{"title":"All Price Drops","description":null,"products":[{"product_id":"focal-twin6-be-single-red","title":"Focal Twin6 Be - Single, Red","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocal Twin6 Be\u003c\/span\u003e is an active, three-way, professional near-field\/midfield speaker (three built-in amplifiers - 2x150 +100W rms), comprised of two 6.5\" (16.5cm) “W” cone sandwich composite drivers, loaded by two large section laminar bass ports and a Focal inverted dome pure Beryllium tweeter.  Both 6.5” drivers handle low frequencies but only one of the two is passing lo-mid frequencies.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAbout Focal Professional Studio Monitors\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eListen to your music, not to your speakers\u003c\/span\u003e\u003cbr\u003eThese few words embody the philosophy of the Focal Professional Division.  It is crucial for engineers, be it in music production, post-production or broadcast, to be able to completely trust what they are hearing.  Our products are designed from the ground up to be professional tools that reproduce the reality of sound without enhancements or degradations.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecific tools for specific needs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “reveals”\u003c\/span\u003e\u003cbr\u003eA tracking engineer needs to be able to capture the exact tone of the instrument he’s recording with his microphones; he needs to discern the slightest shift in microphone position, EQ, or compression on his monitors.  A mixing engineer needs to be able to place various instruments and vocals in his mix with precision.  The smallest details need to come out clearly on his monitors, i.e., reverbs and spaces, and they need to be reproduced at their proper levels without any artificial alteration of the soundstage.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “translates”\u003c\/span\u003e\u003cbr\u003eThe mixing engineer also needs to be able to make sure that his mix sounds as good on other speaker systems in other environments.  Usually, when a mix is done, the engineer will make a copy of it and go listen to it in a car or on a boom box, just to make sure that everything sounds the same everywhere.  In essence, the engineer wants to make sure his mix translates well everywhere it gets listened to.  A completely transparent speaker, that doesn’t impart a “color” to the sound, is the best way to insure perfect mix translation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eOur Speakers “reveal” and “translate” better than others. 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What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. While HD I\/O 16x16 Analog comes with the maximum four cards, you can customize your I\/O by swapping out any card.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O AD Option:\u003c\/span\u003e Adds 8 high-fidelity analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O DA Option:\u003c\/span\u003e Adds 8 high-fidelity analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O Digital Option:\u003c\/span\u003e Adds 8 channels each of AES\/EBU (supports 192 kHz single-wire and dual-wire), TDIF, and ADAT (supports S\/MUX II and IV) I\/O\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eHD I\/O and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449342226535,"sku":"15930","price":2932.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid-hd-io-8x8x8_15930_1.jpg?v=1787088628"},{"product_id":"avid-hd-i-o-digital-option","title":"Avid HD Expansion Card I\/O Digital Option","description":"Digital expansion card for Pro Tools|HD HD I\/O interfaces","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449344618599,"sku":"15949","price":687.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_hd_io_digital.jpg?v=1787088639"},{"product_id":"mcdsp-futzbox-hd-electronic-delivery","title":"McDSP FutzBox HD v7 - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eMcDSP FutzBox\u003c\/strong\u003e is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.\u003c\/p\u003e  \u003cp\u003eIn addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.\u003c\/p\u003e  \u003cp\u003eVaried distortion effects are possible using the FutzBox. Experiment with the Scale control in the SIM section when a SIM preset is ‘almost’ what you need.\u003c\/p\u003e  \u003cp\u003eIf the goal is to make the music production sound like it is being played on an old tube radio, FutzBox is very capable of such effects.\u003c\/p\u003e  \u003cp\u003eAny gate, when set too aggressively, can cause incoming audio not to pass to the output. The FutzBox gate is especially suited for such applications.\u003c\/p\u003e    \u003ch3 id=\"toc_1\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003eMcDSP HD and Native plug-ins are compatible with Pro Tools, Logic Pro, Cubase, Nuendo, FL Studio, Ableton Live, LUNA, Reaper, Sonar, Studio One, and other DAWs that support AAX, AU, and\/or VST3 plug-in formats. Note as of v7.0, VST is no longer supported. VST versions of v6 McDSP plug-ins will no longer be updated, and will be uninstalled.\u003c\/p\u003e  \u003cp\u003eMcDSP Native plug-ins support AAX Native, AU, and VST3 plug-in formats.  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Note McDSP VENUE plug-ins are packaged in a VENUE specific installer available on the McDSP web site.\u003c\/p\u003e","brand":"McDSP","offers":[{"title":"Default Title","offer_id":44449378959463,"sku":"11182","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mcdsp-futzbox-7_11182_1.jpg?v=1787088777"},{"product_id":"mcdsp-futzbox-native-electronic-delivery","title":"McDSP FutzBox Native v7 - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eMcDSP FutzBox\u003c\/strong\u003e is a distortion and noise generator plug-in for creating low-fidelity versions of audio signals. Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.\u003c\/p\u003e  \u003cp\u003eIn addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.\u003c\/p\u003e  \u003cp\u003eVaried distortion effects are possible using the FutzBox. Experiment with the Scale control in the SIM section when a SIM preset is ‘almost’ what you need.\u003c\/p\u003e  \u003cp\u003eIf the goal is to make the music production sound like it is being played on an old tube radio, FutzBox is very capable of such effects.