{"title":"Instrument Deals","description":null,"products":[{"product_id":"alesis-sr18","title":"Alesis SR18 Drum Machine","description":"\u003cp\u003eAlesis knows drums. The SR16 has dominated the drum machine market since 1990 and continues to be in demand today. The next-generation \u003cstrong\u003eAlesis SR18\u003c\/strong\u003e is loaded with cutting-edge drumsets, electronic drums, one-shot hits, and modern percussion sounds for any cutting-edge musician’s performances and compositions.\u003c\/p\u003e\r\n\u003cp\u003eFrom hip-hop to country and everything in between, SR18 nails it on the first take. SR18 has an effects engine with Alesis reverb, EQ, and compression so you can output recording or performance-ready sounds.\u003c\/p\u003e\r\n\u003cp\u003eAlesis' exclusive Dynamic Articulation technology modifies sample sounds so they change as you play them. This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and color changes you'd expect from their acoustic counterparts.\u003c\/p\u003e\r\n\u003cp\u003eYou can plug in an instrument, such as a guitar, and play along for setup simplicity. You can play in bass parts using the pads on SR18 or connect a MIDI keyboard for fast, musical low end.\u003c\/p\u003e\r\n\u003cp\u003eSR18 can be powered by AC or batteries, so whenever or wherever you need to lay down a groove, you’re ready to roll. It’s time for you to step up to the next Alesis drum machine.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449338982503,"sku":"15025","price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis-sr18-21_15025_1.jpg?v=1787088615"},{"product_id":"native-instruments-maschine-studio-black-demo-deal","title":"Native Instruments Maschine Studio - Black (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNative Instruments Maschine Studio\u003c\/strong\u003e is the ultimate groove production system, combining software and hardware in perfect harmony. Get absolute, hands-on control of every aspect of all-new Maschine 2.0 software without having to resort to hardware shortcuts or use a mouse. See everything you do on two gorgeous, hi-res color displays.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUnprecedented physical control and visual feedback\u003c\/li\u003e\r\n\u003cli\u003eSampler, arranger, mixer, effects, and more\u003c\/li\u003e\r\n\u003cli\u003eIncludes Maschine 2.0 software, instruments, and new drum synths\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003eCreate and perform rhythms, harmonies, and melodies faster than you ever thought possible. Maschine Studio’s workflow keeps you laser-focused on the quest for the perfect groove. Its pattern-based sequencer and high-performance sampler, exemplary drum synths, incredible suite of creative effects and pro instruments, and acclaimed sound library deliver ultimate production power.\u003cbr\u003e\u003cbr\u003eAnd Maschine Studio’s impressive hardware delivers full tactile workflow.\u003cbr\u003e\u003cbr\u003eAnd because software can be easily updated, Maschine 2.0 will always keep you on the cutting edge of technology, pushing your creativity further than you ever thought possible.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Native Instruments","offers":[{"title":"Default Title","offer_id":44449611513959,"sku":"37794","price":719.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/native_instrument_maschine_studio_black_1_1_5fbee1e2-b486-4b8c-a402-8224aa16d414.jpg?v=1787089688"},{"product_id":"kemper-profiler-rack-demo-deal","title":"Kemper Profiler Rack (Demo Deal)","description":"\u003cp\u003eThe\u003cstrong\u003e Kemper Profiler\u003c\/strong\u003e enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.\u003c\/p\u003e\r\n\u003cp\u003eSo, how does it work? We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e\r\n\u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e\r\n\u003cp\u003eAny amp. Any time. Anywhere. We mean it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe growing library \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCreate your own profiles from your own amps\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\r\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. However, in contrast to many vintage amps, we have kept the gain control neutral, so you are able to find the sweet spot of your amp, and run this optimal sound at any gain level.\u003c\/p\u003e\r\n\u003cp\u003eThe gain control ranges over 80dB and features an automatic volume compensation for clean settings.\u003c\/p\u003e\r\n\u003cp\u003eNow, imagine if you could change the sonic character of a profile way beyond what’s possible with the amp itself...What if you could change the sonic age of the amp, or the bite of the pick? What if you could modify the power supply of your profiled amp in order to benefit from power sagging or be larger than life? With the Kemper Profiler, you can! We allow you to dynamically adjust key aspects of your favorite amps which would otherwise be impossible or require hardware modifications. You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eControl way beyond the usual \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Definition\u003c\/strong\u003e parameter determines whether the Profile leans more towards a vintage or modern character. Increase this parameter to intensify the touch response of the virtual tubes. \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePower Sagging\u003c\/strong\u003e: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003ePick\u003c\/strong\u003e parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Compressor\u003c\/strong\u003e will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eCabinet Voicing\u003c\/strong\u003e parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449617215591,"sku":"38123","price":1149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper_profiler_rack_front_1_486db2ae-afce-4c52-a9c2-b8389bf73afb.jpg?v=1787089713"},{"product_id":"moog-music-minitaur-demo-deal","title":"Moog Music Minitaur (Demo Deal)","description":"The \u003cb\u003eMoog Music Minitaur\u003c\/b\u003e’s front panel features a knob-per-function design, for maximum real-time tweakability. There are no internally stored presets, but presets can be created and managed via MIDI. The Minitaur has several new features added to the classic Taurus synth engine, including an external audio input, that expand the basic synthesis and sound design capability of the instrument.  Minitaur fits right into the computer based music production rig or is easily controlled via MIDI controller. \u003cbr\u003e\u003cbr\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449712701543,"sku":"47611","price":415.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_minitaur_1_2_89624592-604c-4831-bccd-23dc718f16eb.jpg?v=1787090104"},{"product_id":"kemper-profiler-head-black-demo-deal","title":"Kemper Profiler Head - Black (Demo Deal)","description":"\u003cp\u003eThe\u003cstrong\u003e Kemper Profiler\u003c\/strong\u003e enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.\u003c\/p\u003e\r\n\u003cp\u003eSo, how does it work? We use cutting edge technology to capture the sonic DNA of virtually any guitar amp. The resulting profiles are as living, vivid and dynamic as the original amps.\u003c\/p\u003e\r\n\u003cp\u003eImagine you’ve used some sweet-sounding, well-maintained vintage tube amps in your last studio session: With the Kemper Profiler, there’s no need to leave those sounds behind anymore. Simply create your own profiles from these amps and take them with you to use anywhere you like. Variations with alternative amp settings can be created and even the cabinet of a profiled combo amp can be exchanged at any time. Dozens of pro-grade onboard effects and stomp boxes can be used to spice up the profiles. We even give you profiles of many exceptional signature amps.\u003c\/p\u003e\r\n\u003cp\u003eAny amp. Any time. Anywhere. We mean it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnjoy the great profiles and rigs that come with it. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThey were created by professional guitarists, engineers and producers in studios all over the world. Right out of the box, you will find classic tones of studio standards as well as profiles of highly sought-after amplifiers, some costing many times the price of the Kemper Profiler.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe growing library \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWe will be working tirelessly to create new profiles for you to download for free from our website. All the profiles we create are extracted from real amplifiers and cabinets, each with a distinct personality of its own. To take the profiles, we employ the exact same techniques an engineer would use to create a great guitar tone in the studio, so you can be sure to receive the most authentic sounds from a digital guitar amp, ever!\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCreate your own profiles from your own amps\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you happen to have access to tube amps, feel free to make your own profiles. You will probably feel more familiar with profiles of your own gear, than with those other people have made. It might be also a nice idea to hire a professional studio for a day or two, where you can create your signature profiles with the help of an experienced sound engineer. You then have the luxury of being able to use these profiles wherever you like, and with no time constraints. If you are tracking in a studio, you should profile the guitar amps that you record with. Later, you simply take these profiles with you and know that you can recreate the exact sound of the recording, both in the rehearsal studio and live on stage.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShare your own creations \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIf you are looking for a particular sound, search the Rig Exchange database on our website, and download profiles and rigs from fellow users.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSo much more than just flicking channels \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePlay completely different amp models rather than just switching amp channels on stage! Imagine playing the verse with a sparkling profile of a 1965 black-faced 2x12\" combo, done in a premiere studio in Nashville, while burning through the solo with a hot-rodded, British 100Watts monster, driving a 4x12\" cab you just profiled last week in your buddy's rehearsal space. How cool is that?\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat is profiling? \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e“Profiling” is what we have named our proprietary technology that captures the sound and feel of a specific tube amplifier. In other words, the Kemper Profiler doesn’t simply give you a list of static digital amplifier reproductions. Instead, profiling creates a vivid, living, dynamic and multi-dimensional image of your existing tube amp.\u003c\/p\u003e\r\n\u003cp\u003eProfiling is as simple as plugging your tube amp into the Kemper Profiler and pressing ‘record.’ Just insert the Kemper Profiling amplifier into the recording chain and it will do its magic. Test signals will be sent from the Kemper Profiler Amplifier into your tube amp and recorded by the microphone in front of your cabinet. You don’t even have to play your guitar. After less than a minute the Kemper Profiler acquires the sonic DNA of your tube amp and offers you the resulting custom profile. You can then use the A\/B comparison mode to compare original tube amp sound with the profiled sound.This gives you a fast and convenient way to make final tweaks to the profile to get it exactly right.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAmp Controls \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Kemper Profiler includes the standard Gain, Bass, Middle, Treble and Presence controls that you would expect from an guitar amplifier. However, in contrast to many vintage amps, we have kept the gain control neutral, so you are able to find the sweet spot of your amp, and run this optimal sound at any gain level.\u003c\/p\u003e\r\n\u003cp\u003eThe gain control ranges over 80dB and features an automatic volume compensation for clean settings.\u003c\/p\u003e\r\n\u003cp\u003eNow, imagine if you could change the sonic character of a profile way beyond what’s possible with the amp itself...What if you could change the sonic age of the amp, or the bite of the pick? What if you could modify the power supply of your profiled amp in order to benefit from power sagging or be larger than life? With the Kemper Profiler, you can! We allow you to dynamically adjust key aspects of your favorite amps which would otherwise be impossible or require hardware modifications. You can do anything from minor tweaks, such as making your Marshall Bluesbreaker profile sound a bit more vintage, to more radical changes such as adding some modern high gain chunk to your vintage Fender Bassman.