{"title":"Audio Interface Deals","description":null,"products":[{"product_id":"prism-ada-8xr-standard-aes","title":"Prism ADA-8XR Standard AES","description":"\u003cp\u003eThe \u003cstrong\u003ePrism Sound Dream ADA-8XR\u003c\/strong\u003e converter provides eight channels of high-quality 24-bit, 192 kHz A\/D and D\/A conversion, allied with a wealth of sophisticated features for the most exacting applications in sound recording, mastering and broadcast. The Prism Sound ADA-8XR is ideal for location recording, stereo and surround mixing, mastering and monitoring, or as a flexible companion for your DAW or MDM. The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: For the first time, the same goals of ultimate sound quality and versatility have been realized in a multi-channel, 192 kHz-capable format.\u003c\/p\u003e\u003ch3\u003eIncludes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-AD Analog Line Input (A\/D converter) module\u003c\/strong\u003e: The 8C-AD Analog Line Input Module type PREV039\/4\/2 provides eight electronically-balanced analog input channels to the ADA 8XR, on eight female XLR connectors. Input line-up level (sensitivity) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim. Each channel has a Prism Sound Overkiller progressive limiter capability, which prevents the A\/D converter from reaching full-scale, even when the input level significantly exceeds the selected input range. More information about the Prism Sound Overkiller can be found in the Technical Background section of the Operation Manual. Control of the input line-up level and trim, and of the Overkillers, is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\u003cstrong\u003e8C-DA 8-channel Analog Line Output ( D\/A converter) module\u003c\/strong\u003e: The 8C-DA Analog Line Output Module type PREV039\/5\/1 provides eight electronically-balanced analog output channels from the ADA 8XR, on eight male XLR connectors. Output line-up level (gain) is variable for each channel over the range 0dBFS=+5.0dBu to 0dBFS=+24.0dBu, in 0.5dBu steps plus a fine trim.Control of the output line-up level and trim is via menus which are present in the ADA-8XR Menu System if the Module is fitted.\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e(2) \u003cstrong\u003e8C-AES AES3 Digital I\/O modules\u003c\/strong\u003e: The 8C-AES AES3 I\/O Module type PREV039\/6\/1 provides eight channels of digital audio input and output for the ADA-8XR on four AES3 carriers in each direction. The input and output sections of the module are completely independent - that is, they can be assigned to different Paths with different sample rates, Sync Sources and other options. The AES3 I\/O module can be thought of as two modules in one - one input module and one output module. The module can accommodate extended sample rates (up to 192 kHz) in Split96 (two-wire) or high-speed (one-wire) modes, and can output consumer or professional Channel Status. Inputs and outputs may be jumpered to comply with either AES3 or S\/PDIF carrier voltage levels and impedances.\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Prism Sound","offers":[{"title":"Default Title","offer_id":44449263681639,"sku":"2774","price":8236.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/prism_ada_8xr_front_61.jpg?v=1787088360"},{"product_id":"avid-hd-io-8x8x8","title":"Avid HD I\/O 8x8x8 Pro Tools HD Audio Interface","description":"\u003cp\u003eGet the absolute highest audio quality and unprecedented I\/O flexibility with \u003cspan style=\"font-weight: bold;\"\u003eAvid HD I\/O\u003c\/span\u003e, a high-performance Pro Tools HD Series audio interface that’s designed to completely integrate with Pro Tools|HD systems.  While its sleek look resembles its prior generation interfaces, HD I\/O has been completely redesigned on the inside with high-quality electronics, giving you pristine, best-in-class A\/D and D\/A conversion and the lowest possible latency.  Plus, with three configurations to choose from and a modular design, you can expand and customize the interface for your connection needs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePristine audio clarity and ultra low latency through state-of-the-art A\/D and D\/A conversion, premium analog circuitry, and meticulous attention to design\u003c\/li\u003e\r\n\u003cli\u003eAdapt the interface for your needs—choose from three configurations: \r\n\u003cul\u003e\r\n\u003cli\u003eGet a balance of analog and digital I\/O with HD I\/O 8x8x8\u003c\/li\u003e\r\n\u003cli\u003eMaximize your analog I\/O with HD I\/O 16x16 Analog\u003c\/li\u003e\r\n\u003cli\u003eGo all digital with HD I\/O 16x16 Digital\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O on all interfaces, with built-in sample rate conversion\u003c\/li\u003e\r\n\u003cli\u003eExpand or customize the I\/O with analog or digital option cards\u003c\/li\u003e\r\n\u003cli\u003eCompletely integrates with Pro Tools|HD for full input, output, and routing control\u003c\/li\u003e\r\n\u003cli\u003eTrack hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter\u003c\/li\u003e\r\n\u003cli\u003eKeep things in sync with dedicated Word Clock and Loop Sync I\/O\u003c\/li\u003e\r\n\u003cli\u003eKeep an eye on your levels easily through 32 4-segment metering LEDs\u003c\/li\u003e\r\n\u003cli\u003eRobust 2U rack-mountable chassis\u003c\/li\u003e\r\n\u003cli\u003eConnects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eA sonic improvement over its audio interface predecessors, HD I\/O features premium A\/D and D\/A conversion, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter, and the absolute lowest possible latency in your sessions. With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\u003cbr\u003e\u003cbr\u003e HD I\/O comes in three configurations, so you can choose the interface that best suits your connection needs. What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. While HD I\/O 16x16 Analog comes with the maximum four cards, you can customize your I\/O by swapping out any card.