{"title":"Oscillator Modules","description":null,"products":[{"product_id":"sequential-dsm02-character-module","title":"Sequential DSM02 Character Module","description":"\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/185245545\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e\r\n\u003chr\u003e\r\n\u003ch3\u003eGive Your Modular Some Character\u003c\/h3\u003e\r\n\u003cp\u003eDave Smith strikes again with a new offering for modular synthesizer users — the \u003cstrong\u003eDSM02 Character Module\u003c\/strong\u003e. It’s a sound designer’s tool kit of five unique digital effects for shaping, twisting, and mangling sound in subtle and not-so-subtle ways. These effects, Girth, Air, Decimate, Hack, and Drive form the Character section of DSI’s acclaimed Prophet 12 and Pro 2 synthesizers and contribute to their distinctive tone in a big way.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e“Girth” provides low-frequency harmonic enhancement for adding weight and density.\u003c\/li\u003e\r\n\u003cli\u003e“Air” provides high-frequency harmonic enhancement for adding definition and presence.\u003c\/li\u003e\r\n\u003cli\u003e“Decimate” performs sample rate reduction for adding lo-fi grunge.\u003c\/li\u003e\r\n\u003cli\u003e“Hack” is a bit crusher capable of trashing an otherwise clean signal nearly beyond recognition.\u003c\/li\u003e\r\n\u003cli\u003e“Drive” adds overdrive and saturation, with warmth at one end of the knob and harmonic overload at the other.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003ePlug It and Play It\u003c\/h3\u003e\r\n\u003cp\u003eThe DSM02 is a 14 HP Eurorack-format module with interconnections made using 3.5 mm phone jacks. Two independent audio inputs and two independent audio outputs with shared control allow mono or stereo operation. A 24-bit, 96 kHz resolution digital signal path provides uncompromising signal fidelity.\u003c\/p\u003e\r\n\u003ch3\u003eInject Some Mojo into Your System\u003c\/h3\u003e\r\n\u003cp\u003eIf you’re looking to take your modular system into new sonic territory, the DSM02 may be just the ticket. It’s a fast and affordable way to inject your system with some serious mojo from two of the world’s most in-demand synths.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eIn\/Out:\u003c\/strong\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e1 CV In – Girth (3.5 mm jack) Range: 0 to 10V\u003c\/li\u003e\r\n\u003cli\u003e1 CV In – Air (3.5 mm jack) Range: 0 to 10V\u003c\/li\u003e\r\n\u003cli\u003e1 CV In – Decimate (3.5 mm jack) Range: 0 to 10V\u003c\/li\u003e\r\n\u003cli\u003e1 CV In – Hack (3.5 mm jack) Range: 0 to 10V\u003c\/li\u003e\r\n\u003cli\u003e1 CV In – Drive (3.5 mm jack) Range: 0 to 10V\u003c\/li\u003e\r\n\u003cli\u003e2 Audio In (3.5 mm jack) +\/-5V or 10V p-p\u003c\/li\u003e\r\n\u003cli\u003e2 Audio Out (3.5 mm jack)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cstrong\u003ePower\u003c\/strong\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eInternal power connector (ribbon cable included)\u003c\/li\u003e\r\n\u003cli\u003ePower select: Local 5V or System 5V (jumper included)\u003c\/li\u003e\r\n\u003cli\u003eCurrent draw at Local 5V: +12V @ 150mA, -12V @ 20mA\u003c\/li\u003e\r\n\u003cli\u003eCurrent draw at System 5V: +12V @ 20mA, -12V @ 20mA, +5V @ 150mA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003cstrong\u003ePhysical Specs:\u003c\/strong\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2.79″ W x 5.06″ H (70.8 mm x 128.5 mm)\u003c\/li\u003e\r\n\u003cli\u003eWidth: 14 HP\u003c\/li\u003e\r\n\u003cli\u003eDepth (measured from back of panel with power cable installed): 1.18″ (30.1 mm)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cstrong\u003eIn the Box:\u003c\/strong\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMounting screws\u003c\/li\u003e\r\n\u003cli\u003eRibbon cable for power connection\u003c\/li\u003e\r\n\u003cli\u003ePower jumper for selecting Local or System power\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sequential","offers":[{"title":"Default Title","offer_id":44449693827175,"sku":"43943","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dave-smith-character_f28deec8-2be8-46d6-a02f-1885ab64c339.jpg?v=1787090015"},{"product_id":"malekko-richter-oscillator-ii","title":"Malekko Richter Oscillator II","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko\/Richter Oscillator II\u003c\/strong\u003e is a great-sounding, solid analog Oscillator\/LFO with some serious tricks up its sleeve.Fine and Coarse frequency controls are provided. Volt per octave and exponential (with attenuator) CV frequency inputs are provided. An output for each waveform is provided (Sine\/Triangle\/Square\/Saw). A second series of outputs are provided for phase-modulated versions of the Triangle, Square, and Saw waveforms. The phase of the 2nd series of waveforms is determined by the Phase control, along with the Phase CV input (with attenuator). Many great modulation effects can be produced by using the various outputs of this Oscillator in a patch. Push the LFO control switch to enter low range, and your Oscillator becomes a phase-modulated LFO! Set the 2nd series of outputs to a 90 degree offset and use external inverters to achieve full quadrature output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Oscillator II has a patch that allows modulating another oscillator’s frequency and sending the modulated oscillator’s output back to the Oscillator’s Phase Mod input. Phase-Mod-Synced FM!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Sine wave provided by the Malekko Richter Oscillator II is one of the purest of any analog Oscillator, and the TRI2 out is as pure as the driven snow.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: .4 lbs\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 6 x 3.25 x 2.25 in\u003c\/li\u003e\r\n\u003cli\u003e14hp\u003c\/li\u003e\r\n\u003cli\u003eConsumes about 90mA power\u003c\/li\u003e\r\n\u003cli\u003e35mm deep\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449709490279,"sku":"47415","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_oscillator_ii_fb070b6b-a199-46bb-8397-3030a47070e5.jpg?v=1787090092"},{"product_id":"malekko-richter-anti-oscillator","title":"Malekko Richter Anti-Oscillator","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko Richter Anti-Oscillator\u003c\/strong\u003e is an analog triangle-core oscillator with unique voltage-controllable waveshaping capabilities.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt first blush, the Anti-Oscillator appears as a standard voltage controlled oscillator, with volt per octave input, linear and exponential FM inputs (with attenuators), fine and coarse frequency controls, and dedicated triangle output. But then, there is the “MAYHEM” output!\u003c\/p\u003e\r\n\r\n\u003cp\u003eMayhem starts as a square wave and morphs into twisted, animated waveforms as the “Init Wave” control travels clockwise or is modulated. Not a standard waveshaper or wavefolder, Mayhem produces multiple, altogether new waveshapes in series as it is modulated. Sometimes creating an almost PWM “fat” sound, and other times creating very organic, metallic sounds as the Anti-Oscillator is modulated. The timbres generated by the Mayhem output are often eccentric and very rich in harmonics, perfect for a filter to “bite” into.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe waveshaper CV attenuator (Wave Env) is normalled to feed the triangle output in when no input is connected. The exponential and linear CV inputs are normalled to feed the Mayhem output into their respective CV input when no CV input is connected. When using the triangle output and with no CV input connected to the exponential input, for example, you can turn the the Exp control clockwise to progress through new wave shapes, starting with a triangle instead of a square for a smoother waveshaped output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Anti-Oscillator is know for its great FM response and capability to achieve fat and clangorous sounds. It pairs perfectly with the Wiard Oscillator for modulation, and the Borg and Boogie filters to shape and tame the Mayhem output!\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: .4 lbs\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 6 x 3.25 x 2.25 in\u003c\/li\u003e\r\n\u003cli\u003e14hp wide\u003c\/li\u003e\r\n\u003cli\u003e25mm deep\u003c\/li\u003e\r\n\u003cli\u003eConsumes approximately 40mA power\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449720270951,"sku":"47406","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko_richter_anti_oscillator_68592674-6b21-4f64-b69e-33801f1ba2e0.jpg?v=1787090125"},{"product_id":"sputnik-modular-oscillator","title":"Sputnik Modular Oscillator","description":"\u003cp\u003eThe \u003cstrong\u003eSputnik Modular Oscillator\u003c\/strong\u003e is a voltage controlled oscillator (VCO) with a dynamic linear frequency modulation (FM) input and a unique variable waveform section. Wave shape outputs include sine, triangle, sub-octave pulse (2 octaves below the primary frequency), and variable waveshape. The waveshape out is a crossfader between a sine wave and either square or ramp wave via control voltage (0V to +5V) or a front panel knob. Both the waveshape section’s square and ramp have a distinctive harmonic character different from most VCOs.\u003cbr\u003e\u003cbr\u003eThe Oscillator’s FM section has an input for linear FM. The FM section’s range and control knob allows a spectrum of responses from subtle pitch modulation to complete chaos.\u003c\/p\u003e","brand":"Sputnik Modular","offers":[{"title":"Default Title","offer_id":44449720696935,"sku":"47419","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/sputnik_modular_oscillator_456c9207-d93d-45d8-a0e9-ebcdc8b807b1.jpg?v=1787090127"},{"product_id":"make-noise-dpo","title":"Make Noise DPO","description":"\u003cp\u003eExpanding on the classic arrangement of Primary and Modulator Oscillators, the \u003cstrong\u003eMake Noise DPO\u003c\/strong\u003e has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.\u003cbr\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 28hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 30mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 70mA@ +12V, 70mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732034663,"sku":"48392","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_dpo.jpg?v=1787090175"},{"product_id":"make-noise-sto","title":"Make Noise STO Compact Voltage Controlled Oscillator Module","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise STO (Sub Timbral Oscillator)\u003c\/strong\u003e is a compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain. The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: 18px; font-weight: 600;\"\u003eFEATURES:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTriangle Core with outputs for SINE, SUB and Variable SHAPE\u003c\/li\u003e\r\n\u003cli\u003eUnique Variable SHAPE circuit ripples Even and Odd harmonics for subtle timbral shifts\u003c\/li\u003e\r\n\u003cli\u003eLinear FM input with Depth control\u003c\/li\u003e\r\n\u003cli\u003eEXPOnential input for deep FM, SYNC sweeps or Transposition of sequences\u003c\/li\u003e\r\n\u003cli\u003eSUB-Oscillator yields max bass\u003c\/li\u003e\r\n\u003cli\u003eS-Gate input for gating or sync of SUB-Osc. independent of other outputs\u003c\/li\u003e\r\n\u003cli\u003eHard SYNC circuit which combined with Linear FM and Variable SHAPE yields harmonically rich sounds\u003c\/li\u003e\r\n\u003cli\u003ePairs well with the MMG or Optomix\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449732395111,"sku":"48438","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise-sto_48438_1_62dd3b67-2e3f-44e3-9e3b-862d3485aa2c.jpg?v=1787090178"},{"product_id":"snazzy-fx-tidal-wave","title":"Snazzy FX Tidal Wave","description":"\u003cp\u003eWith the \u003cstrong\u003eSnazzy FX Tidal Wave\u003c\/strong\u003e a flexible VC-Mix\/crossfader section is used to create comb filter effects. A VC-LFO and an autotrigger envelope plus an internal modulation buss are used for CV routing with interesting opposite going modulations. All sections of the module can be used individually.  While each component usable individually, the Tidal Wave benefits from the interaction of all sections and the flexible routing, the simultaneous modulations of the filter and the waveshaper, resulting in phase cancellations and comb filter effects as well as from the settings of the voltage controlled mixer.\u003c\/p\u003e\r\n\u003cp\u003eThe filter is a 4-pole low pass with voltage controlled resonance (Q to be exact) with three different Q modes: normal, compressed and high-Q. The self-oscillation possible in the last mode generates a sine wave that can be used as audio source which turns the Tidal Wave into a synth voice. Feedback can draw it’s signal either from the filter or from the wave shaper.  A voltage controlled mixer blends between the sound processors: dry\/vcf, dry\/waveshaper (ws), vcf\/ws and so on. The control voltage can originate from the internal AD envelope generator which features autotrigger modes or triggering by the LFO. The LFO can modulate the mix and the filter and a three-position switch selects a number of routings which partially have different phase.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCV wave folder \/ shaper with 3 parameter control\u003c\/li\u003e\r\n\u003cli\u003eVCF four pole filter with 2 resonance modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable VC mixer \u0026amp; crossfader\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK section with two modes\u003c\/li\u003e\r\n\u003cli\u003eVcLfo with sine\/tri\/sqr and output\u003c\/li\u003e\r\n\u003cli\u003eLin fm input on filter\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in attack\/release envelope with output\u003c\/li\u003e\r\n\u003cli\u003eInternal CV and LFO bus\u003c\/li\u003e\r\n\u003cli\u003eBuilt in Vca\u003c\/li\u003e\r\n\u003cli\u003e1\/v oct Sine VCO in self osc mode\u003c\/li\u003e\r\n\u003cli\u003eUsable as a voice or for processing signals\u003c\/li\u003e\r\n\u003cli\u003eDC coupled Folder\/Filter\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449743962215,"sku":"48486","price":465.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_tidal-wave_front_d03a2bfb-98c0-4e2a-938b-df0e0b22f491.jpg?v=1787090227"},{"product_id":"snazzy-fx-dronebank","title":"Snazzy FX Dronebank","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Dronebank \u003c\/strong\u003eModule was designed with a very specific purpose in mind. Born out of a need to find the space in between tones. To achieve pulsing. Wider droning. Wanting to be able to fit the power of many oscillators into a little package.  It isn’t a crazy CV laden feature monster. But it doesn’t need to be. It does what it is asked to do over and over and again.  This has a very different sound than a squarewave based multi-oscillator.\u003c\/p\u003e\r\n\u003cp\u003eThe Dronebank breathes and moves. Create chords, gate the tones, filter them, ring modulate.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive Low Harmonic Triangle Oscillators\u003c\/li\u003e\r\n\u003cli\u003eFive pitch knobs\u003c\/li\u003e\r\n\u003cli\u003eFive outputs and a Mix out\u003c\/li\u003e\r\n\u003cli\u003e12hp 6” depth (will fit in low clearance racks)\u003c\/li\u003e\r\n\u003cp\u003eUse it as an FM source, combine it with delay, let it hypnotize you. Most importantly, make music with it.\u003c\/p\u003e\r\n\u003c\/ul\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449744093287,"sku":"48485","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_dronebank_front_bc536699-caad-4d6c-8c7c-b54cec500f4e.jpg?v=1787090227"},{"product_id":"intellijel-rubicon","title":"Intellijel Rubicon","description":"\u003cp\u003eNot long after David Dixon finished the Dixie design he began working on a totally novel approach to implementing TZFM, thru-zero frequency modulation. After almost a year of experimenting and many PCB revisions later Intellijel are pleased to present the \u003cstrong\u003eIntellijel Rubicon\u003c\/strong\u003e, David’s masterpiece as far as analog VCO design is concerned.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744388199,"sku":"47992","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-rubicon_47992_1_ff0bfb6a-9959-4cd9-8d33-4c17ec00a0c7.jpg?v=1787090229"},{"product_id":"intellijel-dixie-ii","title":"Intellijel Dixie II","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Dixie II\u003c\/strong\u003e has all the great qualities and features of the original dixie but has been made a bit wider (6hp instead of 4hp) for better spacing and is now skiff friendly. the panel knobs are bolted on and the jacks have more space between them.\u003c\/p\u003e\r\n\u003cp\u003eThis makes a perfect modulation source to pair with the rubicon. add a ufold, uvca and ufade and you have all the ingredients for a powerful and highly flexible complex timbre generator.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744846951,"sku":"47994","price":176.