{"title":"LFO Modules","description":null,"products":[{"product_id":"roland-system-1m-plug-out-synthesizer","title":"Roland System-1M Plug-out Synthesizer","description":"\u003cp\u003eThe \u003cstrong\u003eSYSTEM-1m\u003c\/strong\u003e is a semi-modular synthesizer with PLUG-OUT capability and a unique design that can be used as a Eurorack module, tabletop synth, or 19” rackmount unit. In addition to being a powerful standalone instrument, the SYSTEM-1m has external inputs and an array of CV\/Gate connections that allow it to be re-patched and to interface with other modular synthesizer systems. The SYSTEM-1m’s CV\/Gate connections combined with its ability to load classic Roland PLUG-OUT synth models like the SH-101 and PROMARS give it power and flexibility that is simply unparalleled.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSemi-modular synthesizer with PLUG-OUT capability\u003c\/li\u003e\r\n\u003cli\u003e19 color-coded CV\/Gate and audio connections with LED lighting\u003c\/li\u003e\r\n\u003cli\u003e84 HP Eurorack, tabletop and 19” rack compatible using AC adaptor or Eurorack power\u003c\/li\u003e\r\n\u003cli\u003eVersatile oscillators with six waveforms, Crossmod, Ring Mod, Sync and Color control\u003c\/li\u003e\r\n\u003cli\u003eAll parameters controlled with high-resolution knobs and sliders with LED indicators\u003c\/li\u003e\r\n\u003cli\u003eExternal input for processing external signals through filter, amp and FX section\u003c\/li\u003e\r\n\u003cli\u003e-12 dB and -24 dB filter types with independent high-pass filters\u003c\/li\u003e\r\n\u003cli\u003eIntegrated tone, crusher, reverb and delay effects\u003c\/li\u003e\r\n\u003cli\u003eTempo syncing for LFO and delay\u003c\/li\u003e\r\n\u003cli\u003e24-bit\/96kHz audio and MIDI interface\u003c\/li\u003e\r\n\u003cli\u003eAIRA Link for easy connection to MX-1 Mix Performer\u003c\/li\u003e\r\n\u003cli\u003eIncludes rackmount adapter and braided patch cables\u003c\/li\u003e\r\n\u003cli\u003eAbleton Live Lite is included\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eModular for the Masses\u003c\/h3\u003e\r\n\u003cp\u003eModular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. But they can demand a real investment of both time and money to create a fully functional instrument. The SYSTEM-1m takes the guesswork out of getting into modular with great sounds and the freedom to experiment right out of the box. The fully self-contained module can be placed in a rack or on a table and can be powered by a standard AC adaptor. And it can be played from any standard MIDI keyboard or receive MIDI messages from your DAW - just like you’d expect.  But the SYSTEM-1m goes way beyond standard synthesizer modules. WIth fully-lit, color coded patch points, you can experiment with reconfiguring its architecture and easily connect to a wide world of available synthesizer modules. In addition to functioning as a rackmount or tabletop unit, the SYSTEM-1m can be mounted in a standard Eurorack case and can be powered via integrated case power with the included adapter cable. Its versatile synth architecture integrates beautifully with existing modular setups - or it can be the heart of a burgeoning modular synthesizer rig.\u003c\/p\u003e\r\n\u003ch3\u003eA Collection of Classics\u003c\/h3\u003e\r\n\u003cp\u003eThe SYSTEM-1m is a stunningly powerful instrument based on our more than 40 years of experience in designing synthesizers. It’s capable of an astonishing range of synth tones, from glistening arps to thunderous basses. But we’re also known for our lineage of iconic vintage instruments, sought after by musicians the world over. These include a long list of classic synths renowned for their identifiable character and genre-defining tone. And this is why we developed PLUG-OUT technology.  PLUG-OUT synthesizers use our Analog Circuit Behavior technology to perfectly replicate some of our most revered classics. They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m’s array of high-resolution knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.\u003c\/p\u003e\r\n\u003ch3\u003eAll These Worlds Are Yours\u003c\/h3\u003e\r\n\u003cp\u003eWhile it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it’s the SYSTEM-1m’s combination of CV\/Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.  For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101’s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. The potential is staggering.  *SH-101 PLUG-OUT will be available for sale soon.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449742225511,"sku":"49478","price":649.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland_system-1m_left_2f59cfee-68ea-44a2-b207-37bde2ab26b5.jpg?v=1787090219"},{"product_id":"snazzy-fx-tidal-wave","title":"Snazzy FX Tidal Wave","description":"\u003cp\u003eWith the \u003cstrong\u003eSnazzy FX Tidal Wave\u003c\/strong\u003e a flexible VC-Mix\/crossfader section is used to create comb filter effects. A VC-LFO and an autotrigger envelope plus an internal modulation buss are used for CV routing with interesting opposite going modulations. All sections of the module can be used individually.  While each component usable individually, the Tidal Wave benefits from the interaction of all sections and the flexible routing, the simultaneous modulations of the filter and the waveshaper, resulting in phase cancellations and comb filter effects as well as from the settings of the voltage controlled mixer.\u003c\/p\u003e\r\n\u003cp\u003eThe filter is a 4-pole low pass with voltage controlled resonance (Q to be exact) with three different Q modes: normal, compressed and high-Q. The self-oscillation possible in the last mode generates a sine wave that can be used as audio source which turns the Tidal Wave into a synth voice. Feedback can draw it’s signal either from the filter or from the wave shaper.  A voltage controlled mixer blends between the sound processors: dry\/vcf, dry\/waveshaper (ws), vcf\/ws and so on. The control voltage can originate from the internal AD envelope generator which features autotrigger modes or triggering by the LFO. The LFO can modulate the mix and the filter and a three-position switch selects a number of routings which partially have different phase.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCV wave folder \/ shaper with 3 parameter control\u003c\/li\u003e\r\n\u003cli\u003eVCF four pole filter with 2 resonance modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable VC mixer \u0026amp; crossfader\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK section with two modes\u003c\/li\u003e\r\n\u003cli\u003eVcLfo with sine\/tri\/sqr and output\u003c\/li\u003e\r\n\u003cli\u003eLin fm input on filter\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in attack\/release envelope with output\u003c\/li\u003e\r\n\u003cli\u003eInternal CV and LFO bus\u003c\/li\u003e\r\n\u003cli\u003eBuilt in Vca\u003c\/li\u003e\r\n\u003cli\u003e1\/v oct Sine VCO in self osc mode\u003c\/li\u003e\r\n\u003cli\u003eUsable as a voice or for processing signals\u003c\/li\u003e\r\n\u003cli\u003eDC coupled Folder\/Filter\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449743962215,"sku":"48486","price":465.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_tidal-wave_front_d03a2bfb-98c0-4e2a-938b-df0e0b22f491.jpg?v=1787090227"},{"product_id":"snazzy-fx-dreamboat","title":"Snazzy FX Dreamboat","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Dreamboat\u003c\/strong\u003e has two oscillator sections to the module, the top half is an audio rate chaotic oscillator and the lower half outputs LFO rate signals. With its five outputs, the Dreamboat allows you to connect to plenty of modules all at once, allowing all kinds of modulation and listening possibilities.When used with an oscilloscope or a scope program in X\/Y mode, the Dreamboat allows you to view its chaotic attractors in realtime.  Allowing for unique rhythms through the use of the gate output, a typical setup might see the Dreamboat involved in a few feedback loops while controlling an ADSR and a VCA with its gate output. When used with TIP-TOP’s special dual cables, hearing AND viewing the Dreamboat at the same time is a snap.\u003c\/p\u003e\r\n\u003cp\u003eThe Dreamboat is easy to use, just turn the knobs until the Chaos starts, then add modulation, cross-couple the two sections, and bring in a VCO or Noise module. For even more far out sounds, we recommend the use of two or even three Dreamboats for a truly powerful setup. Though the Dreamboat is not an oscillator in a way you might be used to, it will push you into new musical directions.  From subtle to destructive, from scary to absurd, the Dreamboat is a strange bird.\u003c\/p\u003e\r\n\u003cp\u003eUse the Dreamboat to create everything from strange fogs to banging pots and pans, use it to explore Chaos or simply to have a truly unique module in your setup.