounding circuitry, is critical to the Channel’s bold and instantly recognizable character.\u003c\/p\u003e  \u003cp\u003eWith this classic topology, the input transformer design is extraordinarily challenging, and the RN4012 transformer utilized in the Channel went through many generations before Mr. Rupert Neve was satisfied. This transformer provides the first 15 dB of gain, with the rest of the 72 dB of gain provided by the discrete, Class-A amplifier blocks controlled by a stepped attenuator and precision trim pot. Whereas Rupert’s more modern designs (e.g. the Portico Series) utilize a combination of TLAs (Transformer-Like Amplifiers) followed by an input transformer for pristine low \u0026amp; high frequency detail and galvanic isolation (see comparing input topologies notes), the Shelford Channel’s design directly couples the input transformer to the microphone line. When this new transformer is combined with its surrounding class-A input amplifiers, the result is the unmistakably smooth high and low frequencies of the most famous vintage modules in the world, yet with incredibly low noise and superior isolation. The mic preamp section also includes a sweepable 20-250 Hz high-pass filter, Mic \/ Line selection, 48 V phantom power, and polarity reverse.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eTHE DUAL TAP TRANSFORMER OUTPUT WITH VARIABLE SILK\u003c\/h3\u003e  \u003cp\u003eSimilarly to the input stage, the new output stage is designed to provide the texture and power of Rupert’s classics while allowing for significantly more versatility in tone.\u003c\/p\u003e  \u003cp\u003eThe dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance. The high headroom tap is designed capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The low headroom tap however is optimized to allow an engineer to drive the full voltage range of the Channel Strip - adding dynamic tone with these same non-linear “colorations” - without clipping most professional interfaces. On drums, vocals, guitars and other instruments, this output lets you easily hit the transformer’s “sweet-spot” of non-linear harmonic content, which can bring a recorded performance to life in a way that other effects can’t.\u003c\/p\u003e  \u003cp\u003eAnother advantage of the output stage versus vintage modules is the addition of the variable Silk circuitry, which allows complete control over the harmonic content and saturation of the output transformer. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. When engaged, the harmonic content - predominantly 2nd order and 3rd order with no high order distortion - can be dialed up to several times beyond that found in his vintage units like the 1073. This is further controlled with Silk Red and Blue modes, which emphasize harmonic content generated by the source’s high frequencies (Red) or low frequencies (Blue).\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE DIRECT INPUT\u003c\/h3\u003e  \u003cp\u003eThe Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the microphone preamp for gain. This pro audio design, made world-famous by the best-selling RNDI, delivers unmatched clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eTHE “BEST OF THE CLASSICS” EQ\u003c\/h3\u003e  \u003cp\u003eThe 3-band, custom-tapped inductor EQ on the Shelford Channel was inspired by our favorite portions of Rupert’s vintage EQ designs. The low frequency band is primarily based on the 1064 - renowned for its creamy, resonant bass. Unlike the 1064 however, the LF band on the Channel Strip can be used as either a shelf or a peak filter; adding punch, dimension, and immense control to your low end.\u003c\/p\u003e  \u003cp\u003eThe Shelford Channel’s inductor midrange band is based on Rupert’s 1073, ideal for sweetening vocals and instruments while bringing them ever-so-slightly forward in a mix. Additionally, the mid frequency band’s proportional “Q” response makes it well-suited for minimizing problematic frequencies in a source.\u003c\/p\u003e  \u003cp\u003eThe Channel’s high frequency band is a hybrid vintage \/ modern design, using capacitor-based topologies to achieve a richer tone with enhanced control, perfect for pro audio studios. As Rupert originally intended with his most prized classic designs, each EQ section uses low-feedback, class-A electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. The EQ circuit itself, however, is a decidedly modern design using techniques and components that were simply not available 40 years ago, and should not be considered a “clone”.