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O AD Option:\u003c\/span\u003e Adds 8 high-fidelity analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O DA Option:\u003c\/span\u003e Adds 8 high-fidelity analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O Digital Option:\u003c\/span\u003e Adds 8 channels each of AES\/EBU (supports 192 kHz single-wire and dual-wire), TDIF, and ADAT (supports S\/MUX II and IV) I\/O\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eHD I\/O and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449342226535,"sku":"15930","price":2932.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid-hd-io-8x8x8_15930_1.jpg?v=1787088628"},{"product_id":"avid-hd-i-o-digital-option","title":"Avid HD Expansion Card I\/O Digital Option","description":"Digital expansion card for Pro Tools|HD HD I\/O interfaces","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449344618599,"sku":"15949","price":687.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_hd_io_digital.jpg?v=1787088639"},{"product_id":"burl-audio-b2-bomber-dac-demo-deal","title":"Burl Audio B2 Bomber DAC (Demo Deal)","description":"The \u003cb\u003eBurl B2 Bomber DAC\u003c\/b\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an DAC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your DAC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube mic pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering. The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 Bomber hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 Bomber DAC, the most significant piece of gear in your studio. \u003cul\u003e \u003cli\u003e44.1k Hz to 192k Hz, 24 bit, 2 channel ADC \u003c\/li\u003e\n\u003cli\u003eProprietary, high definition, BURL Audio BX1 transformer input \u003c\/li\u003e\n\u003cli\u003eAll class A, discrete transistors signal path with zero feedback, zero caps \u003c\/li\u003e\n\u003cli\u003eAudiophile quality 6 position attenuator with standard headroom settings \u003c\/li\u003e\n\u003cli\u003eHigh definition metering with simultaneous RMS and peak indication \u003c\/li\u003e\n\u003cli\u003eTwo AES and one SPDIF output with dual AES wire support \u003c\/li\u003e\n\u003cli\u003eBNC word clock input with two outputs of extremely low jitter clock \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 48kHz sample rate is 12Hz to 22kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 96kHz sample rate is 15Hz to 46kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003eFrequencty resonse at 192kHz sample rate is 18Hz to 94kHz, +\/- 0.1dB \u003c\/li\u003e\n\u003cli\u003e120dB Dynamic Range (A- weighted), 117dB (no weighting) \u003c\/li\u003e\n\u003cli\u003e-100dB THD+N (+4dBU = -15dBFs) \u003c\/li\u003e\n\u003cli\u003e-94 dB THD+N (+18dBU = -1dBFs) \u003c\/li\u003e\n\u003cli\u003eRugged, Made in USA design\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361625191,"sku":"15736","price":2579.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-da-25_10460_1_1.jpg?v=1787088709"},{"product_id":"burl-audio-b2-bomber-adc-demo-deal","title":"Burl Audio B2 Bomber ADC (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl B2 Bomber ADC\u003c\/strong\u003e is the most significant piece of audio gear in your studio, and you don’t even own it yet.  You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings. \u003cbr\u003e\u003cbr\u003e Open up your best mic pre and look inside.  You will see high quality components like tubes, large transformers and high quality capacitors.  Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface.  Most DAW hardware interfaces are designed for interconnectivity with little attention to the analog audio path, or even the conversion, let alone the tone. \u003cbr\u003e\u003cbr\u003e The B2 Bomber is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone.  For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings.  We try using tube mic pres and great compressors, but there is still something missing.  There is still that blurriness, that graininess and lack of depth that comes with digital recordings. \u003cbr\u003e\u003cbr\u003e BURL Audio has solved this problem by designing an analog audio path that is complimentary to your mic pre and to the analog to digital process.  By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance. \u003cbr\u003e\u003cbr\u003e Using a B2 Bomber in the studio is like taking the governor off of your recordings.  And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2's layout and design.  With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.  The attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for.  And don’t be afraid to run the B2 Bomber hot, it only sounds better.  