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eControl way beyond the usual \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Definition\u003c\/strong\u003e parameter determines whether the Profile leans more towards a vintage or modern character. Increase this parameter to intensify the touch response of the virtual tubes. \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003ePower Sagging\u003c\/strong\u003e: this parameter lets the tubes breathe with your playing; damped strings will have more ”chug,” and clean, picked notes will cut through better when you reduce your playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003ePick\u003c\/strong\u003e parameter controls the attack of your pick independently of the gain setting—even through heavy distortion. This innovative parameter lets you decouple your pick sound from the natural compression of the distorting tubes and cut right through the mix. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eAmp Compressor\u003c\/strong\u003e will sustain the clean guitar when you play soft, but lets the distorted sound through, unprocessed, when you revert back to normal playing volume. \u003c\/li\u003e\r\n\u003cli\u003eThe \u003cstrong\u003eCabinet Voicing\u003c\/strong\u003e parameters give you access to the guts and the character of the cabinet. You can change the size of your virtual cabinet, tune the bass resonance or control the tonal character in an creative way.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Kemper","offers":[{"title":"Default Title","offer_id":44449726562407,"sku":"48386","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/kemper_profiling_black_1_16505857-3acf-4142-9507-190f5d7a79d8.png?v=1787090153"},{"product_id":"intellijel-ustep-ii","title":"Intellijel uStep II","description":"Features of the \u003cstrong\u003eIntellijel uStep II\u003c\/strong\u003e:\r\n\u003cul\u003e\r\n\u003cli\u003eSeperate sequence lenghts (1-8 steps long each)\u003c\/li\u003e\r\n\u003cli\u003eSeperate gate lengths\u003c\/li\u003e\r\n\u003cli\u003eStore\/Recall patterns (8 locations)\u003c\/li\u003e\r\n\u003cli\u003e8 levels of Shuffle\u003c\/li\u003e\r\n\u003cli\u003eSeperate sequence outputs with dedicated leds showing gate logic status\u003c\/li\u003e\r\n\u003cli\u003eRelative and Absolute Timing modes\u003c\/li\u003e\r\n\u003cli\u003eGate range from 500uS to 30minutes (capable of audio rate sequences)\u003c\/li\u003e\r\n\u003cli\u003eCompatible with STG Time Buffer (DINSYNC system)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eUse this module for:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBeat\/trigger sequencing (great for polyrhythms!)\u003c\/li\u003e\r\n\u003cli\u003eControl of adsr\/asr envelopes\u003c\/li\u003e\r\n\u003cli\u003eClock dividing\u003c\/li\u003e\r\n\u003cli\u003eSwing Clock\u003c\/li\u003e\r\n\u003cli\u003eConvert Gate to Trigger\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744289895,"sku":"48006","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_ustep2_0610b527-77ad-472d-8482-6185f38f2a52.jpg?v=1787090228"},{"product_id":"intellijel-triatt","title":"Intellijel Triatt","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Triatt\u003c\/strong\u003e is a triple attenuator, inverter, attenuverter, mixer and DC voltage source. The three well spaced knobs can act as active attenuators, attenuverters (bipolar) and inverting attenuators depending on the setting of the three-position switches.\u003c\/p\u003e  \u003cp\u003eEach input is normalled to a DC voltage selectable via jumpers for each channel to be 5 V or 10 V. With nothing plugged into the jacks, each knob controls a voltage amount. So if the rear jumper for channel a was set to 5 V then the knob a would control the following ranges on output a: position 1: 0 to – 5 V, position 2: -5 to +5 V, and position 3: 0 to +5 V\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744355431,"sku":"47997","price":76.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-triatt_47997_1_7a2523f9-df5c-416c-9e1b-43f6f5485ce6.jpg?v=1787090229"},{"product_id":"intellijel-metropolis","title":"Intellijel Metropolis","description":"\u003cp\u003eThe \u003cstrong\u003eMetropolis\u003c\/strong\u003e is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.\u003c\/p\u003e\r\n\u003cp\u003eThe Metropolis comprises eight “STAGES”, each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths\/sequencers that use constant rate portamento) which produces a very musical and interesting result.\u003c\/p\u003e\r\n\u003cp\u003eIn addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more.\u003c\/p\u003e\r\n\u003cp\u003eSome of the features :\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSequencer modes: \u003cbr\u003eForward, Forward-fixed, Reverse, Reverse-fixed, PingPong, PingPong-Fixed, Random, Random-fixed, Brownian, Brownian-fixed\u003c\/li\u003e\r\n\u003cli\u003eTB-303 style slide (constant time portamento) with adjustable time\u003c\/li\u003e\r\n\u003cli\u003eStage skipping (double click slide buttons)\u003c\/li\u003e\r\n\u003cli\u003eInternal quantizing in any key and a choice of 30 different scales\u003c\/li\u003e\r\n\u003cli\u003eCan act as a master clk with tap tempo BPM control or slave to an external clock (with BPM detector)\u003c\/li\u003e\r\n\u003cli\u003eSAVE\/LOAD panel settings to EEPROM\u003c\/li\u003e\r\n\u003cli\u003eShuffle\u003c\/li\u003e\r\n\u003cli\u003eInternal clock divider with odd\/even\/all modes and can also be used to sync stage changes\u003c\/li\u003e\r\n\u003cli\u003eSync output (sets output pulse on the first or last clock step of a sequence, used to slave other sequencers via reset)\u003c\/li\u003e\r\n\u003cli\u003eTwo assignable AUX inputs which can control: gate length, transpose, key shift, root shift, sequence length, step divisor and octave offset.\u003c\/li\u003e\r\n\u003cli\u003eConfig menu to set slider pitch range, clock div type, sync type and reset type\u003c\/li\u003e\r\n\u003cli\u003eAll menu actions are one level deep. i.e. press the menu button and spin the encoder. There are no hidden levels or sub menus (except for the CONFIG menu)\u003c\/li\u003e\r\n\u003cli\u003eAll the core original RYK m185 functions are there too. Read more about the original project here and here\u003c\/li\u003e\r\n\u003cli\u003eUser replaceable firmware chip\u003c\/li\u003e\r\n\u003cli\u003eLink header on back to connect to other select Intellijel modules\u003c\/li\u003e\r\n\u003cli\u003eSkiff friendly\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744617575,"sku":"47989","price":493.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_metropolis_ac07e480-db5b-4c45-9ad0-0f2b004ce17a.jpg?v=1787090230"},{"product_id":"pittsburgh-modular-crush","title":"Pittsburgh Modular Crush","description":"\u003cp\u003eThe \u003cstrong\u003eCrush\u003c\/strong\u003e is an audio destroyer; a voltage controlled, all analog sound decimator. A sonic laser designed to shatter waveforms into a million pieces. The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix. Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks. The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output. The results are crushing.\u003c\/p\u003e\r\n\u003cp\u003eThe Crush wrecks audio without ever sounding harsh or thin. Compared to a digital bit crusher, the analog Crush sounds full and warm. Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution.\u003c\/p\u003e\r\n\u003cp\u003eAn integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio. Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.\u003c\/p\u003e\r\n\u003ch3\u003eCrush Controls:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSample Rate Control - Sample rate control.\u003c\/li\u003e\r\n\u003cli\u003eSample Rate CV In Control - Sample Rate CV input jack attenuator.\u003c\/li\u003e\r\n\u003cli\u003eInterpolate\/Step Mode Switch - Step mode offers true downsampling. Interpolate mode attempts to smooth the downsampled waveform.\u003c\/li\u003e\r\n\u003cli\u003eOutput Mix Control - Controls the signal mix of the Mix Out.\u003c\/li\u003e\r\n\u003cli\u003eMix CV In Control - Mix CV input jack attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCrush Patch Points:\u003c\/strong\u003e SR CV IN - CV input modulates the Sample Rate. MIX CV IN - CV input modulates the Output Mix. INPUT - Waveform Input. CRUSH OUT - Processed waveform output. OUTPUT - Mixed waveform output.\u003c\/p\u003e\r\n\u003cp\u003eSize: 8hp\u003cbr\u003e Module depth with ribbon cable attached: 36.5mm\u003cbr\u003e Power Usage: 45mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449750974567,"sku":"50066","price":122.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_crush_1a649e84-63bd-44b4-b498-fd698c4acb78.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-toolbox","title":"Pittsburgh Modular Toolbox","description":"\u003cp\u003eThe \u003cstrong\u003eTool Box\u003c\/strong\u003e is a versatile module capable of performing 4 distinct jobs at once.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAdjustable Slew Control\u003c\/li\u003e\r\n\u003cli\u003eNoise Source\u003c\/li\u003e\r\n\u003cli\u003eSample \u0026amp; Hold\u003c\/li\u003e\r\n\u003cli\u003eVoltage Inverter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eModule Sections\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSlew (Portamento)\u003c\/li\u003e\r\n\u003cli\u003eSlew Amount Knob Controls the Amount of Glide\u003c\/li\u003e\r\n\u003cli\u003eN-SH (Noise - Sample \u0026amp; Hold)\u003c\/li\u003e\r\n\u003cli\u003eNoise Output (N) Sample \u0026amp; Hold Voltage Input (I) (Internally patched to Noise Output) Sample \u0026amp; Hold Hold Clock Input (H) Sample \u0026amp; Hold Voltage Output (O)\u003c\/li\u003e\r\n\u003cli\u003eINVERT (Basic Voltage Inverter Flips the incoming Voltage From Positive to Negative or Negative to Positive)\u003c\/li\u003e\r\n\u003cli\u003eVoltage Input (I) Voltage Output (O)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Depth: 25mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751728231,"sku":"49983","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_tool-box_471e408e-95fa-4d60-8d67-45583337001b.jpg?v=1787090259"},{"product_id":"tiptop-audio-sd808-tr808-snare-drum-generator","title":"Tiptop Audio SD808 Snare Drum Generator Module","description":"\u003cp\u003eThe \u003cstrong\u003eTiptop Audio SD808\u003c\/strong\u003e is a drum module that brings the TR-808’s analog snare drum sound to the Eurorack modular synth format. This module includes special features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and an adjustable noise source, all while retaining the classic 1980s TR-808 sound.\u003c\/p\u003e  \u003cp\u003eThe SD808’s analog design ensures tight, snappy sounds, using two sine waves and a noise source. It also offers versatile front panel controls for creating various electronic percussion sounds. The noise source is based on a later TR-808 circuit, producing a slightly darker and more realistic snare. The high-powered gain stage and dual pulse-shaper circuit ensure consistent, high-quality sound from any pulse source, making the SD808 an easy and powerful addition to any modular synth setup.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752645735,"sku":"50229","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop-sd808-white_50229_1_ec0a2a76-99ed-4b1a-8e91-81bab0ec8bea.jpg?v=1787090263"},{"product_id":"korg-ms-20-mini-demo-deal","title":"Korg MS-20 Mini (Demo Deal)","description":"\u003cp\u003eKorg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, and the iMS-20 iPad app.\u003cbr\u003e\u003cbr\u003eToday, the sounds of the MS-20 have been reborn as the \u003cstrong\u003eKorg MS-20 Mini\u003c\/strong\u003e. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fitted it into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original that remains unfaded despite the passage of time.\u003cbr\u003e\u003cbr\u003eThe MS-20 mini will amaze you with its absolutely authentic analog synth sound.\u003c\/p\u003e","brand":"Korg","offers":[{"title":"Default Title","offer_id":44449757036647,"sku":"49901","price":630.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/korg_ms-20_front_3537fcea-8f00-4a9e-be5e-3c57db85847b.jpg?v=1787090281"},{"product_id":"k-m-18850-keyboard-stand-spider-silver-demo-deal","title":"K\u0026M 18850 Keyboard Stand - Spider - Silver (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eK\u0026amp;M Spider\u003c\/strong\u003e is innovative design in combination with very modern technology. Its sturdy aluminum section column rests on four aluminum tube legs, which provide the greatest possible freedom of movement of the legs. Infinitely variable adjustment of the height of the support arms can be carried out at the flick of a wrist by means of an ergonomically shaped clamp screw. For transport, the legs and the support arms fold up.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eHeight: 55.512\"\u003c\/li\u003e\r\n\u003cli\u003eHeight adjustment:infinitely variable by means of ergonomically shaped clamping elements\u003c\/li\u003e\r\n\u003cli\u003eMaterial: aluminum\u003c\/li\u003e\r\n\u003cli\u003eMax. load capacity: 231.278 lbs\u003c\/li\u003e\r\n\u003cli\u003eMax. load capacity per tier: 77.093 lbs\u003c\/li\u003e\r\n\u003cli\u003eSpecial features: leg construction offers freedom of movement of the legs and gives room for pedals; can be used as display stands in stores; folds small\u003c\/li\u003e\r\n\u003cli\u003eSupport arms: two pairs, non-telescopic\u003c\/li\u003e\r\n\u003cli\u003eSupport depth: 11.024\"\u003c\/li\u003e\r\n\u003cli\u003eType: anodized aluminum\u003c\/li\u003e\r\n\u003cli\u003eWeight: 21.035 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"K and M Stands","offers":[{"title":"Default Title","offer_id":44449762082919,"sku":"49274","price":477.