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eTHE DIODE BRIDGE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eLike the Inductor EQ and Transformer Gain mic preamp, the diode bridge compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs - such as the 2254 - but it expands on these early design by incorporating full-wave rectification and a slew of new control features.\u003c\/p\u003e  \u003cp\u003eWhile Rupert’s vintage diode bridge compressors have a uniquely punchy and warm response, they were also quite limited by inflexible attack times, high noise, low headroom, \u0026amp; imprecise controls. With the Super Diode Bridge Compressor, Rupert Neve Designs is able to recapture the vibe-filled, “in your face” sound of those classics with a new level of precision and flexibility, allowing the compressor to be fully utilized on virtually any source. Where the VCA compressor found in the Portico II Master Buss Processor delivers unrivaled transparency, the Shelford Channel’s Super Diode Bridge Design is all about making a statement with compression.\u003c\/p\u003e  \u003cp\u003eThe compressor includes controls for TIMING, THRESHOLD, RATIO, BLEND, MAKE UP GAIN, FAST (attack-release modifier), HPF to Side Chain, Pre-EQ, Bypass, Side Chain Insert, and Stereo Link for the new high-performance diode bridge.\u003c\/p\u003e  \u003cp\u003eTIMING is a six-position switch that affects both attack \u0026amp; release settings for Auto, Fast, Medium Fast, Medium, Medium Slow, Slow (here is a chart of applicable times). The FAST button speeds up the attack for every setting - highly useful when it becomes vital to clamp down on transients. These settings provide a vast range of attack \/ release combinations, all with easy auditioning \u0026amp; recall.\u003c\/p\u003e  \u003cp\u003eThe RATIO control has 6 steps between 1.5:1 to 8:1 to achieve subtle or extreme reductions, and the THRESHOLD control has 31 steps dented between -25dBU and +20dBU for a wide variety of input levels. MAKE UP GAIN has 31 steps from -6dB to +20dB, and is affected by the blend setting - more on that later. The HPF to SC button moves the Swept HPF in the mic pre to the compressor side chain, reducing the impact of low frequencies in the compressor’s response. The SC INSERT allows more elaborate equalization of the side-chain signal, accessible via TS I\/O on the rear panel.\u003c\/p\u003e  \u003cp\u003eThe BLEND control is incredibly useful on the Diode bridge compressor, because it allows an extremely colored compressor sound and massive amounts of gain reduction to be gradually mixed into the signal - giving the compressor a potential for subtlety and precision not found in its predecessors.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eDOUBLE VOLTAGE POWER\u003c\/h3\u003e  \u003cp\u003eThe Shelford Channel uses an internal power supply with +\/- 24V rails using a standard IEC cable input versus a single 24V rail in Rupert’s vintage design. This extra voltage helps improve dynamic range and noise performance for improved sonic detail. The power supply is auto-switching for reliable performance anywhere in the world from 100 to 240VAC, 50 - 60 Hz.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eTRANSFORMER GAIN MIC INPUT\u003c\/h3\u003e  \u003cp\u003eLike Rupert’s classic designs, the Shelford Channel’s mic input uses direct transformer coupling with 15dB of gain in the transformer itself. This extremely sensitive design utilizes the new RN4012 transformer, which spent years in development. The resulting sonic performance allows the mic pre to capture the more forward mid’s and slightly rounded off high and low frequencies of vintage designs like the 1073.\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eDIRECT INPUT\u003c\/h3\u003e  \u003cp\u003eThe Hi-Z front panel input uses the same discrete class-A FET with transformer topology as the Rupert Neve Designs RNDI, but it utilizes the new RN4012 input transformer directly into the mic preamp for gain. This design delivers exceptional clarity to high-Z sources, with a substantial low-end presence and incredibly smooth high frequencies. The DI also includes a passive THRU output to feed a separate amplifier.