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As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eOxford SuprEsser\u003c\/h3\u003e\r\n\u003cp\u003e\u003cbr\u003eThe Oxford SuprEsser is both a very highly-featured professional De-Esser and a Dynamic EQ. There is a simple mode for quick fixes, but also an advanced mode for increased functionality and fine-tuning. The combination of an intuitive FFT display and three listen modes enables the user to easily see and hear exactly where the problem frequencies are, allowing the rapid reduction or removal of the offending audio. As well as being able to trigger the full band compression, only the offending frequencies can be carefully carved out. Since the SuprEsser can operate at all frequencies, ‘plosives’ and other annoyances can also be removed effortlessly, making it more than a simple De-Esser. 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It is a 5-band EQ with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The Oxford EQ also features four different EQ curves that cover a broad array of styles, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. 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Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. 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The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eAM6:\u003c\/h3\u003e\u003cp\u003eThe AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. 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Film 6000 comes with 19 of the best reverb algorithms known to audio in stereo, surround and even unlimited multichannel versions.\u003c\/p\u003e\u003cp\u003eAnother essential tool is the legendary UnWrap HD, which has been used for more than a decade by virtually all major Hollywood studios for unfolding a stereo signal to 5.1 surround.\u003c\/p\u003e\u003cp\u003eFurther, loudness has also become an issue in film. Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eFilm 6000 Tools\u003c\/h3\u003e\u003cp\u003eFilm 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs. Plus the 8-channel Rev8 algorithm that was not available for the original Reverb 6000.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in film production, including UnWrap HD, LM6, AM6, Varipitch 8 and Toolbox 5.1.\u003c\/p\u003e\u003ch3\u003eVSS™ Surround:\u003c\/h3\u003e\u003cp\u003eUnique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt\/Rt signal.\u003c\/p\u003e\u003ch3\u003eVSS™ 6.1:\u003c\/h3\u003e\u003cp\u003eIf you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.\u003c\/p\u003e\u003ch3\u003eVSS™ 5.1 Source:\u003c\/h3\u003e\u003cp\u003eA true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.\u003c\/p\u003e\u003ch3\u003eVSS™ M4:\u003c\/h3\u003e\u003cp\u003e4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.\u003c\/p\u003e\u003ch3\u003eReflector6:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eSpacePan:\u003c\/h3\u003e\u003cp\u003e8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. TC has designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. Now you can modulate delays with full control over the relative L\/R phase to emulate chorus or tape delay perfectly.\u003c\/p\u003e\u003ch3\u003eChorus:\u003c\/h3\u003e\u003cp\u003eHigh-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.\u003c\/p\u003e\u003ch3\u003ePhaser:\u003c\/h3\u003e\u003cp\u003eA Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.\u003c\/p\u003e\u003ch3\u003eReverb 8 for System 6000 MKII:\u003c\/h3\u003e\u003cp\u003eReverb 8 is your perfect, pristine-sounding solution for multichannel formats. Particularly useful for multichannel film production. Go from 8 to infinity...\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eAM6:\u003c\/h3\u003e\u003cp\u003eThe AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. 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Film 6000 comes with 19 of the best reverb algorithms known to audio in stereo, surround and even unlimited multichannel versions.\u003c\/p\u003e\u003cp\u003eAnother essential tool is the legendary UnWrap HD, which has been used for more than a decade by virtually all major Hollywood studios for unfolding a stereo signal to 5.1 surround.\u003c\/p\u003e\u003cp\u003eFurther, loudness has also become an issue in film. Obviously, movies have to co-exist with other types of program material in broadcast, but also in cinema, loudness normalization is being recognized as a meaningful way of measuring audio. To make sure all needs are catered for, TC has included our ITU-compliant LM6 Loudness Radar Meter as well as the TASA-compliant AM6 Annoyance Radar Meter.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Broadcast 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eFilm 6000 Tools\u003c\/h3\u003e\u003cp\u003eFilm 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs. Plus the 8-channel Rev8 algorithm that was not available for the original Reverb 6000.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in film production, including UnWrap HD, LM6, AM6, Varipitch 8 and Toolbox 5.1.\u003c\/p\u003e\u003ch3\u003eVSS™ Surround:\u003c\/h3\u003e\u003cp\u003eUnique room simulator for matrixed sound production. This algorithm turns the diffused field of the simulation into an Lt\/Rt signal.\u003c\/p\u003e\u003ch3\u003eVSS™ 6.1:\u003c\/h3\u003e\u003cp\u003eIf you need to add reverb to an existing 5.1 or 6.1 signal or move sources around with a joystick, VSS™ 6.1 Reverb is your algorithm.\u003c\/p\u003e\u003ch3\u003eVSS™ 5.1 Source:\u003c\/h3\u003e\u003cp\u003eA true 5.1 simulator algorithm with multi-directional, early-reflection patterns, a wide sweet spot and fully uncorrelated rendering.