Couple that with an extremely low jitter clock source, and you have the B2 Bomber ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":44449361657959,"sku":"16602","price":2259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-b2-ad-25_10459_1_1.jpg?v=1787088709"},{"product_id":"burl-audio-bda8-demo-deal","title":"Burl Audio BDA8 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBurl Audio BDA8\u003c\/strong\u003e is a state-of-the-art digital-to-analog converter daughter card for the for the B80 and B16 Mothership. Featuring eight channels of pristine audio conversion, Burl’s NextGen analog circuit and the BOPA14 discrete Class A op-amp, the BDA8 is the ultimate DAC.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic Analog Circuit Path\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BDA8 digital-to-analog converter daughter card is the result of over 25 years of research, development and experience. This world-class converter utilizes the exact same Class A discrete transistor circuit path as the best-selling B2 Bomber analog-to-digital converter. The BDA8 offers eight channels of Burl’s renowned audio quality in a compact daughter card format with DSUB connectivity for added flexibility.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBOPA14 Op-Amp\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BOPA14 with BURL NextGen Analog is the result of hundreds of hours of listening tests. It boasts stunning clarity and definition and raises the bar of excellence in pro audio analog electronics fidelity. The BOPA14 is an all discrete, Class A op-amp with a minimal number of transistors. If you thought the original BOPA4 sounded good, this analog design will blow your mind with tighter bass and higher definition throughout the audio spectrum.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eBurl Audio Mothership\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBurl Audio are known for their innovate B80 and B16 Mothership rack devices, which can be customized with preamps, digital audio converters, word clocks and more. Each daughter card is equipped with transformers in the input stage and op-amps in the output stage, combining the flexibility and pristine sound of digital audio with the character and attitude of an all Class A discrete signal path. Perfect for home studios, commercial recording studios and post-production houses and broadcast facilities, the Mothership can be customized to suit any session. 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This 18 x 24 FireWire\/ Thunderbolt-ready* interface combines genuine UA analog design with class-leading sound quality and onboard Realtime UAD Processing. So you can track audio through a range of UAD analog emulation plug-ins — from Neve, Studer, Manley, Lexicon and more — in real time, with a sleek, elegant workflow on both Mac and Windows 7.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWith smart features including four ultra-transparent mic preamps, eight line inputs\/ouputs, dual headphone outs, and front panel instrument inputs, Apollo has all the right tools, all in the right place.     \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClass-Leading 24-bit\/192 kHz Sound Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDesigned to play a central role in a modern Mac- or Windows 7-based studio, Apollo incorporates an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo’s four premium mic preamps, top-end converters — and UA’s meticulous attention to circuit design — translate into greater accuracy and depth in your recordings, from tracking and overdubbing, to mixing and mastering. In fact, its sound quality is on par with dedicated converters costing thousands more.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRealtime UAD Plug-In Processing for Tracking, Mixing, and Mastering\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhile Apollo’s “natural” sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. Available with either DUO Core or QUAD Core processing onboard, Apollo’s onboard DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency — so that producers can quickly monitor, audition, and “print” audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** Better still, Apollo's Realtime UAD Processing is also available during mixing and mastering, so that music producers can use UAD plug-ins (VST, RTAS, AU) throughout the creative process.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThunderbolt™: The Next Generation of Connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eApollo offers compatibility with Intel’s new high-bandwidth Thunderbolt technology on Macs. 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Smart Hi-Z inputs on the front panel detect when you've connected your guitar or bass, and automatically enable hardware and software monitoring.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eSonically, Apollo's Mic inputs and Monitor outputs are digitally controlled analog, so you don't lose audio resolution when you adjust gain. High-resolution\/high-contrast metering, derived from UA’s legendary 2192 interface, is designed to be viewable at nearly any angle. Finally, standalone operation means that you can use Apollo’s audio connections, and last-used DSP mixer settings, even without a computer connected.