\u003c\/p\u003e  \u003cp\u003eAny gate, when set too aggressively, can cause incoming audio not to pass to the output. The FutzBox gate is especially suited for such applications.\u003c\/p\u003e    \u003ch3 id=\"toc_1\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003eMcDSP HD and Native plug-ins are compatible with Pro Tools, Logic Pro, Cubase, Nuendo, FL Studio, Ableton Live, LUNA, Reaper, Sonar, Studio One, and other DAWs that support AAX, AU, and\/or VST3 plug-in formats. Note as of v7.0, VST is no longer supported. VST versions of v6 McDSP plug-ins will no longer be updated, and will be uninstalled.\u003c\/p\u003e  \u003cp\u003eMcDSP Native plug-ins support AAX Native, AU, and VST3 plug-in formats.  McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, and VST3 plug-in formats.  McDSP plug-ins support Mac OS 10.13.x (High Sierra), 10.14.x (Mojave), 10.15.x (Catalina), 11.x (Big Sur), 12.x (Monterey), and Windows 10.  Mac OS version 10.12.x (Sierra) may work, but is not officially supported.  Earlier Mac OS versions are not officially supported.\u003c\/p\u003e  \u003cp\u003eMcDSP plug-ins run natively on Intel and Apple silicon processors.\u003c\/p\u003e  \u003cp\u003eMcDSP plug-ins require an iLok2 or iLok3 USB Smart Key, or an iLok License Manager account and an iLok Cloud session for authorization. Each McDSP v7 plug-in contains two activations per authorization.\u003c\/p\u003e  \u003cp\u003eMcDSP HD plug-ins also support the VENUE S6L systems.  Note McDSP VENUE plug-ins are packaged in a VENUE specific installer available on the McDSP web site.\u003c\/p\u003e","brand":"McDSP","offers":[{"title":"Default Title","offer_id":44449378992231,"sku":"11183","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mcdsp-futzbox-7_11182_1_9360c19c-498d-4b22-aa88-caae8c81843e.jpg?v=1787088777"},{"product_id":"softube-spring-reverb-native","title":"Softube Spring Reverb - Native - Electronic Delivery","description":"The \u003cb\u003eSoftube Spring Reverb\u003c\/b\u003e is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds. \u003cbr\u003e\u003cbr\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":44449388626023,"sku":"12975","price":71.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/softube_springreverb_1.jpg?v=1787088816"},{"product_id":"softube-vintage-amp-room-native","title":"Softube Vintage Amp Room - Native - Electronic Delivery","description":"Straightforward and simple, The \u003cb\u003eSoftube Vintage Amp Room\u003c\/b\u003e emulates three great guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It’s easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking. \u003cbr\u003e\u003cbr\u003e Amp Room has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because after all, only you know exactly what sound you want. \u003cbr\u003e\u003cbr\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":44449389412455,"sku":"12967","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/softube_vintageamproom_1_1.jpg?v=1787088818"},{"product_id":"softube-valley-people-dyna-mite","title":"Softube Valley People Dyna-Mite - Native - Electronic Delivery","description":"\u003cp\u003e\u003cspan style=\"font-size: small; color: #333333;\"\u003e\u003cspan id=\"internal-source-marker_0.6554932745463208\" style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThere  are some processors that attain near-legendary status. Then there are  some that quietly cruise under the radar, favored by those in the know  but largely unknown to the masses. The \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eSoftube Valley People Dyna-Mite\u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e falls squarely into the latter - those who knew about it used it  religiously, while the rest of us had no idea. Softube's Valley People  Dyna-Mite is a faithful re-creation of the classic 1980s dynamics  multipurpose tool. The original Valley People Dyna-Mite works wonders on  drums, bass, and countless other sources, imparting its special flavor  to your tracks. So, what does it do? Well, it's capable of limiting,  compressing, expanding, gating, keying, ducking, de-essing, and more. If  it needs dynamics loving, the Valley People Dyna-Mite can do it! \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFaithful replica of the Valley People Dyna-mite\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eMulti-dynamics tool capable of limiting, compressing, expanding, gating, keying, ducking, de-essing, etc.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLimiting:  Peak and average limiting, including negative ratio (-20:1) limiting  and detector HF filtering (for de-essing purposes)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eExpanding: Hard or soft, with extreme gate settings and detector HF filtering\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eDucking or Keying modes with external sidechain (where available)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThreshold knob with auto make-up gain\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eRelease ranging from 0.05 to 5 sec\/20dB with Anticipatory Release Computation (ARC) to reduce pumping\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eOutput volume with accurately modeled output distortion and clip LED\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eInnovative Range knob that controls maximum amount of expansion or limiting\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eBuilt-in interactive guide that displays current settings and active mode\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eNative\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eMac OS X (10.4 or higher)\/PC (XP or higher)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVST\/AU\/RTAS\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e                        \u003c\/span\u003e\u003c\/p\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":44449389543527,"sku":"17524","price":119.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/softube_valley_people_dyna-mite_1.jpg?v=1787088819"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor","title":"Rupert Neve Designs Portico II Master Buss Processor","description":"\u003cp\u003eWith input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the \u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e (MBP) will integrate flawlessly with virtually any system. Additionally, the MBP incorporates mastering grade detented pots throughout to fine tune its revolutionary dynamics, tone, and stereo field controls. This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing for the sweet, musical performance that has been a part of countless recordings.