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/k_m_silver_spider_96fa092f-84e3-43e6-abaf-f97b258f2824.jpg?v=1787090303"},{"product_id":"dave-smith-instruments-sequential-prophet-6-keyboard-demo-deal","title":"Dave Smith Instruments Sequential Prophet-6 Keyboard (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDave Smith Instruments Prophet-6\u003c\/strong\u003e is his tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.\u003c\/p\u003e\r\n\u003ch3\u003eClassic Tone, Classic Vibe\u003c\/h3\u003e\r\n\u003cp\u003eCentral to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Mod and Poly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\r\n\u003cp\u003eAll of this awe-inspiring sound is packed into a four octave, semi-weighted keyboard with velocity and channel aftertouch that’s an ideal combination portability and power for the project studio or the gigging musician.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo newly designed, discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eTriangle sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator slop amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMixer\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eHigh-pass filter\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, high-pass filter per voice\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLow-pass filter\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter\u003c\/li\u003e\r\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFilter envelope\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAmplifier envelope\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLow frequency amplifier\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePoly mod\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAftertouch\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eClock\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eArpeggiator\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSequencer\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eEffects\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePerformance controls\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\r\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\r\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, and key modes\u003c\/li\u003e\r\n\u003cli\u003ePreset switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePatch Memory\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including Prophet 5-style single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIn\/out\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eLow-pass filter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePower\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePhysical specs\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e32” L x 12.7” W x 4.6″ H (81.3 cm x 32.3 cm x 11.7 cm)\u003c\/li\u003e\r\n\u003cli\u003e20.0 lbs (9.5 kg)\u003c\/li\u003e\r\n\u003cli\u003eWalnut end panels and trim\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dave Smith Instruments","offers":[{"title":"Default Title","offer_id":44449821982823,"sku":"54743","price":3109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dave_smith_prophet_6_2_f7b02f7c-fb7e-4fa0-88d3-66d3e417c5c5.jpg?v=1787090566"},{"product_id":"stg-soundlabs-trigger-sequencer-16-stage-trigger-sequencer","title":"STG Soundlabs Trigger Sequencer 16-Stage Trigger Sequencer","description":"\u003cp\u003eThe \u003cstrong\u003eSTG Trigger Sequencer\u003c\/strong\u003e is a microprocessor-controlled sixteen-stage trigger sequencer. Stage status (on\/off) is controlled by a slide switch, and current stage indication is provided by eight green LEDS and two yellow LEDS in a row\/column configuration. Stages one through eight are on the left column, and stages two through sixteen are in the right column. The real power of this module, like the graphic sequencer, is that multiple units can be linked internally to the time buffer module which allows them all to be controlled (rate and restart) from a master sequencer or drum machine via the “din sync” connection.\u003c\/p\u003e  \u003ch3\u003eControls:\u003c\/h3\u003e  \u003cp\u003eStages – These slide switches control wether the stage sends a trigger or not. The duty cycle of the stage is 50 percent when advanced by the clock bus or the duty cycle of the incoming clock applied to the shift input.\u003c\/p\u003e  \u003cp\u003eLength – This rotary switch controls how long the sequence is from two to sixteen stages. When a change is made at this control, it does not become active until the next cycle, which is very useful in a live context to allow more dynamic planning.\u003c\/p\u003e  \u003cp\u003eDivisions Switch – This switch is only active when the unit is connected to master sync via the time buffer. It allows you to select between quarter, eighth, and sixteenth-note rate for the sequencer. Any time the rate is changed, the change will not take effect until the unit returns to stage one. This allows you to better keep track of where the sequencer will land in a live performance context.\u003c\/p\u003e  \u003cp\u003eStop\/Loop at End Switch – This controls wether the sequencer stops at the last stage set by the length control or wether it returns to stage one and continues to advance from there. This could be used to either end phrases at certain times or use the sequencer as a burst generator for either rhythmic effects or handclaps.\u003c\/p\u003e  \u003ch3\u003eConnections:\u003c\/h3\u003e  \u003cp\u003eShift Input – Gate signals presented at this input advance the stages forward incrementally. a 3.5 mm ts plug connected here tells the internal computer to stop advancing according to the internal sync bus and instead wait for pulses to appear at this connection.\u003c\/p\u003e  \u003cp\u003eStage One Input – gate signals presented at this input return the sequencer to stage one for the duration of the input duty cycle. after the input returns to zero volts, the sequencer will wait for either the next logical clock from the sync bus or the next pulse presented to the shift input.\u003c\/p\u003e  \u003cp\u003eStage One Output – this output presents a 5v pulse when the sequencer is returned to stage one whose duty cycle is either 1\/32nd note in sync bus mode or the duration of the duty cycle of the gate signal driving the sequencer from the shift input.\u003c\/p\u003e  \u003cp\u003eOutput – here is where all of the sequential voltages spew forth from zero to five volts depending on what the sliders are set to.\u003c\/p\u003e  \u003ch3\u003ePower:\u003c\/h3\u003e  \u003cp\u003eThis module, along with the Time Buffer and the Graphic Sequencer, uses only the five volt power rail of your system. If you do not have five volt power already in your system, a regulator board can be purchased which is strong enough to power 8 of these modules. It also has both Doepfer and Synthesizers.com power connectors to accommodate a variety of power situations.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852424295,"sku":"55856","price":181.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-soundlabs-trigger-sequencer_55856_1a_04ad65a9-174d-4128-8b2a-200cab4534fc.jpg?v=1787090697"},{"product_id":"stg-soundlabs-mankato-filter-lowpass-filter","title":"STG Soundlabs Mankato Filter Lowpass Filter","description":"\u003cp\u003eThe \u003cstrong\u003eSTG Mankato Filter\u003c\/strong\u003e is a four-pole lowpass filter with positive and negative outputs at every pole, giving you slopes of 6 dB\/oct, 12 dB\/oct, 18 dB\/oct, and 24 dB\/oct simultaneously. The negative slope outputs allow you to use the Mankato as a quadrature sine oscillator with 8 available phases. The Mankato will self-resonate from subaudio to superaudio, and responds to one volt per octave through it's unattenuated control inputs. The signal inputs are DC coupled, which allows you to use the Mankato as a voltage-controlled slew limiter.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852489831,"sku":"55858","price":240.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-mankato_55858_1_2f91822a-7eaf-4957-904c-ef7764a9bfc5.jpg?v=1787090697"},{"product_id":"stg-soundlabs-shn-4hp-noise-source-sample-hold-module","title":"STG Soundlabs .SHN","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .SHN\u003c\/strong\u003e packs in a noise source with both pink and white noise and a sample and hold circuit. The noise is normaled to the control input but the normal is disconnected when you plug a cable into the control input.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852686439,"sku":"55854","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-shn_55854_1_39a4ca75-672f-4863-8be5-d623605f08f9.jpg?v=1787090698"},{"product_id":"stg-soundlabs-pri-clock-divider","title":"STG Soundlabs .PRI Clock Divider","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .PRI\u003c\/strong\u003e is a slightly more esoteric and polyrhythmic divider from STG Soundlabs The .PRI offers extended prime division beyond the 3, 5, and 7 values more commonly found, and also available on the STG .DIV. This is a resettable square wave\/gate divider for clock and audio. Reset will hard restart the internal clock with the leading edge of an incoming gate.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852751975,"sku":"55851","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-pri_55851_1_de9fe665-9403-4f39-8f20-d604df11e39d.jpg?v=1787090698"},{"product_id":"stg-soundlabs-div-clock-divider-module","title":"STG Soundlabs .DIV Clock Divider Module","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .DIV\u003c\/strong\u003e is a clock divider module that divides the frequency of a pulse signal by odd and even values from 1 to 8. It can be reset of course. The .DIV divides by 2, 3, 4, 5, 6, 7 and by 8. All seven divided frequencies are available at individual outputs. The rising edge of a pulse signal at the reset socket will reset the .DIV's counting process.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852784743,"sku":"55849","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-div_55849_1_0bf40a05-a19d-4ae7-a58b-709c0725aec9.jpg?v=1787090698"},{"product_id":"stg-soundlabs-com-comparator-divider-module","title":"STG Soundlabs .COM Comparator \u0026 Divider Module","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .COM\u003c\/strong\u003e module contains comparator and divider circuits, suited for audio signals. They generate square waves out any audio signal and create four types of sub-octaves, PWM is possible as well.\u003c\/p\u003e  \u003cp\u003eThe input signal is being passed thru a comparator that creates square waves. Depending on the position of the threshold control and the according threshold CV the pulse width of the signal changes and we get a pulse width modulation. A number of different sub-octaves is generated from the input as well. Following outputs are available:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eoutput 1: direct comparator output. 50% pulse width\u003c\/li\u003e \u003cli\u003eoutput 2: one octave below input, 50% pulse width\u003c\/li\u003e \u003cli\u003eoutput 3: direct comparator output. 1%-49% pulse width\u003c\/li\u003e \u003cli\u003eoutput 4: two octaves below input, 50% pulse width\u003c\/li\u003e \u003cli\u003eoutput 5: one octave below input, 25% pulse width\u003c\/li\u003e \u003c\/ul\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852817511,"sku":"55853","price":110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-com_55853_1_050676d6-41be-4eae-8d47-32bfd3ff43c5.jpg?v=1787090698"},{"product_id":"stg-soundlabs-bam-bipolar-attenuator-eurorack","title":"STG Soundlabs .BAM Bipolar Attenuator Eurorack","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .BAM\u003c\/strong\u003e is a 4hp utility module. The name stands for Buffered Attenuated Multiple. The module can be thought of as two components: a bipolar attenuator with a 2:1 gain ratio on the top, and a 1 in 4 out multiple on the bottom. The attenuator output is normalled to the multiple. The connection is broken by plugging into the multiple input.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852883047,"sku":"55848","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-bam_55848_1_2c0be89a-e80b-4c31-94b9-3a8aae770695.jpg?v=1787090698"},{"product_id":"korg-volca-fm-synthesizer-with-sequencer","title":"Korg Volca FM Synthesizer with Sequencer","description":"\u003ch3\u003eA polyphonic digital synthesizer that completely reproduces a classic FM sound engine\u003c\/h3\u003e  \u003cp\u003eThe volca series has shed new light on classic technologies by linking classic sound engines such as the groove machines and early samplers of the past with the dance music of today. Now it's time for the series to gain an FM sound engine. The \u003cstrong\u003eKorg volca fm\u003c\/strong\u003e is a three-voice digital FM synthesizer that completely reproduces the sound engine of a classic FM synthesizer, and provides compatibility with it as well. The unique volca interface makes it easy to manipulate distinctive FM sounds even if you're not familiar with the complexities of FM synthesis. The 16-step sequencer that's one of volca's features provides new functions such as WARP ACTIVE STEP and PATTERN CHAIN that let you make even more powerful rhythm patterns.