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eDUAL TAP OUTPUT\u003c\/h3\u003e  \u003cp\u003eThe dual-tap output for the Channel’s RN2042 square-core output transformer creates both high and low headroom outputs without compromising the channel’s performance. The high headroom tap is designed to capture a more pristine sound at high levels, avoiding non-linear coloration of the output stage and taking full advantage of the Shelford’s higher voltage design. The low headroom tap however is optimized to allow an engineer to drive the full voltage range of the Channel - adding dynamic tone with these same nonlinear “colorations” - without clipping most professional interfaces (Max output level +19dBU). On drums, vocals, guitars and other instruments, this output lets you easily hit the transformer’s “sweet-spot” of non-linear harmonic content, which can bring a recorded performance to life in a way that other effects can’t.\u003c\/p\u003e  \u003ch3 id=\"toc_9\"\u003eSILK \u0026amp; TEXTURE\u003c\/h3\u003e  \u003cp\u003eAnother advantage of the Shelford Channels’ transformer balanced output stage versus vintage modules is the addition of the variable Silk \u0026amp; Texture circuitry, which allows complete control over the harmonic content and saturation of the output transformer. With Silk disengaged, the output is modern and pristine, yet still retains Rupert’s signature larger-than-life transformer sound. When engaged, the harmonic content - predominantly 2nd order and 3rd order with no high order distortion - can be dialed up to several times beyond that found in his vintage units like the 1073. This is further controlled with Silk Red and Blue modes, which emphasize harmonic content generated by the source’s high frequencies (Red) or low frequencies (Blue).\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":50313536667751,"sku":"513343","price":3149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-shelford-channel-02996-used_513343_1_c5296dcb-f76f-4875-859f-68c496400f94.jpg?v=1790175464"},{"product_id":"avid-pro-tools-dock-control-surface-enej33800023a-used","title":"Avid Pro Tools Dock Control Surface #ENEJ33800023A (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eAvid Pro Tools Dock Control Surface\u003c\/strong\u003e is based off the advanced touchscreen workflows on the Master Touch Module from the award-winning Pro Tools | S6. Both of these systems demonstrate that mixers need the best physical faders, knobs, and switches in addition to its touchscreen technology for things like fast navigation, metering, and the on-screen plug-in control – a true hybrid approach. And, like other DAWs, when the Dock is paired with the Pro Tools | S3, you gain complementary and enhanced functionality with its dedicated automation switches, color-coded Soft Key switches, weighted aluminum jog wheel, transport controls,  and more. Your mixing deadlines have met their match!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003ePRO AUDIO CONTROL SURFACE WITH SPEED AND PRECISION\u003c\/h3\u003e  \u003cp\u003eThe Dock’s eight soft knobs are used to effortlessly control parameters like EQ, Panning, Dynamics, and Sends on the Attentioned (or focused) channel – the S6 Master Touch Module. ‘Attentioning’ a track is as simple as touching the track tile on the screen and the Dock brings it to the fader. Avid’s new ‘super’ Channel view on Pro Tools | Control is unlocked when using the Dock or S3.\u003c\/p\u003e  \u003cp\u003eAvid Dock now supports EUCON technology, providing unmatched hardware and software integration, native touch, and tactile control of a large range of audio and video software alike. Experience the deepest level of control and integration with any Pro Tools and Pro Tools | Ultimate. In addition, you get exceptional control of the Logic Pro X, Premiere Pro, Cubase, Nuendo, Samplitude, Digital Performer, and other EUCON-enabled DAWs. Because the Avid Pro Tools Dock is EUCON-aware, it will automatically switch its controls to the application in focus on your device. Adversely, you can lock down sections of the surface to specific programs for multi-application control.\u003c\/p\u003e  \u003cp\u003eThe two rows of LED color-coded buttons you see on the Avid Pro Tools Dock below the screen can change colors and will map to the Soft Keys in the small view on your iPad. 