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eThe Compressor\u003c\/h3\u003e\r\n\u003cp\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. With the stereo link control engaged, Ch. A settings act as the master control for convenient operation. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother more musical vintage response (feed-back). Peak mode alters the compressor’s attack to react to peak transients with a roughly 0.1ms response time. When the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. SC HPF inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003c\/p\u003e\r\n\u003cp\u003eTo further control the side chain, there is also an insert “send” and “return” that may be paired with an external EQ or other filters for additional manipulation. The “return” may also be used as a “Key” input for ducking one signal to another (for instance, a voice-over keying the compressor to duck a background music track).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eThe Limiter\u003c\/h3\u003e\r\n\u003cp\u003eThe Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. At first glance, one might scoff at the single knob operation, however this limiter is extremely intelligent, knowing how to appropriately respond to the various signals presented to it. Our new Adaptive Release Technology is behind this revolutionary performance. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (such as the “snap” of a snare drum) and slowly to more sluggish signals (such as a bass guitar). This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this manner, the MBP Limiter can provide a much more aggressive amount of limiting than typically possible, while maintaining the essential character of the music and remaining free of the modulation distortion usually found in a fast acting limiter.\u003c\/p\u003e\r\n\u003cp\u003eTypically there is a tradeoff between how fast limiter can react and the amount of modulation distortion in the lower frequencies. This is due to the lower frequencies finding their way into the side chain signal, triggering the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to look at with sine waves, but sounds quite undesirable with music. The MBP does not have this tradeoff, and one is able to have the best of both worlds: a quick, snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive time constant circuitry, the release time is also varied with the position of the knob. As the knob is turned counter clock-wise, the release time is increased accordingly, as typically one would want a longer release time with a larger amount of reduction.\u003c\/p\u003e\r\n\u003cp\u003eThe new limiter found in the MBP is designed to respond as fast as .03 mS in order to reduce the first half of a 20 kHz waveform over the threshold. It has a “medium knee” initial ratio and within 3 dB of the threshold attains a better than 10:1 ratio. A soft clipper circuit catches transients that may have been in the “knee” when the threshold knob is set quite high. Both the limiter and soft clipper are switched out of circuit with the knob is fully clockwise. The release times are fully automatic and adjust depending both on the average depth of limiting and the duration of the transients above the threshold. The limiters share the same discrete, class-A gain module and VCA with the compressors, so using the Limiter does not introduce more stages that the music would have to pass through. This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eThe Stereo Field Editor\u003c\/h3\u003e\r\n\u003cp\u003eThe stereo field editor on the MBP takes traditional M-S techniques to new heights with width, depth and corresponding bandpass filters.\u003c\/p\u003e\r\n\u003cp\u003eThe width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambiance inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, often resulting in more ambient material, and accentuated stereo reverbs. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the stereo field editor′s other controls, listening and experimentation are essential for the best results.\u003c\/p\u003e\r\n\u003cp\u003eThe depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instrument or vocal can be brought forward in a mix, in relation to supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003c\/p\u003e\r\n\u003cp\u003eTo fine tune the SFE, there are individual filters that allow a fine tuning of what information is reintroduced from the width and depth circuits, thus tailoring each effect to a specific bandwidth. For example, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, would filter out everything in the Mid signal except what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in the low frequencies in the center image. It is also possible to do the same thing with the Width EQ, except instead of boosting the width, cutting it, which removes low frequencies from the Sides, tightening up the low frequency perception in the center. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of band-passed Side information can provide a wonderful spreading of instruments, reverberation and background vocals, giving the illusion that the sounds are spread further out, enveloping the listener.\u003c\/p\u003e\r\n\u003cp\u003eAnother technique available on the SFE is routing the Mid and Side signals to the Channel A and Channel B compressors, respectively. Now whatever amount of Depth or Width is introduced is first routed to the compressors, allowing the user to utilize the compressor features on the Mid and Side information. Now it is possible to not only increase the side information, but to utilize the compressor to bring up some of the low level side information, or allow the user to tame an overly expressive lead singer. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44449389674599,"sku":"18927","price":3595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert_neve_portico_ii_master_buss_compressor_1.jpg?v=1787088819"},{"product_id":"sonnox-oxford-broadcast-native","title":"Sonnox Oxford Broadcast - Native","description":"Sonnox Broadcast is a collection of powerful Oxford plug-ins which provide high-quality processing and precision control for broadcast production. Including the renowned Oxford EQ and Dynamics plug-ins, the popular Inflator for maximizing loudness, the preset-packed Oxford Limiter and the SuprEsser for fixing problematic frequencies - Sonnox Broadcast will dramatically improve the quality of virtually any program.