\u003c\/p\u003e\u003ch3\u003eVSS™ M4:\u003c\/h3\u003e\u003cp\u003e4 discrete mono reverbs. Engineers often find such a setup more useful than using pre-configured structures for stereo, 5.1, 6.1 and other formats.\u003c\/p\u003e\u003ch3\u003eReflector6:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eSpacePan:\u003c\/h3\u003e\u003cp\u003e8 input panning algorithm allows you to position any audio source precisely in a real-time or surround environment.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. TC has designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. 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The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eAM6:\u003c\/h3\u003e\u003cp\u003eThe AM6 radar combines an intuitive and efficient way of visualizing annoyance of stereo or 5.1 content over time, while the integrated Leq(M) number indicates the status of the entire trailer or commercial.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. 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Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. 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Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. 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Starting in the 80s, TC pioneered the field of digital audio and later did the same regarding perceived loudness. Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. Use this analog-sounding effect alone or in conjunction with other algorithms.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. TC has designed this processor to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449885978727,"sku":"56437","price":13000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-mastering-1_4057d91a-7182-4139-809d-bea7870e1f4b.jpg?v=1787090814"},{"product_id":"tc-electronic-mastering-6000-mkii-with-tc-icon-mkii","title":"TC Electronic Mastering 6000 MKII with TC ICON MKII","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Mastering 6000 MKII\u003c\/strong\u003e is all about audio mastering. Starting in the 80s, TC pioneered the field of digital audio and later did the same regarding perceived loudness. Since then, they have provided the pro audio and broadcast markets with state-of-the-art tools.\u003c\/p\u003e\u003cp\u003eWith Mastering 6000 they have collected all of the tools the world's most respected mastering engineers use with System 6000.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed the full package so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMastering 6000 includes the finest stereo and multichannel dynamics tools known to audio: MDX 5.1, MD 5.1, MD3 and MD4. All of these algorithms work with multiple bands of dynamics control, and as a final safety net, you also get the legendary Brickwall 2 Limiter. EQ is also essential in mastering, so TC havs added EQ 5.1 and the amazing MDW Hires EQ by George Massenburg Labs. To meet loudness delivery specs for broadcast, you also get the LM6 Loudness Radar Meter, and if you need to deliver in 5.1 surround, UnWrap HD lets you upconvert a stereo signal into a convincing 5.1 surround version. Finally, you will get Matrix 88, Varipitch 8 and Tolbox 5.1 for your surround mastering sessions.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Mastering 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading mastering, recording, film and post studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMastering 6000 Tools\u003c\/h3\u003e\u003cp\u003eThe latest incarnation of Mastering 6000 comes with all of the algorithms that was included with the original version - Multichannel as well as Stereo tools.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in mastering, including UnWrap HD, our LM6 Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs and more.\u003c\/p\u003e\u003ch3\u003eMD 5.1:\u003c\/h3\u003e\u003cp\u003eCompressor, Expander and Limiter for multichannel signals in one algorithm. Extensive linking and priority parameters enable you to control your processing with precision.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eMDX 5.1:\u003c\/h3\u003e\u003cp\u003eHigh-resolution dynamics processor for multichannel signals. This algorithm gives you a sophisticated approach to dynamic range control.\u003c\/p\u003e\u003ch3\u003eEQ 5.1:\u003c\/h3\u003e\u003cp\u003eSix mono channels of 4-band fully parametric EQ. Use this analog-sounding effect alone or in conjunction with other algorithms.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. TC has designed this processor to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eUnWrap HD:\u003c\/h3\u003e\u003cp\u003eThe UnWrap HD algorithm is the go to upconverter for film and mastering professionals. The sheer sound quality you achieve during upconversion is unrivalled and can be heard in countless cinema movies and music tracks.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. TC has even included the remote as software so you can also run it on your Mac or PC.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncredibly Fast Touch Screen and Faders Response\u003c\/li\u003e\n\u003cli\u003eIntuitive and User-friendly Interface\u003c\/li\u003e\n\u003cli\u003eControls Even More TC Studio and Broadcast Units with Dual Ethernet and Dual USB Ports\u003c\/li\u003e\n\u003cli\u003eIntegrate Multiple Mainframes and TC ICONS\/Editors Into Your Network\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449886011495,"sku":"18504","price":16600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-mastering-icon-1_6cdd524e-347d-4447-9bc7-544d187d27b4.jpg?v=1787090814"},{"product_id":"tc-electronic-music-6000-mkii-coax-incl-tc-icon-mkii","title":"TC Electronic Music 6000 MKII Coax with TC Icon MKII","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Music 6000 MKII\u003c\/strong\u003e is tailor made for music production in all forms. Regardless of whether you're tracking and need to setup a bit of subtle comfort reverb for the performer, or have reached the mixing stage, Music 6000 delivers all of your favorite tools and effects.