\u003c\/p\u003e  \u003ch3\u003e3-voice polyphonic FM synthesizer, fully compatible with classic unit\u003c\/h3\u003e  \u003cp\u003eThe appearance of FM (Frequency Modulation) sound generation was a major turning point in the history of synthesizers. Its metallic and sharp sounds, most notably electric piano and synth bass, have been loved by all music creators since 1980 up to the present time. The volca fm perfectly reproduces the sound engine of the classic digital synthesizer that made the world aware of FM synthesis. Its six operators and 32 algorithms provide complete compatibility, and it can even load files in the SYS-EX\/SYX format of the Yamaha DX7.\u003c\/p\u003e  \u003ch3\u003eSuper-easy sound editing\u003c\/h3\u003e  \u003cp\u003eThe volca fm makes FM sound editing accessible with the MODULATOR\/CARRIER super-easy edit knobs – the knob movements are mapped to multiple parameters for sound changes that are easy to understand. FM enthusiasts can also menu dive into full parameter edits. The volca fm comes accompanied with a Parameter List Guide to assist this.\u003c\/p\u003e  \u003ch3\u003eOnboard CHORUS effect\u003c\/h3\u003e  \u003cp\u003eAlong with a perfect reproduction of the sound engine, the volca fm is also equipped with a lush chorus effect to add depth to your sounds and further expand its sound-creating potential.\u003c\/p\u003e  \u003ch3\u003e16-step sequencer allows to automate each parameters\u003c\/h3\u003e  \u003cp\u003eThere’s a loop sequencer with up to 16 steps, allowing you to record your performance on the touch panel keyboard just as you play. It’s easy to create phrases that come to mind. Up to sixteen sequence patterns can be stored in internal memory. And the motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances.\u003c\/p\u003e  \u003ch3\u003eWARP ACTIVE STEP, ARPEGGIATOR and PATTERN CHAIN make crazy looping rhythms and patterns\u003c\/h3\u003e  \u003cp\u003eIn addition to the active step function that lets you skip steps during a sequence, the volca fm provides new functions that enable you to generate more irregular rhythms. If the active step is fewer than 16 steps, you can use the warp active step function to compensate to occupy the same playback time as 16 steps; then by synchronizing the playback with another volca series unit, you can deliberately skew the step timing to generate truly unconventional performances. In a first for the volca series, the volca fm is also equipped with an arpeggiator. By using this in conjunction with a motion sequence you can create extremely eccentric rhythm patterns. Furthermore, the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.\u003c\/p\u003e  \u003ch3\u003eMake clone by synchronizing two units of volca fm\u003c\/h3\u003e  \u003cp\u003eThe volca fm provides a sync connector that can be easily connected to Korg's groove machines. Connect this to the other volca series unit, the electribe, or the SQ-1, and experience a session with synchronized sequencer playback. And when two units of volca fm are connected, you can clone the sound programs and sequence data from volca fm to volca fm. The MIDI IN jack lets you use the volca as a sound module for DAW and MIDI controller.\u003c\/p\u003e  \u003ch3\u003eEnjoy anywhere\u003c\/h3\u003e  \u003cp\u003eWith it's compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.\u003c\/p\u003e","brand":"Korg","offers":[{"title":"Default Title","offer_id":44449858191463,"sku":"55954","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/korg-volca-fm_55954_1_179558d2-2af6-4ecc-8926-227be4844498.jpg?v=1787090721"},{"product_id":"studio-electronics-shapers","title":"Studio Electronics Shapers","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics SHAPERS\u003c\/strong\u003e is a dual four stage envelope generator with independently adjustable ATTACK, DECAY, SUSTAIN, and RELEASE stages. The Pittsbutgh Modular hybrid ADSR smooths the shape of the incoming gates and triggers to produce a more expressive instrument, just like its antecedent. The ADSR output can be used to control the amplitude of an oscillator, the cutoff frequency of a filter or any other function on a module that accepts control voltages.\u003c\/p\u003e\u003cp\u003eThe functionality of SHAPERS is easy enough: the incoming gate or trigger signal passes through each of the four stages to output an envelope. When the ADSR module receives a gate or trigger signal, the ATTACK determines the amount of time needed for the envelope generator to reach the peak output voltage and move on to the decay stage. DECAY sets the amount of time needed to transition to the level set by the sustain knob. The SUSTAIN level is maintained as long as the incoming gate remains on or high. Once the incoming gate goes low or off, the release stage takes over. The RELEASE knob sets the time needed to close the envelope and return the ADSR output to 0 volts.\u003c\/p\u003e\u003cp\u003eSHAPERS envelopes can respond lightening fast or demonstrate the patience of a saint, especially in the LONG RANGE 1 and 2 settings. INV 1 makes topsy-turvy time fun with the inverting of the ADSR 1, and the LED indicators provide a useful visual assist.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eEight attenuation pots control the ATTACK (x2), DECAY (x2), SUSTAIN (x2), RELEASE (x2), delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eSHORT and LONG range time settings for both ADSRs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eFive patch points: IN 1, OUT 1, INV 1, IN 2, and OUT 2 connect and direct the deepest manipulation.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAll Controls and Patch Points\u003c\/li\u003e\n\u003cli\u003eATTACK (x2) - Adjusts the attack stage.\u003c\/li\u003e\n\u003cli\u003eDECAY (x2) - Adjusts the decay stage.\u003c\/li\u003e\n\u003cli\u003eSUSTAIN (x2) - Adjust the sustain stage.\u003c\/li\u003e\n\u003cli\u003eRELEASE (x2) - Adjusts the release stage.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 1 - Selects the envelope range for ADSR 1.\u003c\/li\u003e\n\u003cli\u003eSHORT \/ LONG RANGE 2 - Selects the envelope range for ADSR 2.\u003c\/li\u003e\n\u003cli\u003eIN 1 - Control voltage input 1.\u003c\/li\u003e\n\u003cli\u003eOUT 1 - Control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eINV 1 - Inverted control voltage output 1.\u003c\/li\u003e\n\u003cli\u003eIN 2 - Control voltage input 2.\u003c\/li\u003e\n\u003cli\u003eOUT 2 - Control voltage output 2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 16mA, 17mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888174183,"sku":"56791","price":171.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-shapers-1_60388f9a-1262-4718-b0a8-49c646c30f44.jpg?v=1787090824"},{"product_id":"mellotron-m4000d-white-demo-deal","title":"Mellotron M4000D 37-Note Digital Mellotron-Style Keyboard - White (Demo Deal)","description":"\u003cp\u003eThe world first heard the instantly recognizable sounds of the Mellotron on hits from the Moody Blues (“Nights in White Satin”) and the Beatles (“Strawberry Fields Forever”) in the 1960s. In 2010, Mellotron reintroduced the iconic tape-based machine in a compact digital version, the \u003cstrong\u003eMellotron M4000D\u003c\/strong\u003e, that retains the authentic sound, look and feel of the original keyboard while adding some significant improvements. To begin with, the original keyboard was large and hard to move around. The M4000D is a similar size and weight to any of today’s digital keyboards.\u003c\/p\u003e  \u003cp\u003eThe M4000D comes loaded with 100 authentic Mellotron and Chamberlain (the tape-based keyboard from which the Mellotron was derived) lead sounds. Mellotron sourced the sounds from the original first-generation tape library, so the quality is pristine yet retains the distinctive character of those early machines.\u003c\/p\u003e  \u003cp\u003eThe uncompressed 24-bit sounds are immediately accessible—no waiting for tapes to reposition—and, unlike the original, two banks of sounds can be accessed at the same time and blended. An expansion card slot lets you add another 100 sounds. The front panel TFT display can even display images of the selected instruments.\u003c\/p\u003e  \u003cp\u003eAdditional controls include volume, tone, a switch for normal or half-speed play and pitch adjustment. There are three balanced connectors (XLR with gold-plated pins) and three line connectors (1\/4-in) for the A and B bank outputs plus Master. MIDI in, out, and thru are also included. Additional outputs (1\/4-in) are provided for sustain, expression, and volume pedals, and for headphones.\u003c\/p\u003e  \u003cp\u003eThe M4000D has been used onstage and in the studio by artists, musicians and producers including Foo Fighters, Red Hot Chili Peppers, Smashing Pumpkins, Wilco, Incubus, Queens of the Stone Age, Eels, Jackson Browne, Bruno Mars, Band of Horses, Fleet Foxes, Sean Lennon, Brendan Benson, Air, Kooks, Train, Elbow, Michael Beinhorn, Bob Rock, Raphael Saadiq, Noel Gallagher and Gotye.\u003c\/p\u003e","brand":"Mellotron","offers":[{"title":"Default Title","offer_id":44449898987623,"sku":"57130","price":2879.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mellotron_front_2_1_72a9ae61-5079-4313-95af-c37899365102.jpg?v=1787090868"},{"product_id":"roland-spd-sx-sampling-percussion-pad-demo-deal","title":"Roland SPD-SX Sampling Percussion Pad (Demo Deal)","description":"\u003ch3\u003eThe Ultimate Percussive Sampling Instrument\u003c\/h3\u003e\r\n\u003cp\u003eThe new \u003cstrong\u003eSPD-SX\u003c\/strong\u003e Sampling Pad puts powerful sample creation and playback under your sticks with innovative audio-capturing features, expressive playability, three multi-effects engines, and much more. The perfect addition to any acoustic or electronic drum kit, percussion setup, DJ booth, or keyboard rig, the SPD-SX is equally at home on the live stage, in the recording studio, pre-production suite, or dance club. The SPD-SX takes many of the proven concepts from its predecessor and raises them to a new level. Whether you’re firing off one-shot samples, looped phrases, or complete audio playback tracks, the SPD-SX is loaded with the latest technology and tools to get the job done with speed, precision, and convenience. Enjoy the most advanced triggering and sampling technology in a sleek, easy-to-use percussion instrument.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUnique sampling-pad concept — the only instrument of its kind in the world\u003c\/li\u003e\r\n\u003cli\u003e2 GB internal memory, enabling approximately 360 minutes of sampling (mono) without requiring external memory\u003c\/li\u003e\r\n\u003cli\u003eNine velocity-sensitive rubber pads, two external dual-trigger inputs\u003c\/li\u003e\r\n\u003cli\u003eEasy capturing and assignment of audio data through Multi-Pad Sampling\u003c\/li\u003e\r\n\u003cli\u003eThree units of multi-effects onboard, with two real-time control knobs and four dedicated effect buttons\u003c\/li\u003e\r\n\u003cli\u003eIndividual Pad Dynamics indicators show pad status and audio-level activity during performance\u003c\/li\u003e\r\n\u003cli\u003eExpanded USB functionality (USB Mass Storage, USB MIDI\/AUDIO, USB Memory)\u003c\/li\u003e\r\n\u003cli\u003eWave Manager software included for easily importing, assigning, and organizing samples\u003c\/li\u003e\r\n\u003cli\u003eLarge backlit LCD\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eThe Playing Field\u003c\/h3\u003e\r\n\u003cp\u003eThe SPD-SX is equipped with nine highly sensitive rubber pads with two independent real-time control knobs and four dedicated effect buttons. Roland’s most advanced triggering technology ensures the ultimate in accuracy and fully dynamic performance, while a large backlit LCD provides easy-to-read data in all varieties of environments. Each pad has a companion LED that illuminates to show the pad’s status. When you trigger sample phrases, the LEDs remain lit to show you which pads are in play and which are not. In addition, the LEDs change illumination strength according to audio-level activity (similar to level meters on a mixing board). The high-contrast red divider lines help you see the pad zones clearly onstage.\u003c\/p\u003e\r\n\u003ch3\u003eImproved Playability and Functionality\u003c\/h3\u003e\r\n\u003cp\u003eToday, increasing numbers of drummers and percussionists need to incorporate audio samples into their performance. The SPD-SX will satisfy their increasing requirements with essential features such as individual click output routing, dedicated volume controls, Pad Check function, individual Sub Out, and more.\u003c\/p\u003e\r\n\u003ch3\u003eOnboard Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe SPD-SX has three multi-effects units onboard: one master unit and two units that are assignable per kit. The master effects engine lets you perform in real time like a DJ using the dedicated front-panel controls. Get your hands on the filter, delay, short looper, and user-assignable effect — all of which can be creatively adjusted with the four front-panel buttons and two control knobs.\u003c\/p\u003e\r\n\u003ch3\u003eMulti-Pad Sampling\u003c\/h3\u003e\r\n\u003cp\u003eThere’s much more to the SPD-SX than meets the eye. A powerful-yet-friendly lineup of features has been built into this little powerhouse, such as Multi-Pad Sampling. While audio streams in from an external audio player or computer (via Audio In or USB), simply strike each pad at the appropriate start\/end points, and the sample will be automatically truncated and assigned to that pad. It’s a fast, friendly way to create multi-sampled phrases and pad maps.