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e* Requires Windows 7 64-bit edition operating system and a qualified PCIe-to-FireWire adaptor. Thunderbolt option is Mac-only.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e** All trademarks are recognized as property of their respective owners. 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Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface.  Experience best-in-class A\/D and D\/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.\u003cbr\u003e \u003cbr\u003e \n\u003c\/p\u003e\u003cp\u003eNo need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. 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Essentially three units in one: A\/D converter;  D\/A converter; and headphone amplifier, Hilo offers connectivity,  performance and control never before available. Newly designed  differential analog stages and bi-linear converter topology provide  industry-leading noise and distortion specifications and unprecedented  transparency. Digital I\/O is extremely versatile with support for  AES\/EBU, S\/PDIF (via coax or optical) or ADAT. The Lynx LT-USB is  standard, allowing additional USB I\/O and computer connectivity.\u003cbr\u003e \u003cbr\u003e Hilo is also the first professional converter with touchscreen operation  and monitoring. All controls and signal routing is set up using easy to  use menus. The setup page shows two stereo input meters and three  stereo output meters. Optional screens show two selectable meter sets  and even old-style analog VU meters. 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These are extraordinarily linear and transparent, high-headroom transformers. BUT, they let you keep one trick up your sleeves. You can push these transformers hard, truly dialing in a sweet spot on each and every channel. They're not colored, until you want them to be, and that's a beautiful thing. As you'd expect with a piece of Burl gear, each and every component has been selected for its ultimate sonic quality, from the input transformer to the custom op-amps on every output. If you've ever heard one of these or the two-channel unit in action, you know there's no going back. 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HDSPe MADI provides even lower latencies, making the card the perfect partner for live recording and live mixing applications. The analog monitor output is equipped with the low-latency converter technology of the ADI-8 QS, thus guaranteeing stunning SNR and THD values too. \u003cbr\u003e\u003cbr\u003e HDSPe MADI is fully compatible to all devices with MADI interface. In combination with the ADI-648 an 8 x ADAT optical PC interface is realized, unbeatable in price and performance. 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The 10MX clarifies every nuance of sound and delivers an impact like you have never heard before”\u003cbr\u003e\u003cstrong\u003e- Brian Vibberts, multiple Grammy Award winning recording\/mixing engineer\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\"Pure 2 + 10mx has improved the performance of all my digital gear in the room.  Feels like a sheet has been lifted off my speakers.  Can really hear the space in the delay and reverb decays.   Definitely been leading to betting mix decisions.  My analog gear is happy too, with an A\/D that's truly worthy.\"\u003cbr\u003e\u003cstrong\u003e- Chris Godbey\u003c\/strong\u003e\u003c\/p\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":44449822113895,"sku":"54742","price":6656.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/antelope_audio_isochrone_10mx_front_sq_3bfabdce-bf86-4cd7-943e-0d7499c1e07a.jpg?v=1787090566"},{"product_id":"universal-audio-apollo-twin-duo-usb-demo-deal","title":"Universal Audio Apollo Twin Duo USB (Demo Deal)","description":"\u003cp\u003eWith its class-leading resolution and Realtime UAD Processing, \u003cstrong\u003eUniversal Audio Apollo Twin USB\u003c\/strong\u003e sets the standard for desktop music production for Windows-based systems. This 2x6 USB 3 audio interface allows you to record with near-zero latency through the full range of UAD Powered Plug-Ins — ingeniously merging classic analog tones with cutting-edge features.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eAudio Interface\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSample rates up to 192 kHz* at 24-bit word length\u003c\/li\u003e\r\n\u003cli\u003eUp to 10 x 6 simultaneous input\/output channels\u003c\/li\u003e\r\n\u003cli\u003eTwo channels of analog-to-digital conversion via:\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo balanced mic\/line inputs\u003c\/li\u003e\r\n\u003cli\u003eOne Hi-Z instrument input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eSix channels of digital-to-analog conversion via:\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDigitally-controlled stereo monitor outputs\u003c\/li\u003e\r\n\u003cli\u003eStereo headphone outputs\u003c\/li\u003e\r\n\u003cli\u003eLine outputs 3-4\u003c\/li\u003e\r\n\u003cli\u003eUp to eight channels of digital inputs via:\u003c\/li\u003e\r\n\u003cli\u003eEight channels ADAT optical with S\/MUX for high sample rates, or\u003c\/li\u003e\r\n\u003cli\u003eTwo channels S\/PDIF optical with sample rate conversion\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e64-bit device drivers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMicrophone Preamplifiers\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo high-resolution, ultra-transparent, digitally-controlled analog mic preamps\u003c\/li\u003e\r\n\u003cli\u003eFront panel and software control of all preamp parameters\u003c\/li\u003e\r\n\u003cli\u003eLow cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDigitally-controlled analog monitor outputs maintains highest fidelity\u003c\/li\u003e\r\n\u003cli\u003eIndependently-addressable stereo headphone outputs\u003c\/li\u003e\r\n\u003cli\u003eIndependently-addressable line outputs 3-4 can be used for additional cue mix\u003c\/li\u003e\r\n\u003cli\u003eFront panel control of monitor levels and muting\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eUAD-2 Inside\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTwo (DUO) SHARC DSP processors\u003c\/li\u003e\r\n\u003cli\u003eRealtime UAD Processing on all analog and digital inputs\u003c\/li\u003e\r\n\u003cli\u003eSame features and functionality as other UAD-2 devices when used with DAW\u003c\/li\u003e\r\n\u003cli\u003eIncludes UAD Powered Plug-Ins “Realtime Analog Classics” bundle\u003c\/li\u003e\r\n\u003cli\u003eComplete UAD Powered Plug-Ins library is available online\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cbr\u003e\r\n\r\n\u003ch3\u003eSoftware\u003c\/h3\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConsole application:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eEnables tracking and\/or monitoring with Realtime UAD Processing\u003c\/li\u003e\r\n\u003cli\u003eRemote control of Apollo Twin features and functionality\u003c\/li\u003e\r\n\u003cli\u003eVirtual I\/O for routing DAW tracks through Console\u003c\/li\u003e\r\n\u003cli\u003eTwo independent stereo Auxiliary buses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eConsole Recall plug-in:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSaves Apollo Twin configurations inside DAW sessions for easy recall\u003c\/li\u003e\r\n\u003cli\u003eFacilitates control of Apollo Twin USB's monitoring features from within the DAW\u003c\/li\u003e\r\n\u003cli\u003eVST, RTAS, AAX 64, plug-in formats\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eUAD Meter \u0026amp; Control Panel application:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConfigures global UAD settings and monitors system usage\u003c\/li\u003e\r\n\u003cli\u003eOther\u003c\/li\u003e\r\n\u003cli\u003eAttractive and durable desktop form factor\u003c\/li\u003e\r\n\u003cli\u003eLocking power supply prevents accidental disconnection\u003c\/li\u003e\r\n\u003cli\u003eEasily updateable firmware\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\r\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\r\n\r\n\u003cp\u003eUAD Powered Plug-Ins version 8\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMicrosoft Windows 7 or 8.1, 64-Bit Edition\u003c\/li\u003e\r\n\u003cli\u003eAvailable SuperSpeed USB 3 port*\u003c\/li\u003e\r\n\u003cli\u003eIntel \"i\" series or Xeon processor\u003c\/li\u003e\r\n\u003cli\u003e6 gigabytes available storage\u003c\/li\u003e\r\n\u003cli\u003eInternet connection to download software and authorize UAD plug-ins\u003c\/li\u003e\r\n\u003cli\u003eCompatible VST, RTAS, or AAX 64 plug-in host DAW software\u003c\/li\u003e\r\n\u003cli\u003e*SuperSpeed USB 3 cable included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cbr\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAll audio specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced inputs and outputs.\u003c\/p\u003e\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eSystem\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eI\/O Complement\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMicrophone Inputs Two\u003c\/li\u003e\r\n\u003cli\u003eAnalog Line Inputs Two\u003c\/li\u003e\r\n\u003cli\u003eHi-Z Instrument Inputs One\u003c\/li\u003e\r\n\u003cli\u003eAnalog Line Outputs Two (independent mix buses)\u003c\/li\u003e\r\n\u003cli\u003eAnalog Monitor Outputs Two (one stereo pair, independent L\/R mix buses)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone Outputs One stereo pair (independent L\/R mix buses)\u003c\/li\u003e\r\n\u003cli\u003eDigital Input Port (TOSLINK optical) One (ADAT or S\/PDIF, selectable)\u003c\/li\u003e\r\n\u003cli\u003eUSB 3 Port One\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eA\/D – D\/A Conversion\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192\u003c\/li\u003e\r\n\u003cli\u003eBit Depth Per Sample 24\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous A\/D conversion Two channels\u003c\/li\u003e\r\n\u003cli\u003eSimultaneous D\/A conversion Six channels\u003c\/li\u003e\r\n\u003cli\u003eAnalog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003cli\u003eAnalog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application 1.1 milliseconds @ 96 kHz sample rate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLine Inputs 1 \u0026amp; 2\u003c\/li\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female ¼” TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117.5 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –108 dBFS\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 60 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 10K Ohms\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain)18 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –37 dBV\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMicrophone Inputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type (combo mic\/line balanced inputs) Female XLR Balanced (pin 2 positive)\u003c\/li\u003e\r\n\u003cli\u003ePhantom Power (switchable per input) +48V\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –110 dBFS\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise –127 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eCommon-Mode Rejection Ratio (CMRR) Greater than 70 dB (10’ cable)\u003c\/li\u003e\r\n\u003cli\u003eDefault Input Impedance 5.4K Ohms (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eGain Range +10 dB to +65 dB\u003c\/li\u003e\r\n\u003cli\u003ePad Attenuation (switchable per input) 20 dB (variable via Unison preamp model)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain, with Pad) 23.8 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain, with Pad) –31.2 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHi-Z Input\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type Female ¼” TS Unbalanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 117 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance 1M Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Minimum Gain) 10 dBV\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level (@ Maximum Gain) –45 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eLine Outputs 3 \u0026amp; 4\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 118 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –107 dBFS\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 120 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMonitor Outputs 1 \u0026amp; 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Balanced\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 115 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –105 dBFS\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 118 dB\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.05 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 600 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –96 dB to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level 18 dBV\u003c\/li\u003e\r\n\u003cli\u003eOperating Reference Level +14 dBu, +20 dBu (selectable)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eStereo Headphones Output\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eJack Type ¼” Female TRS Stereo (unbalanced)\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response 20 Hz – 20 kHz, ±0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eSignal-to-Noise Ratio (A–weighting) 113 dB\u003c\/li\u003e\r\n\u003cli\u003eChannel Separation Greater than 110 dB\u003c\/li\u003e\r\n\u003cli\u003eTotal Harmonic Distortion + Noise –101 dBFS\u003c\/li\u003e\r\n\u003cli\u003eStereo Level Balance ±0.11 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance 10 Ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Gain Range –INF to 0 dB\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Power 80 milliwatts into 600 Ohms\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eS\/PDIF\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with ADAT)\u003c\/li\u003e\r\n\u003cli\u003eFormat IEC958\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96\u003c\/li\u003e\r\n\u003cli\u003eS\/PDIF Input Channels Two (Stereo L\/R)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eADAT\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eConnector Type Optical TOSLINK JIS F05 (shared with S\/PDIF)\u003c\/li\u003e\r\n\u003cli\u003eFormat ADAT Digital Lightpipe with S\/MUX\u003c\/li\u003e\r\n\u003cli\u003eSupported Sample Rates (kHz) 44.1, 48, 88.2, 96, 172.4, 192\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 44.1 kHz, 48 kHz 1 – 8\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 88.2 kHz, 96 kHz 1 – 4 (S\/MUX)\u003c\/li\u003e\r\n\u003cli\u003eADAT Input Channels @ 176.4 kHz, 192 kHz 1 – 2 (S\/MUX)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eClock Synchronization Sources\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternal, S\/PDIF, ADAT (digital clock sync source conditional per selected digital input type)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eElectrical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003ePower Supply External AC to DC\u003c\/li\u003e\r\n\u003cli\u003eAC Connector Type Changeable blades (UL, VDE, UK, SSA, CCC)\u003c\/li\u003e\r\n\u003cli\u003eAC Requirements 100V – 240V AC, 50 – 60 Hz\u003c\/li\u003e\r\n\u003cli\u003eDC Connector Type Male plug, 2.1 mm x 5.5 mm, center positive\u003c\/li\u003e\r\n\u003cli\u003eDC Requirements 12 VDC, ±5%\u003c\/li\u003e\r\n\u003cli\u003eMaximum Power Consumption 12 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eOperating Temperature Range 32º to 95º Fahrenheit (0º to 35º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eStorage Temperature Range –40º to 176º Fahrenheit (–40 to 80º Celsius)\u003c\/li\u003e\r\n\u003cli\u003eOperating Humidity Range 20% to 80%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003cstrong\u003eMechanical\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDimensions\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWidth 6.31”\u003c\/li\u003e\r\n\u003cli\u003eHeight 2.60”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Chassis Only 5.86”\u003c\/li\u003e\r\n\u003cli\u003eDepth, Including Knob \u0026amp; Jack Protrusions 6.20”\u003c\/li\u003e\r\n\u003cli\u003eShipping Box (Length x Width x Height) 8” x 8” x 5.5” (20.32cm x 20.32cm x 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Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSimple Switching Between DAWs\u003c\/h3\u003e\r\n\r\n\u003cp\u003eSwitch between Pro Tools | HD and any DAW connected to the Thunderbolt interface using the Host Mode setting in the included RedNet Control software. 