\u003c\/p\u003e\u003cp\u003eYou can even keep an eye on your loudness level at all times with the LM6 Loudness Radar Meter, which is particularly important if your content is meant for broadcast.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed all the tools relevant for music production so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMusic 6000 gives you no less than 18 pristine, multichannel and stereo reverbs plus the M5000 state-of-the-art delay, chorus and phaser effects as well as hundreds of presets. For dynamics processing, the acclaimed MD3 and MD4 multiband compressors as well as Brickwall Limiter 2 have you covered. Also included is Matrix 88, a digital 8-channel summing mixer, offering upsampled limiting, 48 bit summing, accurate delays and bit transparency. On top of this, you get the famous LM6 Loudness Radar Meter and the unmatched, sweet MDW HiRes EQ developed strictly to the personal specifications of the legendary George Massenburg.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Music 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMusic 6000 Tools\u003c\/h3\u003e\u003cp\u003eMusic 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in music production, including pristine Stereo Mastering tools, the LM Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. Now you can modulate delays with full control over the relative L\/R phase to emulate chorus or tape delay perfectly.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. Professionals in film and post production have found this algorithm perfect for reproducing the short 'tails' of small rooms.\u003c\/p\u003e\u003ch3\u003ePhaser:\u003c\/h3\u003e\u003cp\u003eA Classic M5000 algorithm that gives you a digital version of the highly-acclaimed TC XII stomp box. It features several swept filter sections to control the impact of your effect.\u003c\/p\u003e\u003ch3\u003eChorus:\u003c\/h3\u003e\u003cp\u003eHigh-resolution stereo chorus and flanging effects as well as modulated stereo delays of up to 650 ms per channel.\u003c\/p\u003e\u003ch3\u003eMD4:\u003c\/h3\u003e\u003cp\u003eAdvanced, high-resolution, multiband dynamics algorithm that includes the innovative DXP mode, allowing you to lift up low-level detail individually in each band.\u003c\/p\u003e\u003ch3\u003eMD3:\u003c\/h3\u003e\u003cp\u003eThis high-resolution, multiband dynamics processor has been the industry standard for more than a decade. It will split your audio into individual frequency bands before expanding and compressing.\u003c\/p\u003e\u003ch3\u003eBrickwall Limiter 2:\u003c\/h3\u003e\u003cp\u003eThe ultimate True-peak protection of your signal without sacrificing loudness. This processor was designed to show if a signal is contaminated with 0dBFS+ peaks - and to remove them.\u003c\/p\u003e\u003ch3\u003eMatrix 88:\u003c\/h3\u003e\u003cp\u003eDigital 8-Channel Mixer. Achieve maximum resolution with the intelligent limiter, advanced digital summing mixer, accurate delays and bit pattern transparency.\u003c\/p\u003e\u003ch3\u003eLM6:\u003c\/h3\u003e\u003cp\u003eComplete loudness overview at a glance, including Loudness History, Momentary Loudness, True Peak Level and universal descriptors that can show e.g. Program Loudness, Loudness Range.\u003c\/p\u003e\u003ch3\u003eMDW HiRes EQ:\u003c\/h3\u003e\u003cp\u003eThere can be absolutely no doubt that George Massenburg has a great sense of audio, and the MDW® HiRes EQ has been developed strictly to his personal specifications. As the MDW® design complements the TC Electronic EQ alternatives, you simply get the opportunity to choose between several desirable EQ flavors, each with their own specific advantages.\u003c\/p\u003e\u003ch3\u003eVariPitch8:\u003c\/h3\u003e\u003cp\u003eHigh-quality pitch change, chorus and double tracking. Quite simply the best, most unobtrusive pitch control device you will ever find.\u003c\/p\u003e\u003ch3\u003eToolbox 5.1:\u003c\/h3\u003e\u003cp\u003eSupport your surround productions with a palette of various Level, Test, Bass Management and Downmix tools.\u003c\/p\u003e\u003ch3\u003eTC ICON Remote\u003c\/h3\u003e\u003cp\u003eYou'll love working with the intuitive and innovative TC ICON Remote. TC has even included the remote as software so you can also run it on your Mac or PC.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncredibly Fast Touch Screen and Faders Response\u003c\/li\u003e\n\u003cli\u003eIntuitive and User-friendly Interface\u003c\/li\u003e\n\u003cli\u003eControls Even More TC Studio and Broadcast Units with Dual Ethernet and Dual USB Ports\u003c\/li\u003e\n\u003cli\u003eIntegrate Multiple Mainframes and TC ICONS\/Editors Into Your Network\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":44449886044263,"sku":"56440","price":16599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tc-electronic-6000-mkii-music-coax-icon-1_fc44be4a-a688-4ed6-9601-87c0cce10696.jpg?v=1787090814"},{"product_id":"tc-electronic-music-6000-mkii-mac-pc","title":"TC Electronic Music 6000 MKII Mac and PC","description":"\u003cp\u003e\u003cstrong\u003eTC Electronic Music 6000 MKII\u003c\/strong\u003e is tailor made for music production in all forms. Regardless of whether you're tracking and need to setup a bit of subtle comfort reverb for the performer, or have reached the mixing stage, Music 6000 delivers all of your favorite tools and effects.