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_dixie-ii1_9ff720dd-d6aa-4c9c-b283-03b083f7bbf6.jpg?v=1787090230"},{"product_id":"intellijel-atlantis","title":"Intellijel Atlantis","description":"\u003cp\u003eThe \u003cstrong\u003eIntellijel Atlantis\u003c\/strong\u003e is heavily inspired by the architecture and sound of the classic Roland SH-101. Just like the 101 it is quick to dial in beautifully rich bass and lead sounds but there is much more  sonic territory to explore as well.\u003c\/p\u003e  \u003cp\u003eThe Atlantis uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.\u003c\/p\u003e  \u003cp\u003eIn the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled “LINK” which enables the modulation VCO pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual VCO or when you have the mod VCO acting as the linear FM source for the primary VCO and wish to maintain the ratio.\u003c\/p\u003e  \u003cp\u003eThe filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V\/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.\u003c\/p\u003e  \u003cp\u003eThe envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on\/off externally. The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier\/dirtier sound.\u003c\/p\u003e  \u003ch3\u003eFeatures:\u003c\/h3\u003e  \u003cp\u003eModulation VCO: triangle core with Hard Sync and Link switch to connect pitch to primary Primary VCO: triangle core with Hard Sync, Octave switches, Linear\/Exp FM and PWM Global modulation bus with four VCO waveforms, noise and S\u0026amp;H options Cascaded 4-Pole multimode filter Looping ADSR with range switch, manual gate, and external level (velocity) control. Three position output clipping circuit 27 jacks for creative and complex patching options Skiff Friendly\u003c\/p\u003e  \u003ch3\u003eEnhancements\/differences from the SH-101 core:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eDiscrete triangle core VCOs (with far better tracking and Hard sync)  instead of CEM based IC\u003c\/li\u003e \u003cli\u003ePrimary VCO has linear FM (not just exp)\u003c\/li\u003e \u003cli\u003eMOD VCO can be linked to the primary VCO pitch CV\u003c\/li\u003e \u003cli\u003eModulation oscillator switchable from LFO to VCO\u003c\/li\u003e \u003cli\u003eFilter is multimode, 2\/4pole switchable and has a special LP boost mode\u003c\/li\u003e \u003cli\u003eFilter allows for selection of inverted ADSR mod source\u003c\/li\u003e \u003cli\u003eMixer section includes and external source which is normalled to a sinewave\u003c\/li\u003e \u003cli\u003eFilter has built in soft clipping\u003c\/li\u003e \u003cli\u003eEnvelope has looping option, re-trigger and selectable time range\u003c\/li\u003e \u003cli\u003eOutput VCA has two stage clipping circuit\u003c\/li\u003e \u003cli\u003ePatch points for every synthesis section\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744781415,"sku":"48008","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-atlantis_48008_1.jpg?v=1787090231"},{"product_id":"intellijel-cylonix-shapeshifter","title":"Intellijel Cylonix Shapeshifter","description":"\u003cp\u003eCylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO, the \u003cstrong\u003eIntellijel Cylonix Shapeshifter\u003c\/strong\u003e. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed  full of features.\u003c\/p\u003e     \u003ch3\u003eCHORDS\u003c\/h3\u003e  \u003cp\u003eOscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98 kHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures. There are 64 user selectable chords.\u003c\/p\u003e  \u003ch3\u003eWAVEFOLDER\u003c\/h3\u003e  \u003cp\u003eThe SHAPESHIFTER module also includes the analog wave folder circuitry from module to add analog warmth and metallic rasps to the digital oscillator output. External signals can also be patched in.\u003c\/p\u003e  \u003ch3\u003ePRESETS\u003c\/h3\u003e  \u003cp\u003eThe module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.\u003c\/p\u003e  \u003ch3\u003eSYNC\u003c\/h3\u003e  \u003cp\u003e8 Different sync modes:  HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF with the ability to internally sync to a sub oscillator.\u003c\/p\u003e  \u003cp\u003ePULSE User selectable modes for the PULSE output:  OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2.\u003c\/p\u003e  \u003cp\u003eMOD A modes: (audio rate modulation) COMBO IN, SHAPE IN, PHASEMOD, VOCODER.\u003c\/p\u003e  \u003cp\u003eMOD B options (all with CV control):\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCombo modes for OSC1 and OSC2:\u003c\/li\u003e \u003cli\u003eNORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH\u003c\/li\u003e \u003cli\u003eWaveform TILT\u003c\/li\u003e \u003cli\u003eChord mode overdrive\u003c\/li\u003e \u003cli\u003eDelay depth and FB\u003c\/li\u003e \u003cli\u003ePercussive mode decay time\u003c\/li\u003e \u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449744912487,"sku":"47998","price":529.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-shapeshifter_47998_1_290b4a2e-fa29-409c-8bfe-51ea398c97c4.jpg?v=1787090230"},{"product_id":"make-noise-telharmonic","title":"Make Noise TELHARMONIC","description":"\u003cp\u003eThe \u003cstrong\u003eMake Noise tELHARMONIC\u003c\/strong\u003e is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.\u003c\/p\u003e  \u003cp\u003eThe tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eWidth: 14hp\u003c\/li\u003e \u003cli\u003eMax Depth: 30mm\u003c\/li\u003e \u003cli\u003ePower:  \u003cul\u003e \u003cli\u003e139mA@ +12V\u003c\/li\u003e \u003cli\u003e10mA @ -12V\u003c\/li\u003e \u003c\/ul\u003e \u003c\/li\u003e \u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449750515815,"sku":"49538","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make-noise_teleharmonic_2d3c1099-eaa7-4393-b6ec-7280db931b0a.jpg?v=1787090254"},{"product_id":"mutable-instruments-braids","title":"Mutable Instruments Braids","description":"\u003cp\u003e\u003cstrong\u003eBraids by Mutable Instruments\u003c\/strong\u003e is a voltage-controlled monophonic digital sound source.\u003c\/p\u003e\r\n\u003cp\u003eSound source… like an oscillator? Not really.\u003c\/p\u003e\r\n\u003cp\u003eMost of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.\u003c\/p\u003e\r\n\u003cp\u003eEach algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.\u003c\/p\u003e\r\n\u003ch3\u003eSynthesis algorithms\u003c\/h3\u003e\r\n\u003ch4\u003eAnalog synthesis\u003c\/h4\u003e\r\n\u003col\u003e\r\n\u003cli\u003eSawtooth with CS-80-style “tooth”-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.\u003c\/li\u003e\r\n\u003cli\u003eContinuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.\u003c\/li\u003e\r\n\u003cli\u003eSawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick “animated saw” sound.\u003c\/li\u003e\r\n\u003cli\u003eDual square or saw wave with hard sync, with frequency ratio and balance control.\u003c\/li\u003e\r\n\u003cli\u003eTriangle and sine, with continuous interpolation between the two shapes; and wave multiplier.\u003c\/li\u003e\r\n\u003cli\u003eTriple saw, square, triangle or sine.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eDirect digital synthesis\u003c\/h4\u003e\r\n\u003cli\u003eThree ring-modulated sine waves, with detune controls.\u003c\/li\u003e\r\n\u003cli\u003eBand-limited dual pulse train, with bandwidth and detune controls.\u003c\/li\u003e\r\n\u003cli\u003eSwarm of seven sawtooth waves, with detune and high-pass filtering controls.\u003c\/li\u003e\r\n\u003cli\u003eDigital Sawtooth wave sent into a tuned delay line (comb filter) with positive and negative feedback.\u003c\/li\u003e\r\n\u003cli\u003eToy keyboard-like waveform generation, with waveshape and bitcrushing parameters.\u003c\/li\u003e\r\n\u003cli\u003eDirect digital emulation of triangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth and square waves sent into low-pass, peaking, band-pass and high-pass filters (Casio CZ meets Roland D-50)\u003c\/li\u003e\r\n\u003cli\u003eCutoff frequency\u003c\/li\u003e\r\n\u003cli\u003ewaveshaping controls.\u003c\/li\u003e\r\n\u003ch4\u003eVocal synthesis\u003c\/h4\u003e\r\n\u003cli\u003eVOSIM synthesis with bell-shaped carrier; control over the frequency position of two formants.\u003c\/li\u003e\r\n\u003cli\u003e80s Home-computer vowel synthesis, with vowel and approximative chipmunk-approved vocal range control.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eFOF vowel synthesis, with vowel and voice range (bass to soprano) control.\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAdditive harmonics with harmonic emphasis.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eFM\u003c\/h4\u003e\r\n\u003cli\u003eTwo-operators FM \u003c\/li\u003e\r\n\u003cli\u003eFM index and carrier\/modulator ratio controls.\u003c\/li\u003e\r\n\u003cli\u003eVariants with rough feedback and chaotic behavior.\u003c\/li\u003e\r\n\u003ch4\u003eSimulations\u003c\/h4\u003e\r\n\u003cli\u003ePlucked string simulation, with strength\/pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003ebowed string simulation\u003c\/li\u003e\r\n\u003cli\u003eBlown pipe simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eFlute simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eAdditive bell \u003c\/li\u003e\r\n\u003cli\u003eDrum\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 kick\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 snare\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 hi-hat \u003c\/li\u003e\r\n\u003ch4\u003eWavetables\u003c\/h4\u003e\r\n\u003cli\u003e33 waveforms distributed over 20 wavetable with quantized wavetable selector, and smooth interpolation within a wavetable.\u003c\/li\u003e\r\n\u003cli\u003e256 waveforms optimally laid out in a 16×16 map, with smooth XY interpolation across the map.\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic wavetable synthesis, with chord control.\u003c\/li\u003e\r\n\u003ch4\u003eNoise\u003c\/h4\u003e\r\n\u003cli\u003ePitched noise source with state variable filter; Q and Oberheim-style filter mode (LP to notch to HP) controls.\u003c\/li\u003e\r\n\u003cli\u003ePitched noise source with dual bandpass filters; Q and separation controls.\u003c\/li\u003e\r\n\u003cli\u003eClocked noise, with adjustable cycle length, and adjustable quantization.\u003c\/li\u003e\r\n\u003cli\u003eGranular cloud with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eParticle system simulation (“bag of stuff”) with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eSimulation of telecommunications digital modulator.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrigger input (required for the simulations which require an onset\/excitation impulse, or to trigger the internal AD envelope).\u003c\/li\u003e\r\n\u003cli\u003eV\/Oct CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter. This uses a finer conversion resolution than the V\/Oct input, making it suitable for subtle modulations with a resolution of 1 cent.\u003c\/li\u003e\r\n\u003cli\u003eTimbre CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eColor CV input.\u003c\/li\u003e\r\n\u003cli\u003eAudio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured in september 2015 or later)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 15mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured before september 2015)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5V voltage source needed (for example Mutable Instruments Volts).\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 15mA ; -12V: 15mA ; +5V: 85mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750483047,"sku":"50087","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_braids_top_df14f36b-9e69-4f2b-83a0-21be6fae38e8.jpg?v=1787090254"},{"product_id":"mutable-instruments-elements","title":"Mutable Instruments Elements","description":"\u003cp\u003e\u003cstrong\u003eElements by Mutable Instruments\u003c\/strong\u003e is a full-blown synthesis voice based on modal synthesis – an under-appreciated flavour of physical modelling synthesis with a strange and abstract feel.\u003c\/p\u003e\r\n\r\n\u003cp\u003eElements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback… or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank – an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes…) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll parameters have a very meaningful and well-delimited impact on the sound. When designing Elements, great care has been taken in selecting parameter ranges and control curves, producing a large palette of sounds – often beyond physical realism – but always well controlled and stable. The “dark spots” of noise and feedback are reached gradually, and they do still react to controls. The module is deliberately menu- and switch-free – what you dial\/patch is what you hear!\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch3\u003eExcitation signal generator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThree generators with mixer: bowing noise, blowing noise, percussive impulses.\u003c\/li\u003e\r\n\u003cli\u003eEnvelope contour for bowing and blowing.\u003c\/li\u003e\r\n\u003cli\u003eBowing noise generator: particle-like scratching noise with 2-pole low-pass filter.\u003c\/li\u003e\r\n\u003cli\u003eBlowing noise generator: granular pitched noise with wavetable-like scanning between various tone colors.\u003c\/li\u003e\r\n\u003cli\u003ePercussive impulse generator: interpolates through a collection of impulsive excitations – including sampled sticks, brushes and hammers, and models of damped mallets, plectrums, or bouncy particles. 2-pole low-pass filter and pitch control.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eModal resonator\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInternally uses 64 zero-delay feedback state variable filters.\u003c\/li\u003e\r\n\u003cli\u003eCoarse, fine and FM frequency controls.\u003c\/li\u003e\r\n\u003cli\u003eGeometry: Interpolates through a collection of structures, including plates, strings, tubes, bowls.\u003c\/li\u003e\r\n\u003cli\u003eBrightness. Specifies the character of the material the resonating structure is made of – from wood to glass, from nylon to steel.\u003c\/li\u003e\r\n\u003cli\u003eDamping. Adds damping to the sound – simulates a “wet” material or the muting of the vibrations.\u003c\/li\u003e\r\n\u003cli\u003ePosition. Specifies at which point the structure is excited.\u003c\/li\u003e\r\n\u003cli\u003eSpace. Creates an increasingly rich stereo output by capturing the sound at two different points of the structure, and then adds more space through algorithmic reverberation.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eInputs \u0026amp; Outputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll exciter and resonator parameters have a dedicated CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003e1V\/Oct input for controlling main resonator frequency.\u003c\/li\u003e\r\n\u003cli\u003eFM input.\u003c\/li\u003e\r\n\u003cli\u003eGate input.\u003c\/li\u003e\r\n\u003cli\u003eStrength input, for amplitude control of the exciter section.\u003c\/li\u003e\r\n\u003cli\u003ePre- and post- exciter envelope external audio inputs.\u003c\/li\u003e\r\n\u003cli\u003eStereo audio output, with adjustable width\/reverberation. It is also possible to output the raw exciter signal on one channel, and the raw resonator signal on the other.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eInput impedances: 100k.\u003c\/li\u003e\r\n\u003cli\u003eCV range: +\/- 8V. CVs outside of this range are simply clipped.\u003c\/li\u003e\r\n\u003cli\u003eAudio acquisition and restitution: 16-bit, 32kHz (Kindly note that Elements’ synthesis method is inherently band-limited; and that the module synthesizes “full-bodied” sounds – the choice of 32kHz is deliberate and should not be seen as a limitation).\u003c\/li\u003e\r\n\u003cli\u003eInternal computations on 32-bit floating point numbers.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCortex-M4 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003e34-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 130mA ; -12V: 10mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750581351,"sku":"50097","price":539.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-elements_582a2207-cce2-4325-9472-56f07cb18a75.jpg?v=1787090255"},{"product_id":"pittsburgh-modular-game-system","title":"Pittsburgh Modular Game System","description":"\u003cp\u003ePacked with six unique multi-mode sequencers and a fully voltage controllable user interface, the \u003cstrong\u003eGame System\u003c\/strong\u003e is deep!  Each game represents a different type of sequencing, from classic step sequencers, to unique multi-dimensional clock dividers, to chaotic gate generators. Individual sequencers in the Game System would make great standalone modules. Bundled together, they offer an entire arcade of sequencing options, with lots of room for creativity.\u003c\/p\u003e\r\n\u003ch3\u003eA Unique Set of Controls\u003c\/h3\u003e\r\n\u003cp\u003eThe Game System uses a thumb joystick and button press interface for fast and intuitive navigation of the sequencers. Joystick movements and button presses are voltage controllable, inviting external CV and gate signals to take control of the gaming experience. The Game System can also be computer controlled, freeing the sequencers to shift and morph with the zeros and ones.