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With the introduction of the \u003cstrong\u003eSteven Slate Audio Raven MTi2\u003c\/strong\u003e with RAVEN 3.3 DAW Control Software, Slate has brought the power and efficiency of multi-touch workstation operation to even the most budget-conscious studio while also significantly expanding the choice of DAWs that can be controlled from the system’s 27-inch multi-touch display.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003e27-INCH HD RESOLUTION DISPLAY\u003c\/h3\u003e  \u003cp\u003eThe Slate RAVEN MTi2, with it's 27-inch HD resolution (1920 x 1080) LED backlit 10-touch display, provides access to faders, pans and sends and enables users to tweak plug-ins with their fingers as if they were physical hardware. The Faders 3.0 algorithm integrates the precise control of multi-touch 100 mm virtual faders directly into the DAW, offering seamless control of mix levels and automation with an intuitive tactile action that is not only comfortable but also fun to use. A Fine Fader mode quadruples the resolution of the faders, enabling users to make the most minute adjustments.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eRAVEN 3.3 DAW CONTROL SOFTWARE\u003c\/h3\u003e  \u003cp\u003eSlate’s RAVEN 3.3 DAW Control Software is key to the power of the RAVEN MTi2 multi-touch production console, offering customized multi-touch operation of not only Pro Tools 10, 11 and 12 (OS X\/Windows 8-10) but also Logic Pro X, Ableton Live 9, Cubase 8 and 9 (OS X\/Windows 8-10), Nuendo 7 (OS X\/Windows 8-10), Studio One 3 and Digital Performer 8 and 9. RAVEN 3.3 Control Software features a user-customizable multifunction Toolbar plus Slate’s award-winning Batch Command System, an application that frees up audio engineers’ time by automating tedious technical tasks.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTOOLBAR MODE\u003c\/h3\u003e  \u003cp\u003eIn Toolbar mode, DAW functions such as transport controls, the edit\/mix window selector and tracking tools including record looping, click, create group and undo are exactly where you need them. And you can use intuitive, multi-touch gestures on the RAVEN NAVPAD to perform functions such as scrub\/shuttle, waveform zoom, track zoom and track banking, as well as RAVEN Batch Commands.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eBATCH COMMAND SYSTEM\u003c\/h3\u003e  \u003cp\u003eSlate’s RAVEN Batch Command System offers a series of preset and customizable buttons that can execute up to 1,000 key commands and mouse clicks automatically. 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It is named for Schoeps’ vintage M 221 B tube microphone, but updates the original design to incorporate modern components and a transformerless output circuit. These M 222s, like its namesake, employ Telefunken AC701 subminiature triodes.\u003c\/p\u003e  \u003cp\u003eThe M 222 was originally designed to replace the classic M 221 A and M 221 B. It was manufactured by Elvo Mikrofonbau owned by Bernhard Vollmer, the former quality control manager at Schoeps. The M 222 features an updated transformer-less circuit with an improved performance over the previous model. All of the capsules from Schoeps' Colette Series be used with it, along with all active accessories such as the CUT, KC, RC and GVC.\u003c\/p\u003e  \u003ch3 id=\"\" toc_0\u003eFEATURES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eModular tube microphone head amplifier compatible with all Schoeps Colette Series small diaphragm capsules\u003c\/li\u003e \u003cli\u003eUses Telefunken AC701 subminiature triode tube\u003c\/li\u003e \u003cli\u003eBased on the vintage Schoeps M 221 A\/B design\u003c\/li\u003e \u003cli\u003eModernized circuit using contemporary components\u003c\/li\u003e \u003cli\u003eTransformerless output circuit\u003c\/li\u003e \u003cli\u003eImproved performance compared with the previous M 221 models\u003c\/li\u003e \u003cli\u003eCompatible with Schoeps active accessories including CUT, KC, RC, GVC\u003c\/li\u003e \u003c\/ul\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":50313536798823,"sku":"520867","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/schoeps-m-222-pencil-tube-condenser-microphone-with-ac701-pair-0477-0478-used_520867_1_89191a5f-dec0-4895-85ce-c4d4920a1d6a.jpg?v=1790175463"},{"product_id":"avid-s6-m40-32-5-d-pro-tools-control-surface-custom-eaecx62100004b-used","title":"Avid