\u003c\/p\u003e\u003cp\u003eYou can even keep an eye on your loudness level at all times with the LM6 Loudness Radar Meter, which is particularly important if your content is meant for broadcast.\u003c\/p\u003e\u003cp\u003eIn other words, it has become even easier for you to find the right combination of tools for this legendary platform. TC has simply gathered and pre-installed all the tools relevant for music production so the system is ready to perform right out of the box.\u003c\/p\u003e\u003cp\u003eMusic 6000 gives you no less than 18 pristine, multichannel and stereo reverbs plus the M5000 state-of-the-art delay, chorus and phaser effects as well as hundreds of presets. For dynamics processing, the acclaimed MD3 and MD4 multiband compressors as well as Brickwall Limiter 2 have you covered. Also included is Matrix 88, a digital 8-channel summing mixer, offering upsampled limiting, 48 bit summing, accurate delays and bit transparency. On top of this, you get the famous LM6 Loudness Radar Meter and the unmatched, sweet MDW HiRes EQ developed strictly to the personal specifications of the legendary George Massenburg.\u003c\/p\u003e\u003cp\u003eThe hardware platform of Music 6000 has been tested intensively in the most demanding production environments since 1999. You will find System 6000 in literally thousands of world-leading recording, film, post and mastering studios all over the world, and in quite a few OB vans and broadcast production studios as well. The platform has won no less than three of the prestigious TEC Awards over the years. In 2000 for the original System 6000, in 2005 for Mastering 6000 and in 2010 for System 6000 MKII.\u003c\/p\u003e\u003ch3\u003eMusic 6000 Tools\u003c\/h3\u003e\u003cp\u003eMusic 6000 comes with all of the algorithms that was included with the legendary Reverb 6000 - Multichannel as well as Stereo Reverbs.\u003c\/p\u003e\u003cp\u003eOn top of that, you get a lot of additional algorithms that are invaluable in music production, including pristine Stereo Mastering tools, the LM Loudness Radar Meter and the state-of-the-art MDW EQ by George Massenburg Labs.\u003c\/p\u003e\u003ch3\u003eVSS™ 4HD:\u003c\/h3\u003e\u003cp\u003eHighly advanced stereo reverb capable of treating source-related reflections from multiple angles with results of unrivalled precision.\u003c\/p\u003e\u003ch3\u003eVSS™ 3:\u003c\/h3\u003e\u003cp\u003eWhat you get is simply a 'true-to-life' sound. We've designed this algorithm to painstakingly recreate room types that are incredibly convincing.\u003c\/p\u003e\u003ch3\u003eNonLin2:\u003c\/h3\u003e\u003cp\u003eEnvelope, Attack, Hold and Release parameters set you free to create compact vocal ambiance, dramatic eighties drum and percussion sounds, reverse reverb - or your own new sonic creations.\u003c\/p\u003e\u003ch3\u003eDVR2:\u003c\/h3\u003e\u003cp\u003eGeneric Reverb with a true vintage flavor and a flattering sustain effect. It complements Source Reverb very well, and both can be great for different types of reverb applications.\u003c\/p\u003e\u003ch3\u003eReflectorLCR:\u003c\/h3\u003e\u003cp\u003eAn extremely versatile delay and boundary effect that can reflect any environment. Easy to edit, so you can remain intuitive while mixing.\u003c\/p\u003e\u003ch3\u003eReverb-2:\u003c\/h3\u003e\u003cp\u003eReverb that's great for percussive instruments. It comes with a well-defined and precise build up and the uncorrelated design ensures perfect mono compatibility.\u003c\/p\u003e\u003ch3\u003eReverb-3:\u003c\/h3\u003e\u003cp\u003eClassic and true stereo reverb. Control decay time with four individually adjustable frequency bands and create sounds with virtually no audible early reflections.\u003c\/p\u003e\u003ch3\u003eDelay 1:\u003c\/h3\u003e\u003cp\u003e24 bit true stereo delay that gives you up to 2.5 seconds in each channels with basic feedback control. You can use it with sample rates up to 96kHz.\u003c\/p\u003e\u003ch3\u003eDelay 2:\u003c\/h3\u003e\u003cp\u003eDelay with filtered feedback control. Now you can modulate delays with full control over the relative L\/R phase to emulate chorus or tape delay perfectly.\u003c\/p\u003e\u003ch3\u003eCore-2:\u003c\/h3\u003e\u003cp\u003eGreat effect for small room simulations. 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There is a simple mode for quick fixes, but also an advanced mode for increased functionality and fine-tuning. The combination of an intuitive FFT display and three listen modes enables the user to easily see and hear exactly where the problem frequencies are, allowing the rapid reduction or removal of the offending audio. As well as being able to trigger the full band compression, only the offending frequencies can be carefully carved out. Since the SuprEsser can operate at all frequencies, ‘plosives’ and other annoyances can also be removed effortlessly, making it more than a simple De-Esser. 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Get a clear reading of VU, PPM, Phase and Peak at a glance, and stay focused on the music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different processing modes (Stereo\/Duo\/MS) and monitoring modes (Stereo\/Mono\/L\/R\/M\/S), the Abbey Road TG Mastering Chain plug-in is truly a powerful tool. 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FG-Level is an intelligent processor whose algorithm analyzes the input signal to determine whether to apply saturation or limiting based on the unique frequency content of your track.