\u003c\/p\u003e\r\n\u003ch4\u003eGame 1: Meteor Shower\u003c\/h4\u003e\r\n\u003cp\u003eMeteor showers have inspired musicians since the dawn of time. The Game System transforms these celestial events into an 8x8 matrix filled with pixelated meteors, explosions, and one panicked spaceship. Pilot your unarmed ship through the matrix while dodging falling meteors. Explosion based gates and random control voltages react to the action and provide the perfect score to the amazing events taking place in the simulated night sky. God speed, fearless astronauts.\u003c\/p\u003e\r\n\u003ch4\u003eGame 2; Music Programmer (CV\/Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eCreate your own musical masterpiece, a melody that defines a generation. Music Programmer is a classic 32 step CV and gate sequencer that is programmed with the joystick or auto generated using control voltages. Sequences can vary in length from 1 to 32 steps and can be played in forward, reverse, pendulum, or random order. CV output is quantized to 1 volt per octave to keep the resulting patterns well tempered.\u003c\/p\u003e\r\n\u003ch4\u003eGame 3: Percussion Programmer (4 Channel Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eHmm.... Percussion can mean anything. A short (or long) burst of sound (or silence) used to create rhythmic patterns (or not) that drive (or don't) the beat of a song (or endless noodle). Regardless of the definition, the Percussion Programmer game features four channels of programmable gate sequencing that can be used for, um... anything. Rock and roll would probably assign the channels to kick, snare, high hat, and crash while EDM would go with something closer to kick, high hat, kick, and kick. Whatever gets you moving....\u003c\/p\u003e\r\n\u003ch4\u003eGame 4: Time Traveller (4 Channel Clock Divider)\u003c\/h4\u003e\r\n\u003cp\u003eA way to be in four places at once. Time Traveller is the first two dimensional clock divider. A game that shifts outputs freely within clock divisions and offsets. Using the idea of a time grid, clock divisions from 1 to 8 are laid out on the x axis allowing the y axis to be assigned to 8 steps of offset. The four outputs can be independently set to a static location, or allowed to freely roam the time grid creating unpredictable results. Time travel can be complicated; don't forget your towel.\u003c\/p\u003e\r\n\u003ch4\u003eGame 5: Probability Machine (2 Channel Chaotic Gate Generator)\u003c\/h4\u003e\r\n\u003cp\u003eThe real world is a crazy place and music should reflect that. The Probability Machine creates chaotic gates based on a cascading chance algorithm. The resulting patterns are always in sync with some multiple of the clock, allowing for stuttering but not disjointed patterns. The density of the gates is based on a two dimensional probability field. The X axis defines the potential of an event and the Y axis defines the the depth of the event while the joystick button adds additional layers of complexity to the outputs. Spaztastic!\u003c\/p\u003e\r\n\u003ch4\u003eGame 6: Euclidean Rhythms (Algorithmic Gate Sequencer)\u003c\/h4\u003e\r\n\u003cp\u003eImpress your friends by applying all that geometry you learned in school. Inspired by the paper by Godfried Toussaint, the Euclidean Rhythms game is an auto-generating gate pattern sequencer that organizes complexity. Mathematically, the Euclidean Rhythms sequencer works to evenly space the number of active beats over the length of the sequence. Musically, the Euclidean Rhythms effortlessly creates organic patterns steeped in both western and non-western musical philosophies. Add a bit of CV control to create sequences that evolve with the incoming voltages and suddenly math never sounded so good.\u003c\/p\u003e\r\n\u003cp\u003eSize: 10hp\u003cbr\u003e Depth: 36mm \u003cbr\u003ePower Usage: The Game System uses a lot of power. Depending on the number of LEDs lit, power consumption can vary from 60mA to 200mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751335015,"sku":"50067","price":224.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_game-system_c8622f4e-d5de-4e5a-9899-ef84c108a95f.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-oscillator-v2","title":"Pittsburgh Modular Oscillator V2","description":"\u003cp\u003eA wide range, compact, analog VCO with a simple but 100% useful feature set. The streamlined\u003cstrong\u003e Oscillator\u003c\/strong\u003e shares the same saw wave oscillator core circuitry as the larger Waveforms oscillator module providing it with massive analog triangle, saw, and pulse waves. The Oscillator offers 5 octaves of 1 volt per octave tracking, a frequency range starting as low as 7 seconds per cycle, allowing it to double as a reliable voltage controlled LFO, and an attenuated CV input that can be used for linear frequency modulation or pulse width modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSimultaneous Triangle, Saw, and Pulse Wave Outputs\r\nExcellent Logarithmic Conformance\r\nTemperature Compensated 1 Volt Per Octave Operation\r\nSawtooth Wave Based Oscillator Circuit\r\nLinear Frequency Modulation\r\nPWM Input: 5% to 95%\r\nLFO Below Audio Frequency Operation\u003c\/p\u003e\r\n\r\n\u003ch3\u003eOscillator Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFrequency and Fine Tune Controls - Full range sweeping coarse tune and limited range fine tune knobs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCV Input - Frequency modulation or pulse width modulation CV input and attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFM\/PW Switch - CV Input frequency modulation or pulse width modulation destination selector switch.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1V\/O IN - One volt per octave CV input.\r\nTRIANGLE WAVE OUT - Triangle wave output.\r\nSAW WAVE OUT - Saw wave output.\r\nPULSE WAVE OUT - Pulse wave output.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSize: 6hp\r\nModule depth: 35mm\r\nPower Usage: 25mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751531623,"sku":"50063","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_osc_0a2c2741-50c8-4ef9-83fd-d5481b72afb8.jpg?v=1787090257"},{"product_id":"pittsburgh-modular-waveforms","title":"Pittsburgh Modular Waveforms","description":"\u003cp\u003eA wide range, high quality, complex VCO designed to be the core of a modern, analog synthesizer. The \u003cstrong\u003eWaveforms module\u003c\/strong\u003e offers a full complement of standard waveforms including sine, triangle, saw, and pulse waves in addition to a sub octave generator and a unique modulatable blade wave. The oscillator offers 5 octaves of 1 volt per octave tracking, and a frequency range starting as low as 7 seconds per cycle, allowing it to double as an LFO. Additional features include oscillator reset for hard syncing, attenuated linear or exponential FM input, pulse width, and pulse width CV input.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eExcellent Logarithmic Conformance\u003c\/li\u003e\r\n\u003cli\u003eTemperature Compensated 1 Volt Per Octave Operation\u003c\/li\u003e\r\n\u003cli\u003eMultiple Simultaneous Waveform Outputs\u003c\/li\u003e\r\n\u003cli\u003eSawtooth Wave Based Oscillator Circuit\u003c\/li\u003e\r\n\u003cli\u003eUnique Modulatable Blade Waveform\u003c\/li\u003e\r\n\u003cli\u003eModulatable Square Wave Sub Oscillator\u003c\/li\u003e\r\n\u003cli\u003eLinear and Exponential Frequency Modulation\u003c\/li\u003e\r\n\u003cli\u003ePWM Input: 5% to 95%\u003c\/li\u003e\r\n\u003cli\u003eHard Sync Input\u003c\/li\u003e\r\n\u003cli\u003eLFO Below Audio Frequency Operation\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eThe centerpiece of our 2nd generation oscillator is the extreme amount of modulation options available. Frequency modulation is switchable between linear and exponential and pulse width modulation is augmented with a manual pulse width control in addition to a dedicated pulse width cv input attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe sub oscillator is a CMOS based square wave pitched one octave below the core frequency of the oscillator. It can be controlled using the pulse width controls to create 2 distinct effects. Using the pulse width CV input and attenuator creates a unique pulse width modulation effect.   Adjusting the manual pulse width control sets the range of the modulation. Setting the pulse width range control to the extreme left or right creates a gate effect on the sub oscillator allowing it to be switched on and off within the oscillator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe blade wave is a saw wave pitched one octave above the core frequency of the oscillator. What makes the blade wave unique is how many modulation options are available at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe shape of the blade wave can be controlled using the pulse width CV input and attenuator creating a sweeping or chorus effect on the wave. The manual pulse width control can be used to manually sweep the blade wave. When used in combination with the pulse width CV input and attenuator, the manual pulse width control sets the positive or negative starting point of the pulse width CV input and attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to the pulse width controls, the blade wave has a dedicated modulation CV input and attenuator. Using the blade CV input and attenuator creates a shifting or pulsing effect.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe third option for blade wave modulation is the most extreme. The wave shape of the modulation source plugged into the Blade In jack directly defines the overall shape of the blade wave. Using a low frequency modulation source creates a square wave amplitude modulation effect. Using an audio rate modulation source creates waveshaping effects similar to ring modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsing any combination of the 3 modulation sources produces a living, breathing, evolving waveform that is still capable of tracking 1 volt per octave.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eWaveforms Controls:\u003c\/h3\u003e\r\n\r\n\u003cp\u003eCoarse and Fine Tune Frequency Controls - Full range sweeping coarse tune and limited range fine tune knobs.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePulse Width Modulation CV In - Pulse width modulation CV input attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePulse Width Modulation Control - Adjusts the width of the Pulse waveform.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFrequency Modulation (FM) CV In - Attenuated CV input can be switched between exponential and linear response.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlade Wave Modulation CV In - Attenuated CV input controls the amount of blade waveform modulation.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOscillator Patch Points:\u003c\/strong\u003e\r\n\u003c\/p\u003e\u003cul\u003e\r\n\u003cli\u003e1V\/O IN - One volt per octave CV input.\u003c\/li\u003e\r\n\u003cli\u003eRESET IN - Oscillator reset Gate input.\u003c\/li\u003e\r\n\u003cli\u003eBLADE IN - Blade wave manipulation input. PWM IN - Pulse width modulation CV input. SUB WAVE OUT - Sub Oscillator wave output.\u003c\/li\u003e\r\n\u003cli\u003eSINE WAVE OUT - Sine wave output.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE WAVE OUT - Triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eBLADE WAVE OUT - Blade wave output.\u003c\/li\u003e\r\n\u003cli\u003ePULSE WAVE OUT - Pulse wave output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003eSize: 10hp\r\nModule depth with ribbon cable attached: 36.5mm\r\nPower Usage: 25mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751826535,"sku":"49978","price":186.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_wavefaorms_67c8aada-3b46-42a5-ba7c-d6c645cbf856.jpg?v=1787090259"},{"product_id":"tiptop-audio-z3000-mkii-smart-vco","title":"Tiptop Audio Z3000 mkII Smart VCO","description":"\u003cp\u003e\u003cstrong\u003eTipTop's Z3000\u003c\/strong\u003e has an all-analog Voltage Controlled Oscilaltor with an integrated tuner, linear and exponential FM, two sync methods and waveshaping on the sine wave. A proven and tested classic!\u003c\/p\u003e  \u003ch3\u003eFeatures\u003c\/h3\u003e  \u003cp\u003eVCO with arithmetic processor that analyzes the frequency once per second.The display shows the current frequency - depending on the chosen mode the VCO frequency is shown as frequency in Hertz, note value or octave range. The external audio input offers the ability to use the arithmetic processor for tuning other VCOs.\u003c\/p\u003e  \u003cp\u003eOf course, the Z3000 has manual and voltage controlled pulse width modulation and the waveforms sine, triangle, pulse and sawtooth. Besides the hard sync input for synching the VCO using square or sawtooth waves there is an additional Hard Sync Modulation input (HSM). This will not only accept any waveform but any audio signal which will modulate and distort the waveforms of the synchronised Z3000. Additionaly there are 3 FM inputs, two exponential and a linear one. The CV inputs FM2 and Linear FM share a common attenuator. Frequency range of the Z3000 is 0.7Hz - 30kHz.\u003c\/p\u003e  \u003cp\u003eThe version 2 is now built with SMD components and thus it´s PCB is very flat (pcb parallel to the faceplate). By the use of modern transistors the tracking got much more exact. The sawtooth now sounds a bit better and there´s a new feature: VC waveshaping on the sine and triangle wave! It blends from \"trashy sawtooth\" to sine\/triangle.\u003c\/p\u003e  \u003ch3\u003eConnectors\u003c\/h3\u003e  \u003cp\u003eCV inputs: 1V\/oct, Hard Sync, Hard Sync Modulation, PWM, FM1, FM2, linear FM, waveshaper CV input audio input: external in (tuner input) oscillator outputs: sine, triangle, sawtooth, pulse\u003c\/p\u003e  \u003ch3\u003eDimensions\u003c\/h3\u003e  \u003cp\u003e3U Eurorack module, 14HP wide, 26mm deep. current draw max. 50mA\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.3 kg - 0.66 lbs\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":44449752809575,"sku":"50203","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tiptop_z3000_86a957a3-085a-4cde-be84-ff11351db67d.jpg?v=1787090263"},{"product_id":"roland-system-500-512-dual-vco-eurorack-module","title":"Roland System-500 512 - Dual VCO Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eRoland 512 Dual VCO (voltage controlled oscillator) Eurorack module\u003c\/strong\u003e consists of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V\/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. 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Building on the sound and legacy of Pittsburg Modular's celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, they have stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, their legendary analog state-variable filter. The Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample \u0026amp; hold.\u003c\/p\u003e  \u003ch3\u003eYour Sound, Your Way\u003c\/h3\u003e  \u003cp\u003ePre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, Pittsburg Modular's exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.\u003c\/p\u003e  \u003ch3\u003eA Team Player\u003c\/h3\u003e  \u003cp\u003eWe’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing eurorack compatible gear gives you truly infinite modulation and expansion options.\u003c\/p\u003e  \u003ch3\u003eIntegrated Synthesizer Components:\u003c\/h3\u003e  \u003ch3\u003eMIDI\u003c\/h3\u003e  \u003cp\u003ePittsburg Modular started with the core of their rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.\u003c\/p\u003e  \u003cp\u003eExtensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.\u003c\/p\u003e  \u003ch3\u003eOscillator 1 and Oscillator 2\u003c\/h3\u003e  \u003cp\u003ePittsburg Modular's next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains their unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.\u003c\/p\u003e  \u003ch3\u003eModulation and Tools\u003c\/h3\u003e  \u003cp\u003eA wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample \u0026amp; hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.\u003c\/p\u003e  \u003ch3\u003eMixer\u003c\/h3\u003e  \u003cp\u003eThis versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.\u003c\/p\u003e  \u003ch3\u003eState Variable Filter\u003c\/h3\u003e  \u003cp\u003eRich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.\u003c\/p\u003e  \u003ch3\u003eFour Stage Envelope Generator\u003c\/h3\u003e  \u003cp\u003eDesigned specifically for the Lifeforms SV-1 with a plucky, organic feel, their four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.\u003c\/p\u003e  \u003ch3\u003eVoltage Controlled Amplifier\u003c\/h3\u003e  \u003cp\u003eThe amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. 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Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. 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It can also operate in LFO mode where the phase shifted outputs become extremely useful for creative modulation. Use it to make your Planar spin in circles for example!\u003c\/p\u003e  \u003cp\u003eNew in this version is an input soft clipping circuit to help warm up and boost sounds before filtering them.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44449813102695,"sku":"54082","price":280.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-dr.