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Red 4Pre's converter design strikes a precise balance between multiple factors – including dynamic range, distortion, noise floor and conversion latency – for the optimal overall sound. With 24-bit\/192kHz sampling capability and 118dB(A-D)\/121dB (D-A) dynamic range, it is ideal for high-resolution audio. The Red 4Pre delivers ≤0.0009% THD+Noise and a frequency response flat from 20Hz to 35kHz ±0.25 dB or better.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eExpansion Done Right\u003c\/h3\u003e\r\n\r\n\u003cp\u003eConnect up to 64 additional channels to the Red 4Pre via Ethernet-based Dante networking - a simple, single connection carrying both audio and built-in clocking. Whether the Red 4Pre is connected to the computer via Thunderbolt, DigiLink or Dante, simply connect units such as two RedNet A16R (32 channels of analogue I\/O), four RedNet MP8R (32 channels of RedNet mic pre), or other Dante-enabled products via Ethernet as desired. Place mic preamps where the music is, and outputs where the sound needs to go – wherever there's an Ethernet connection. Unlike daisy-chaining via Thunderbolt, Dante lets you run additional channels over a greater distance, with low latency and lower cost, without wasting money on technology or connectivity that will not be used. And it will only get easier: look out for future enhancements offering complete plug and play Ethernet expansion functionality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSoftware Included\u003c\/h3\u003e\r\n\r\n\u003cp\u003eRed 4Pre includes the new RedNet Control software, providing a straightforward and intuitive way to set up mixes and monitoring - and more! Control the mic pres – recall settings, assign stereo pairs, adjust gain and enable features such as highpass filtering and phantom power. Easily switch between Pro Tools | HD and any Thunderbolt-connected DAW with the Host Mode setting. 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The 16A is the first and only interface to combine Thunderbolt I\/O connectivity with AVB audio networking.\u003c\/p\u003e  \u003ch3\u003eAudio class compliant USB 2.0\u003c\/h3\u003e  \u003cp\u003eDon't have a Thunderbolt-equipped computer yet? Hi-speed USB 2.0 provides across-the-board compatibility with pretty much all laptops and desktops. The 16A is USB audio class compliant, which means you enjoy OS-level USB compatibility and support, including iPad support (with a camera connection kit). Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 16A interface is a future-proof investment in your studio.\u003c\/p\u003e  \u003ch3\u003e48-channel digital mixing\u003c\/h3\u003e  \u003cp\u003eThe 16A is equipped with a 48-channel digital mixer designed just like a large format mixing console. The 48 inputs can take signal from anywhere: the physical inputs on the 16A interface itself, audio channels from host software on your computer, audio network streams, or even mixer outputs. The mixer provides 7 stereo aux busses, 3 groups, a reverb bus that can alternately serve as a 4th group, a Main Mix bus and a separate Monitor bus that can serve as a solo bus. In essence: capable and transparent mixing.\u003c\/p\u003e  \u003ch3\u003eModeled analog EQ and compression\u003c\/h3\u003e  \u003cp\u003eBritish analog mixing consoles are renowned for their musical EQ profiles. The 16A meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak\/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler™, an accurate model of the legendary Teletronix™ LA-2A™ optical leveling amplifier, known for its unique and highly sought-after Automatic Gain Control (AGC) characteristics.\u003c\/p\u003e  \u003ch3\u003eMatrix routing and splitting\u003c\/h3\u003e  \u003cp\u003eWith one click on the 16A's routing grid, you can route any source signal to any destination. Sources can be analog or digital inputs on the interface, computer channels, mixer bus outputs, or audio network streams from other devices on the network. Destinations include interface outputs, host software inputs, mixer inputs, or any other device (or computer) on the AVB network. You can even split any single input (or stereo pair) to unlimited multiple output destinations.\u003c\/p\u003e  \u003ch3\u003eSystem expansion and audio networking\u003c\/h3\u003e  \u003cp\u003eThe 16A network port introduces AVB Ethernet, the new industry standard developed by the IEEE for professional audio networking. Add a second MOTU AVB interface (1248, 8M or 16A) with a simple Cat-5e or CAT-6 ethernet cable.\u003c\/p\u003e  \u003cp\u003eBuild a network with multiple interfaces and computers using standard AVB switches and network cabling, with ultra-low network latency, even over long cable runs (hundreds of meters). Stream hundreds of audio channels among devices and computers on the network.