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eFOUR LIMITERS ONE PLUG-IN\u003c\/h3\u003e  \u003cp\u003eFG-X 2 features four modes that were carefully crafted to cover everything from extremely transparent limiting with zero pumping all the way to loud processing with gorgeous, colorful saturation. Once you find the sound you’re looking for, adjust your overall level with the Gain knob.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eFOR BEGINNERS AND PROS\u003c\/h3\u003e  \u003cp\u003eFG-X 2 comes with two presentation and processing views: Easy, the default setting for a fast \u0026amp; loud result, and Advanced, which unleashes an extra set of parameters for more advanced users. Whether you’re a beginner or a seasoned studio veteran, FG-X 2 has everything you need to get the job done—and then some.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE ULTIMATE MASTERING TOOL\u003c\/h3\u003e  \u003cp\u003eThe introduction of FG-X 2 turns the All Access Pass into the only mixing \u0026amp; mastering toolkit you’ll ever need. FG-X 2 joins a lineup of exceptional EQs, compressors, and faithful emulations of some of the most legendary pieces of analog mixing gear ever made. With FG-X 2, you can get the pro mix \u0026amp; master you’ve been looking for, entirely in the box, and entirely in the All Access Pass.\u003c\/p\u003e    \u003ch3 id=\"toc_4\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePlug-in Architecture: 64-bit\u003c\/li\u003e \u003cli\u003eFormat: VST2, VST3, AU, AAX\u003c\/li\u003e \u003cli\u003eHardware Requirements, Mac: Intel or Apple Silicon Processor\u003c\/li\u003e \u003cli\u003eHardware Requirements, PC: Intel or AMD Processor, 4GB RAM\u003c\/li\u003e \u003cli\u003eOS Requirements, Mac: macOS 10.15 or later (macOS 11 or later rec.)\u003c\/li\u003e \u003cli\u003eOS Requirements, PC: Windows 10 or 11\u003c\/li\u003e \u003c\/ul\u003e","brand":"Slate Digital","offers":[{"title":"Default Title","offer_id":44451008708711,"sku":"210826","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/slate-digital-fg-x2-dynamics-rack-plug-in-23_210826_1_b6ee618c-d305-4e65-8489-f0e5fd915eda.jpg?v=1787095474"},{"product_id":"ssl-mastereq-and-x-valvecomp-bundle-electronic-delivery","title":"SSL Harrison Mastering Bundle - Electronic Delivery","description":"\u003cp\u003eSSL and Harrison bring together studio legends from Oxford and Nashville with the \u003cstrong\u003eSSL Harrison Mastering Bundle\u003c\/strong\u003e - featuring the Harrison Mastering EQ and SSL X-ValveComp plug-ins.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMASTERING EQ\u003c\/h3\u003e  \u003cp\u003eThe Mastering EQ has been specifically designed for mastering your mixes and is a must-have for pro audio engineers and enthusiasts alike! The Mastering EQ features a revolutionary filter shape that was originally developed for precise speaker management.\u003c\/p\u003e  \u003cp\u003eThis means that the resulting curves are perfect for making broad, musical changes to the final tone while maintaining the harmonic balance between the elements of your mix. Unlike ordinary EQs, when two adjacent bands are adjusted the resulting curve is flat across the band edges, rather than having discrete peaks and valleys. This causes less change in your instrument and vocal character, while applying the desired tonal balance to your mix. Managing a powerful full-range EQ has never been so fast and easy!\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eX-VALVECOMP\u003c\/h3\u003e  \u003cp\u003eX-ValveComp is a fully-featured mono or stereo channel compressor with a full set of classic channel compressor controls and an added 'valve' emulation stage. The valve emulation stage sits after the compressor in the signal path and adds a variable degree of primarily 2nd order harmonic saturation and distortion that thickens and colors the sound.\u003c\/p\u003e  \u003cp\u003eThe compressor can be switched between Peak or RMS modes and has a full set of controls including; Threshold, Ratio, Knee, Attack, Release and Hold. There are Input and Output Meters with separate kick down compression amount indication and Input and Output Level controls. There's a Gain Make Up control and switched Auto Gain Make Up mode.\u003c\/p\u003e    \u003ch3 id=\"toc_3\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eMAC:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003emacOS Sierra (10.12) or higher\u003c\/li\u003e \u003cli\u003eIntel Dual Core Mac running at 2.4GHz or higher\u003c\/li\u003e \u003cli\u003e4GB of RAM minimum, 8GB preferable\u003c\/li\u003e \u003cli\u003eAU, VST2, VST3, AAX Native\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eWINDOWS:\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWindows 7 (64-bit), 8 (64-bit), 8.1 (64-bit), and Windows 10 (64-bit)\u003c\/li\u003e \u003cli\u003eIntel Core 2 (or comparable) CPU running at 2.4GHz or higher\u003c\/li\u003e \u003cli\u003e4GB of RAM minimum, 8GB preferable\u003c\/li\u003e \u003cli\u003eVST 2 (64-bit), VST3 (64-bit), AAX Native (64-bit)\u003c\/li\u003e \u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":44451013230695,"sku":"212194","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-mastering-bundle-23_212194_1_fed0f367-676a-4a66-bbc6-41f2fdce660b.jpg?v=1787095493"},{"product_id":"harrison-audio-mpc-channel-strip-plug-in-electronic-delivery","title":"Harrison Audio MPC Channel Strip Plug-in - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eMPC Channel Strip\u003c\/strong\u003e is an all-in-one signal processing suite for mixing and editing audio in post-production film. It is equipped with six essential mixing tools that use the same powerful DSP found in Harrison’s renowned MPC (Motion Picture Console) used in high end film studios around the world.