-octature-ii_54082_1_abec6c74-4916-4e8e-80e1-7a30b61cfc79.jpg?v=1787090527"},{"product_id":"stg-soundlabs-shn-4hp-noise-source-sample-hold-module","title":"STG Soundlabs .SHN","description":"\u003cp\u003eThe \u003cstrong\u003eSTG .SHN\u003c\/strong\u003e packs in a noise source with both pink and white noise and a sample and hold circuit. The noise is normaled to the control input but the normal is disconnected when you plug a cable into the control input.\u003c\/p\u003e","brand":"STG Soundlabs","offers":[{"title":"Default Title","offer_id":44449852686439,"sku":"55854","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/stg-shn_55854_1_39a4ca75-672f-4863-8be5-d623605f08f9.jpg?v=1787090698"},{"product_id":"studio-electronics-tonestar","title":"Studio Electronics ToneStar 2600","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics TONESTAR\u003c\/strong\u003e is an ARP 2600-inspired synth voice 31 years in the shaping, pre-patched like Pearlman's prodigy, and fully \"outs to outs\" in-the-box modular, allowing for highpass\/bandpass\/notch filter tones, and bristling X-mod effects. Connect CV \/ gate and twist 'n' switch, or pull its tones and voltages apart one 3.5mm cord at a time. 26 knobs, 7 switches, and 21 jacks make for complex and satisfying signal flow, color and collisions. If it gets reedy, route the triangle wave 'round the VCF, and push dat Sub. Nearly thrilling Out to Outs\/Interesting Patches (in case you missed it above).\u003c\/p\u003e\r\n\u003cp\u003eCaswell Knowledge (circuit designer):\u003c\/p\u003e\r\n\u003cp\u003e\"The VCO is the same affair as the Oscillation, the Boomstar, and the Omega. It's kind of a combination of Arp®, Oberheim® and Moog® circuits (sort of a greatest hits), time-tested, very stable—very good tracking over a very large range; certain parts have to be hand selected to achieve that level of exacting performance. Editors Note: This module is a TONESTAR—its own thing—and not a 2600 clone attempt; nevertheless, the Tone☆ tugs lovingly at times on the sleeve of the 1970's era classic.\u003c\/p\u003e\r\n\u003cp\u003eEnvelope FYI: The Tonestar Sustain control replicates the behavior of the 2600 and Odyssey: after the initial Decay, it continues to move (sink) very slowly, adding a little extra texture to the sound. It's technically a flaw, but after digging out my Odyssey, it is for sure a desirable \"quirk\", and the perfect companion to the 4072 filter (which is mistakenly titled a 4075 in the Boomstar Modular line).\u003c\/p\u003e\r\n\u003cp\u003eAnother bit of fun: The LFO is voltage controlled, so you can envelope, LFO, or otherwise modulate both the rate and the depth; the ADSR amount is also voltage controlled, so it can be manipulated by MIDI dynamics, MIDI volume, an LFO, etc. Greg [St. Regis] has decreed that anything must be patchable to anything, so some technically wrong patchings (for example, pulse wave out to ADSR out) may often produce unexpectedly interesting, x-mod\/notch filtering—quite pleasing effects.\u003c\/p\u003e\r\n\u003cp\u003eThe Tonestar was Greg's concept, but as I understood it, the goal was a single oscillator, 2600 VCF, pre-patched and yet fully modular classic synth voice, at a specific size, wielding every trick that Studio Electronics could cram in. Main use would be as a go-to bassline\/lead tool, or a premium quality, entry-level, complete synth module, for root-to-leaf sound design, and multiform analog exploration\/expression.\"\u003c\/p\u003e\r\n\u003cp\u003e( ) represents normalled connections, which will be explained in greater detail before long.\u003c\/p\u003e\r\n\u003ch3\u003e26 Knobbed and \"Shafted\" Potentiometers\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: FREQUENCY, PULSE WIDTH, LFO (^), GLIDE, MOD (ADSR), SAW, SQUARE, SUB, TUNE; Noise: LEVEL;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQUENCY, RESONANCE, TRACK, DRIVE, ADSR, MOD (LFO);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH (OSC), SPEED; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE;\u003c\/li\u003e\r\n\u003cli\u003eVCA: FEEDBACK (filter), VOLUME\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e7 Switches\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: OCT (up\/down), FREQ\/PW, NO VCF;\u003c\/li\u003e\r\n\u003cli\u003eVCF: FREQ\/RESO;\u003c\/li\u003e\r\n\u003cli\u003eLFO: TRIANGLE\/SQUARE*;\u003c\/li\u003e\r\n\u003cli\u003eENVs: DRONE, MASTER;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003e21 Jacks\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V\/O, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eNOISE: NOISE (white);\u003c\/li\u003e\r\n\u003cli\u003eLFO: DEPTH, TRIANGLE*, SQUARE, SPEED;\u003c\/li\u003e\r\n\u003cli\u003eVCF: EXT IN, FIL OUT, MOD IN;\u003c\/li\u003e\r\n\u003cli\u003eENVs: MOD IN, ADSR OUT, AR OUT, GATE IN;\u003c\/li\u003e\r\n\u003cli\u003eVCA: IN\/MIX, VCA IN, OUTPUT\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAll Controls—arranged in order of signal flow—and Patch Points\u003c\/h3\u003e\r\n\u003cp\u003eVCO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\r\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\r\n\u003cli\u003eOCT – +1\/-1 octave switch.\u003c\/li\u003e\r\n\u003cli\u003eLFO (^) – Triangle wave low frequency oscillation to pulse width control.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/PW – Oscillator frequency, or Pulse (square wave) width to ADSR modulation routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eGLIDE – Slew generator control.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE\/NO VCF – Triangle to VCA switch—bypasses VCF.\u003c\/li\u003e\r\n\u003cli\u003eMOD (ADSR) – Oscillation modulation via ADSR control.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Sawtooth wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Square wave attenuator.\u003c\/li\u003e\r\n\u003cli\u003eSUB – Square wave Sub Oscillator attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSAWTOOTH* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE* – Waveform output.\u003c\/li\u003e\r\n\u003cli\u003eMIX – Composite waveform output.\u003c\/li\u003e\r\n\u003cli\u003e1V\/O – One volt per octave control voltage input.\u003c\/li\u003e\r\n\u003cli\u003eTUNE – Master fine tune (approx. -5\/+ 5 semitones).\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Modulation CV input. Normaled to ADSR; ADSR is replaced when alt. source connected.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eNoise:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNOISE – White noise generator output.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL – Noise attenuator.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCF:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Frequency, or cut-off attenuator\u003c\/li\u003e\r\n\u003cli\u003eRESONANCE – Resonance, or Q attenuator.\u003c\/li\u003e\r\n\u003cli\u003eTRACK – Keyboard\/voltage tracking attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDRIVE – Oscillator output to filter input attenuator.\u003c\/li\u003e\r\n\u003cli\u003eFREQ\/RESO – Filter Frequency, or Resonance to LFO modulation routing switch. Center off position.\u003c\/li\u003e\r\n\u003cli\u003eADSR – Filter to ADSR envelope attenuator.\u003c\/li\u003e\r\n\u003cli\u003eMOD (LFO) – Filter to LFO attenuator.\u003c\/li\u003e\r\n\u003cli\u003eEXT IN – External audio input.\u003c\/li\u003e\r\n\u003cli\u003eFIL OUT – Filter audio output.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Frequency or Resonance modulation CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eLFO:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTRIANGLE\/SQUARE* – Waveform select switch (triangle core).\u003c\/li\u003e\r\n\u003cli\u003eDPTH (OSC) – LFO to Oscillator control.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate attenuator.\u003c\/li\u003e\r\n\u003cli\u003eDEPTH – Control voltage Input.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE* – Triangle wave output.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE*– Square wave output.\u003c\/li\u003e\r\n\u003cli\u003eSPEED – Speed or rate CV input.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eENVs:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eATTACK – Attack stage control.\u003c\/li\u003e\r\n\u003cli\u003eDECAY – Decay stage control.\u003c\/li\u003e\r\n\u003cli\u003eSUSTAIN – Sustain stage control.\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eDRONE\/MASTER – Indefinite\/instant sustain, and master mode for ADSR routing switch. Center off.\u003c\/li\u003e\r\n\u003cli\u003eATTACK – Attack stage control\u003c\/li\u003e\r\n\u003cli\u003eRELEASE – Release stage control.\u003c\/li\u003e\r\n\u003cli\u003eMOD IN – Allows for dynamic modulation of the ADSR, eg., if you want the amount of modulation added to\/determined by a external source, jack in; or if you prefer, modulation input to the ADSR routing—use with velocity, or a sequencer: the sequencer could isolate the ADSR amount the amount to a single step in the phrase for example. Exciting. A second external envelope can provide an interesting effect, or the AR (in the box patching).\u003c\/li\u003e\r\n\u003cli\u003eADSR OUT – ADSR output.\u003c\/li\u003e\r\n\u003cli\u003eAR OUT – AR Output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVCA:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFEEDBACK – Oscillator\/filter feedback loop control.\u003c\/li\u003e\r\n\u003cli\u003eVOLUME – Master volume control.\u003c\/li\u003e\r\n\u003cli\u003eVCA\/CV – Amplifier control voltage output.\u003c\/li\u003e\r\n\u003cli\u003eIN\/MIX – VCA mix input switch switch (normalled jack). When set to IN, external audio replaces filter output to VCA; when set to mix MIX, filter output is fed along with the filter audio to VCA.\u003c\/li\u003e\r\n\u003cli\u003eVCA IN – Audio input.\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT – Main output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eVitals:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePCB Mounting Scheme - Through-hole.\u003c\/li\u003e\r\n\u003cli\u003eFilter - Discrete, voltage controlled, 24\/db\/oct cascaded transconductance low-pass filter, employing six pairs of hand-matched transistors.\u003c\/li\u003e\r\n\u003cli\u003eSize - 32hp.\u003c\/li\u003e\r\n\u003cli\u003eDepth - 35mm including connectors.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eOptional DIY Adjustments\u003c\/h3\u003e\r\n\u003cp\u003eUnits #2-15 \/ Noise - The noise on the Tonestar leans to the Pink side, a little dark and moody. Some may like it, some may want the more bright and sizzled white variety. One resistor or capacitor change will shift it to the white spectrum.\u003c\/p\u003e\r\n\u003cp\u003eUnits #2-22 \/ Feedback - The Feedback loop is big, bold and deep on the low end; maybe a bit too much so. One resistor change will reign it in, but still allow enough chaotic madness at maximum level.\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888141415,"sku":"56792","price":639.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-tonestar_56792_1_acfcd9b1-ed86-478d-b9e2-77a32a131d39.jpg?v=1787090824"},{"product_id":"studio-electronics-quadnic","title":"Studio Electronics Quadnic","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics QUADNIC\u003c\/strong\u003e reps. the 2nd collobaration with SpaceHardware—a deeply featured 12hp module with four digital oscillators—each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V\/O CV input and widely detuned, or switched to a preset chord formation—a major move beyond the 'one note samba' monophonic, module choreography we all know and mainly love, but... scooch over Grainy, Quadnic is cookin' up digi-vittles for four. \"Come 'n' git it!\"\u003c\/p\u003e\u003ch3\u003eMaster Matters\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eWith MASTER mode switched on, the oscillator responds to it's own CV input.\u003c\/li\u003e\n\u003cli\u003eOscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +\/-1 octave offset.\u003c\/li\u003e\n\u003cli\u003eOscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master.\u003c\/li\u003e\n\u003cli\u003eWhen all 4 oscillator switches\/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to same pitch, adjust the Pitch and Fine controls.\u003c\/li\u003e\n\u003cli\u003eTo get all oscillators to play the same sound (they are quite independent), adjust all controls.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with Master selected: unison and Chord can detune massively up to 4 octaves.\u003c\/li\u003e\n\u003cli\u003eAll 4 OSC lights on, with master not selected: unison and Chord produce chords.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e1V\/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.\u003c\/li\u003e\n\u003cli\u003e1V\/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.\u003c\/li\u003e\n\u003cli\u003eProc CV - Process CV input. +\/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.\u003c\/li\u003e\n\u003cli\u003eOut 1 - Oscillator 1 output.\u003c\/li\u003e\n\u003cli\u003eOut 2 - Oscillator 2 output.\u003c\/li\u003e\n\u003cli\u003eOut 3 - Oscillator 3 output.\u003c\/li\u003e\n\u003cli\u003eOut 4 - Oscillator 4 output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 50mA max\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888338023,"sku":"56786","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-quadnic-1_14ceac77-ead0-4fef-9275-43a744f063cc.jpg?v=1787090824"},{"product_id":"studio-electronics-oscillation","title":"Studio Electronics Oscillation","description":"\u003cp\u003eAt the beginning of the tone parade, another cagey Tim Caswell hybrid, which utilizes an exponential current source in a sympathetic spirit, to the through-hole, glory days circuits of ARP and Oberheim, followed in perfect sync by wave shaping circuits adapted from 2nd generation Minimoog Model D oscillator boards, and an incorporation of waveform mixing circuits pioneered by little old SE; that's us here at STUDIO ELECTRONICS! The gorgeous 100k spray on top all the way down to a boomin' sub bottom, engineer a extravagant variety of tones that would otherwise require several patch cords, and an external mixer; with a two oscillator system, 9 or 10 patch cords and an 8 input mixer would have to be tucked into your carry-on. Where then would you secret your laptop and raw almonds?\u003c\/p\u003e\u003cp\u003eWhat's nice about the \u003cstrong\u003eStudio Electronics OSCILLATION\u003c\/strong\u003e stunner (according to Tim) \"is that the waveforms are DC-coupled [components connected directly together without any coupling capacitors], so they keep their shape even at sub-Hz speeds. The outputs are also buffered, so the amplitude is independent of the load they are driving. The waveform levels on some modern Eurorack OSCs are often all different, and they vary depending if they go into the mixer or directly to the filter!\" Coupling the circuitry without capacitors in-line gives the go-ahead for the full spectrum of frequencies to do their thing, and ensures near identical response over the years—audiophile, transistor-protecting signal path stuff here. You should see these beauts on the scope: a Class-A ballet of balance and proportion, only drawing modest current, evenly from plus and minus.\u003c\/p\u003e\u003ch3\u003ePotentiometer Potential\u003c\/h3\u003e\u003cp\u003eThree attenuation, and three attenuverter pots control the FREQUENCY, TUNE, PW CV IN, PUSLE WIDTH, FM CV IN, and SUB LEVEL, delivering smooth, detailed, and complex expression.\u003c\/p\u003e\u003ch3\u003eSwitch it Up\u003c\/h3\u003e\u003cp\u003eNORMAL and LOW RANGE - wide sweeping audio frequencies, or clicks (respectively) for creating a rhythmic pulse or sweep; SINE, TRI, SAW, SQR - your friendly waveform on and offs.\u003c\/p\u003e\u003ch3\u003ePatch it Up\u003c\/h3\u003e\u003cp\u003eEleven patch points: 1 V\/O, FM IN, WAVE MIX, SYNC IN, PW IN, SUB OUT, SINE OUT, TRI OUT, SAW OUT, RAMP OUT, SQR OUT direct the deepest manipulation.\u003c\/p\u003e\u003ch3\u003eAll Controls and Patch Points\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFREQUENCY – Oscillator frequency attenuator.\u003c\/li\u003e\n\u003cli\u003eNORMAL \/ LOW RANGE – Oscillator domain switch.\u003c\/li\u003e\n\u003cli\u003eTUNE – Oscillator fine-tune attenuverter.\u003c\/li\u003e\n\u003cli\u003ePULSE WIDTH – Variable pulse wave width control.\u003c\/li\u003e\n\u003cli\u003eSINE – Sine wave on\/off.\u003c\/li\u003e\n\u003cli\u003eTRI – Triangle wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSAW – Sawtooth wave on\/off.\u003c\/li\u003e\n\u003cli\u003eSQR – Square (pulse) wave on\/off.\u003c\/li\u003e\n\u003cli\u003eFM CV IN – Frequency Modulation control voltage input attenuverter.\u003c\/li\u003e\n\u003cli\u003eSUB LEVEL – Sub (one octave down) level attenuator.\u003c\/li\u003e\n\u003cli\u003e1 V\/O – One volt per octave control voltage input.\u003c\/li\u003e\n\u003cli\u003eFM IN – Frequency Modulation control voltage input.\u003c\/li\u003e\n\u003cli\u003eSYNC IN – Oscillator Sync control voltage input.\u003c\/li\u003e\n\u003cli\u003ePW IN – Pulse Width control voltage input.\u003c\/li\u003e\n\u003cli\u003eSUB OUT – Sub Oscillator output.\u003c\/li\u003e\n\u003cli\u003eSINE OUT – Sine Oscillator output.\u003c\/li\u003e\n\u003cli\u003eTRI OUT – Triangle wave output.\u003c\/li\u003e\n\u003cli\u003eSAW OUT– Sawtooth wave output.