\u003cbr\u003e \u003cbr\u003e Contains: \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOxford EQ\u003c\/li\u003e\n\u003cli\u003eOxford Dynamics\u003c\/li\u003e\n\u003cli\u003eOxford Inflator\u003c\/li\u003e\n\u003cli\u003eOxford Limiter\u003c\/li\u003e\n\u003cli\u003eOxford SuprEsser\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389838439,"sku":"17013","price":157.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_broadcast.jpg?v=1787088820"},{"product_id":"sonnox-oxford-broadcast-tdm","title":"Sonnox Oxford Broadcast - HD-HDX","description":"Sonnox Broadcast is a collection of powerful Oxford plug-ins which provide high-quality processing and precision control for broadcast production. Including the renowned Oxford EQ and Dynamics plug-ins, the popular Inflator for maximizing loudness, the preset-packed Oxford Limiter and the SuprEsser for fixing problematic frequencies - Sonnox Broadcast will dramatically improve the quality of virtually any program.\u003cbr\u003e \u003cbr\u003e Contains: \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eOxford EQ\u003c\/li\u003e\n\u003cli\u003eOxford Dynamics\u003c\/li\u003e\n\u003cli\u003eOxford Inflator\u003c\/li\u003e\n\u003cli\u003eOxford Limiter\u003c\/li\u003e\n\u003cli\u003eOxford SuprEsser\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389871207,"sku":"17014","price":240.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_broadcast_1.jpg?v=1787088820"},{"product_id":"sonnox-oxford-dynamics-native","title":"Sonnox Oxford Dynamics - Native","description":"\u003cp\u003eThe \u003cstrong\u003eSonnox Oxford Dynamics \u003c\/strong\u003eplug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389903975,"sku":"7984","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_dynamics_1_85ee2127-bf9e-4f7b-ae76-9e5301f154cf.jpg?v=1787088820"},{"product_id":"sonnox-oxford-dynamics-hd-hdx","title":"Sonnox Oxford Dynamics - HD-HDX","description":"\u003cp\u003eOriginally designed by the same team that designed the SSL E series consoles, the Sony Oxford OXF-R3 console is highly regarded as one of the best sounding consoles ever made. The Sony Oxford Dynamics plug-in was designed by the same team of sonically obsessed perfectionists. The Oxford Dynamics plu-ins are based on the same processing used in the Sony OXF-R3. There are three compressor models including linear, normal, and classic styles of compression. \u003cbr\u003e\u003cbr\u003eThe Dynamics section comprises of four separate applications, Compressor, Limiter, Gate and Expander. Although these applications contain several control types that have common functions, the operation, ranges and laws of these controls have been optimised carefully for maximum flexibility within the intended specific use of that section. The very wide control ranges offered within the applications are accommodated in the GUI using specific control laws that encourage experimentation over a very wide parameter set without the loss of finer control sensitivity and detail. Careful consideration has also been given to the dynamic behaviour of the time constants, as this factor is largely responsible for the sonic character of the dynamics application.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389936743,"sku":"30660","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_dynamics.jpg?v=1787088820"},{"product_id":"sonnox-oxford-elite-bundle-native","title":"Sonnox Oxford Elite Bundle - Native","description":"\u003cspan style=\"font-weight: bold;\"\u003eThe Ultimate Oxford Plugins Collection\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eWant the best sounding plug-ins available at the best possible price? Don’t waste time and money collecting them one by one – save a massive 40% off the individual prices when buying the Sonnox Elite Collection. \u003cbr\u003e\u003cbr\u003eAll seven world renowned Oxford Plug-ins in a single bundle.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eContains: \u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eOxford EQ\u003c\/li\u003e\n\u003cli\u003eOxford Dynamics\u003c\/li\u003e\n\u003cli\u003eOxford Inflator\u003c\/li\u003e\n\u003cli\u003eOxford Transient Modulator\u003c\/li\u003e\n\u003cli\u003eOxford Reverb†\u003c\/li\u003e\n\u003cli\u003eOxford Limiter\u003c\/li\u003e\n\u003cli\u003eOxford SuprEsser\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eEQ \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Oxford EQ\u003c\/span\u003e plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e\u003cul\u003e \u003cli\u003eFive band parametric design \u003c\/li\u003e\n\u003cli\u003eLF and HF Filters providing up to 36dB\/Octave \u003c\/li\u003e\n\u003cli\u003eFour different EQ types \u003c\/li\u003e\n\u003cli\u003eFully decramped HF response \u003c\/li\u003e\n\u003cli\u003eSupport for sample rates up to and including 192kHz \u003c\/li\u003e\n\u003cli\u003eFully automatable (inc. separate automation for A and B settings) \u003c\/li\u003e\n\u003cli\u003eIncludes six plug-ins in total for optimal DSP usage (Mono and Stereo versions of EQ, Filters, and EQ and Filters)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eDynamics\u003c\/span\u003e\u003cbr\u003eThe Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe dynamics section from Sony OXF-R3 console\u003c\/li\u003e\n\u003cli\u003eSeparate sections for Compressor, Gate, Expander, Limiter\u003c\/li\u003e\n\u003cli\u003e2-Band side chain EQ (with audition function)\u003c\/li\u003e\n\u003cli\u003eWarmth control for extra presence and tube-like warmth\u003c\/li\u003e\n\u003cli\u003eThree different compressor types (linear and exponential curves)\u003c\/li\u003e\n\u003cli\u003eVariable soft knee compressor\u003c\/li\u003e\n\u003cli\u003eSeparate 5.1 bus compressor (where supported)\u003c\/li\u003e\n\u003cli\u003eUltra low noise and distortion\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eInflator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Inflator\u003c\/span\u003e is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. \u003cbr\u003e\u003cbr\u003eNo matter how limited, compressed and crushed your programme may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.\u003cbr\u003e\u003cbr\u003eUse the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTransient Modulator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Transient Modulator\u003c\/span\u003e is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.