\u003c\/p\u003e  \u003cp\u003eThe processing sections can all be monitored simultaneously in one resizable window, so everything that's happening can be seen at-a-glance. Other useful features include rearrangeable signal flow, fully automatable parameters, and advanced RTA displays.\u003c\/p\u003e  \u003cp\u003eThe MPC Channel is optimized for large format post-production sessions allowing 100’s of instances to be deployed without negatively affecting your CPU performance.\u003c\/p\u003e  \u003cp\u003eMPC Channel an invaluable tool that will take any post-production workflow to the next level.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eEQUALIZER\u003c\/h3\u003e  \u003cp\u003eThe MPC’s Equalizer module is a parametric 8-band EQ with an additional pair of filters and an optional RTA display. This module consists of 4 sections:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eGraph - Shows a visual representation of the EQ curves over the RTA display\u003c\/li\u003e \u003cli\u003eBand Control - Controls the parameters for each of the 8 bands\u003c\/li\u003e \u003cli\u003eFilter Control - Controls the parameters for the high and low filters\u003c\/li\u003e \u003cli\u003eRTA Control - Controls the RTA display\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_1\"\u003eDENOISER\u003c\/h3\u003e  \u003cp\u003eThe Denoiser is optimized for processing speech. The cutoff frequencies of the high and low filters are preset to best accommodate the frequency range of the human voice and the envelope is set to match the rate of normal speech.\u003c\/p\u003e  \u003cp\u003eThe Denoiser functions like an expander for frequencies outside the range of the human voice. The HIGH and LOW sliders control the maximum amount of Gain reduction applied to signals within each band’s respective Frequency range. The maximum Gain reduction set for each band will only be applied to signals below the Threshold. All Signal levels above the Threshold will be allowed to pass through with variable Gain reduction based on the dynamic characteristics of the signal.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eDE-ESSER\u003c\/h3\u003e  \u003cp\u003eHarrison’s renowned De-Esser algorithm is primarily used to attenuate harsh frequencies caused by sibilance in human speech.\u003c\/p\u003e  \u003cp\u003eThe two circular markers on the graph display, labeled “S” and “H”, are the controls for the Ess and Hi bands (S = Ess, H = Hi). These controls can be dragged horizontally or vertically to set the Bandwidth and Depth of their respective bands. The low cutoff Frequency for the Ess band has a range of 200 Hz to 8 kHz, while the Hi band control has a range of 2 kHz to 12 kHz for taming any additional frequencies above that.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eCOMPRESSOR\u003c\/h3\u003e  \u003cp\u003eThe MPC’s Compressor module is optimized for vocal compression, but its flexible controls allow it to meet a variety of other needs as well. Its components includes:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eRatio - with possible values from 1:1 to 100:1\u003c\/li\u003e \u003cli\u003eKnee - with a possible values range of 1.0 to 30.0\u003c\/li\u003e \u003cli\u003eDepth - with a possible values range from 0.1 ms to 100 ms\u003c\/li\u003e \u003cli\u003eAttack - times range from 0.1 ms to 100 ms\u003c\/li\u003e \u003cli\u003eRelease - times range from 5 ms to 500 ms\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_4\"\u003eROUTING, TRIM \u0026amp; POLARITY\u003c\/h3\u003e  \u003cp\u003eThe order of signal flow between the six elements can be rearranged by dragging an element’s marker to its desired position along the signal chain, which flows from top to bottom. Dragging an item to another slot will swap the positions of the two items.\u003c\/p\u003e  \u003cp\u003eThe Trim fader can adjust the Gain of the signal passing through it (-20 dB to +20 dB). This is also a routable item, so it can serve as an input or output Trim depending on its position in the signal chain.\u003c\/p\u003e  \u003cp\u003eThe Polarity switch inverts the phase of the output waveform (flips it 180°) when selected.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eRTA\u003c\/h3\u003e  \u003cp\u003eThe RTA is calculated using a Discrete Fourier Transform, which provides high resolution data even in lower frequency ranges. The Equalizer and De-Esser modules each have sections for controlling their RTA displays. The controls described here apply to the RTAs in both modules, unless noted otherwise.\u003c\/p\u003e    \u003ch3 id=\"toc_7\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWindows 7 or higher\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMac OS 10.9 or higher\u003c\/li\u003e \u003cli\u003emacOS M1\/ARM Support\u003c\/li\u003e \u003cli\u003eThis plug-in is provided as a universal binary for macOS and features native M1 support\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3, AU\u003c\/li\u003e \u003c\/ul\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451031187559,"sku":"214487","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-mpc-channel-strip-24_214487_1_ca4cf0fe-e258-4085-bfe1-3eda567ee446.jpg?v=1787095551"},{"product_id":"harrison-audio-mastering-eq-plug-in-electronic-delivery","title":"Harrison Audio Mastering EQ Plug-in - Electronic Delivery","description":"\u003cp\u003eThe \u003cstrong\u003eHarrison Audio Mastering EQ\u003c\/strong\u003e has been specifically designed for mastering your mixes and is a must-have for pro audio engineers and enthusiasts alike! The Mastering EQ features a revolutionary filter shape that was originally developed for precise speaker management. This means that the resulting curves are perfect for making broad, musical changes to the final tone while maintaining the harmonic balance between the elements of your mix. \u003c\/p\u003e  \u003cp\u003eUnlike ordinary EQs, when two adjacent bands are adjusted the resulting curve is flat across the band edges, rather than having discrete peaks and valleys. This causes less change in your instrument and vocal character, while applying the desired tonal balance to your mix. Managing a powerful full-range EQ has never been so fast and easy!