\u003c\/p\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44449744158823,"sku":"48479","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_dreamboat_front_e73db20e-eb5e-4d57-8572-c561706b6aba.jpg?v=1787090227"},{"product_id":"mutable-instruments-tides","title":"Mutable Instruments Tides","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments' Tides\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rate. This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003ch3\u003eFeatures, controls, I\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCycle mode selector: single shot AD, single shot AR, looping (VC-LFO\/VCDO).\u003c\/li\u003e\r\n\u003cli\u003eFrequency range selector: low (20 minutes to 5 Hz), medium (0.05 Hz to 300 Hz), high (8 Hz to 10kHz).\u003c\/li\u003e\r\n\u003cli\u003eFrequency control, with 1V\/Oct frequency CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or raised cosine segments.\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input.\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input. From 0V to -5V, smoothes the waveform using a 2-pole digital filter, from 0V to +5V, adds bumps and kinks with a digital wavefolder.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar CV input controlling output level.\u003c\/li\u003e\r\n\u003cli\u003eTrigger input, which works as a trigger in AD\/AR modes and a sync\/reset in looping mode.\u003c\/li\u003e\r\n\u003cli\u003eClock input to “tap” or “ping” the LFO and envelopes, or to lock the VCDO frequency through a PLL. In these cases, the frequency control acts as a frequency division\/multiplication control.\u003c\/li\u003e\r\n\u003cli\u003eFreeze gate input to stop the oscillator and hold its output.\u003c\/li\u003e\r\n\u003cli\u003eHigh tide and Low tide gate outputs for chaining\/quadrature operation, or other applications such as gate delaying.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar (8V) and bipolar (+\/- 5V) outputs, with a distinct shape\/character.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz for shape\/slope\/smoothness, DC to 3kHz for FM, DC to 24 kHz for level.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV acquisition with separate power supply for converters and references.\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV generation, 48kHz sample rate (12.5kHz in the lowest frequency range).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e14-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 55mA ; -12V: 5mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44449750810727,"sku":"50094","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_tides_straight_f4780f3e-898f-46d8-b5db-be560daed83c.jpg?v=1787090256"},{"product_id":"pittsburgh-modular-lfo2","title":"Pittsburgh Modular LFO2","description":"\u003cp\u003eA utility \u003cstrong\u003eDual LFO\u003c\/strong\u003e module.  The module uses two different types of low frequency oscillator circuits to provide a variety of modulation options.\u003c\/p\u003e\r\n\u003ch4\u003eLFO 1 (top)\u003c\/h4\u003e\r\n\u003cp\u003eA triangle based low frequency oscillator that utilizes FREQUENCY and SHAPE controls to generate shifting waveforms.  Adjusting the SHAPE control varies the shape of the SHAPE output from sawtooth (full left)  to triangle (12 o'clock) to ramp (full right) and also adjusts the pulse width of the PULSE output.\u003c\/p\u003e\r\n\u003ch4\u003eLFO 2 (bottom)\u003c\/h4\u003e\r\n\u003cp\u003eA simple triangle based low frequency oscillator with FREQUENCY knob and RANGE switch to control the frequency of the TRIANGLE and SQUARE outputs.\u003c\/p\u003e\r\n\u003ch3\u003eModule Controls\u003c\/h3\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Knob - Adjust the frequency of LFO 1.\u003c\/li\u003e\r\n\u003cli\u003eShape Knob - Modifies the shape of the SHAPE and PULSE outputs.\u003c\/li\u003e\r\n\u003cli\u003eSHAPE Jack - Saw \/ Triangle \/ Ramp Wave Output\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Switches the frequency range of LFO 1.\u003c\/li\u003e\r\n\u003cli\u003ePULSE - Square \/ Pulse Wave Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFO 2\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFREQUENCY Knob - Adjust the frequency of LFO 2.\u003c\/li\u003e\r\n\u003cli\u003eTRIANGLE Jack - Triangle Wave Output\u003c\/li\u003e\r\n\u003cli\u003eRANGE Switch - Switches the frequency range of LFO 2.