\u003c\/li\u003e\n\u003cli\u003eRAMP OUT – Ramp (reverse sawtooth) wave output.\u003c\/li\u003e\n\u003cli\u003eSQR OUT – Square wave output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePower Usage - 20mA, 39mA (+12 \/ -12)\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44449888370791,"sku":"56785","price":269.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-oscillation-1_ca008529-60d7-4880-a64f-30921259351d.jpg?v=1787090825"},{"product_id":"studio-electronics-grainy-clampit","title":"Studio Electronics Grainy Clampit","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics GRAINY CLAMPIT\u003c\/strong\u003e is a granular and phase distortion additive oscillator—brand new heavy territory for Studio Electronics... wait till you hear the stunning contrast it creates when paired with the discrete Class-A OSCILLATION module, and the inorganic to downright 1970's combo organy \/ CS-80-ish tones it can generate. Pure voltage-controlled candy. Be sure to wash off the sticky...\u003c\/p\u003e\u003cp\u003eBest to break Granny Clampett's namesake down in stages, and time travel a bit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Stage\u003c\/strong\u003e - Additive mixing of 4 harmonics using one of 16 waveforms and one of 16 combinations of harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSecond Stage\u003c\/strong\u003e - Granular or phase distorted mixing of the signal from the first stage, with a sync option.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the First Stage\u003c\/strong\u003e - Additive section with selection of 16 different combinations of harmonics. The harmonics can be based on a sinewave or on one of 15 other waveforms.There's a separate control for mixing the selected harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the Second Stage\u003c\/strong\u003e - The second processing stage allows granular processing or phase distortion. Granular processing gives you control over grain length and grain position, and can produce sync, detune, and wave sequencing effects. Phase distortion allows the signal from stage one to looked up non-linearly, and can produce thick detune sounds and wildly varying pitch\/timbre effects.\u003c\/p\u003e\u003cp\u003eBoth settings have a choice of long buffer length (for wave sequencing effects) or short buffer length (for smoother detuned effects).\u003c\/p\u003e\u003cp\u003eSee it's just additive mixing of several combinations of harmonics using a choice of 16 waveforms, followed by granular or phase distortion processing for detuned and wave sequencing effects, with a sync option for further pitch variations. 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Its architecture is loosely based on classic 8-bit console soundchips, providing 4 simple voltage-controlled voices. Each voice consists of a digital oscillator with two pitch CV inputs and a coarse pitch knob, with a gate input allowing the voice to be turned on\/off without the need for an external VCA. The 4 channels are sent to an onboard mixer – making Edges easy to use for chord generation or heavy drone synthesis applications.\u003c\/p\u003e  \u003cp\u003eThe first 3 channels are square\/pulse digital oscillators, generated by subdivisions of a 4 MHz clock. 5 preset duty cycles settings are available from 50% to 95%. In addition, channel 4′s CV input can be used as a PWM CV for channels 1 to 3, with a 120° dephasing between each channel.\u003c\/p\u003e  \u003cp\u003eChannel 2 can be hardsynced to channel 1. Channel 2 and 3 are also equipped with a XOR ring-modulator, blending their harmonics with those of Channel 1.\u003c\/p\u003e  \u003cp\u003eThe fourth channel uses a 12-bit DAC without oversampling\/reconstruction filter to generate low-fi waveforms at a 48kHz sample rate. The available waveforms are sine, triangle, NES triangle, and various flavors of pitched LSFR noise.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449896267879,"sku":"57018","price":339.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-edges_57018_1_910b5261-7316-478f-8d46-18d556eb67e3.jpg?v=1787090856"},{"product_id":"moog-music-model-15-demo-deal","title":"Moog Music Model 15 (Demo Deal)","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73447437\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/73453607\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chl\u003e\u003c\/hl\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eMoog Model 15\u003c\/strong\u003e modular synthesizer is an ultra-powerful, compact studio synthesizer designed for live performance and portability. It is housed in a rugged tolex-encased cabinet and is an ideal solution for the touring synthesist. The Model 15 design focuses on speed, creativity and simplicity while still providing the enormous sonic depth and dimension found only in a vintage Moog modular synthesizer. The 907 Fixed Filter Bank section of the Model 15 is available in multiple configurations to better suit the needs of the performing musician.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eFaithfully Recreating The Model 15\u003c\/h3\u003e\r\n\u003cp\u003eThree years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog Model 15 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.\u003c\/p\u003e\r\n\u003cp\u003eEach individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.\u003c\/p\u003e\r\n\u003cp\u003eThis limited reissue of the Moog Model 15 modular synthesizer is built to order. Only 150 total units will be made and sold worldwide.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModel 15 Modules\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2x 902 Voltage Controlled Amplifiers\u003c\/li\u003e\r\n\u003cli\u003e1x 904A Voltage Controlled Low Pass Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 907A Fixed Filter Bank\u003c\/li\u003e\r\n\u003cli\u003e2x 911 Envelope Generators\u003c\/li\u003e\r\n\u003cli\u003e1x 921 Voltage Controlled Oscillator\u003c\/li\u003e\r\n\u003cli\u003e1x 921A Oscillator driver\u003c\/li\u003e\r\n\u003cli\u003e2x 921B Oscillators\u003c\/li\u003e\r\n\u003cli\u003e1x 923 Random Noise\/Filter\u003c\/li\u003e\r\n\u003cli\u003e1x 995 Attenuator\u003c\/li\u003e\r\n\u003cli\u003e1x CP15 Console Panel\u003c\/li\u003e\r\n\u003cli\u003e1x 130 Watt 120 VAC Power Supply(230 VAC available upon request)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eIncluded Cabling\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e10x - 1' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e18x - 2' 1\/4\" TS cables\u003c\/li\u003e\r\n\u003cli\u003e2x  - 1' S-Trigger cables\u003c\/li\u003e\r\n\u003cli\u003e1x  - 1.5' S-Trigger cable\u003c\/li\u003e\r\n\u003cli\u003e1x  - 'Y-cable'S-Trigger \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eWeight and Dimensions\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWeight: 50 lbs.\u003c\/li\u003e\r\n\u003cli\u003eDimension: 18” wide x 25” high x 9 ½” deep\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModules and Their Original “Functional Descriptions”\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003e902 Voltage Controlled Amplifiers: \u003c\/strong\u003eThe 902 voltage Controlled Amplifier is a differential input and output circuit which gives an overall voltage gain of 2 {6dB} when the manual control potentiometer is at maximum {6}, or when a control voltage of 6 volts is applied to the control input. Maximum sum of control voltage {fixed control voltage and input jacks} is approximately 7.5 control volts, producing +4.7dB or gain of 3. Two modes of gain response are available: linear and exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e904A Voltage Controlled Low Pass Filter: \u003c\/strong\u003eThe 904A Low Pass Filter attenuates frequencies above the fixed control voltage cutoff point at a rate of 24dB per octave. The cutoff point {cutoff frequency} is voltage controlled through the control input jacks. The sum of the applied control voltages doubles the frequency of the cutoff point for each one-volt increase {volt per octave standardization}. The regeneration potentiometer {variable Q} varies the amount of internal feedback, creating a resonant peak at the cutoff frequency. This resonant peak will break into oscillation at clockwise settings of the regeneration pot, creating a voltage controlled sine wave generator. The fixed control voltage pot covers a 12-volt {octave} range. The overall range of the FCV pot is determined by the Frequency Range switch, which moves the frequency cutoff range in two-octave steps.\u003c\/p\u003e\r\n\u003cp\u003eThe basic cutoff frequency of the Low Pass Filter is determined by the combination of fixed control voltage and frequency range in addition to the control input signals. An increase in regeneration narrows and increases the strength of the cutoff frequency peak, while decreasing the amplitude of the lower frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e907A Fixed Filter Bank: \u003c\/strong\u003eThe 907A Fixed Filter Bank is a non-voltage controlled modifier, which emphasizes or reduces the gain of the center frequency bands indicated on each of the eight center pots, in addition to the cutoff points set by low pass and high pass filters at either frequency extreme. A total of 10 overlapping LC networks are included.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e911 Envelope Generators: \u003c\/strong\u003eAt the introduction of a switch-to-ground {S-trigger} trigger signal from an external source, the 911 Envelope Generator produces a single voltage contour whose time\/voltage variation is determined by potentiometers T1, T2, T3 and a time constant sustaining level pot {Esus}. Closure of the input trigger switch directs the voltage contour to T3 {final decay} regardless of what stage { T1, T2 or E} was in current operation. The Envelope Generator requires an S-trigger to operate. External sources must be converted to the S-trigger format.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921 Voltage Controlled Oscillator: \u003c\/strong\u003eThe 921 Voltage Controlled Oscillator is a variable waveform generator, which produces frequencies ranging from .01Hz to 40kHz. Four waveforms are available: Sine, Triangular, Sawtooth, and Rectangular {with variable duty cycle}. Both fixed and variable levels can be obtained from front panel output jacks. Nominal frequency is set manually by the scale, coarse range, frequency and {octave} range controls found at the top of the module. Voltage controlled rectangular width is set by the knob in the upper center {left}, with accompanying voltage input jacks. Clamping point {waveform reset control} may be set with the lower left knob and accompanying trigger inputs to the left. Multiple frequency control inputs can be plugged into this module in parallel. All waveform outputs can be used concurrently if desired.\u003c\/p\u003e\r\n\u003cp\u003eAll manual controls on this module can be moved or switched during operation. This module functions as both an audio or control voltage generator.    \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921A Oscillator driver: \u003c\/strong\u003eThe 921A Oscillator Driver is a control voltage processor, which drives associated 921B oscillators through internally wired connections {via edge connectors}. Two voltages are generated: one for frequency control and one for rectangular wave duty cycle. Control inputs to this module change the frequency of its associated oscillators in volt\/octave increments. Manual adjustment to the Frequency and Width Of Rectangular Wave pots changes the nominal frequency and duty cycle of all connected 921B's in parallel. Two ranges are provided on the Frequency potentiometer: semitone {two octaves compass} and octave {12 octaves compass} These ranges are selected by the white switch below the Frequency potentiometer. Control inputs for frequency and rectangular width are summing.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e921B Oscillators: \u003c\/strong\u003eThe 921B Oscillator generates frequencies from 1Hz to 40kHz minimum. They are wired in groups to a common 921A Oscillator Driver, which provides both exponential frequency control and rectangular width voltage control.\u003c\/p\u003e\r\n\u003cp\u003eLike the 921 Oscillator, this is one of the building blocks of analog synthesis. This oscillator generates both sub-audio and audio frequencies for control and audio signal use. The Frequency pot at the top of the module has a two-octave range for fine-tuning, while the Range switch shifts the frequency of the oscillator in octaves, up or down. Number indications on the Range switch correspond to traditional organ pipe range notations. Fixed level outputs for Sine, Triangle, Sawtooth and Rectangular waveforms are found at the right of the modules. DC Modulate is a linear frequency control input {does not conform to 1 volt\/octave control voltage format}. AC Modulate input is a capacitor-coupled circuit like the DC Modulate input, however, blocking constant DC voltages.\u003c\/p\u003e\r\n\u003cp\u003e921B Oscillators may be phase locked together via the Synch input jack and the associated three position Synch Switch. Phase locking capability is generally limited to the first six harmonics of the input signal. A sawtooth waveform is recommended for best synchronization results.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e923 Random Noise\/Filter:\u003c\/strong\u003eThe White and Pink noise outputs of the 923 Random Noise\/Filter module produces continuous bursts of random frequencies and waveshape throughout the audio spectrum. Pink noise displays equal amplitude\/energy per octave. A resultant lower frequency concentration for Pink Noise marks the difference between the two outputs, with white noise appearing in even intensity throughout the audio spectrum. Parallel outputs are provided for both noise sources. The two manual sweep filters, Low Pass and High Pass, are single pole {RC} circuits with a frequency cutoff slope of 6dB per octave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e995 Attenuator: \u003c\/strong\u003eAttenuators reduce the gain or amplitude of any applied input signal, control or audio. 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It has a 2-pole 12dB self-oscillating state variable filter and a dual VCA.\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVoice: 3-6 VCOs 10Vpp\u003c\/li\u003e \u003cli\u003eVCO CV: accepts +\/-12V (tunable at 1V\/oct)\u003c\/li\u003e \u003cli\u003eDirect VCA: 5Vpp output, accepts CVs +\/-12V, works best at +\/-5V , By-passes the filter\u003c\/li\u003e \u003cli\u003eFilter: accepts CVs +\/-12V, works best at +\/-5V\u003c\/li\u003e \u003cli\u003eCut off Frequency Range: 50Hz – 12KHz\u003c\/li\u003e \u003cli\u003eMain VCA: CVs +\/-12V, works best at +\/-5V\u003c\/li\u003e \u003cli\u003eOutput: +\/-10Vpp\u003c\/li\u003e \u003cli\u003e22 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449901805671,"sku":"57213","price":439.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-gamma_57213_1_5747dc03-b386-4eb2-a4d8-b8c7dd8833d9.jpg?v=1787090880"},{"product_id":"dreadbox-omikron-eurorack-module","title":"Dreadbox Omikron Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Omikron\u003c\/strong\u003e has 2 oscillators with 4 waves each. It also features a pulse width modulation input.\u003c\/p\u003e  \u003cp\u003eAUDIO INTERFACE:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eSub wave generator\u003c\/li\u003e \u003cli\u003eAudio to Gate generator\u003c\/li\u003e \u003cli\u003eAudio to Sync convertor\u003c\/li\u003e \u003cli\u003eAudio can sync the VCO\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cp\u003eAUDIO INTERFACE:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIn: works with any level of instrument and above\u003c\/li\u003e \u003cli\u003eOut: Sends the Clean to Sub level at a max 5Vpp, depending on the setting\u003c\/li\u003e \u003cli\u003eSync: sends 10Vpp pulse, matching with the frequency of the Audio Input\u003c\/li\u003e \u003cli\u003eGate: sends 0-5V pulse\u003c\/li\u003e \u003c\/ul\u003e   \u003cp\u003eOSCILLATORS:\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eAll waves are 10Vpp\u003c\/li\u003e \u003cli\u003ePW: accepts +\/-5V\u003c\/li\u003e \u003cli\u003eCV: 1V\/oct tunable, accepts +\/-12V\u003c\/li\u003e \u003cli\u003eOsc Frequency Range: No limitations\u003c\/li\u003e \u003cli\u003e22 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449901936743,"sku":"57208","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-omikron_57208_1_628bfcad-c77a-495b-9848-5ae7ad3b9e6a.jpg?v=1787090881"},{"product_id":"noise-engineering-sinc-iter","title":"Noise Engineering Sinc Iter - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Sinc Iter\u003c\/strong\u003e is a 23 Octave multi mode voltage controlled oscillator. 4HP, Eurorack.\u003c\/p\u003e  \u003cp\u003eSinc - treasure - from Old english sinc \"mime\" with suffix -ic \"pertaining to\" \"pertaining to mimes\"\u003c\/p\u003e  \u003cp\u003eIter - repeat - from Latin itero \"repeat\"\u003c\/p\u003e  \u003cp\u003e\"Repeated Treasure\"\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938735207,"sku":"58289","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-sinc-iter-1_b27dd225-967a-48eb-8835-1d2d51796e36.jpg?v=1787091032"},{"product_id":"noise-engineering-variatic-basicus","title":"Noise Engineering Variatic Basicus","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Basicus\u003c\/strong\u003e is six momentary switches debounced for driving gates.