\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eULTRA-FIDELITY EQUALIZER\u003c\/h3\u003e  \u003cp\u003eHarrisons Mastering EQ is a high-fidelity equalizer that gives you the sound and feel of Harrison’s XTool plug-ins for digital consoles. The XTool plug-ins are renowned for their sonic quality and versatility, and the Mastering EQ brings you the same level of excellence. The Mastering EQ lets you shape your mix with precision and ease, using a variety of features and modes that can help you achieve your sonic goals. The Mastering EQ is based on Harrison’s XTool plug-ins, which are trusted by professional engineers around the world.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003e31 CONTROL BANDS\u003c\/h3\u003e  \u003cp\u003eThe Mastering EQ lets you sculpt your sound with 31 bands of precision, covering the entire audible spectrum. Each band can be boosted or cut by up to 14dB, giving you total control over the tonal balance of your mix. Whether you need to add some warmth, clarity, punch, or sparkle, the Mastering EQ can help you achieve your sonic goals.\u003c\/p\u003e  \u003cp\u003eYou can easily adjust the Mastering EQ with your mouse, using intuitive gestures and shortcuts. The Mastering EQ is designed to make your workflow fast and easy, so you can focus on the sound.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eFILTERS\u003c\/h3\u003e  \u003cp\u003eHarrison is renowned for its hi and low pass filters and the Mastering EQ is no exception. Mastering EQ has gentle yet powerful high-pass and low-pass filters that can help you refine the sound of your mix. The filters can help you cut out any unwanted low-end rumble or high-end hiss from your mix, and make it sound more crisp and clean. You can choose between 6 dB\/oct and 12 dB\/oct for the slope of the filters, depending on how gently or sharply you want to roll off the frequencies beyond the cutoff point. You can also fine-tune the frequency of the filters using the sliders above and below the curve. The high-pass and low-pass filters are one of the many features that make Harrisons Mastering EQ stand out from other EQs.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eDSP CURVE-MATCH\u003c\/h3\u003e  \u003cp\u003eMastering EQ features an innovative DSP curve-match technology that allows you to create a flat top across adjacent bands. This means you can boost or cut multiple bands without creating any unwanted bumps or dips in the frequency response. You can achieve a smooth and natural sound with the DSP curve-match, and avoid any phase issues or artifacts that might occur with other EQs. The DSP curve-match is a unique and powerful feature that can help you master your mix with precision and ease\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eRTA ANALYZER “GRAPH” MODE\u003c\/h3\u003e  \u003cp\u003eThe “Graph” Mode lets you see the frequency spectrum of your mix with 1\/10 octave precision. Unlike other RTA analyzers that use FFT-based bands, the Mastering EQ uses equally spaced bands that give you unparalleled accuracy in the low frequencies. You can use the “Graph” Mode to spot any problems or imbalances in your mix and adjust them. The “Graph” Mode is a tool that can help you master your mix with confidence and ease.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003eRTA ANALYZER “LIGHTNING” MODE\u003c\/h3\u003e  \u003cp\u003eMastering EQ features a “Lightning” mode that gives you a unique and innovative way to visualize the frequency spectrum of your mix. The curve shows you the average level of each band, while bright flashes indicate the location of transient peaks in the signal. You can use the “Lightning” mode to spot any frequency spikes or imbalances in your mix, and adjust them with the Mastering EQ. The “Lightning” mode is a cutting-edge and exciting feature that can help you master your mix with a high degree of accuracy.\u003c\/p\u003e    \u003ch3 id=\"toc_7\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWindows 7 or higher\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMac OS 10.9 or higher\u003c\/li\u003e \u003cli\u003emacOS M1\/ARM Support\u003c\/li\u003e \u003cli\u003eThis plug-in is provided as a universal binary for macOS and features native M1 support\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3, AU\u003c\/li\u003e \u003c\/ul\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451031318631,"sku":"214485","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-mastering-eq-24_214485_1_fa982b45-f95a-452f-8c9a-d8db880aec94.jpg?v=1787095551"},{"product_id":"harrison-audio-fastrack-plug-in-electronic-delivery","title":"Harrison Audio FasTrack Plug-in - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eHarrison Audio FasTrack\u003c\/strong\u003e is the go-to plug-in when you need to work quickly and effectively. The included legendary 32C EQ effortlessly a warm and rich sound that can not be obtained with ordinary EQs. FasTrack improves the sound quality of live vocals or spoken word whether you’re recording a podcast, live streaming, in the studio, on stage, or broadcasting. FasTrack is the star of the show when working with karaoke! If you are working within a DAW but need the immediacy of a live console workflow, FasTrack is the plug-in you need.