\u003c\/li\u003e\r\n\u003cli\u003eSQUARE Jack - Square Wave Output\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSize: 6hp\u003cbr\u003e Depth: 35mm\u003cbr\u003e Power Usage: 30mA\u003c\/p\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449751433319,"sku":"49981","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh_lfo2_ca8aac38-3e08-414c-a5df-2919921b6f4f.jpg?v=1787090257"},{"product_id":"roland-system-500-540-dual-eg-and-lfo-eurorack-module","title":"Roland System-500 540 - Dual EG and LFO Eurorack Module","description":"\u003cp\u003eThe \u003cstrong\u003eRoland 540 Dual Envelope Generator and LFO (low frequency oscillator) Eurorack\u003c\/strong\u003e is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output. Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44449798488167,"sku":"53214","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-540-eurorack-1_9c223a67-8740-4813-9bb4-6a2fa168bc1a.jpg?v=1787090465"},{"product_id":"pittsburgh-modular-chain-reactor","title":"Pittsburgh Modular Chain Reactor","description":"\u003cp\u003eThe \u003cstrong\u003ePittsburgh Modular Chain Reactor\u003c\/strong\u003e combines two of our classic VILFO modules with two additional free running LFOs to create an endless supply of chaotic fluctuations. VILFO1 and VILFO2 feature our unique voltage influence control. Voltage influence works differently than standard voltage control, it allows the incoming CV to mingle with the LFO waveforms in interesting ways, creating unique modulations and patterns. The output of each VILFO is a voltage controlled variable waveform that shifts from a triangle to square wave.\u003c\/p\u003e  \u003ch3\u003eThe Voltage Influence Circuit\u003c\/h3\u003e  \u003cp\u003eA typical Voltage controlled oscillator works by using a CV input to directly control the oscillation frequency. The more voltage sent to the CV input, the higher the frequency of the oscillator. The lower the voltage, the lower the frequency of the oscillator. Voltage Influence works by using the CV input to attenuate the frequency of the oscillator while at the same time injecting some of the voltage from influence CV input to the feedback loop of the oscillator. Results can vary from subtle to chaotic. Subtle results can be similar to tremolo, shuffle, or soft reset while more extreme settings produce glitchy, rhythmic, chaotic fluctuations in the frequency of the oscillator.\u003c\/p\u003e  \u003ch3\u003eA Chain Reaction\u003c\/h3\u003e  \u003cp\u003eThree of the modulation sources within the Chain Reactor are patched together using switched jacks to ceate complex modulations without needing to use patch cables. The output of LFO3 is patched to the influence CV input of VILFO2 and the output of VILFO2 is internally patched to the influence CV input of VILFO1. The fourth LFO is not prepatched but can be used to modulate the waveshape of VILFO1 or VILFO2. The internal routing between modulation sources within the Chain Reactor can be defeated by patching an external CV souce into the module.\u003c\/p\u003e  \u003ch3\u003eChain Reactor Controls:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eVILFO1 Frequency Knob- Frequency control of VILFO1.\u003c\/li\u003e \u003cli\u003eVILFO1 Influence CV Knob - Influence CV input (INF CV 1) attenuator.\u003c\/li\u003e \u003cli\u003eVILFO1 Waveshape Knob - Output waveform control shifts from triangle (left) to square (right). Also functions as the Waveshape CV input (WS CV 1) attenuator.\u003c\/li\u003e \u003cli\u003eVILFO1 INF CV 1 Jack - Influence CV input. Normaled to the VILFO 2 output. Internal routing is bypassed when a patch cable is used.\u003c\/li\u003e \u003cli\u003eVILFO1 WS CV 1 Jack - VILFO1 ouput waveshape CV input.\u003c\/li\u003e \u003cli\u003eVILFO1 OUT 1 Jack - VILFO1 waveform output.\u003c\/li\u003e \u003cli\u003eVILFO2 Frequency Knob - Frequency control of VILFO2.\u003c\/li\u003e \u003cli\u003eVILFO2 Influence CV Knob - Influence CV input attenuator.\u003c\/li\u003e \u003cli\u003eVILFO2 Waveshape Knob - Output waveform control shifts from triangle (left) to square (right). Also functions as the Waveshape CV input (WS CV 1) attenuator.\u003c\/li\u003e \u003cli\u003eVILFO2 INF CV 1 Jack - Influence CV input. Normaled to the LFO3 output. Internal routing is bypassed when a patch cable is used.\u003c\/li\u003e \u003cli\u003eVILFO2 WS CV 1 Jack - VILFO2 ouput waveshape CV input.