\u003c\/p\u003e\r\n\u003ch3\u003eSPD-SX Wave Manager Software Included\u003c\/h3\u003e\r\n\u003cp\u003eThe SPD-SX’s generous internal memory (2 GB) lets you store and carry your entire sample library inside. With no external memory required, you can house approximately 360 minutes of audio (10,000 files) at 16-bit, 44.1 kHz, mono. The built-in USB ports let you directly import audio files from USB flash memory. The bundled SPD-SX Wave Manager software app lets you import audio files directly from computer via USB, assign the samples to each pad, and organize the thousands of samples efficiently.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449899053159,"sku":"57048","price":839.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland_spd-sx_top_1_74e863e1-bc05-4dc9-bb8c-e04164dfb425.jpg?v=1787090868"},{"product_id":"akai-professional-mpk225-demo-deal","title":"Akai Professional MPK225 (Demo Deal)","description":"\u003cp\u003eEngineered to be an all-in-one controller solution, the \u003cstrong\u003eAkai Professional MPK225\u003c\/strong\u003e is a compact performance pad and keyboard controller that combines deep software integration, enhanced workflow, and core technologies from the iconic line of MPC workstations. Each member of Akai Pro's MPK series comes fully loaded with a comprehensive interface for manipulating virtual instruments, effect plugins, DAWs, and more. MPK225 features 25 semi-weighted keys with aftertouch, 8 MPC-style pads with RGB feedback, 8 assignable knobs, 4 backlit buttons, and onboard transport buttons. Three banks expand the number of knobs and switches (up to 24 and 12, respectively), and four pad banks expand the number of pads (up to 32 total). Plus, MPK225 is USB-powered and optimized to interface directly with your Mac or PC with plug-and-play connectivity.\u003c\/p\u003e  \u003cp\u003eMPK225 comes equipped with 25 semi-weighted, full-size keys and a premium piano-style keybed for unprecedented response and natural feel. Each key is velocity-sensitive and outfitted with aftertouch for dynamic, expressive performances and recordings. In addition, onboard Octave Up and Down controls allow players to access the entire melodic range; play bass lines, piano harmony, solo leads and much more.\u003c\/p\u003e  \u003cp\u003eClassic MPC Note Repeat and MPC Full Level are onboard for further inspiration. With MPK225, musicians and composers can incorporate genuine MPC workflow into their productions and create with the tools that producers have relied on for years. In addition, an arpeggiator, with adjustable resolution, range, and patterns, enables users to explore complex melodic ideas, effortlessly.\u003c\/p\u003e  \u003cp\u003eMPK225 is armed with powerful production software—Ableton Live Lite and MPC Essentials—for out-of-the-box music creation. Ableton Live Lite is a fluid audio\/MIDI environment that enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas. MPC Essentials, a groove\/beat production and sample-triggering software, can integrate directly into any DAW, such as Ableton Live Lite, or run standalone. In addition, it extends the power of MPK225 by adding up to 8 pad banks and 4 samples and insert effects per pad.\u003c\/p\u003e  \u003cp\u003eTwo high-definition virtual synthesizers bring the best of synthesis technology to MPK225 users. Hybrid 3, by AIR Music Tech, is a versatile virtual synthesizer that combines the warmth of legendary analog synths with a full range of futuristic, digital manipulation capabilities. SONiVOX Twist, a spectral morphing synthesis virtual instrument, makes it easy to create serious sounds using simple controls. Together, these powerful instruments give MPK225 users professional music-creation tools that can jumpstart any project.\u003c\/p\u003e","brand":"Akai Professional","offers":[{"title":"Default Title","offer_id":44449920319591,"sku":"57687","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/akai-mpk225-1_1_a8eb22d4-4834-4b04-a9ce-9f0a7628b077.jpg?v=1787090958"},{"product_id":"4ms-company-rcd-breakout","title":"4ms Company RCD Breakout","description":"\u003cp\u003eThe \u003cstrong\u003e4ms RCD Breakout\u003c\/strong\u003e adds features to the Rotating Clock Divider module. Six switches allow you to set the maximum Divide-by amount, Gate or Trigger mode, Counting mode, Spread mode, and Auto-Reset. The RCD Breakout requires the RCD to function, and does not use any extra power.\u003c\/p\u003e\u003ch3\u003eModule size:\u003c\/h3\u003e\u003cp\u003eThe RCD is 4HP and 48mm (1.85\")\u003c\/p\u003e\u003ch3\u003ePower consumption:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e+12V rail: __mA\u003c\/li\u003e\n\u003cli\u003e+5V rail: not used\u003c\/li\u003e\n\u003cli\u003e-12V rail: not used\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921695847,"sku":"57682","price":81.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-rcd-breakout-new_71269782-97c9-4391-b112-ead589ebd6e2.jpg?v=1787090963"},{"product_id":"4ms-company-quad-pingable-lfo","title":"4ms Company Quad Pingable LFO","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Quad Pingable LFO\u003c\/strong\u003e is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.\u003c\/p\u003e\u003cp\u003eThe QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.\u003c\/p\u003e\u003ch3\u003eControls and jacks\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTap tempo button (\"Ping\") for manually setting the tempo\u003c\/li\u003e\n\u003cli\u003ePing jack sets tempo with an external clock (any complex signal can be used as a clock)\u003c\/li\u003e\n\u003cli\u003eOn\/mute button enables or mutes the output (latching button)\u003c\/li\u003e\n\u003cli\u003eSkew knob and CV jack control the waveshape by altering the ratio between rise and fall times\u003c\/li\u003e\n\u003cli\u003eAt 0% Skew (0V of CV), the shape is a \"plucky\" near-expo curve\u003c\/li\u003e\n\u003cli\u003eAt 1% Skew (just over 0V of CV), the shape is ramp-down\u003c\/li\u003e\n\u003cli\u003eAt 50% Skew (about 5V of CV), the shape is a triangle\u003c\/li\u003e\n\u003cli\u003eAt 100% Skew (about 10V of CV), the shape is ramp-up\u003c\/li\u003e\n\u003cli\u003eSkew knob provides offset to the incoming CV signal, so any range of CV is acceptable\u003c\/li\u003e\n\u003cli\u003eReset jack restarts the LFO without changing the tempo (rising edge triggered)\u003c\/li\u003e\n\u003cli\u003eOUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)\u003c\/li\u003e\n\u003cli\u003eLED flashes and dims to the signal on the OUT jack\u003c\/li\u003e\n\u003cli\u003eTap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack\u003c\/li\u003e\n\u003cli\u003eOn\/Mute button lights up when channel is On\u003ch3\u003eAdvanced\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003ePing and Reset inputs use comparators, so any waveshape can be used for triggering (audio waves, complex LFOs, even the QPLFO itself!) Trim-pot on PCB allows for adjustment of comparator threshold value\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e\"Fire-on-unmute\" jumper per channel:When this optional jumper is installed, pressing the On button to turn the channel on will reset the LFO.If the jumper is not installed (factory default), pressing On will unmute the LFO without resetting (LFO runs in the background when muted)\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eBipolar\/Unipolar jumper:\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003eSetting jumper to Bipolar makes the outputs -5V to +5V\u003c\/li\u003e\n\u003cli\u003eSetting jumper to Unipolar makes the outputs 0V to +10V\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne jumper controls all four channels\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eOne-shot mode: Reset jack can be used to trigger a one-shot envelope if the external ping clock is stopped. See manual for detailed discussion\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eFloating Reset mode: Holding a high gate on Reset jack allows the waveshape to run freely without automatically re-syncing to the ping clock. A bare cable plugged into the jack causes a high gate\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eConnects to other modules using ribbon cables:\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003eOutputs can connect to the 4ms VCA Matrix, or the 4ms SISM, the Circuit Abbey Intermix or the Toppobrillo Mixiplexer\u003c\/li\u003e\n\u003cli\u003eNormalization of ping jacks can connect to the 4ms Quad Clock Distributor\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eModule size:\u003c\/h3\u003e\u003cp\u003eThe QPLFO is 12HP and 1.57 inches (40mm) deep.\u003c\/p\u003e\u003ch3\u003ePower consumption:\u003c\/h3\u003e\u003cp\u003eA jumper selects using +5V from the power supply, or generating +5V on-board from the +12V rail.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e+12V rail:\u003c\/li\u003e\n\u003cli\u003e89mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003e154mA max with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e+5V rail:\u003c\/li\u003e\n\u003cli\u003e65mA max with jumper selecting external 5V\u003c\/li\u003e\n\u003cli\u003enot used (0mA) with jumper selecting internal 5V.\u003c\/li\u003e\n\u003cli\u003e-12V rail:\u003c\/li\u003e\n\u003cli\u003e73mA max\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44449921728615,"sku":"57677","price":250.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-quad-pingable-lfo-new_e15959e5-2a26-439a-a727-5f675fc6e35c.jpg?v=1787090963"},{"product_id":"moog-music-mother-32-modular-synthesizer-demo-deal","title":"Moog Music Mother 32 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMoog Mother-32\u003c\/strong\u003e is the first tabletop semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.\u003cbr\u003e\u003cbr\u003eMother-32 comes secured in a rugged extruded aluminum enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patchbay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44449931133031,"sku":"57790","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog_mother_32_top_1_2a473d76-171d-409e-84a5-942d05f1fd00.jpg?v=1787090999"},{"product_id":"noise-engineering-variatic-basicus","title":"Noise Engineering Variatic Basicus","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Basicus\u003c\/strong\u003e is six momentary switches debounced for driving gates.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938964583,"sku":"58293","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-basicus-1_f8633562-9dea-43a3-ba0b-d68feda21732.jpg?v=1787091033"},{"product_id":"wmdevices-and-steady-state-fate-scale-polarize-offset","title":"WMDevices and Steady State Fate Scale-Polarize-Offset","description":"\u003cp\u003e\u003cstrong\u003eWMDevices and Steady State Fate Scale-Polarize-Offset\u003c\/strong\u003e is a polarizing scaler and offset generator.\u003c\/p\u003e  \u003cp\u003eUp to two inputs can be summed into a single scaler\/offset generator.\u003c\/p\u003e  \u003cp\u003eThe offset generator provides a DC voltage source for shifting signals into the positive or negative voltage region.\u003c\/p\u003e  \u003cp\u003eThe scaler provides a means of attenuating and polarizing (inverting) the applied signal. S.P.O. works with audio and control voltages (CV).\u003c\/p\u003e  \u003cp\u003ePower Draw: +2 0mA, -20 mA. 4HP width. 25 mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943650407,"sku":"58360","price":93.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-scaler-polarizer-offset-1_a56cdec3-daef-4639-a2ef-09c6f558b2af.jpg?v=1787091039"},{"product_id":"wmdevices-and-steady-state-fate-toolbox","title":"WMDevices and Steady State Fate Tool-Box","description":"\u003cp\u003e\u003cstrong\u003eWMDevices and Steady State Fate Tool-Box\u003c\/strong\u003e is a collection of six useful synthesizer utilities.\u003c\/p\u003e  \u003cp\u003eThis module includes a two input voltage summing section, a signal rectifier, bipolar comparator, analog OR (maximum), an inverter and a voltage controlled toggle switch.\u003c\/p\u003e  \u003cp\u003eTool-Box provides the tools required for spicing up your patches as well as some of the typically overlooked utilities missing from most modular systems.\u003c\/p\u003e  \u003cp\u003ePower Draw: +20 mA, -20 mA. 6HP width. 25 mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943683175,"sku":"58359","price":127.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-tool-box-1_02bd8730-332f-46c3-a104-bb6f77c5dcb0.jpg?v=1787091039"},{"product_id":"dave-smith-instruments-ob-6-analog-synthesizer-demo-deal","title":"Dave Smith Instruments OB-6 Analog Synthesizer (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDave Smith Instruments OB-6\u003c\/strong\u003e is the result of a collaboration between Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound - with its true voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eDual Effects\u003c\/h3\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEasy to Program\u003c\/h3\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eEasy to Play\u003c\/h3\u003eThis analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eOscillators\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eMixer\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eState-Variable Filter\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eFilter Envelope\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eAmplifier Envelope\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eX-Mod\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eAftertouch\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eClock\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eArpeggiator\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSequencer\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eEffects\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003ePerformance Controls\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\r\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\r\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\r\n\u003cli\u003eManual switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003ePatch Memory\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eIn\/Out\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003ePower\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dave Smith Instruments","offers":[{"title":"Default Title","offer_id":44449948500071,"sku":"59200","price":2939.