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003ePRESETS\u003c\/h3\u003e  \u003cp\u003eWith the Presets module, you can switch between different presets in seconds without wasting time on menus. Whether you need a preset for vocals, drums, guitars, or keyboards, you can find it in the 14 factory presets or create your own in the 6 user preset slots. The Presets module lets you customize your sound on the fly and adapt to any live situation.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eNOISE GATE\u003c\/h3\u003e  \u003cp\u003eBackground noise can ruin your mix and make it sound muddy and unprofessional. That’s why you need a quality noise gate. FasTrack’s noise gate is a powerful dynamics processor that can easily attenuate any signal that is below a level that you set. Eliminate unwanted noise from your tracks and make them sound clean and clear. The Noise Gate also has an expander mode that gives you more control over the attack and release of the gate. With the Noise Gate, you can improve the quality of your mix and make it sound better than ever.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eDE-ESSER\u003c\/h3\u003e  \u003cp\u003eGet rid of those annoying sibilance sounds that ruin your vocals and smooth out the harsh frequencies that make your mix sound unpleasant FasTrack implements Harrison’s famous De-Esser algorithm, which is trusted by many professional audio engineers around the world. It is easy to use and effective, and it will make your mix sound more balanced and polished.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eCOMPRESSOR\u003c\/h3\u003e  \u003cp\u003eFasTrak’s Compressor module lets you shape the sound of any signal with ease and precision. Whether you want to add some punch to your drums, smooth out your vocals, or glue your mix together, the Compressor module has you covered. The Compressor module also has a sidechain filter so that you can avoid unwanted pumping or ducking effects. With the Compressor module, you can enhance the dynamics of your mix and make it sound more professional and polished.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003e32C EQUALIZER\u003c\/h3\u003e  \u003cp\u003eExperience the legendary sound of the Harrison 32C channel EQ in your mix. The 32C Equalizer module gives you four bands of sonic sculpting power, with a HI, LOW, and 2 MID bands. Whether you need to add some sparkle, warmth, punch, or clarity, the 32C Equalizer module can help you achieve the perfect balance for your tracks.\u003c\/p\u003e  \u003ch3 id=\"toc_5\"\u003e32C FILTERS\u003c\/h3\u003e  \u003cp\u003eThe 32C Filter module is a powerful tool for shaping your sound to perfection. You can use the High-Pass Filter (HPF) and the Low-Pass Filter (LPF) to dial in the exact frequency range of your signal. Whether you need to cut out low-end mud, smooth out harsh treble, or add some creative flair, the 32C Filter module offers you the versatility and quality you need to make your mix sound better.\u003c\/p\u003e  \u003ch3 id=\"toc_6\"\u003eEFFECTS: CHORUS, DELAY, REVERB\u003c\/h3\u003e  \u003cp\u003eChorus creates harmonized layers of your signal, adding richness and dimension to your sound. Whether you want to make your vocals sound like a choir or enhance other sounds, chorus can do it for you.\u003c\/p\u003e  \u003cp\u003eDelay produces echoes of your vocals, giving them more liveliness and space. You can fine-tune the timing and feedback to match your preferences.\u003c\/p\u003e  \u003cp\u003eReverb mimics the sound of various environments, such as halls, rooms, or chambers. It adds depth and ambiance to your sound, making it more realistic and immersive\u003c\/p\u003e  \u003ch3 id=\"toc_7\"\u003eROUTING\u003c\/h3\u003e  \u003cp\u003eFasTrack lets you customize the order of the 6 processing elements at the bottom. Just drag and drop them to change the order. You can also swap them by dragging one over another. The INPUT and OUTPUT controls are always at the start and end. This way, you can shape your sound exactly how you want it.\u003c\/p\u003e  \u003ch3 id=\"toc_8\"\u003eFEATURES:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e14 expertly curated presets to get you started fast\u003c\/li\u003e \u003cli\u003e11 unique ultra low latency processing components\u003c\/li\u003e \u003cli\u003eDynamics gate, de-esser and compressor\u003c\/li\u003e \u003cli\u003eHarrison’s famed 32C parametric EQ with high pass low pass filters\u003c\/li\u003e \u003cli\u003eChorus, delay and reverb effects\u003c\/li\u003e \u003cli\u003eFlexible signal processing routing\u003c\/li\u003e \u003c\/ul\u003e  \u003ch3 id=\"toc_9\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eWindows 7 or higher\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eMac OS 10.9 or higher\u003c\/li\u003e \u003cli\u003emacOS M1\/ARM Support\u003c\/li\u003e \u003cli\u003eThis plug-in is provided as a universal binary for macOS and features native M1 support\u003c\/li\u003e \u003cli\u003eSupported formats: AAX, VST, VST3, AU\u003c\/li\u003e \u003c\/ul\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":44451031384167,"sku":"214483","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/harrison-audio-fastrack-plug-in-24_214483_1_b5661c44-4d27-45d6-8a4b-8c97e8d54adb.jpg?v=1787095552"}],"url":"https:\/\/vintageking.com\/collections\/software-audio-processing-plug-ins-mastering-software-plug-ins.oembed","provider":"Vintage King","version":"1.0","type":"link"}