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938964583,"sku":"58293","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-basicus-1_f8633562-9dea-43a3-ba0b-d68feda21732.jpg?v=1787091033"},{"product_id":"noise-engineering-ataraxic-translation","title":"Noise Engineering Ataraxic Translatron - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Ataraxic Translatron\u003c\/strong\u003e is a linear feedback shift register oscillator similar to those used in the first generation of home video game consoles and many classic arcade games.\u003c\/p\u003e  \u003cp\u003eLinear feedback shift registers are an ingenious way to produce a variety of sounds with an extremely small amount of hardware. The Atari VCS used only around 35 logic gates to produce all of its sounds. The complexity of tone for relatively minimal hardware made this synthesis technique common for sound where hardware costs were the primary development constraint. As video games entered popular culture these sounds became iconic but have seldom made it out of the video game world except when sampled from the games themselves or as their own genre of music “chiptunes”. The Ataraxic Translatron gives you classic arcade sounds in Eurorack format to be used just like any other VCO.\u003c\/p\u003e  \u003cp\u003e13 patches vary from a simple square wave to white noise with your favorite arcade sounds in between. All tones are available in 6 octaves range. A standard 1 volt per octave pitch control and CV control of the current patch are squeezed into a compact 4HP. An external clock mode that allows an external clock to drive the shift register allows for additional tone generation, modulation and gate generation.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch Knob - The pitch knob allows for adjusting the pitch through two octaves range when not in clock mode.\u003c\/li\u003e \u003cli\u003eTone Knob - The tone knob selects which feedback network is used and therefore what tones the module produces. The AT has 13 patches that increase in harmonic complexity as the patch increases. When used with an external tone CV the tone knob scales the tone CV. The current patch is displayed on the seven segment display.\u003c\/li\u003e \u003cli\u003eTone CV - The tone CV allows for voltage control over the current tone. It has an approximate range of 0-6 Volts across the entire patch range. Any over\/under voltage is safely clamped.\u003c\/li\u003e \u003cli\u003ePitch CV - The pitch CV provides a standard 1 volt per octave control over the output pitch. The valid input voltage range is 0-8 Volts. Any over\/under voltage will be safely clamped to the maximum\/minimum values. The module produces six octaves of perceptibly continuous pitch. Due to quantization errors at high speeds some patches will have a slight pitch quantization at higher frequencies. This is itself an interesting effect. The pitch CV input is also used as the clock input when used with an external clock. See the clock source switch section for a description of this usage.\u003c\/li\u003e \u003cli\u003eClock Source Switch - The clock source switch selects if the module is using the internal timebase from pitch\u003c\/li\u003e \u003cli\u003eCV or an external clock. When the switch is in the CV position the pitch input works as 1 Volt per Octave. When in clock mode the pitch CV input becomes a binary clock that drives the shift register oscillator on rising edges. The input is a Schmitt trigger with a low threshold of around 2 Volts. Input in this mode is over and under voltage protected so it can be safely driven with any standard Eurorack signal. The maximum frequency which the LFSR can be driven is around 160 kHz.\u003c\/li\u003e \u003cli\u003eOutput - The output is DC coupled digital waveform that varies from approximately 0 to 6.5 volts. Try using it as a randomized clock source too!\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eTone Generation\u003c\/h3\u003e  \u003cp\u003eThe core of the Ataraxic Translatron is a 16 bit linear feedback shift register with adjustable taps which are XORed together to produce the output tone. Most patches correspond to maximal length sequences. The details of the taps are in the table to the right. The input pitch CV is converted from 1v\/8va to a period for the desired pitch which is then scaled by the current patch’s cycle length. This is used to set a timer that controls when the LFSR update happens. When in clock mode this update happens on any rising clock. All patches are maximal length except E which has the interesting property that the tone that is produced is based on what the shift register state is at the time it is selected.\u003c\/p\u003e  \u003ch3\u003eCalibration of Tuning\u003c\/h3\u003e  \u003cp\u003eThe pitch CV response of the Ataraxic Translatron is controlled by an linear resistor divider network. To calibrate the tuning attach a volt meter (preferably 4+ digit) to the test points TPCV and TPGND on the rear panel and adjust the trim pot. The voltage measured should be 0.075 times the input voltage applied to the CV input. A reasonable way to tune the scale is to use an adjustable voltage source to generate 3.00 volts then adjust the AT tuning trim until the test points read 225 mV. It is also easy to use a stroboscope and a calibrated voltage reference to adjust the linearity control by tuning using an octave interval.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939128423,"sku":"58279","price":173.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-atarxic-translatron-1_2bbe2145-e30c-458f-9b0b-54851a9f9087.jpg?v=1787091033"},{"product_id":"noise-engineering-loquelic-iteritas","title":"Noise Engineering Loquelic Iteritas - Silver","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Loquelic Iteritas\u003c\/strong\u003e is a 10HP comb oscillator producing a wide variety of woody, throaty tones as well as basic waveforms. It uses variable sample rate technology to turn digital aliasing into harmonic distortion. It also features a built-in infinifold wave folder which gives another dimension of voltage-controlled sound.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449939161191,"sku":"58283","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-loquelic-iteritas-1_3227126e-6622-4a0c-9887-510387c16db0.jpg?v=1787091033"},{"product_id":"wmdevices-phase-disc-osc-mkii","title":"WMDevices - Phase Disc Osc MKII","description":"\u003cp\u003eIntroducing the \u003cstrong\u003eWMDevices Phase Displacement Oscillator MKII\u003c\/strong\u003e. This hybrid VCO has all the feel of an analog VCO but with the benefits of digital waveshaping. The PDO will easily find a home in your system!\u003c\/p\u003e  \u003cp\u003eThe PDO exists to utilize the phenomenon of Phase Modulation (PM). This allows for the relative phase difference of its outputs to be set or modulated, producing very interesting sounds. The result is similar to Frequency Modulation (FM) but affects the output to a greater degree without affecting the stability of the initial frequency. This is where the \"displacement\" comes in.\u003c\/p\u003e  \u003cp\u003eWhen you use frequency stable phase displacement, you create phase distortion which sounds like wavefolding and is very useful for dynamic textures and powerful sounds.\u003c\/p\u003e  \u003cp\u003ePM has the same benefits of quadrature filters\/sine wave generators and greatly exceeds their capabilities at audio rate modulations. PM is highly useful for for creating metallic and bell tones and very controlled harmonic interactions.\u003c\/p\u003e  \u003cp\u003eBecause PM affects the relative phase and not the frequency of the waveform generated, the PDO can self modulate its PM inputs. This creates complex harmonic signals that seem to vary in frequency but are quite stable.\u003c\/p\u003e  \u003cp\u003ePhase Modulation is also quite powerful when using the PDO as an LFO. Adjusting the relative phase of each output allows for very precise modulation of other modules. Each output can have any of the available waveforms simultaneously. There is a myriad of modulation possible with the PDO!\u003c\/p\u003e  \u003ch3\u003eControls and I\/O\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eThe Phase Displacement Oscillator's analog VCO core should feel familiar and intuitive.\u003c\/li\u003e \u003cli\u003e1V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth. Use as LFO reset also.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjusts the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within a 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eFM - Jack for Frequency Modulation. Type is selectable with switch between Exponential and Linear. Linear may be DC or AC coupled with a rear jumper.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePhase Modulation Inputs (Φ)\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePhase Inputs (ΦCV) - The PDO has three phase inputs, one for each channel: 2, 3 and 4. These inputs can use any type of signal. Each phase input has an attenuator.\u003c\/li\u003e \u003cli\u003ePhase Offset (Φ) - These controls set the relative phase of each channel, from 0 degrees to + or - 360 degrees (total of 720 degrees). This control is added to the ΦCV input and acts as a bias level control when there is an input.\u003c\/li\u003e \u003cli\u003eGlobal Phase Input (ΦCV234) - This jack sends its signal to each phase input equally, allowing for a single signal to globally control the phase offset of each channel.\u003c\/li\u003e \u003cli\u003eJack \/ Both \/ Mod Switch - This switch controls routing of the CV signals for interfacing with the Triple Bipolar VCA. Jack allows the front panel jack and attenuator through. Mod allows just the input from the TBVCA through. Both sums both signals going into the phase modulation circuitry.\u003c\/li\u003e \u003cli\u003eInv Switch - This is the master invert switch for the sum of the Jack\/Mod\/Both and the Global phase input per channel. It will invert all signals.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eOutputs\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eOut1 - Out4 - These are the outputs for each channel, the current level is displayed at the top of the module by a green LED.\u003c\/li\u003e \u003cli\u003eSum Output - This output takes all four of the outputs and sums them together.\u003c\/li\u003e \u003cli\u003eSum Normaled Output - This output takes each output (1-4) that do not have cables inserted and sums them together. Use this if you want to remove an output from the sum.\u003c\/li\u003e \u003cli\u003eStaircase Output (SC Out) - This output jack is the result of the relative phases of the three phase input channels compared to the analog sawtooth waveform. It forms a staircase type output (multiple square waves added together).\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449942962279,"sku":"58338","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-phase-dis22_58338_1_52714ee5-0503-41a1-8014-db252cb997d9.jpg?v=1787091036"},{"product_id":"wmdevices-synchrodyne-expand","title":"WMDevices Synchrodyne Expand","description":"\u003cp\u003eThis is the \u003cstrong\u003eWMDevices Synchrodyne Expand\u003c\/strong\u003e. WMD figured that if you can grasp the original, you're the type that always wants to go deeper. So lets take this plunge together and attempt to explain what it all means.\u003c\/p\u003e  \u003ch3\u003eSynchrodyne Expand Concept\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne by itself is capable of a great deal, containing several modules in one, prepatched internally to create a vibrant range of sounds. It was difficult to cut many of the control capabilities from the Synchrodyne to keep it within the scope of an analog switched-capacitor filter module. The expand lets us bring many of the little nuances of the Synchrodyne to the patchable world.\u003c\/p\u003e  \u003cp\u003eIt is designed to be powerful and extremely dynamic when minimally patched, but when patch cords start flying around to be open and experimental. You may also use many of the parts of the Synchrodyne and Expand separately in various parts of your patches. The open architecture allows it to do many jobs, even small ones.\u003c\/p\u003e  \u003ch3\u003eVCO2 \/ PLL2\u003c\/h3\u003e  \u003cp\u003eVCO2 contains an identical saw core oscillator as on the Synchrodyne. The peripherals are slightly different, emphasizing different control points. The PLL frequency multiplier is similar to that on the Synchrodyne with many additional patch points.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003e1 V\/Oct Input - Calibrated input for pitch control. The VCO will track at least 5 octaves using this input. This may be calibrated by the front mounted trim pot between the Coarse and Fine knobs.\u003c\/li\u003e \u003cli\u003ePWM Input \u0026amp; Knob - CV control over the PWM (Pulse Width Modulation) of VCO2. Very powerful for controlling the Filter Core when both VCOs are combined. Control knob provides static PWM amount. It is added to CV signal when CV is applied.\u003c\/li\u003e \u003cli\u003eSync Input - Rising edge sawtooth reset\/sync input. Does not affect slope of sawtooth.\u003c\/li\u003e \u003cli\u003eCoarse \u0026amp; Fine Knobs - Coarse knob adjust the frequency of the VCO throughout its full range. Use the Fine knob to tune the oscillator within approximately 1\/3 octave range.\u003c\/li\u003e \u003cli\u003eExp FM - This input jack provides 1\/3 V\/octave exponential control to the VCO core.\u003c\/li\u003e \u003cli\u003eLin FM - This input provides linear frequency control to the VCO core. It is DC coupled.\u003c\/li\u003e \u003cli\u003eSaw Output - The Sawtooth output is available here. Its level is approximately ±4.5 volts.\u003c\/li\u003e \u003cli\u003ePWM Output - Presents the output of the PWM modulated waveform.\u003c\/li\u003e \u003cli\u003ePLL Input - This input runs into PLL2, it is normaled from the PWM output of the VCO. Use an external VCO to control the PLL by patching here.\u003c\/li\u003e \u003cli\u003ePLL Output - Square wave raw output of the PLL frequency multiplier. This output is in a feedback loop with the VCO2 Multiply control to provide multiplication of the frequency.\u003c\/li\u003e \u003cli\u003ePLL Triangle Output - This output is a hacked triangle wave from the PLL core. It's not a perfect triangle but is close. It's great for softer sounds in the audio range.\u003c\/li\u003e \u003cli\u003ePC OR IN - This input is logical ORed to the phase comparator on the PLL. Applying a clock or gate signal can produce frequency variance, destabilization or total melt down. Very experimental input.\u003c\/li\u003e \u003cli\u003eTrack Speed Control \u0026amp; CV Input - Track speed is part of the PLL Cores self-stabilization of the phase locked loop. More track speed means that the PLL will attempt to track the frequency more accurately and stabilize faster. Tracking too fast can cause total breakdown of the loop and result in some unstable and interesting timbres. LED shows the strength of the track speed.\u003c\/li\u003e \u003cli\u003eDamping Control \u0026amp; CV Input - Damping is the other half of the stabilization circuitry inside the PLL core. Higher damping means that frequency control circuit will resist change more. Use this to tame high Track Speeds. CV input allows for external control of the Damping. LED shows the strength of the Damping circuit.\u003c\/li\u003e \u003cli\u003ePC Out - This is the Phase Comparator's direct output. It is a tri-state output (0V, 5V or high-impedance\/floating). This is normaled to the Track\/Damp circuitry to provide the control signal for the PLL's frequency output. This output is intended to be run through a slew limiter and back into the PLL Ctrl or T\/D In. Though other uses may be found.\u003c\/li\u003e \u003cli\u003eT\/D Input - This is a direct input to the Tracking Damping circuitry. It normally expects a tri-state signal but it can handle other things. Very experimental input.\u003c\/li\u003e \u003cli\u003ePLL Ctrl Input - This input is the direct line to the PLL frequency circuit. Plugging voltages in to this will cause direct control over the PLL and many of the prior circuits will be ignored including Track\/Damp and Multiply. Very experimental and useful for further processing of the Phase Comparator signal.\u003c\/li\u003e \u003cli\u003ePLL DeSync Input - This input is a DC couple short circuit to the PLL. A signal higher than 1V here will kill the PLL requiring it to resynchronize with itself.\u003c\/li\u003e \u003cli\u003ePLL2 Range Switch - This switch changes the maximum range of the PLL by changing the PLL's frequency generation capacitor. Hi provides the full range. Medium and Low provide a much smaller range, limited to audio frequencies. Medium and Low also cause the PLL Triangle Output to sound different.\u003c\/li\u003e \u003cli\u003ePWM\/PLL Switch - This switch determines whether the PWM signal or the PLL signal go to the VCO2 section of the clock select switch.