\u003cbr\u003e\u003cbr\u003eThe application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the programme so that the overall long-term programme level is minimally affected and sensitivity to control parameters is drastically reduced.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e \u003cul\u003e \u003cli\u003eRadically changes the dynamics of instruments.\u003c\/li\u003e\n\u003cli\u003eAccentuates or flattens attacks and transients.\u003c\/li\u003e\n\u003cli\u003eBrings sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eIncreases or reduces the effects of ambience.\u003c\/li\u003e\n\u003cli\u003eProduces rounded and dynamic percussive effects. \u003c\/li\u003e\n\u003cli\u003eHardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. \u003c\/li\u003e\n\u003cli\u003eVariable harmonic enhancement for extra loudness, presence and 'punch'. \u003c\/li\u003e\n\u003cli\u003eIncreases overall modulation potential by the reduction of very short peaks. \u003c\/li\u003e\n\u003c\/ul\u003eThe functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGain,Threshold \u0026amp; Deadband\u003c\/span\u003e\u003cbr\u003eWhen the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significantly, therefore the \u003cspan style=\"font-weight: bold;\"\u003eGain\u003c\/span\u003e fader has been designed to operate over a considerable range.\u003cbr\u003e\u003cbr\u003eUnlike the rest of the processing in the Transient Modulator, the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDeadband\u003c\/span\u003e knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRatio \u0026amp; Overshoot\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modulator could increase that to a 20dB peak.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eOvershoot\u003c\/span\u003e fader sets the period over which dynamics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eReverb \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Reverb\u003c\/b\u003e plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e \u003cul\u003e \u003cli\u003eExtremely flexible reverberation generator. \u003c\/li\u003e\n\u003cli\u003eDetailed control over early reflections. \u003c\/li\u003e\n\u003cli\u003eBring sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eHigh quality Sonnox Oxford sound. \u003c\/li\u003e\n\u003cli\u003eIncorporated 5-band parametric EQ. \u003c\/li\u003e\n\u003cli\u003eOver 100 realistic, useful presets for music \u0026amp; post-production. \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eLimiter \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Limiter \u003c\/b\u003ehas been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximization or heavily applied artistic sound effects. \u003cbr\u003e\u003cbr\u003e Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. \u003cbr\u003e\u003cbr\u003e Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). \u003cbr\u003e\u003cbr\u003e A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting. \u003cbr\u003e\u003cbr\u003e Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e \u003cul\u003e \u003cli\u003eUnique Enhance section - provides sample value limiting and enhances perceived loudness \u003c\/li\u003e\n\u003cli\u003eAbility to add harmonic distortion, where artistic style requires \u003c\/li\u003e\n\u003cli\u003eVariable soft knee control \u003c\/li\u003e\n\u003cli\u003eAttack and Release controls \u003c\/li\u003e\n\u003cli\u003eReconstruction Meter shows 'actual' signal rather than sampled signal \u003c\/li\u003e\n\u003cli\u003eAuto compensate feature - corrects recon errors without losing overall programme loudness \u003c\/li\u003e\n\u003cli\u003e16 and 24 bit dithering with 5 selectable types \u003c\/li\u003e\n\u003cli\u003eUser has control over variable depth noise shaping \u003c\/li\u003e\n\u003cli\u003e16 presets - some quite extreme!\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eSuprEsser \u003c\/span\u003e\u003cbr\u003e A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the \u003cb\u003eOxford SuprEsser\u003c\/b\u003e you can take out unwanted frequency peaks as and when they occur - unlike applying a fixed EQ to the whole channel. \u003cbr\u003e\u003cbr\u003eAs a De-Esser, the Oxford SuprEsser is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. However, it can equally be applied to removing low-end 'plosives' and thuds from over-close vocal work, without affecting components nearby in the frequency spectrum, keeping the low-end in tact. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone! \u003cbr\u003e\u003cbr\u003eDetailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy. \u003cbr\u003e\u003cbr\u003eAt the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modelled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work. \u003cbr\u003e\u003cbr\u003eThree listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside'). \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eHighly featured professional De-Esser \u003c\/li\u003e\n\u003cli\u003eLinear Phase Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eTransparently controls aggressive frequencies \u003c\/li\u003e\n\u003cli\u003eAutomatic Level Tracking follows energy levels (no need to automate threshold) \u003c\/li\u003e\n\u003cli\u003eLarge intuitive graphic display makes finding frequencies very easy \u003c\/li\u003e\n\u003cli\u003eFull Spectrum Operation (20Hz -20KHz) \u003c\/li\u003e\n\u003cli\u003eThree different 'Listen' modes \u003c\/li\u003e\n\u003cli\u003eVery easy to use \u003c\/li\u003e\n\u003cli\u003eAdvanced Mode for ultimate control of the Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eMany creative as well as corrective uses \u003c\/li\u003e\n\u003cli\u003ePresets giving good starting points \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003e Platforms Supported\u003c\/span\u003e\u003cbr\u003e Pro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), PowerCore, AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449389969511,"sku":"11428","price":203.03,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_elite_bundle_2.jpg?v=1787088820"},{"product_id":"sonnox-oxford-elite-bundle-hd","title":"Sonnox Oxford Elite Bundle - HD-HDX","description":"\u003cspan style=\"font-weight: bold;\"\u003eThe Ultimate Oxford Plugins Collection\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eWant the best sounding plug-ins available at the best possible price? Don’t waste time and money collecting them one by one – save a massive 40% off the individual prices when buying the Sonnox Elite Collection. \u003cbr\u003e\u003cbr\u003eAll seven world renowned Oxford Plug-ins in a single bundle.