\u003c\/li\u003e \u003cli\u003eVILFO2 OUT 1 Jack - VILFO2 waveform output.\u003c\/li\u003e \u003cli\u003eLFO3 Frequency Knob - Frequency control of LFO3.\u003c\/li\u003e \u003cli\u003eLFO3 Shape 3 Switch - Waveform shape selector switch. Switch between triangle and square wave.\u003c\/li\u003e \u003cli\u003eLFO3 Range 3 Switch - LFO3 course frequency range switch. Switch between low frequency oscillator range and audio rate oscillator range.\u003c\/li\u003e \u003cli\u003eLFO3 Out 3 Jack - LFO3 waveform output.\u003c\/li\u003e \u003cli\u003eLFO4 Frequency Knob - Frequency control of LFO4.\u003c\/li\u003e \u003cli\u003eLFO4 Shape 4 Switch - Waveform shape selector switch. Switch between triangle and square wave.\u003c\/li\u003e \u003cli\u003eLFO4 Range 4 Switch - LFO4 course frequency range switch. Switch between low frequency oscillator range and audio rate oscillator range.\u003c\/li\u003e \u003cli\u003eLFO4 Out 4 Jack - LFO4 waveform output.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eChain Reactor Specs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSize: 12hp\u003c\/li\u003e \u003cli\u003eModule depth with ribbon cable attached: 36.5mm\u003c\/li\u003e \u003cli\u003ePower Usage: 45mA\u003c\/li\u003e \u003c\/ul\u003e","brand":"Pittsburgh Modular","offers":[{"title":"Default Title","offer_id":44449862713447,"sku":"56078","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/pittsburgh-modular-chain-reactor_56078_1.jpg?v=1787090739"},{"product_id":"malekko-ad-lfo-v","title":"Malekko AD\/LFO V","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko AD\/LFO-V\u003c\/strong\u003e is a 6-channel envelope and LFO generator optimized for compatibility with video synthesis modules! Adapted in collaboration with LZX Industries, AD\/LFO-V has 1V scaled outputs and a matte finish front panel. It makes the perfect modulation source for LZX Visual Cortex.\u003c\/p\u003e  \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e12hp\u003c\/li\u003e \u003cli\u003e+12V\/-12V\u003c\/li\u003e \u003cli\u003eWeight: .47 lbs\u003c\/li\u003e \u003cli\u003eDimensions: 5.5 x 4.5 x 2.5 in\u003c\/li\u003e \u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449889189991,"sku":"56622","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko-ad-lfo-v_56622_1_40de59a8-74b6-4288-ba28-8218ffe058e8.jpg?v=1787090828"},{"product_id":"malekko-ad-lfo","title":"Malekko AD\/LFO","description":"\u003cp\u003eThe \u003cstrong\u003eMalekko AD\/LFO\u003c\/strong\u003e is a digital powerhouse of envelopes and low frequency oscillators, totaling 6 independent function generators plus 2 SUM outputs. Each bank of three can be 10 times longer with a touch of the \/10 button. This module was designed with live performance in mind! Read more below!\u003c\/p\u003e  \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e12hp\u003c\/li\u003e \u003cli\u003e+12V\/-12V\u003c\/li\u003e \u003cli\u003eWeight: .47 lbs\u003c\/li\u003e \u003cli\u003eDimensions: 5.5 x 4.5 x 2.5 in\u003c\/li\u003e \u003c\/ul\u003e","brand":"Malekko","offers":[{"title":"Default Title","offer_id":44449889222759,"sku":"56621","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/malekko-ad-lfo_56621_1_19b0d220-a8e5-4c4e-bfae-523a0d50b281.jpg?v=1787090828"},{"product_id":"dreadbox-drips-eurorack-module","title":"Dreadbox Drips","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Drips\u003c\/strong\u003e is a complete analog synthesizer designed for drum sounds with 2 VCOs with FM function, a white noise generator, 3 mode VCF (LP-BP-HP) tap tempo clock and 2 envelope generators. 21 HP.\u003c\/p\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449901674599,"sku":"57214","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-drips_57214_1_66cc3be4-f836-4f63-addb-9f55f0d057ea.jpg?v=1787090880"},{"product_id":"dreadbox-theta-eurorack-module","title":"Dreadbox Theta","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Theta\u003c\/strong\u003e is a simple, dual LFO Eurorack module. It has sample \u0026amp; hold, a white noise generator and an auto gate generator (clock with variable PW and Tap Tempo).