\u003c\/p\u003e  \u003ch3\u003eWeb app control\u003c\/h3\u003e  \u003cp\u003eControl everything from your laptop, tablet, and smart phone The software that you use to control the 16A doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 16A's on-board DSP, mixing, device settings, and network audio routing from the web app software running in your favorite web browser on a laptop, tablet or smart phone connected by wire or Wi-Fi to your local area network. Use any web client on any platform — Mac, Windows, Linux, iOS, Android — as long as it shares the same network.\u003c\/p\u003e  \u003ch3\u003eStand-alone mixing with wireless control\u003c\/h3\u003e  \u003cp\u003eConnect an Apple Airport™ or other Wi-Fi router directly to the 16A with a standard Ethernet cable and control the 16A's powerful mixing and DSP effects from your smart phone or tablet, without a computer. Great for live sound mixing!\u003c\/p\u003e  \u003ch3\u003eComprehensive metering\u003c\/h3\u003e  \u003cp\u003eThe large backlit 324 x 24 LCD lets you view all signal activity at a glance with detailed metering for all analog and digital I\/O. Access hardware settings from a simple and convenient menu.\u003c\/p\u003e  \u003ch3\u003eQuick Setup presets\u003c\/h3\u003e  \u003cp\u003eThe 16A is so flexible, it can serve many roles — in the studio, on stage, and throughout an installation. The Quick Setup menu lets you instantly reconfigure the 16A for many common situations, from operation as a standard audio interface to serving as a network \"snake\" from one location to another. Once a pre\u003c\/p\u003e","brand":"MOTU","offers":[{"title":"Default Title","offer_id":44450017706087,"sku":"63227","price":1345.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/motu-16a_48634_1_1_9076c4f2-c17f-44b0-af57-7774a081ad6e.jpg?v=1787091346"},{"product_id":"mytek-digital-stereo192-dsd-dac-black-preamp-demo-deal","title":"Mytek Digital Stereo192-DSD DAC Black Preamp (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eMytek Digital Stereo192-DSD-DAC\u003c\/span\u003e is not just another USB DAC. It’s the next generation DAC with computer interface. It includes all the latest of both interface and conversion technology: asynchronous operation with ultra stable jitter free internal clock, 192k and DSD playback capability, the newest, high performance Sabre(tm) DAC in 8 mono channel to two stereo configuration, high performance hardware upsampling, new design of ultra transparent analog attenuator and high current, high slew rate headphone amp. All this assembled with hand-picked high quality metal film resistors, solid and low impedance capacitors and other selected parts. Most importantly, countless listening comparisons lead to this design resulting in sonic detail and transparency superior not only to the competition but also to Mytek's own best designs to date.\u003cbr\u003e \u003cbr\u003e Stereo192-DSD-DAC is designed to provide easy intuitive access to all of its features. Unique to the industry is a choice of several computer interfaces that provide flexibility and ease of use whether quick plug and play or sophisticated native DSD or 192k operation is required. Both Mac and Windows Operating Systems are supported with future firmware updates available on the Mytek website for downloads.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eStereo192-DSD-DAC Black Preamp Version\u003c\/span\u003e\u003cbr\u003e This version version is intended for both computer audiophile playback and mastering\/ professional audio monitoring. A pair of unbalanced analog inputs can be selected in addition to all available digital inputs. As with the other inputs, it can be routed via the analog stepped attenuator to both main outputs and headphones. The “Black Pre” version has the same functionality, specs, sound quality and firmware as the “Silver Pre” version with the exception of the black front panel and the presence of LED level meters. Functionality, technical specs and sound quality are the same for all 3 versions with the exception of the analog vs. SDIF DSD inputs, color of panel and presence of LED level meters.","brand":"Mytek Digital","offers":[{"title":"Default Title","offer_id":44450018033767,"sku":"63046","price":959.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mytek_stereo192-dsd-dac_preamp_black_1_011ce4bc-b13e-4124-bdc5-d52f32b79311.jpg?v=1787091348"},{"product_id":"avid-sync-hd-demo-deal","title":"Avid Sync HD (Demo Deal)","description":"\u003cp\u003eKeep even your largest Pro Tools|HD and audio-video productions in total sync.  \u003cstrong\u003eAvid SYNC HD\u003c\/strong\u003e attains near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase\/tach signals, incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, as well as standard pull-up\/pull-down rates for film and video applications.\u003cbr\u003e \u003cbr\u003e SYNC HD also features AES\/EBU clock I\/O, SD and HD video reference in\/thru, video program in\/out with timecode window inserter, and a host of other features, making it a must have for Pro Tools|HD professionals in commercial music and post-production facilities.\u003cbr\u003e \u003cbr\u003e \r\n\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44450026586215,"sku":"48612","price":1529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_digidesign_sync_hd_io_1_2c1b73d2-dc31-472e-9a1a-1c077f015ae1.jpg?v=1787091381"}],"url":"https:\/\/vintageking.com\/collections\/sale-interfaces-and-converters-on-sale.oembed","provider":"Vintage King","version":"1.0","type":"link"}