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eContains: \u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eOxford EQ\u003c\/li\u003e\n\u003cli\u003eOxford Dynamics\u003c\/li\u003e\n\u003cli\u003eOxford Inflator\u003c\/li\u003e\n\u003cli\u003eOxford Transient Modulator\u003c\/li\u003e\n\u003cli\u003eOxford Reverb†\u003c\/li\u003e\n\u003cli\u003eOxford Limiter\u003c\/li\u003e\n\u003cli\u003eOxford SuprEsser\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eEQ \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Oxford EQ\u003c\/span\u003e plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e\u003cul\u003e \u003cli\u003eFive band parametric design \u003c\/li\u003e\n\u003cli\u003eLF and HF Filters providing up to 36dB\/Octave \u003c\/li\u003e\n\u003cli\u003eFour different EQ types \u003c\/li\u003e\n\u003cli\u003eFully decramped HF response \u003c\/li\u003e\n\u003cli\u003eSupport for sample rates up to and including 192kHz \u003c\/li\u003e\n\u003cli\u003eFully automatable (inc. separate automation for A and B settings) \u003c\/li\u003e\n\u003cli\u003eIncludes six plug-ins in total for optimal DSP usage (Mono and Stereo versions of EQ, Filters, and EQ and Filters)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003eDynamics\u003c\/span\u003e\u003cbr\u003eThe Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe dynamics section from Sony OXF-R3 console\u003c\/li\u003e\n\u003cli\u003eSeparate sections for Compressor, Gate, Expander, Limiter\u003c\/li\u003e\n\u003cli\u003e2-Band side chain EQ (with audition function)\u003c\/li\u003e\n\u003cli\u003eWarmth control for extra presence and tube-like warmth\u003c\/li\u003e\n\u003cli\u003eThree different compressor types (linear and exponential curves)\u003c\/li\u003e\n\u003cli\u003eVariable soft knee compressor\u003c\/li\u003e\n\u003cli\u003eSeparate 5.1 bus compressor (where supported)\u003c\/li\u003e\n\u003cli\u003eUltra low noise and distortion\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eInflator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Inflator\u003c\/span\u003e is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. \u003cbr\u003e\u003cbr\u003eNo matter how limited, compressed and crushed your programme may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.\u003cbr\u003e\u003cbr\u003eUse the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTransient Modulator \u003c\/span\u003e\u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Transient Modulator\u003c\/span\u003e is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.\u003cbr\u003e\u003cbr\u003eThe application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the programme so that the overall long-term programme level is minimally affected and sensitivity to control parameters is drastically reduced.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e \u003cul\u003e \u003cli\u003eRadically changes the dynamics of instruments.\u003c\/li\u003e\n\u003cli\u003eAccentuates or flattens attacks and transients.\u003c\/li\u003e\n\u003cli\u003eBrings sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eIncreases or reduces the effects of ambience.\u003c\/li\u003e\n\u003cli\u003eProduces rounded and dynamic percussive effects. \u003c\/li\u003e\n\u003cli\u003eHardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. \u003c\/li\u003e\n\u003cli\u003eVariable harmonic enhancement for extra loudness, presence and 'punch'. \u003c\/li\u003e\n\u003cli\u003eIncreases overall modulation potential by the reduction of very short peaks. \u003c\/li\u003e\n\u003c\/ul\u003eThe functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGain,Threshold \u0026amp; Deadband\u003c\/span\u003e\u003cbr\u003eWhen the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significantly, therefore the \u003cspan style=\"font-weight: bold;\"\u003eGain\u003c\/span\u003e fader has been designed to operate over a considerable range.\u003cbr\u003e\u003cbr\u003eUnlike the rest of the processing in the Transient Modulator, the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDeadband\u003c\/span\u003e knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRatio \u0026amp; Overshoot\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modulator could increase that to a 20dB peak.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eOvershoot\u003c\/span\u003e fader sets the period over which dynamics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes. \u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eReverb \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Reverb\u003c\/b\u003e plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e \u003cul\u003e \u003cli\u003eExtremely flexible reverberation generator. \u003c\/li\u003e\n\u003cli\u003eDetailed control over early reflections. \u003c\/li\u003e\n\u003cli\u003eBring sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eHigh quality Sonnox Oxford sound. \u003c\/li\u003e\n\u003cli\u003eIncorporated 5-band parametric EQ. \u003c\/li\u003e\n\u003cli\u003eOver 100 realistic, useful presets for music \u0026amp; post-production. \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eLimiter \u003c\/span\u003e\u003cbr\u003e The \u003cb\u003eSonnox Oxford Limiter \u003c\/b\u003ehas been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximization or heavily applied artistic sound effects. \u003cbr\u003e\u003cbr\u003e Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. \u003cbr\u003e\u003cbr\u003e Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). \u003cbr\u003e\u003cbr\u003e A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting. \u003cbr\u003e\u003cbr\u003e Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.\u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e \u003cul\u003e \u003cli\u003eUnique Enhance section - provides sample value limiting and enhances perceived loudness \u003c\/li\u003e\n\u003cli\u003eAbility to add harmonic distortion, where artistic style requires \u003c\/li\u003e\n\u003cli\u003eVariable soft knee control \u003c\/li\u003e\n\u003cli\u003eAttack and Release controls \u003c\/li\u003e\n\u003cli\u003eReconstruction Meter shows 'actual' signal rather than sampled signal \u003c\/li\u003e\n\u003cli\u003eAuto compensate feature - corrects recon errors without losing overall programme loudness \u003c\/li\u003e\n\u003cli\u003e16 and 24 bit dithering with 5 selectable types \u003c\/li\u003e\n\u003cli\u003eUser has control over variable depth noise shaping \u003c\/li\u003e\n\u003cli\u003e16 presets - some quite extreme!