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter Clock Control\u003c\/h3\u003e  \u003cp\u003eThis box in the top left of the Synchrodyne Expand controls the filter clock on the Synchrodyne. There are three possible clock sources for the filter core.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClock Control Switch - This toggle on the far right of the box selects which clock source runs the filter core. Top position lets PLL1 on the Synchrodyne control the clock. Bottom position lets PLL2\/VCO2 control the clock. Middle position combines the clocks and lets them fight each other.\u003c\/li\u003e \u003cli\u003eOR \/ XOR Switch - This toggle switch controls how multiple clock signals are combined. XOR mode combines the clocks in a fairly additive manner. OR mode is more aggressive and gives each clock signal more power to disrupt the other signal.\u003c\/li\u003e \u003cli\u003eClk3 Input - This jack provides an additional input to the Filter core. It is combined in the mode chosen by the OR \/ XOR switch.\u003c\/li\u003e \u003cli\u003eLED - Shows the clock status directly. Much of the time this will be too fast to see.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePLL1 CV Inputs\u003c\/h3\u003e  \u003cp\u003eThis small box contains inputs for Track Speed And Damping for the PLL in the Synchrodyne.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eDamping CV - This input gives CV control to Damping on PLL1. To achieve full damping (fully CW rotation of the knob on PLL1), the Damping Knob on PLL1 must be fully Clockwise. This is because the CV control and knob are in series with each other. This jack is normaled to +5 volts so that it is always at a high damping, allowing the knob OR the CV control to have an effect whether CV is used or not.\u003c\/li\u003e \u003cli\u003eTrack Speed CV - This input provides CV control over Track Speed on PLL1. This CV signal is in parallel with the Track Speed knob on the Synchrodyne. Therefore, minimum track speed is achieved with the knob fully CCW and 0V on the CV input. Maximum track speed may be achieved by the knob OR the CV input being CW or shown 5 volts respectively.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003ePre Filter Compressor\u003c\/h3\u003e  \u003cp\u003eThe Synchrodyne's filter core can produce very dynamic material with high resonance, especially in 4 pole mode. So we added a pre filter compressor to reduce distortion inside the core. The concept here is a feedback compressor that reduces the signal level going into the core based on the level on the core's output. This is a vactrol based compressor.\u003c\/p\u003e  \u003cp\u003eThe signal seen by the compressor is a mix of the VCA\/Fold switch and In2.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eCtrl Switch - This switch determines where the compression circuit looks for waveform information. Comp SC looks at the Comp SC In jack. 2P looks at the selected 2 Pole output from the Synchrodyne's panel, and 4P looks at the selected 4 Pole output.\u003c\/li\u003e \u003cli\u003eComp SC In - This input normally sees the signal from the Compressor's output. This lets you compress the signal flowing to the filter core based on another signal. If nothing is plugged in, you have normal compression based on the level of the input signal.\u003c\/li\u003e \u003cli\u003eCompression - This controls the overall amount of compression done to the input waveform. Fully CCW will be no compression. Fully CW will be close to limiting. Amount of compression is indicated on the blue LED.\u003c\/li\u003e \u003cli\u003eBlue Threshold Trim Pot - This trim pot between Ctrl and Comp Attack allows you to change the threshold of compression. Turn up for compression to come on sooner. This is similar to the Compression control and was not necessary to bring out as a full control.\u003c\/li\u003e \u003cli\u003eComp Attack - This sets the attack speed of the Compressor. It works with the Decay speed and has bearing on the overall amount of compression.\u003c\/li\u003e \u003cli\u003eComp Decay - This sets the decay speed of the Compressor. If it is too high and Comp Attack is not high enough, the compressor will not compress.\u003c\/li\u003e \u003cli\u003eComp Out - This output produces the compressed signal for use elsewhere. It is normaled to the Filter Input.\u003c\/li\u003e \u003cli\u003eComp CV Out - This is the CV control envelope signal as an output.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eFilter 2\u003c\/h3\u003e  \u003cp\u003eFilter 2 is a second switched capacitor filter. It is a 4-Pole Low Pass type with an interesting resonance circuit. It resonates 180 degrees out of phase with the input signal. It will happily self resonate and makes a good sine wave oscillator.\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eClk In - This input provides the high-speed clock to Filter 2. It is normaled from the output of PLL2.\u003c\/li\u003e \u003cli\u003eIn - This is the signal input to the filter. It is normaled from the In 2 jack and attenuator.\u003c\/li\u003e \u003cli\u003eOut - 4-Pole Low Pass output of Filter 2.\u003c\/li\u003e \u003cli\u003eClip Out - Amplified diode rectified output signal from the feedback resonance stage of Filter 2.\u003c\/li\u003e \u003cli\u003eResonance Knob - This controls the amount of resonance. It will self oscillate and this controls the level of oscillation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eOther Inputs \/ Outputs \/ Controls\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFilter In - This input runs directly to the filter core. It bypasses everything on the front end: VCA, Wavefolder, Compressor, In 2.\u003c\/li\u003e \u003cli\u003eIn 2 to Comp - This jack and attenuator provide a second input to the compressor and then to the filter core. It is normaled from the Saw Output of VCO2.\u003c\/li\u003e \u003cli\u003eWF (Wavefolder) Level - This control replaces the blue trimmer on the back of the Synchrodyne giving you direct control over the amplification of the wavefolded signal.\u003c\/li\u003e \u003cli\u003eVCA Out - Direct out of the VCA on the Synchrodyne.\u003c\/li\u003e \u003cli\u003eWF Out - Direct out of the Wavefolder on the Synchrodyne.\u003c\/li\u003e \u003cli\u003e2P - 4P - Subtractive output where 4P output is subtracted from the 2P output. Produces a band-pass sort of sound. Nicer at lower resonances.\u003c\/li\u003e \u003cli\u003e2P Notch - This is the notch output from the 2-pole filter on the Synchrodyne. It is a true notch filter where resonance controls the width of the notch. Higher resonances yield narrower notches.\u003c\/li\u003e \u003cli\u003e4P Notch - This output is not a true notch output. The 2-pole output (HP\/BP\/LP) is filtered by the last 2 poles of the filter internally, and the notch from that is output here. It is more of an elliptic output than a true notch because of this.\u003c\/li\u003e \u003c\/ul\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":44449943191655,"sku":"58345","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-digital-sync-exp22_58345_1_1df2ec77-128b-4ba8-99a4-bd37f5a8bafa.jpg?v=1787091037"},{"product_id":"wmdevices-and-steady-state-fate-polezero-vcf","title":"WMDevices and Steady State Fate PoleZero VCF","description":"\u003cp\u003e\u003cstrong\u003eWMDevices and Steady State Fate PoleZero VCF\u003c\/strong\u003e is a 4-pole (24 dB\/octave) low pass Voltage Controlled Filter (VCF) utilizing MOSFET transistors. MOSFETs are known for their soft, vacuum tube like distortion when overdriven.\u003c\/p\u003e  \u003cp\u003ePOLE-ZERO is designed to exploit these characteristics with the addition of a MOSFET saturation control and provide a much wider palette of sounds when compared to a standard VCF.\u003c\/p\u003e  \u003cp\u003eA Voltage Controlled Amplier (VCA) is also a relatively novel addition and provides a simple way to amplitude modulate the filter without the need of an external VCA.\u003c\/p\u003e  \u003cp\u003ePower Draw: +20 mA, -20 mA. 6HP width. 25 mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943519335,"sku":"58353","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-pole-zero-1_679f0e55-f0f6-467c-ae7c-93740c98ed97.jpg?v=1787091038"},{"product_id":"wmdevices-and-steady-state-fate-spectrum-vco","title":"WMDevices and Steady State Fate Spectrum VCO","description":"\u003cp\u003e\u003cstrong\u003eWMDevices and Steady State Fate Spectrum VCO\u003c\/strong\u003e is a precision, saw-core VCO with eight possible waveforms (six simultaneous outputs), an eight octave switch, LFO mode and FM mode select with attenuation.\u003c\/p\u003e  \u003cp\u003eIn addition to the standard waveforms; sine, pulse, triangle and saw, SPECTRUM features two selectable saw\/pulse hybrid waveforms and two selectable sub-octave waveforms with variable range.\u003c\/p\u003e  \u003cp\u003eAdditional features include pulse width modulation with CV and attenuation, hard sync and panel accessible 1 V\/OCT calibration.\u003c\/p\u003e  \u003cp\u003ePower Draw: +80 mA, -55 mA. 10HP width. 25mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943617639,"sku":"58355","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-spectrum-vco-1_9037d966-5655-45ab-b9b7-88d0783d3617.jpg?v=1787091039"},{"product_id":"mutable-instruments-ripples-demo-deal","title":"Mutable Instruments Ripples (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eRipples by Mutable Instruments\u003c\/strong\u003e delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments’ lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.\u003c\/p\u003e\r\n\r\n\u003cp\u003e3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelf-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from “loudness drop” when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH\/Jupiter filters, with a very round and “liquid” resonance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good “final stage” module.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eInputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSignal in\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 1 (1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eResonance CV. Self oscillation starts at 4V. Control voltages above 5V are non-linearly compressed, for fine control of resonance overdrive\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV 2 (with bipolar attenuator, from -1V\/Oct to 1V\/Oct)\u003c\/li\u003e\r\n\u003cli\u003eVCA level. Control voltages above 5V are non-linearly compressed.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eControls\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCutoff frequency, 18Hz to 18kHz\u003c\/li\u003e\r\n\u003cli\u003eResonance (self oscillation at 80%)\u003c\/li\u003e\r\n\u003cli\u003eAttenuverter on Frequency CV\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eOutputs\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e2-pole BP\u003c\/li\u003e\r\n\u003cli\u003e2-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP\u003c\/li\u003e\r\n\u003cli\u003e4-pole LP attenuated by VCA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFully analog, based on SSM2164 low noise\/distortion quad VCA chip, and LM13700 OTA for that extra bit of non-linearity.\u003c\/li\u003e\r\n\u003cli\u003eFrequency CV inputs impedance: 100k.\u003c\/li\u003e\r\n\u003cli\u003eAudio input impedance: 75k.\u003c\/li\u003e\r\n\u003cli\u003eResonance and VCA CV input impedance: 30k.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware.\u003c\/li\u003e\r\n\u003cli\u003e8-HP.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 35mA ; -12V: 35mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449972060263,"sku":"59987","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_ripples_top_1_671480e3-0f24-4feb-952b-a7931247c71e.jpg?v=1787091158"},{"product_id":"make-noise-maths-demo-deal","title":"Make Noise MATHS V1 (Demo Deal)","description":"\u003cp\u003eAmongst other things, \u003cstrong\u003eMake Noise Maths\u003c\/strong\u003e will allow you to:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eGenerate a variety of linear, logarithmic, or exponential triggered or continuous functions\u003c\/li\u003e\r\n\u003cli\u003eIntegrate an incoming signal\u003c\/li\u003e\r\n\u003cli\u003eWith no signal applied, generate a variety of linear, logarithmic, or exponential functions\u003c\/li\u003e\r\n\u003cli\u003eAdd, subtract and OR up to 4 signals\u003c\/li\u003e\r\n\u003cli\u003eGenerate analog signals from digital information (Gate \/ Clock)\u003c\/li\u003e\r\n\u003cli\u003eGenerate digital information (Gate \/ Clock) from analog signals\u003c\/li\u003e\r\n\u003cli\u003eDelay digital (Gate \/ Clock) information\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eIf the above list reads like science rather than music, here is the translation:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz\u003c\/li\u003e\r\n\u003cli\u003eApply Lag, Slew or Portamento to control voltages\u003c\/li\u003e\r\n\u003cli\u003eChange the depth of modulation and modulate backwards!\u003c\/li\u003e\r\n\u003cli\u003eCombine up to 4 control signals to create more complex modulations\u003c\/li\u003e\r\n\u003cli\u003eMusical Events such as Ramping up or Down in Tempo, on command\u003c\/li\u003e\r\n\u003cli\u003eInitiating Musical events upon sensing motion in the system\u003c\/li\u003e\r\n\u003cli\u003eMusical note division and \/ or Flam\u003c\/li\u003e\r\n\u003cli\u003ePerfect for modulating the Make Noise DPO and just about anything else\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWidth: 20hp\u003c\/li\u003e\r\n\u003cli\u003eMax Depth: 24mm\u003c\/li\u003e\r\n\u003cli\u003ePower: 60mA@ +12V, 50mA @ -12V\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44449992507495,"sku":"61852","price":261.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/make_noise_maths_1_a8fb4613-4cf3-4343-81a9-7934d0ebbf72.jpg?v=1787091238"},{"product_id":"pittsburgh-modular-lifeforms-sv-1-blackbox-modular-synth","title":"Pittsburgh Modular Lifeforms SV-1 Blackbox - Modular Synth","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Synthesizers Lifeforms SV-1 Blackbox\u003c\/strong\u003e is a complete dual oscillator synthesizer, designed to be the core of your Eurorack modular system. Building on the sound and legacy of our celebrated Waveforms oscillator, the SV-1 module features two full-range independent analog oscillators; sound sources that are perfect for dynamic and inspired performances. In addition to these two high-performance oscillators, we stuffed the SV-1 with a perfectly curated set of modular synthesis tools including dual, chained mixers, a plucky, four stage envelope generator, and of course, our legendary analog state-variable filter.\u003c\/p\u003e  \u003cp\u003eThe Lifeforms SV-1 is a synthesizer powerhouse, providing absolutely everything you need to create gigantic and iconic synth sounds: roaring bass, shimmering leads, lush pads and warm drones are only a few knob turns away. Instantly, out of the box, a rich feature set with a fluid, easy to understand interface empowers you to create vibrant, thick tones. Modulation and Tools sections fill out the analog SV-1 modulation capabilities with a triangle and square LFO, two sub-octave oscillators chained to the main oscillator, and noise with sample \u0026amp; hold.\u003c\/p\u003e  \u003ch3\u003eYour Sound, Your Way\u003c\/h3\u003e  \u003cp\u003ePre-patched under the hood, patch cables are not necessary to get started. But as soon as you begin patching, you will feel the power provided by the 53 patch points and 21 knobs. By breaking each feature of the synthesizer out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up. All the tried and true analog classics are there at your disposal: sine, sawtooth, triangle and square. In addition, our exclusive and powerful blade wave on Oscillator 1 adds a unique weapon to your sonic arsenal. Deep modulation options award you complex control of nearly every function of the SV-1.\u003c\/p\u003e  \u003ch3\u003eA Team Player\u003c\/h3\u003e  \u003cp\u003eWe’ve designed the Lifeforms SV-1 to be the perfect centerpiece of any Eurorack synthesizer regardless of size. In a smaller system, the SV-1 provides a wide variety of synthesis options through a hefty set of synthesis tools. Combined with a larger collection of modules, you can unlock never-before-heard expressiveness and unparalleled control over the rich feature set of the SV-1. The ability to patch and integrate the SV-1 with other existing Eurorack compatible gear gives you truly infinite modulation and expansion options.\u003c\/p\u003e  \u003ch3\u003eMIDI\u003c\/h3\u003e  \u003cp\u003eWe started with the core of our rock solid MIDI 3 module then modified the source code to create a feature set specifically designed for the SV-1. This MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1. Volt per octave and gate outputs allow you to connect to your MIDI keyboard or DAW and take control of the SV-1 your way.\u003c\/p\u003e  \u003cp\u003eExtensive patch options give you access to glide, CC, and velocity. A digital clock-syncable LFO with triangle and quantized random voltage waveforms provides even more modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. A built-in arpeggiator provides all of the deep arpeggio responses from the MIDI 3, including as played, double triggered, random, and random with random gate. This unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.