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dave-smith-instruments-ob-6-main_1_6a8b9798-380d-40a3-94aa-4d1399dc7a2f.jpg?v=1787091062"},{"product_id":"make-noise-rosie-demo-deal","title":"Make Noise Rosie (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Rosie\u003c\/strong\u003e is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader. Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w\/ overload indication makes it easy to connect the modular system in the studio or on stage.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 8hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 29mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 45mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449949122663,"sku":"59189","price":124.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_rosie_1_424374b6-e849-42f7-8706-7f9b24ccf3f4.jpg?v=1787091065"},{"product_id":"intellijel-cylonix-rainmaker","title":"Intellijel Cylonix Rainmaker","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel\/Cylonix RAINMAKER\u003c\/strong\u003e eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.\u003c\/p\u003e  \u003cp\u003eThe stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#’s in order to create regenerating echo effects. The feedback signal has a lowpass\/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.\u003c\/p\u003e  \u003cp\u003eThe stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce “Karplus-Strong” types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v\/oct input voltage.\u003c\/p\u003e  \u003cp\u003eThe Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.\u003c\/p\u003e     \u003ch3\u003eStereo delay line with 16-taps:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eEach of the 16 taps has its own set of audio processors:\u003c\/li\u003e \u003cli\u003e2nd order resonant multi-mode filter (LP,BP,HP) with adjustable cutoff frequency and resonance\u003c\/li\u003e \u003cli\u003eLevel and Balance setting, with quick mute capability\u003c\/li\u003e \u003cli\u003e+\/- 1 octave granular pitch shifter (1,2 or 4 grains with adjustable grain size)\u003c\/li\u003e \u003cli\u003eDelay line feedback can be taken from any of the 16 taps (pre-filter) or from the sum of the 16 taps (post-filter)\u003c\/li\u003e \u003cli\u003eDelay line feedback has its own granular pitch shifter and 1st-order tone filter\u003c\/li\u003e \u003cli\u003eGlobal delay time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by tap tempo button.\u003c\/li\u003e \u003cli\u003eIndividual tap delays are set according to one of 16 preset patterns (grooves)\u003c\/li\u003e \u003cli\u003eGlobal delay time modulation by an LFO with 8 selectable waveforms\u003c\/li\u003e \u003cli\u003eDelay times range from 0.1 millisecond to 20 seconds.\u003c\/li\u003e \u003cli\u003eDelay buffer freeze and reverse\u003c\/li\u003e \u003cli\u003eTaps can be piled on top of each other to give complex filtering and chord effects\u003c\/li\u003e \u003cli\u003eGlobal pitch shift control which transposes the delay line output by +\/- 1 octave\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eStereo multi-tap comb resonator\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eComb can have between 1 and 64 taps allowing for complex resonances\u003c\/li\u003e \u003cli\u003eThree different nonlinear comb feedback structures for spectral shaping\u003c\/li\u003e \u003cli\u003eComb is pingable to give physically-modeled guitar, sitar, clarinet(ish) types of sounds\u003c\/li\u003e \u003cli\u003e16 different comb tap spacing patterns\u003c\/li\u003e \u003cli\u003eGlobal comb time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by a 1v\/oct control voltage.\u003c\/li\u003e \u003cli\u003eGlobal comb time modulation by an LFO with 8 selectable waveforms\u003c\/li\u003e \u003cli\u003eComb times range from 0.1 millisecond to 20 seconds.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449950957671,"sku":"57066","price":549.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-cyclonix-rainmaker_57066_1_4da4ef2c-1345-4134-bf12-85ef969302a4.jpg?v=1787091073"},{"product_id":"mutable-instruments-ripples-demo-deal","title":"Mutable Instruments Ripples (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eRipples by Mutable Instruments\u003c\/strong\u003e delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.\u003c\/p\u003e\r\n\r\n\u003cp\u003e3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelf-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from “loudness drop” when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH\/Jupiter filters, with a very round and “liquid” resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good “final stage” module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSignal in\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 1 (1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eResonance CV. Self oscillation starts at 4V. Control voltages above 5V are non-linearly compressed, for fine control of resonance overdrive\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 2 (with bipolar attenuator, from -1V\/Oct to 1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eVCA level. Control voltages above 5V are non-linearly compressed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCutoff frequency, 18Hz to 18kHz\u003c\/li\u003e\r\n\u003cli\u003eResonance (self oscillation at 80%)\u003c\/li\u003e\r\n\u003cli\u003eAttenuverter on Frequency CV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eOutputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e2-pole BP\u003c\/li\u003e\r\n\u003cli\u003e2-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP attenuated by VCA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFully analog, based on SSM2164 low noise\/distortion quad VCA chip, and LM13700 OTA for that extra bit of non-linearity.\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV inputs impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 75k.\u003c\/li\u003e\r\n\u003cli\u003eResonance and VCA CV input impedance: 30k.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 35mA ; -12V: 35mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449972060263,"sku":"59987","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_ripples_top_1_671480e3-0f24-4feb-952b-a7931247c71e.jpg?v=1787091158"},{"product_id":"make-noise-wogglebug-demo-deal","title":"Make Noise Wogglebug (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Richter WoggleBug\u003c\/strong\u003e is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the \"smooth\" and \"stepped\" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 \"Source of Uncertainty,\" expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 10hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 50mA@ +12V, 40mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449987985511,"sku":"60451","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_wogglebug_1_a3f1b4f8-2514-4ad0-a816-92cec2cadae7.jpg?v=1787091220"},{"product_id":"make-noise-0-coast-demo-deal","title":"Make Noise 0-Coast (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise 0-COAST\u003c\/strong\u003e (sometimes called “No Coast”) is a single-voice patchable synthesizer with a very small form factor. Its name refers to its omnivorous and egalitarian inclusion of modulation techniques from both the Moog (East Coast) and Buchla (West Coast) paradigms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile the 0-COAST utilizes classic modular synthesis techniques, Make Noise designed it with connections already made from circuit to circuit so that it functions with or without the use of patch cables. A compelling choice for those who want to make noise right away, or who are less experienced with synthesizers, it operates as an expressive, musical monosynth as it comes; using only the MIDI controller of your choice you can apply new timbres to your existing musical forms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThough should you decide to use the included patch cables, your experiments with new ways to wire the circuits will reward you with many more sounds — the synth features 13 sources and 14 destinations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFans of other Make Noise gear will recognize random step voltage borrowed from Wogglebug, an oscillator familiar from DPO, and functions from Maths.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44450015019111,"sku":"63115","price":439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-0-coast_53112_1_1_1_9456e701-0751-422a-90c1-4328b538b5c5.jpg?v=1787091335"},{"product_id":"arturia-keystep-32-key-demo-deal","title":"Arturia KeyStep 32-Key (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eArturia KeyStep\u003c\/strong\u003e is a new breed of portable musical tool combining the functionalities of a keyboard controller with a polyphonic step sequencer to control both analog and digital devices.\u003c\/p\u003e  \u003cp\u003eArturia started by designing their own “slim key” keyboard action, balancing the best features of compact mini-keys with the musicality of full-sized keys into this new keybed. The size, velocity and aftertouch of this new design provide the freedom of portability without sacrificing playability.\u003c\/p\u003e  \u003cp\u003ethey also designed a new polyphonic step-sequencer with 8 programmable memories that you can recall at the turn of knob. You can choose gate times and swing settings instantly to change the feel of your sequenced performance on the fly. You also have the ability to record, overdub, and transpose your sequences in real time and still play the keyboard live.\u003c\/p\u003e  \u003cp\u003eAdd a flexible and fun arpeggiator mode and chord play mode and you are set for hours of musical adventures.\u003c\/p\u003e  \u003cp\u003eThese features alone would make KeyStep the best portable keyboard controller on the market. But Arturia takes it further by giving you a wealth of connectivity options: USB MIDI (of course), standard MIDI in and out (check), clock sync and DIN sync jacks (yes!), and CV\/GATE outputs, plus a separate, assignable modulation CV output that can be used with the mod wheel, velocity or aftertouch. To say KeyStep is an amazing little controller does not say enough.\u003c\/p\u003e  \u003cp\u003eWhatever your setup, KeyStep will merge into it to overdrive your workflow and effectiveness. With KeyStep and its range of connections you can control any digital or analog synthesizer from the past, today and even tomorrow. Sequence them all!\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":44450017443943,"sku":"63223","price":117.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/arturia-keystep-1_1_a3ffc3d1-c908-428e-a44f-0650ab435f47.jpg?v=1787091345"},{"product_id":"roland-boutique-series-k-25m-demo-deal","title":"Roland Boutique Series K-25M (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eRoland K-25m\u003c\/strong\u003e is a 25-key, velocity sensitive keyboard designed for use with the Roland Boutique series. Measuring less than 12″ across, the K-25m acts as a dock for any Roland Boutique module, and once in place the module can be tilted at two different angles for easier viewing and sound programming, or can be laid completely flat. The compact keyboard can also address a range from -4 to +5 octaves when used with the relevant module.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cem\u003eNote: Roland Boutique synth modules not included.\u003c\/em\u003e\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44450024587367,"sku":"63733","price":110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland_boutique_k-25m_front_1_1d9d3c65-4de6-4b78-8eea-f1b173f2aabd.jpg?v=1787091373"},{"product_id":"roland-aira-bitrazer-demo-deal","title":"Roland AIRA Bitrazer (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eBITRAZER\u003c\/strong\u003e is a unique modular effect combining intense bit and sample rate crushing effects and unprecedented control and flexibility. Able to be used as a tabletop unit or as a Eurorack module, and with an array of CV\/Gate inputs, this compact 21 HP unit has a wide range of uses from studio production to live performance. Not only for modular synth users, BITRAZER is perfect for keyboard players, guitarists, DJs or any adventurous musician looking to expand their sound. Carefully crafted in Japan, BITRAZER has large, ultra-smooth controls with over 16 million steps of resolution and is fully re-programmable via computer or tablet.