\u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003eSuprEsser \u003c\/span\u003e\u003cbr\u003e A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the \u003cb\u003eOxford SuprEsser\u003c\/b\u003e you can take out unwanted frequency peaks as and when they occur - unlike applying a fixed EQ to the whole channel. \u003cbr\u003e\u003cbr\u003eAs a De-Esser, the Oxford SuprEsser is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. However, it can equally be applied to removing low-end 'plosives' and thuds from over-close vocal work, without affecting components nearby in the frequency spectrum, keeping the low-end in tact. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone! \u003cbr\u003e\u003cbr\u003eDetailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy. \u003cbr\u003e\u003cbr\u003eAt the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modelled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work. \u003cbr\u003e\u003cbr\u003eThree listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside'). \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures:\u003c\/b\u003e \u003cul\u003e \u003cli\u003eHighly featured professional De-Esser \u003c\/li\u003e\n\u003cli\u003eLinear Phase Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eTransparently controls aggressive frequencies \u003c\/li\u003e\n\u003cli\u003eAutomatic Level Tracking follows energy levels (no need to automate threshold) \u003c\/li\u003e\n\u003cli\u003eLarge intuitive graphic display makes finding frequencies very easy \u003c\/li\u003e\n\u003cli\u003eFull Spectrum Operation (20Hz -20KHz) \u003c\/li\u003e\n\u003cli\u003eThree different 'Listen' modes \u003c\/li\u003e\n\u003cli\u003eVery easy to use \u003c\/li\u003e\n\u003cli\u003eAdvanced Mode for ultimate control of the Dynamic EQ \u003c\/li\u003e\n\u003cli\u003eMany creative as well as corrective uses \u003c\/li\u003e\n\u003cli\u003ePresets giving good starting points \u003c\/li\u003e\n\u003c\/ul\u003e \u003cspan style=\"font-weight: bold;\"\u003e Platforms Supported\u003c\/span\u003e\u003cbr\u003e Pro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), PowerCore, AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449390002279,"sku":"11427","price":315.84,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_elite_bundle_2_2.jpg?v=1787088821"},{"product_id":"sonnox-oxford-eq-hd","title":"Sonnox Oxford EQ - HD-HDX","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Oxford EQ\u003c\/span\u003e plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003e Features\u003c\/span\u003e\u003cul\u003e \u003cli\u003eFive band parametric design \u003c\/li\u003e\n\u003cli\u003eLF and HF Filters providing up to 36dB\/Octave \u003c\/li\u003e\n\u003cli\u003eFour different EQ types \u003c\/li\u003e\n\u003cli\u003eFully decramped HF response \u003c\/li\u003e\n\u003cli\u003eSupport for sample rates up to and including 192kHz \u003c\/li\u003e\n\u003cli\u003eFully automatable (inc. separate automation for A and B settings) \u003c\/li\u003e\n\u003cli\u003eIncludes six plug-ins in total for optimal DSP usage (Mono and Stereo versions of EQ, Filters, and EQ and Filters)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan style=\"font-weight: bold;\"\u003e Platforms Supported\u003c\/span\u003e\u003cbr\u003e Pro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), PowerCore, AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449390067815,"sku":"7979","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eq_2.jpg?v=1787088821"},{"product_id":"sonnox-oxford-inflator-native","title":"Sonnox Oxford Inflator - Native","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Inflator\u003c\/span\u003e is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. \u003cbr\u003e\u003cbr\u003eNo matter how limited, compressed and crushed your programme may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.\u003cbr\u003e\u003cbr\u003eUse the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449390100583,"sku":"9873","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/inflator_3.jpg?v=1787088821"},{"product_id":"sonnox-oxford-inflator-hd","title":"Sonnox Oxford Inflator - HD-HDX","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Inflator\u003c\/span\u003e is a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. \u003cbr\u003e\u003cbr\u003eNo matter how limited, compressed and crushed your programme may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.\u003cbr\u003e\u003cbr\u003eUse the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449390133351,"sku":"9857","price":66.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/inflator_2.jpg?v=1787088821"},{"product_id":"sonnox-oxford-reverb-native","title":"Sonnox Oxford Reverb - Native","description":"The \u003cb\u003eSonnox Oxford Reverb\u003c\/b\u003e plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePlatforms Supported\u003c\/b\u003e \u003cbr\u003ePro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449391411303,"sku":"9875","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_reverb_1.jpg?v=1787088822"},{"product_id":"sonnox-oxford-reverb-hd","title":"Sonnox Oxford Reverb - HD-HDX","description":"The \u003cb\u003eSonnox Oxford Reverb\u003c\/b\u003e plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePlatforms Supported\u003c\/b\u003e \u003cbr\u003ePro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449391476839,"sku":"9876","price":134.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sonnox_oxford_reverb.jpg?v=1787088822"},{"product_id":"sonnox-oxford-supresser","title":"Sonnox Oxford SuprEsser - Native","description":"A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. With the \u003cb\u003eOxford SuprEsser\u003c\/b\u003e you can take out unwanted frequency peaks as and when they occur - unlike applying a fixed EQ to the whole channel. \u003cbr\u003e\u003cbr\u003eAs a De-Esser, the Oxford SuprEsser is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. However, it can equally be applied to removing low-end 'plosives' and thuds from over-close vocal work, without affecting components nearby in the frequency spectrum, keeping the low-end in tact. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone! \u003cbr\u003e\u003cbr\u003eDetailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy. \u003cbr\u003e\u003cbr\u003eAt the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters to make the compressor react only to the defined frequency band. These linear phase filters are modelled on the filters from the Oxford EQ, making the SuprEsser useful for precise mastering work as well as mixing work. \u003cbr\u003e\u003cbr\u003eThree listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside'). \u003cbr\u003e\u003cbr\u003e\u003cb\u003ePlatforms Supported\u003c\/b\u003e \u003cbr\u003ePro Tools LE (RTAS), M-Powered (RTAS), AU, VST","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449391509607,"sku":"10131","price":61.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/supresser_1.jpg?v=1787088822"},{"product_id":"sonnox-transient-modulator-native","title":"Sonnox Oxford Transient Modulator - Native","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Transient Modulator\u003c\/span\u003e is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.\u003cbr\u003e\u003cbr\u003eThe application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the programme so that the overall long-term programme level is minimally affected and sensitivity to control parameters is drastically reduced.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e \u003cul\u003e \u003cli\u003eRadically changes the dynamics of instruments.\u003c\/li\u003e\n\u003cli\u003eAccentuates or flattens attacks and transients.\u003c\/li\u003e\n\u003cli\u003eBrings sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eIncreases or reduces the effects of ambience.\u003c\/li\u003e\n\u003cli\u003eProduces rounded and dynamic percussive effects. \u003c\/li\u003e\n\u003cli\u003eHardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. \u003c\/li\u003e\n\u003cli\u003eVariable harmonic enhancement for extra loudness, presence and 'punch'. \u003c\/li\u003e\n\u003cli\u003eIncreases overall modulation potential by the reduction of very short peaks. \u003c\/li\u003e\n\u003c\/ul\u003eThe functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGain,Threshold \u0026amp; Deadband\u003c\/span\u003e\u003cbr\u003eWhen the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significantly, therefore the \u003cspan style=\"font-weight: bold;\"\u003eGain\u003c\/span\u003e fader has been designed to operate over a considerable range.\u003cbr\u003e\u003cbr\u003eUnlike the rest of the processing in the Transient Modulator, the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDeadband\u003c\/span\u003e knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRatio \u0026amp; Overshoot\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modulator could increase that to a 20dB peak.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eOvershoot\u003c\/span\u003e fader sets the period over which dynamics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes.","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449391542375,"sku":"10763","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/transmod_1.jpg?v=1787088823"},{"product_id":"sonnox-oxford-transient-modulator-hd","title":"Sonnox Oxford Transient Modulator - HD-HDX","description":"The \u003cspan style=\"font-weight: bold;\"\u003eSonnox Transient Modulator\u003c\/span\u003e is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.\u003cbr\u003e\u003cbr\u003eThe application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the programme so that the overall long-term programme level is minimally affected and sensitivity to control parameters is drastically reduced.\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e \u003cul\u003e \u003cli\u003eRadically changes the dynamics of instruments.\u003c\/li\u003e\n\u003cli\u003eAccentuates or flattens attacks and transients.\u003c\/li\u003e\n\u003cli\u003eBrings sounds forward or push them back. \u003c\/li\u003e\n\u003cli\u003eIncreases or reduces the effects of ambience.\u003c\/li\u003e\n\u003cli\u003eProduces rounded and dynamic percussive effects. \u003c\/li\u003e\n\u003cli\u003eHardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques. \u003c\/li\u003e\n\u003cli\u003eVariable harmonic enhancement for extra loudness, presence and 'punch'. \u003c\/li\u003e\n\u003cli\u003eIncreases overall modulation potential by the reduction of very short peaks. \u003c\/li\u003e\n\u003c\/ul\u003eThe functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eGain,Threshold \u0026amp; Deadband\u003c\/span\u003e\u003cbr\u003eWhen the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significantly, therefore the \u003cspan style=\"font-weight: bold;\"\u003eGain\u003c\/span\u003e fader has been designed to operate over a considerable range.\u003cbr\u003e\u003cbr\u003eUnlike the rest of the processing in the Transient Modulator, the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the \u003cspan style=\"font-weight: bold;\"\u003eThreshold\u003c\/span\u003e knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eDeadband\u003c\/span\u003e knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eRatio \u0026amp; Overshoot\u003c\/span\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the \u003cspan style=\"font-weight: bold;\"\u003eRatio\u003c\/span\u003e fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modulator could increase that to a 20dB peak.\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eOvershoot\u003c\/span\u003e fader sets the period over which dynamics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes.","brand":"Sonnox Oxford Plugins","offers":[{"title":"Default Title","offer_id":44449391575143,"sku":"10764","price":66.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/transmod.jpg?v=1787088823"},{"product_id":"joeco-blackbox-player-bbp1b-balanced-analog-i-o","title":"JoeCo BBP1B BlackBox Player - Balanced Analog I\/O","description":"\u003cp\u003eThe \u003cstrong\u003eJoeCo BBP1B BlackBox Player\u003c\/strong\u003e is an innovative playback solution from the company behind the award-winning BlackBox range of multi-track recorders. Based on the same trusted technology, the BlackBox multi-track player is available as a software upgrade for existing units, delivering high quality, absolutely reliable multi-track playback in a variety of formats and a compact 1U package. 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