\u003c\/p\u003e  \u003ch3\u003eOscillator 1 and Oscillator 2\u003c\/h3\u003e  \u003cp\u003eOur next-generation dual analog oscillator provides the sonic framework for massive synth sounds or deep exploration of west coast style frequency modulation. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. As a bonus, Oscillator 1 also contains our unique blade wave. The shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator 2 is normalled to the FM of Oscillator 1, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two modern, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.\u003c\/p\u003e  \u003ch3\u003eModulation and 3Tools\u003c\/h3\u003e  \u003cp\u003eA wide-range utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator 1’s core frequency. Analog noise and sample \u0026amp; hold finish out the Tools section — the hold function is initially pre-wired to MIDI clock, and equips you to create perfectly timed, random voltage steps.\u003c\/p\u003e  \u003ch3\u003eMixer\u003c\/h3\u003e  \u003cp\u003eThis versatile four channel mixer comes pre-wired for fast access to Oscillator 1’s sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1. The mixer can be split into two independent two channel mixers simply by patching into the top output.\u003c\/p\u003e  \u003ch3\u003eState Variable Filter\u003c\/h3\u003e  \u003cp\u003eRich and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Absolutely stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate high-pass, low-pass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.\u003c\/p\u003e  \u003ch3\u003eFour Stage Envelope Generator\u003c\/h3\u003e  \u003cp\u003eDesigned specifically for the Lifeforms SV-1 with a plucky, organic feel, our four-stage analog ADSR allows you to generate envelopes with remarkable, precise control over each stage. Pre-patched to receive gate signals directly from MIDI, the gate input may be overridden by any available clock, trigger, or square wave source.\u003c\/p\u003e  \u003ch3\u003eVoltage Controlled Amplifier\u003c\/h3\u003e  \u003cp\u003eThe amplifier section not only controls the overall level of the output, but is voltage controllable. A clean, responsive VCA, capable of everything from transparent control to mild overdrive contours audio or CV signals. The ADSR is pre-patched to the level CV providing shape to the synthesizer audio.\u003c\/p\u003e  \u003ch3\u003eSplitters\u003c\/h3\u003e  \u003cp\u003eTwo unbuffered audio or CV splitter sections allow you duplicate your signal in creative ways, routing a single audio or CV source to multiple destinations.\u003c\/p\u003e  \u003ch3\u003eLine Level and Headphone Outputs\u003c\/h3\u003e  \u003cp\u003eHigh quality stereo headphone amplifier and monophonic line level outputs controlled by a master volume knob.\u003c\/p\u003e  \u003ch3\u003eModule Specifications\u003c\/h3\u003e  \u003cp\u003ePanel size: 48hp Depth: 35 mm Power Usage: +12v 230mA, -12v 200mA.  Does not require +5 V. Reversed power polarity protection.\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449999093863,"sku":"60682","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-blackbox_1_b998d239-3d21-4d9e-8bc2-aa346e3b8b0b.jpg?v=1787091265"},{"product_id":"analogue-solutions-cranial-saw","title":"Analogue Solutions Cranial Saw","description":"\u003cp\u003eThe \u003cstrong\u003eAnalogue Solutions Cranial Saw\u003c\/strong\u003e is an advanced VCO \/ SUB Eurorack module with glide, featuring a whole range of flexible modulation possibilities to appease even the most demanding musicians and euro enthusiasts.\u003c\/p\u003e  \u003cp\u003eCranial Saw is a dual VCO with built in Sub oscillator, audio mixer, and many other useful features. It is a one stop choice for a good VCO package. It features two discrete component VCOs based on early 1970s circuits so they sound very vintage and are full of character. The dual VCO performs best in mid to low range, and combined with the Sub-Osc, produces huge, powerful sounds. The main pitch CV input goes through a Glide \/ portamento circuit. There are modulation CV inputs with attenuators. Also, VCO2 has its own CV Mod input. Each VCO has a Pulse Width slider and PWM CV input sockets. The VCOs also have Sync. Cross modulation is possible by taking the output of say VCO1 and patching this to VCO2’s Mod CV input. The built in mixer allows the two VCOs and the Sub-Osc to be mixed via their own attenuators. The mixer has its own audio output of course, but the VCOs and Sub-Osc also have pre-mixer, fixed level individual outputs. The two VCOs each can be switched between Saw or Square waveforms.\u003c\/p\u003e  \u003cp\u003eVCO1 can be set to ‘Freerun’. This means it will not track the incoming pitch CV. 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However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.\u003c\/p\u003e\r\n\u003cp\u003eIn the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled “LINK” which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.\u003c\/p\u003e\r\n\u003cp\u003eThe filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V\/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.\u003c\/p\u003e\r\n\u003cp\u003eThe envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on\/off externally. The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier\/dirtier sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSummary of enhancements\/differences over the SH-101 core:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDiscrete triangle core vcos (with far better tracking and Hard sync)  instead of CEM based IC.\u003c\/li\u003e\r\n\u003cli\u003ePrimary vco has linear FM (not just exp)\u003c\/li\u003e\r\n\u003cli\u003eMOD VCO can be linked to the primary VCO pitch CV.\u003c\/li\u003e\r\n\u003cli\u003eModulation oscillator switchable from LFO to VCO\u003c\/li\u003e\r\n\u003cli\u003eFilter is multimode, 2\/4pole switchable and has a special LP boost mode\u003c\/li\u003e\r\n\u003cli\u003eFilter allows for selection of inverted ADSR mod source\u003c\/li\u003e\r\n\u003cli\u003eMixer section includes and external source which is normalled to a sinewave\u003c\/li\u003e\r\n\u003cli\u003eFilter has built in soft clipping\u003c\/li\u003e\r\n\u003cli\u003eEnvelope has looping option, re-trigger and selectable time range\u003c\/li\u003e\r\n\u003cli\u003eOutput VCA has two stage clipping circuit\u003c\/li\u003e\r\n\u003cli\u003ePatch points for every synthesis section\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450035925095,"sku":"64516","price":589.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel_atlantis_1_ccd1b7f0-a0cb-4ca4-89d1-dc941b6f79ed.jpg?v=1787091419"},{"product_id":"mutable-instruments-braids-2","title":"Mutable Instruments Braids","description":"\u003cp\u003e\u003cstrong\u003eBraids by Mutable Instruments\u003c\/strong\u003e is a voltage-controlled monophonic digital sound source.\u003c\/p\u003e\r\n\u003cp\u003eSound source… like an oscillator? Not really.\u003c\/p\u003e\r\n\u003cp\u003eMost of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.\u003c\/p\u003e\r\n\u003cp\u003eEach algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.\u003c\/p\u003e\r\n\u003ch3\u003eSynthesis algorithms\u003c\/h3\u003e\r\n\u003ch4\u003eAnalog synthesis\u003c\/h4\u003e\r\n\u003col\u003e\r\n\u003cli\u003eSawtooth with CS-80-style “tooth”-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.\u003c\/li\u003e\r\n\u003cli\u003eContinuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.\u003c\/li\u003e\r\n\u003cli\u003eSawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick “animated saw” sound.\u003c\/li\u003e\r\n\u003cli\u003eDual square or saw wave with hard sync, with frequency ratio and balance control.\u003c\/li\u003e\r\n\u003cli\u003eTriangle and sine, with continuous interpolation between the two shapes; and wave multiplier.\u003c\/li\u003e\r\n\u003cli\u003eTriple saw, square, triangle or sine.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eDirect digital synthesis\u003c\/h4\u003e\r\n\u003cli\u003eThree ring-modulated sine waves, with detune controls.\u003c\/li\u003e\r\n\u003cli\u003eBand-limited dual pulse train, with bandwidth and detune controls.\u003c\/li\u003e\r\n\u003cli\u003eSwarm of seven sawtooth waves, with detune and high-pass filtering controls.\u003c\/li\u003e\r\n\u003cli\u003eDigital Sawtooth wave sent into a tuned delay line (comb filter) with positive and negative feedback.\u003c\/li\u003e\r\n\u003cli\u003eToy keyboard-like waveform generation, with waveshape and bitcrushing parameters.\u003c\/li\u003e\r\n\u003cli\u003eDirect digital emulation of triangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth and square waves sent into low-pass, peaking, band-pass and high-pass filters (Casio CZ meets Roland D-50)\u003c\/li\u003e\r\n\u003cli\u003eCutoff frequency\u003c\/li\u003e\r\n\u003cli\u003ewaveshaping controls.\u003c\/li\u003e\r\n\u003ch4\u003eVocal synthesis\u003c\/h4\u003e\r\n\u003cli\u003eVOSIM synthesis with bell-shaped carrier; control over the frequency position of two formants.\u003c\/li\u003e\r\n\u003cli\u003e80s Home-computer vowel synthesis, with vowel and approximative chipmunk-approved vocal range control.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eFOF vowel synthesis, with vowel and voice range (bass to soprano) control.\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAdditive harmonics with harmonic emphasis.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eFM\u003c\/h4\u003e\r\n\u003cli\u003eTwo-operators FM \u003c\/li\u003e\r\n\u003cli\u003eFM index and carrier\/modulator ratio controls.\u003c\/li\u003e\r\n\u003cli\u003eVariants with rough feedback and chaotic behavior.\u003c\/li\u003e\r\n\u003ch4\u003eSimulations\u003c\/h4\u003e\r\n\u003cli\u003ePlucked string simulation, with strength\/pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003ebowed string simulation\u003c\/li\u003e\r\n\u003cli\u003eBlown pipe simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eFlute simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eAdditive bell \u003c\/li\u003e\r\n\u003cli\u003eDrum\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 kick\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 snare\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 hi-hat \u003c\/li\u003e\r\n\u003ch4\u003eWavetables\u003c\/h4\u003e\r\n\u003cli\u003e33 waveforms distributed over 20 wavetable with quantized wavetable selector, and smooth interpolation within a wavetable.\u003c\/li\u003e\r\n\u003cli\u003e256 waveforms optimally laid out in a 16×16 map, with smooth XY interpolation across the map.\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic wavetable synthesis, with chord control.\u003c\/li\u003e\r\n\u003ch4\u003eNoise\u003c\/h4\u003e\r\n\u003cli\u003ePitched noise source with state variable filter; Q and Oberheim-style filter mode (LP to notch to HP) controls.\u003c\/li\u003e\r\n\u003cli\u003ePitched noise source with dual bandpass filters; Q and separation controls.\u003c\/li\u003e\r\n\u003cli\u003eClocked noise, with adjustable cycle length, and adjustable quantization.\u003c\/li\u003e\r\n\u003cli\u003eGranular cloud with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eParticle system simulation (“bag of stuff”) with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eSimulation of telecommunications digital modulator.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrigger input (required for the simulations which require an onset\/excitation impulse, or to trigger the internal AD envelope).\u003c\/li\u003e\r\n\u003cli\u003eV\/Oct CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter. This uses a finer conversion resolution than the V\/Oct input, making it suitable for subtle modulations with a resolution of 1 cent.\u003c\/li\u003e\r\n\u003cli\u003eTimbre CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eColor CV input.\u003c\/li\u003e\r\n\u003cli\u003eAudio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured in september 2015 or later)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 15mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured before september 2015)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5V voltage source needed (for example Mutable Instruments Volts).\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 15mA ; -12V: 15mA ; +5V: 85mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450036023399,"sku":"64519","price":319.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_braids_top_1_adee4b8d-db7b-4560-b834-20eecfc23a86.jpg?v=1787091420"},{"product_id":"noise-engineering-loquelic-iteritas-demo-deal","title":"Noise Engineering Loquelic Iteritas (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Loquelic Iteritas\u003c\/strong\u003e is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003eThe easiest way to get to know Loquelic Iteritas is to turn the knobs and listen. Connect the output to your mixer and start twiddling.\u003c\/p\u003e  \u003cp\u003eLoquelic Iteritas is about continuous tone control. Hook any LFO up to any of the four tone control inputs (Morph, Fold, Modulate, Damp).\u003c\/p\u003e  \u003cp\u003eOther interesting effects can be created by controlling the pitches independently (by default the 1v\/8va inputs are normaled to each other). For instance, using a Tonnetz Sequent to produce musical intervals produces interesting results.\u003c\/p\u003e  \u003ch3\u003eInterface\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003ePitch A - The pitch of oscillator A can be controlled by the 1v\/8va input and offset by its coarse and fine knobs. Te pitch inputs are cross normaled.\u003c\/li\u003e \u003cli\u003ePitch B - The pitch of oscillator B can be controlled by the 1v\/8va input and offset by its coarse and fine knobs. The pitch inputs are cross normaled.\u003c\/li\u003e \u003cli\u003eDamp - Tone control. Consult the following pages detailing each mode to find the  behavior of this knob in the specific mode.\u003c\/li\u003e \u003cli\u003eMod - Tone control. In all modes it controls phase modulation between the two pitch oscillators.\u003c\/li\u003e \u003cli\u003eFold - Tone control. In all modes it controls the threshold of the wavefolding.\u003c\/li\u003e \u003cli\u003eMorph - Tone control. In all modes it controls the waveform of the oscillator continually varying between sin, triangle and saw.\u003c\/li\u003e \u003cli\u003eAlgorithm- Selects which algorithm is used. These are detailed on the following pages.\u003c\/li\u003e \u003cli\u003eMaster - Controls the sync of the oscillators. When in the middle position both oscillators are free running. When A is selected oscillator B will sync to oscillator A. when B is selected A will sync to B.\u003c\/li\u003e \u003cli\u003eOut - Out is the AC coupled audio output.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450036645991,"sku":"64523","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-loquelic-iteritas-1_1_27241826-bb87-42dc-b370-f450eede5a30.jpg?v=1787091422"},{"product_id":"studio-electronics-grainy-clampit-demo-deal","title":"Studio Electronics Grainy Clampit (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics GRAINY CLAMPIT\u003c\/strong\u003e is a granular and phase distortion additive oscillator—brand new heavy territory for Studio Electronics... wait till you hear the stunning contrast it creates when paired with the discrete Class-A OSCILLATION module, and the inorganic to downright 1970's combo organy \/ CS-80-ish tones it can generate. Pure voltage-controlled candy. Be sure to wash off the sticky...\u003c\/p\u003e\u003cp\u003eBest to break Granny Clampett's namesake down in stages, and time travel a bit.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFirst Stage\u003c\/strong\u003e - Additive mixing of 4 harmonics using one of 16 waveforms and one of 16 combinations of harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSecond Stage\u003c\/strong\u003e - Granular or phase distorted mixing of the signal from the first stage, with a sync option.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the First Stage\u003c\/strong\u003e - Additive section with selection of 16 different combinations of harmonics. The harmonics can be based on a sinewave or on one of 15 other waveforms.There's a separate control for mixing the selected harmonics.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBack to the Second Stage\u003c\/strong\u003e - The second processing stage allows granular processing or phase distortion. Granular processing gives you control over grain length and grain position, and can produce sync, detune, and wave sequencing effects. Phase distortion allows the signal from stage one to looked up non-linearly, and can produce thick detune sounds and wildly varying pitch\/timbre effects.\u003c\/p\u003e\u003cp\u003eBoth settings have a choice of long buffer length (for wave sequencing effects) or short buffer length (for smoother detuned effects).\u003c\/p\u003e\u003cp\u003eSee it's just additive mixing of several combinations of harmonics using a choice of 16 waveforms, followed by granular or phase distortion processing for detuned and wave sequencing effects, with a sync option for further pitch variations. 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