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIntense bit and sample rate destruction\u003c\/li\u003e\r\n\u003cli\u003eCV\/Gate parameter control including sample rate, bit depth, and filter\u003c\/li\u003e\r\n\u003cli\u003eTabletop unit or 21 HP Eurorack module using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003e24-bit knobs with over 16 million steps of resolution\u003c\/li\u003e\r\n\u003cli\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/li\u003e\r\n\u003cli\u003e15 patchable submodules, expandable with free updates\u003c\/li\u003e\r\n\u003cli\u003e2 inputs and 2 outputs with dual-mono or stereo capability\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link compatible\u003c\/li\u003e\r\n\u003cli\u003e24bit\/96kHz audio interface\u003c\/li\u003e\r\n\u003cli\u003eCarefully crafted in Japan\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIntense bit and sample rate destruction\u003c\/h3\u003e\r\n\u003cp\u003eBITRAZER is an intense bit and sample rate crusher effect that can add edgy character or create total sonic mayhem. Using the large comfortable controls or standard 1\/8\" patch cables, you can independently control the sample rate, filter type, cutoff, resonance, bit depth, and signal bypass. Both the sample rate and filter cutoff parameters have input level controls for adjusting the modulation range when controlled from an external source. Two inputs and two outputs make BITRAZER a stereo-capable, 24bit\/96kHz audio interface for Eurorack systems and AIRA Link USB compatibility gives it single-cable, plug and play connectivity with the MX-1 Mix Performer.\u003c\/p\u003e\r\n\u003ch3\u003eRe-programmable via Mac, PC, iOS, Android application\u003c\/h3\u003e\r\n\u003cp\u003eWhile it sounds great out of the box, you can fully customize BITRAZER’s internal signal path by re-patching its array of virtual sub-modules via a custom application that works on Mac and PC as well as iOS and Android devices. Submodules are re-patched through a simple and intuitive drag and drop interface that even lets you choose which parameters are assigned to the high-resolution “GRF” knobs. You can reprogram BITRAZER in realtime via USB connection or save and recall patches with a simple audio signal. You can even share patches with other BITRAZER users.\u003c\/p\u003e\r\n\u003ch3\u003eBITRAZER includes 15 virtual sub-modules with more available through future expansion:\u003c\/h3\u003e\r\n\u003cp\u003eLFO, ADSR, NOISE, SAMPLE \u0026amp; HOLD, RING MOD, FILTER 6 dB, FILTER 12 dB, TONE, AMP, MIXER, STEREO MIXER, CURVE CONV, GATE DIVIDER, TRIG TO CV DELAY TIME, MIDI CLOCK TO GATE\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44450025930855,"sku":"63663","price":241.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-aira_bitrazer_main_1_34e8c5d1-1d22-47cc-b774-61a98d2dfca9.jpg?v=1787091379"},{"product_id":"analogue-solutions-nyborg-24","title":"Analogue Solutions Nyborg 24","description":"\u003cp\u003e\u003cstrong\u003eAnalogue Solutions Nyborg 24\u003c\/strong\u003e is a precision electronic musical instrument. It combines all needed music electronic circuitry to make a music synthesizer in one compact module. No compromise has been made with the construction of Nyborg and no cheaper part options have been used.\u003c\/p\u003e  \u003ch3\u003eWhat’s So Special?\u003c\/h3\u003e  \u003cp\u003eNyborg is a compact true analog mono synth in a neat, smart, small package. The entire audio patch and all modulation is entirely analog using circuits based on awesome sounding vintage 1970s designs. There circuits are not locked down by CPUs, controls are quantized and read by CPUs. With exception of the MIDI to CV circuit, which by its nature must have a digital element, Nyborg really is analog and the sound benefit is immediately apparent!\u003c\/p\u003e  \u003cp\u003eThe modulation choices and range of sounds  produced have all been carefully thought out and quickly give you the sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.\u003c\/p\u003e  \u003chr\u003e   \u003ch3\u003eNYBORG: SYNTH – PERCUSSION – AUDIO PROCESSOR\u003c\/h3\u003e  \u003cp\u003eNyborg is a compact analog synthesizer. Analog –  as in really analog. Aside from the MIDI chip (which has to be digital), everything else is totally analog using real transistors and op-amps. There are no CPU stabilized and quantized circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so-called analog synths. The circuitry is based on designs dating back to the mid-1970s. Nyborg has a genuine old sound.\u003c\/p\u003e  \u003ch3\u003eMONO SYNTHESIZER\u003c\/h3\u003e  \u003cp\u003eNyborg is for use any time you need analog sound effects, fat basses, screaming leads, beeps, tones, zaps, and all the other crazy sounds associated with analog synthesis. Use in place of your boring digital synths and DSP soft synths.\u003c\/p\u003e  \u003ch3\u003eEFFECTS PROCESSOR\u003c\/h3\u003e  \u003cp\u003eNyborg has an audio input socket, so you can feed external sounds through the on-board analog filters for analog processing.\u003c\/p\u003e  \u003ch3\u003eDRUM SYNTHESIZER\u003c\/h3\u003e  \u003cp\u003eNyborg is able to produce electronic percussion – kick, snare, hi-hats, cymbal, etc.\u003c\/p\u003e  \u003ch3\u003eMODULAR SYNTHESIZER\u003c\/h3\u003e  \u003cp\u003eNyborg is pre-patched – but has such a wide range of modulation routing possibilities that it is almost as versatile as a modular and can produce the same types of sounds, without the mess and confusion of cables. It has some patch sockets that enable you to connect it to an external modular.\u003c\/p\u003e  \u003ch3\u003eMIDI (DAW Use) or CV \u0026amp; Gate?\u003c\/h3\u003e  \u003cp\u003eThis unit can be used with a MIDI keyboard (or DAW, or sequencer) or you can use it with an analog sequencer, such as Oberkorn. It can also be used by MIDI and CV at the same time! So you could have an analog step sequencer such as Oberkorn playing a little melody, then using a MIDI keyboard (or MIDI sequencer) transpose the Oberkorn sequence.\u003c\/p\u003e  \u003ch3\u003eOscillators\u003c\/h3\u003e  \u003cp\u003eThere are two VCOs – each providing a wealth of features and modulation choices. Controls include: TUNE, OCTAVE, MODULATION depth and destination, MOD. SOURCE (EGs, VCO audio, External CV, LFO), manual pulse WIDTH, VCO Sync\u003c\/p\u003e  \u003ch3\u003eLow Frequency Oscillator\u003c\/h3\u003e  \u003cp\u003eThe LFO has triangle and Square wave modulation signals. The MODE switch can also be used to route Sample And Hold or CV2 (velocity) signals to the VCF and VCOs.\u003c\/p\u003e  \u003ch3\u003eFilter\u003c\/h3\u003e  \u003cp\u003eNyborg uses a 2 pole 12 dB per octave multimode filter. What does this mean? It uses the same filter as the legendary Telemark synth, which is similar (but not the same, having its own character) to the old Oberheim SEM. The filter is actually four types in one. Low pass, Band pass, High pass and Notch filters. Controls include: CUTOFF, RESONANCE, MODULATION depth (- and +), MOS.SOURCE (EG, LFO, VCO audio, External CV), KEY voltage, CV2 voltage (velocity), NOTCH high\/low, FILTER TYPE (high, low, band, notch).\u003c\/p\u003e  \u003ch3\u003eMixer\u003c\/h3\u003e  \u003cp\u003eAudio choices are the Saw or Square wave of each VCO, Noise or, for added fatness, Sub-Oscillator.\u003c\/p\u003e  \u003ch3\u003eAmplifier\u003c\/h3\u003e  \u003cp\u003eThe VCA can be controlled from Gate or Envelope. It can be set to BYPASS so it is always ‘open’. This allows Nyborg to be used as an effects processor. Finally there is a CYCLE option. This sets the envelope to be constantly re-triggered by the LFO allowing for hands-off sound effects.\u003c\/p\u003e  \u003ch3\u003eEnvelopes\u003c\/h3\u003e  \u003cp\u003eThere are two EGs – each having control over ATTACK, SUSTAIN, and combined DECAY\/RELEASE.\u003c\/p\u003e  \u003ch3\u003eModulation\u003c\/h3\u003e  \u003cp\u003eGreat thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and ‘modular’ style sounds.\u003c\/p\u003e  \u003ch3\u003eMIDI\u003c\/h3\u003e  \u003cp\u003eMIDI is intentionally kept simple – so you can concentrate on making new sounds and making music – not getting tied up with SYSEX programming. You get the all important control over filter cut-off using MIDI Velocity (or a MIDI controller).\u003c\/p\u003e  \u003ch3\u003eExternal CV Control Sockets\u003c\/h3\u003e  \u003cp\u003eNyborg can be controlled via an external analog sequencer, such as Oberkorn, using the top panel CV sockets. There are pitch CV sockets for each VCO PITCH1 and PITCH2, filter CUTOFF, GATE (to trigger the EGs), EXT (to feed an external CV to various circuits). Also, on the rear panel are two spare 6.35 mm big jack sockets. Using these you can route external audio through the filter. Set the VCA to BYPASS and use Nyborg as an effects processor!\u003c\/p\u003e  \u003chr\u003e","brand":"Analogue Solutions","offers":[{"title":"Default Title","offer_id":44450032222311,"sku":"64062","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/analogue-solutions-nyborg-24_64062_1_bfd5e85a-7ca1-4863-9432-391fb5ba738b.jpg?v=1787091404"},{"product_id":"intellijel-atlantis-demo-deal","title":"Intellijel Atlantis (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Atlantis\u003c\/strong\u003e is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our  favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.\u003c\/p\u003e\r\n\u003cp\u003eJust like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.\u003c\/p\u003e\r\n\u003cp\u003eIn the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled “LINK” which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.\u003c\/p\u003e\r\n\u003cp\u003eThe filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V\/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on\/off externally. The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier\/dirtier sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSummary of enhancements\/differences over the SH-101 core:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDiscrete triangle core vcos (with far better tracking and Hard sync)  instead of CEM based IC.\u003c\/li\u003e\r\n\u003cli\u003ePrimary vco has linear FM (not just exp)\u003c\/li\u003e\r\n\u003cli\u003eMOD VCO can be linked to the primary VCO pitch CV.\u003c\/li\u003e\r\n\u003cli\u003eModulation oscillator switchable from LFO to VCO\u003c\/li\u003e\r\n\u003cli\u003eFilter is multimode, 2\/4pole switchable and has a special LP boost mode\u003c\/li\u003e\r\n\u003cli\u003eFilter allows for selection of inverted ADSR mod source\u003c\/li\u003e\r\n\u003cli\u003eMixer section includes and external source which is normalled to a sinewave\u003c\/li\u003e\r\n\u003cli\u003eFilter has built in soft clipping\u003c\/li\u003e\r\n\u003cli\u003eEnvelope has looping option, re-trigger and selectable time range\u003c\/li\u003e\r\n\u003cli\u003eOutput VCA has two stage clipping circuit\u003c\/li\u003e\r\n\u003cli\u003ePatch points for every synthesis section\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450035925095,"sku":"64516","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_atlantis_1_ccd1b7f0-a0cb-4ca4-89d1-dc941b6f79ed.jpg?v=1787091419"},{"product_id":"intellijel-cylonix-rainmaker-demo-deal","title":"Intellijel Cylonix Rainmaker (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel\/Cylonix RAINMAKER\u003c\/strong\u003e eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.\u003c\/p\u003e  \u003cp\u003eThe stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#’s in order to create regenerating echo effects. The feedback signal has a lowpass\/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.\u003c\/p\u003e  \u003cp\u003eThe stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce “Karplus-Strong” types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v\/oct input voltage.\u003c\/p\u003e  \u003cp\u003eThe Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.\u003c\/p\u003e     \u003ch3\u003eStereo delay line with 16-taps:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eEach of the 16 taps has its own set of audio processors:\u003c\/li\u003e \u003cli\u003e2nd order resonant multi-mode filter (LP,BP,HP) with adjustable cutoff frequency and resonance\u003c\/li\u003e \u003cli\u003eLevel and Balance setting, with quick mute capability\u003c\/li\u003e \u003cli\u003e+\/- 1 octave granular pitch shifter (1,2 or 4 grains with adjustable grain size)\u003c\/li\u003e \u003cli\u003eDelay line feedback can be taken from any of the 16 taps (pre-filter) or from the sum of the 16 taps (post-filter)\u003c\/li\u003e \u003cli\u003eDelay line feedback has its own granular pitch shifter and 1st-order tone filter\u003c\/li\u003e \u003cli\u003eGlobal delay time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by tap tempo button.\u003c\/li\u003e \u003cli\u003eIndividual tap delays are set according to one of 16 preset patterns (grooves)\u003c\/li\u003e \u003cli\u003eGlobal delay time modulation by an LFO with 8 selectable waveforms\u003c\/li\u003e \u003cli\u003eDelay times range from 0.1 millisecond to 20 seconds.\u003c\/li\u003e \u003cli\u003eDelay buffer freeze and reverse\u003c\/li\u003e \u003cli\u003eTaps can be piled on top of each other to give complex filtering and chord effects\u003c\/li\u003e \u003cli\u003eGlobal pitch shift control which transposes the delay line output by +\/- 1 octave\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eStereo multi-tap comb resonator\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eComb can have between 1 and 64 taps allowing for complex resonances\u003c\/li\u003e \u003cli\u003eThree different nonlinear comb feedback structures for spectral shaping\u003c\/li\u003e \u003cli\u003eComb is pingable to give physically-modeled guitar, sitar, clarinet(ish) types of sounds\u003c\/li\u003e \u003cli\u003e16 different comb tap spacing patterns\u003c\/li\u003e \u003cli\u003eGlobal comb time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by a 1v\/oct control voltage.