S6 M40 32-5-D Pro Tools Control Surface Custom #EAECX62100004B (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eAvid S6 M40 Pro Tools Control Surface\u003c\/strong\u003e leverages the best of the industry-leading ICON and System 5 product families in a revolutionary new modular design, S6 delivers superior ergonomics and intelligent studio control, providing an intuitive, immersive experience for the modern sound engineer. And because it’s built on proven technology, trusted by top audio professionals in the most demanding production environments, Avid S6 delivers the performance you need to complete projects faster and deliver the best sounding mixes possible.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eWHAT'S INCLUDED:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1 Avid S6 Master Touch Module M40\u003c\/li\u003e\n\u003cli\u003e1 Avid S6 Automation Module\u003c\/li\u003e\n\u003cli\u003e4 Avid S6 Fader Modules\u003c\/li\u003e\n\u003cli\u003e3 Avid S6 Process Modules\u003c\/li\u003e\n\u003cli\u003e4 Avid S4\/S6 CKM Knob Modules\u003c\/li\u003e\n\u003cli\u003e4 Avid S4\/S6 M40 CDM Display Modules\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 id=\"toc_1\"\u003eTHE MODULES IN DETAIL\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eS6 MASTER TOUCH MODULE M40 (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Avid S6 Master Touch Module M40 provides touchscreen access and control. It features a tilting 12.1-inch multipoint touchscreen, eight adjacent rotary encoders, and dedicated knobs and keys.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS6 AUTOMATION MODULE (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe S6 Automation Module complements the Master Touch Module, providing controls for transport, automation, and more. The other two are options to accelerate surround and post workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS6 FADER MODULE (4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake control of track levels and more. The Avid S6 Fader Module features eight channel strips, each with a motorized fader, dual LED meters (with gain reduction metering), attention key, and mute, solo, select, automation, and other switches with color LEDs. Install up to eight Fader Modules in an M40 surface or up to three in an M10.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS6 PROCESS MODULE (3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis essential module works in conjunction with the Knob Module, enabling you to assign functions to any knob. It provides eight channel strips, each with an OLED display and top-lit knob to complement your Knob Module control. Assign functions using dedicated select switches for pan, inputs, EQ, dynamics, sends, and more. And expand or \"spill\" parameters across multiple controls on any Knob or Process Module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS4\/S6 CKM KNOB MODULE (4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdjust and edit a variety of parameters. The Avid S6 Knob Module provides eight channel strips, each with four multi color top-lit knobs paired with an OLED display for visual feedback, plus navigation switches. Each knob section also offers insert and select switches per channel with color status LEDs. Stack up to two Knob Module rows on an M40 surface or a single row on M10.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS4\/S6 CDM DISPLAY MODULE (4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGet incredible visual insight into your mix. The Avid S6 Display Module displays detailed information and feedback, including channel names, audio meters, routing, groups, DAW affiliation, scrolling Pro Tools waveforms, and more. It features an 8-channel high-resolution TFT display and integrated single board computer. You can even change the display layout to suit your visual preferences, or turn it into a Master Meter Module to keep all Master and Bus tracks visible at all times.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":50313782263911,"sku":"516444","price":69995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_516444_1.jpg?v=1790177216"},{"product_id":"neve-8026-mkii-24-channel-console-a4131-vintage","title":"Neve 8026 MKII 24 Channel Console #A4131 (Vintage)","description":"\u003cp\u003eAn incredible opportunity to acquire a rare, unique \u003cstrong\u003eNeve 8026 MKII\u003c\/strong\u003e Class A recording console in great condition!\u003c\/p\u003e\n\u003cp\u003eThe 8026 comes from Rupert Neve's classic 1970s period, the same era and design philosophy that produced the 1073 and 1084. Discrete Class A, transformer-coupled circuitry gives it the thick, weighty low end, smooth top, and forward midrange that define the vintage Neve sound. This example is a 24-channel, 8-group frame loaded with a mix of original Neve and reissue 1066, 1079, 1084, and 1073-family channel amplifiers. Its routing modules and the full signal path through to the transformer-balanced direct outs are original Class A Neve design.\u003c\/p\u003e\n\u003cp\u003eAs a custom order, serial no. A4131 carries several factory features not found on standard 8026 consoles. These include quad panning on the channels, reverb returns, and monitor section; PFL and stereo solo-in-place; buffered main outputs with 4-track, 2-track, and mono foldown; and transformer-balanced pre- and post-fader group inserts at the patch bay. Cosmetically, the console presents very well for its age. The original silkscreening is intact with minimal wear, all knobs are present, and nearly all switchcaps are original. The integral Mosses \u0026amp; Mitchell longframe patch bay is unmodified and in very good condition.\u003c\/p\u003e\n\u003cp\u003eThe console is complete and nearly all original. To bring the console to optimal performance, it needs a full cleaning of controls and switches, a recap of the frame, monitor panel, routing modules, and line amps, rebuilds of the phantom and lamp\/relay supplies, fault repair, and a full calibration. Restoration and servicing are available through Vintage King. A full professional tech report is available upon request.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCONSOLE CONFIGURATION SUMMARY:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFRAME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e24-channel, 8-group frame (24x8x16x4)\u003c\/li\u003e\n\u003cli\u003e4 reverb sends, 4 cue sends\u003c\/li\u003e\n\u003cli\u003e107\" W x 43\" D x 22\" H (without stand)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCHANNEL AMPLIFIERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2x Shep SN8 4 band EQ version\u003c\/li\u003e\n\u003cli\u003e1x BAE reissue 1066\u003c\/li\u003e\n\u003cli\u003e4x Original Neve 1066\u003c\/li\u003e\n\u003cli\u003e2x Original Neve 1079 modules – BBC spec single input modules\u003c\/li\u003e\n\u003cli\u003e7x BAE reissue 1084\u003c\/li\u003e\n\u003cli\u003e1x Early AMS-Neve reissue 1084\u003c\/li\u003e\n\u003cli\u003e2x Later AMS-Neve reissue 1084\u003c\/li\u003e\n\u003cli\u003e6x BAE reissue 1073\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eROUTING AND CENTER SECTION (ORIGINAL VINTAGE NEVE)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNeve 1995\/A Channel and Group Routing Modules\u003c\/li\u003e\n\u003cli\u003eNeve 1994 Reverb Return Modules\u003c\/li\u003e\n\u003cli\u003eNeve 3415 and 3416 Line Amplifiers\u003c\/li\u003e\n\u003cli\u003eNeve 1466 Oscillator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMETERING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGroup\/tape return meters with alternate meter mode\u003c\/li\u003e\n\u003cli\u003eOutput VU meters with Neve BA286 buffer cards\u003c\/li\u003e\n\u003cli\u003ePeak LED meters on channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcopian audio power supply\u003c\/li\u003e\n\u003cli\u003eOriginal Coutant lamp\/relay power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eINCLUDED\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt-in phantom power via Neve 3601 and 33601 modules\u003c\/li\u003e\n\u003cli\u003eOriginal integral Mosses \u0026amp; Mitchell longframe patch bay\u003c\/li\u003e\n\u003cli\u003eOriginal Neve technical manual (incomplete; missing the original large blueprints)\u003c\/li\u003e\n\u003cli\u003eOriginal Neve factory test report dated March 21, 1977\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50360003362919,"sku":"508157","price":246995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/used_508157_1.jpg?v=1790876257"}],"url":"https:\/\/vintageking.com\/collections\/used-and-vintage-latest-arrivals.oembed","provider":"Vintage King","version":"1.0","type":"link"}