\u003c\/li\u003e \u003cli\u003eGlobal comb time modulation by an LFO with 8 selectable waveforms\u003c\/li\u003e \u003cli\u003eComb times range from 0.1 millisecond to 20 seconds.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450035990631,"sku":"64530","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-cyclonix-rainmaker_57066_1_1_0f91ec7c-4121-4be4-8ad2-7af756b49dcd.jpg?v=1787091420"},{"product_id":"noise-engineering-basimilus-iteritas-alter-demo-deal","title":"Noise Engineering Basimilus Iteritas Alter (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Basimilus Iteritas Alter\u003c\/strong\u003e is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. These are summed and fed into an infinifolder for crunch and variety.\u003c\/p\u003e  \u003cp\u003eBasimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch - The pitch knob and CV input adjusts the pitch of the fundamental oscillator. This is a 1v\/8va standard input. The knob sums with the CV input.\u003c\/li\u003e \u003cli\u003eDecay - The decay knob and CV input adjust the decay for all oscillators. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eAttack - The attack knob and CV input adjust the attack for all oscillators. When left of center, noise is added. When dead center, a classic analog-style pop is produced. When right of center, the knob slows the attack. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eMorph - The morph knob and CV control the waveform of all oscillators. This blends through sine, triangle, saw, and square continuously. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eFold - The fold knob and CV control the infinifold section. For the first 3\/4 of the range this sets the threshold of the folder. This folder will dynamically add multiple fold stages to maximize the amount of folding based on the fold threshold and signal amplitude. When the control is in the top quarter of its range, a pulse train based on the signal is mixed in to give even more harmonic content. The knob offsets the CV input.\u003c\/li\u003e \u003cli\u003eHarmonic - The harmonic knob and CV control the harmonic decay of the oscillators. When fully left, only one oscillator is audible. This simulates many simple analog bass drums. As the parameter is increased more harmonics blend in lasting longer periods of time. The knob offsets the CV input. Fully left the tone produced is a single harmonic tone. From there to the first quarter a second tone fades in. The remaining turning extends first the decays then the amplitudes of the other four harmonics.\u003c\/li\u003e \u003cli\u003eSpread - The spread knob and CV control the frequency spacing of the oscillators. This allows the overtone series to vary from a purely harmonic to very inharmonic.\u003c\/li\u003e \u003cli\u003eSkin\/Liquid\/Metal - The mode switch selects between the three modes. Skin is a six-operator additive synth for tonal sounds. Liquid is a six-operator additive synth with a pitch envelope to add extra kick. Metal is a six operator FM synth for producing noisy and alien sounds. This setting can be controlled by CV into the S\/L\/M jack.\u003c\/li\u003e \u003cli\u003eBass\/Alto\/Treble - The range switch offsets the pitch by two octaves in Alto mode and four octaves in Treble mode relative to Bass mode. This setting can be controlled by CV in the B\/A\/T jack.\u003c\/li\u003e \u003cli\u003eTrigger - The trigger input triggers the start of a drum sound. It is a rising-edge trigger which has a threshold of around 3 V.\u003c\/li\u003e \u003cli\u003eHit - The Hit switch allows one to manually trigger Basimilus Iteritas Alter.\u003c\/li\u003e \u003cli\u003eOut - The output is a low-impedance audio source. the output varies significantly based on the parameterization as compensation for loudness occurs.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450036613223,"sku":"64522","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-basimilus-iteritas-alter-1_1_f894a968-01e3-422f-a6d3-bed8c8a52396.jpg?v=1787091422"},{"product_id":"tiptop-audio-bd909-tr909-bass-drum-generator-demo-deal","title":"Tiptop Audio BD909 TR909 Bass Drum Generator (Demo Deal)","description":"\u003cp\u003eBassdrum voice of the TR-909 as Eurorack module in \u003cstrong\u003eTipTop's BD909\u003c\/strong\u003e with a really great sound, partially extended parameters and voltage control.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJust like the TR-909 this bassdrum module has controls for tune, level, attack and decay but with an extendede decay range.\r\nIn addition there´s an adjustable accent with accent socket (prepatched to the gate input), attack and decay parameters for the tuning, voltage control of the tuning and a voltage controlled overload for distorted sounds.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eGate input, Accent input, BD output\r\nCV inputs for Tune (with attenuator) and Overload\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 4HP wide\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44450036842599,"sku":"64513","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_bd909_main_1_f757bdaa-f51b-468d-9db3-85af9f075faa.jpg?v=1787091423"},{"product_id":"tiptop-audio-hats808-tr808-hihats-drum-generator-demo-deal","title":"Tiptop Audio HATS808 TR808 HiHats Drum Generator (Demo Deal)","description":"\u003cp\u003eBoth the open and the closed HiHat sound of the TR808 come in  \u003cstrong\u003eHats808, TipTop's Hi-Hats Module\u003c\/strong\u003e come in this Eurorack drum voice module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAccurate clone of the TR808´s HiHat section. The decay of the open HiHat is voltage controllable. OH and CH can be triggered separately and have individual outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the +\/-12V the module needs also a +5V operational voltage\u003c\/p\u003e\r\n\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInputs: Tune CV (0-12V), CH Accent (0-12V), CH Trigger (5-12V), OH Accent (0-12V), OH Trigger (5-12V), OH Decay CV (0-12V)\u003c\/p\u003e\r\n\r\n\u003cp\u003eAudio outputs for open and closed hihats\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003e3U Eurorack module, 10HP wide, depth unknown. Current draw: 20 mA@+12V, 20 mA@-12V and 1 mA@+5V\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\r\n0.3 kg   -   0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44450036908135,"sku":"64515","price":142.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_hats808_1_3e3c5e44-39c4-4d18-bb29-9fceeca6f239.jpg?v=1787091423"},{"product_id":"tiptop-audio-trigger-riot-sequencer-demo-deal","title":"Tiptop Audio Trigger Riot Sequencer (Demo Deal)","description":"\u003cp\u003eAn innovative and unique trigger sequencer with memory and an entirely new concept. \u003cstrong\u003eTipTop's Trigger Riot\u003c\/strong\u003e has an internal a clock generator but can be synched to an external clock, too. Eight channels process clocks, each by passing four clock dividers in a row. Each clock divider has manipulators like probability of trigger output, clock shift, clock multiplication and pulse width. Combine thee parameters and you´ll get very diversified and living trigger sequences.\u003c\/p\u003e\r\n\u003ch3\u003eFeatures\u003c\/h3\u003e\r\n\u003cp\u003eThe eight channels are laid out in four columns and four rows. In Matrix Mode the columns and rows interact with each other as the controls affect both. In Independent Mode you can select the channel you want to by pressing the Mute\/Sel button. the Trigger Riot has an integrated precise clock generator but can be synched to an external clock of course. the tempo can be set in BPM. Besides that a Cycle Mode is available with adjustable start adn reset point,\u003c\/p\u003e\r\n\u003cp\u003eEach channel has four clock dividers. Following parameters can be set for each of those:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDivide: sets the clock division\u003c\/li\u003e\r\n\u003cli\u003eStep: allows setting of a single trigger on a given count\u003c\/li\u003e\r\n\u003cli\u003eProbability: sets the probability a trigger will fire\u003c\/li\u003e\r\n\u003cli\u003eSpeed: sets the time base in internal clocks\u003c\/li\u003e\r\n\u003cli\u003eClock Shift: delays the division by full clocks\u003c\/li\u003e\r\n\u003cli\u003eTime Shift: delays the division by fractions of a clock\u003c\/li\u003e\r\n\u003cli\u003ePulse Width: duty cycle of the trigger\/gate from 0% to 100%\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003ecombining this parameters will lead to overlapping of clocks, cancelling, shifting and will result in interesting rhythmical structures in the end Please check the extensive operation manual for more details, tips and tricks.\u003c\/p\u003e\r\n\u003cp\u003eThe Trigger Riot understands TipTop's own SyncBus which carries clock, reset and preset data and is used for synchronize multiple TipTop Syncbus compatible devices like Circadian Rhythm. Connect it with the optionally available SyncBus-Cable.\u003c\/p\u003e\r\n\u003ch3\u003eConnectors\u003c\/h3\u003e\r\n\u003cp\u003eClock In and clock Out\u003cbr\u003e Reset In and Reset Out\u003cbr\u003e four outputs for rows 1, 2, 3 and 4 and four outputs for colums A, B, C and D\u003c\/p\u003e\r\n\u003ch3\u003eDimensions\u003c\/h3\u003e\r\n\u003cp\u003e3U Eurorack module, 28HP wide, 28mm deep\u003c\/p\u003e\r\n\u003cp\u003eCurrent draw: 200mA@+12V and 0mA@-12V\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.263 kg   -   0.58 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44450036940903,"sku":"64525","price":404.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_trigger_riot__1_49e32a9e-cde0-45ca-91c7-db4614e65fa8.jpg?v=1787091424"},{"product_id":"make-noise-mult-demo-deal","title":"Make Noise Mult (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise Multiple\u003c\/strong\u003e is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit). It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way\/ one 3-way or one 7-way multiple. The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 4hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 20mm\u003c\/li\u003e\r\n\u003cli\u003ePower: No power required\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44450046410855,"sku":"68747","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_mult_1_adf49b64-aa5b-44ea-87b6-f73545ca1e80.jpg?v=1787091463"},{"product_id":"moog-music-minimoog-model-d-demo-deal","title":"Moog Music Minimoog Model D (Demo Deal)","description":"\u003ch3\u003eThe Rebirth Of A Moog Music Classic\u003c\/h3\u003e \r\n\u003cp\u003eIn the four decades since its creation, the \u003cstrong\u003eMoog Music Minimoog Model D\u003c\/strong\u003e has become one of the world’s most beloved synthesizers. Played by a wide variety of artists ranging from Kraftwerk and Gary Numan to Dr. Dre and Trent Reznor, this classic synthesizer has been an influential musical touchstone that defies genres and time periods. Now, for the first time in 30 years, Moog Music is resuming production of the synth with a brand new Minimoog Model D.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic Synthesizer, Modern Advancements\u003c\/h3\u003e\r\n\u003cp\u003eWith the new Minimoog Model D, Moog Music has worked extremely hard to keep the original sound engine and audio signal path of the Minimoog Model D intact. The new version of the synthesizer features only minimal updates, with many of the changes revolving around adding popular advancements to the unit. The Moog Music Minimoog Model D now features an analog LFO (with triangle and square wave shapes), a premium Fatar keybed with velocity and after pressure via top panel CV jacks, CV outputs for pitch, gate, velocity and after pressure, a mixer overload modification and basic MIDI integration.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eThe History Of The Minimoog Model D\u003c\/h3\u003e\r\n\u003cp\u003eCreated by Robert Moog and Bill Hemsath, the original Minimoog was released in 1970 and designed to offer musicians of the time a simple synthesizer that could be used for live performance. By bringing the components of a large-scale modular synthesizer into a much smaller package, the designers were able to offer something that could take on the rigors of the road, studio and stage. The Minimoog Model D was the fourth version of the synthesizer and remained in production until 1981.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFrom Moog Music With Love\u003c\/h3\u003e\r\n\u003cp\u003eAs with all Moog Music products, each Minimoog Model D will be built and crafted in the brand’s Asheville, North Carolina-based factory. Installed into a beautiful, locally-sourced Appalachian hardwood enclosure and aluminum chassis, this 3-oscillator, monophonic, analog synthesizer features the exact same component placement and through-hole design of the classic Minimoog Model D.\u003c\/p\u003e","brand":"Moog Music","offers":[{"title":"Default Title","offer_id":44450056765543,"sku":"70702","price":4499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/moog-music-minimoog-model-d-1_1_c23bbd17-6966-42e8-82a0-2453ee20a2f1.jpg?v=1787091506"}],"url":"https:\/\/vintageking.com\/collections\/sale-instruments-on-sale.oembed","provider":"Vintage King","version":"1.0","type":"link"}