\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eLFO Range: 25sec – 50Hz\u003c\/li\u003e \u003cli\u003eSample \u0026amp; Hold: accepts up to 10Vpp inputs\u003c\/li\u003e \u003cli\u003eClock Range: 2sec – 3000Hz\u003c\/li\u003e \u003cli\u003eClock Out: 0-5V pulse\u003c\/li\u003e \u003cli\u003eNoise Out: 10Vpp\u003c\/li\u003e \u003cli\u003e20 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449902067815,"sku":"57211","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-theta_57211_1_4c29ca62-170a-49b9-929c-0c8dd1c6b8ff.jpg?v=1787090881"},{"product_id":"dreadbox-ypsilon-eurorack-module","title":"Dreadbox Ypsilon","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Ypsilon\u003c\/strong\u003e is a voltage controlled LFO Eurorack module. It has a wide frequency range (1min- 1KHz at least), 8 simultaneous wave outputs, VC attenuator, reset (sync) function and can be a unique wave-forming system.\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eFrequency Range: 1min – 1KHz at least\u003c\/li\u003e \u003cli\u003eCV input: accepts +\/-12V\u003c\/li\u003e \u003cli\u003eReset: expects at least 5V pulse\u003c\/li\u003e \u003cli\u003eAll Wave outputs: +\/-5V\u003c\/li\u003e \u003cli\u003eVC Attenuator output: minimum=input \/ 75 , max=input\u003c\/li\u003e \u003cli\u003eVC Attenuator CV: +\/-5V\u003c\/li\u003e \u003cli\u003e22 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44449902100583,"sku":"57212","price":369.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-ypsilon_57212_1_fd9443a6-f373-4641-8977-f46ddde76398.jpg?v=1787090881"},{"product_id":"audio-damage-adm-15-spectre-stereo-freeze","title":"Audio Damage ADM15 Spectre Stereo Freeze","description":"\u003cp\u003eThe \u003cstrong\u003eAudio Damage ADM15 Spectre\u003c\/strong\u003e module captures a moment in time, and allows you to freeze it and mix it with the input to create amazing spectral soundscapes.\u003c\/p\u003e  \u003cp\u003eFeaturing two distinct modes of operation, Spectre is equally adept at freeze-glitching rhythmic parts or providing complex tuned dronescapes for ambient beds. With the Infinite Mode off, either a manual button or a gate signal activates the freeze effect, and with Infinite Mode on, the button or a trigger signal captures a new freeze, allowing for stunning and unique possibilities.\u003c\/p\u003e  \u003cp\u003eThe Blur and Shift controls allow further modification of the frozen FFT signal. There are two Shift modes (linear \"Bin\" shift and harmonic \"Pitch\" shift). Massive stereo decorrelation is possible via the Blur control, which ranges from subtle widening to inharmonic insanity.\u003c\/p\u003e  \u003cp\u003eSpectre is built to the highest possible standards in the USA, with full over-voltage and reverse protection, panel-bolted 100,000-turn BI potentiometers, custom Rogan knobs, and a back-mounted USB port for firmware updates.\u003c\/p\u003e","brand":"Audio Damage","offers":[{"title":"Default Title","offer_id":44449937555559,"sku":"58256","price":289.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/audio-damage-adm15-1_cd29dddd-9353-469f-9437-9378b00f48a5.jpg?v=1787091028"},{"product_id":"noise-engineering-variatic-eruption","title":"Noise Engineering Variatic Erumption","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Erumption\u003c\/strong\u003e is a dual-burst generator. When triggered, it produces a controllable sequence of gates synchronized to a LFO. A 1v\/8va LFO is included. Any external LFO\/clock may optionally be used. Bursts can be terminated early with the choke. Burst length can be controlled as well as the pattern used for the burst.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003ePut INT\/EXT switch into the INT position. Put FST\/SLW switch into the SLW position.\u003c\/p\u003e  \u003cp\u003eSet PAT knob fully CCW. Set left CNT fully CW.\u003c\/p\u003e  \u003cp\u003eConnect the left OUT and END to two gateble modules such as an envelope or Basimilus Iteritas.\u003c\/p\u003e  \u003cp\u003eHit the let HIT switch. A long burst will be generated which will blink the orange LED and trigger the attached device. At the end of the burst the red LED will blink and any device attached to the end out will trigger.\u003c\/p\u003e  \u003cp\u003eAdjusting the TMP knob while hitting HIT will change the burst speed. The tempo can be controlled by CV (CLK IN). Send an envelope or LFO to modulate the burst rate. The tempo range can be changed with the FST\/SLW switch. It has three positions each is half tempo of the position above. The CNT knob\/jack controls the number of gates in the burst. The PAT knob\/jack controls the pattern of the burst.\u003c\/p\u003e  \u003cp\u003eConnect an external trigger source to the HIT jack to trigger the burst externally.\u003c\/p\u003e  \u003cp\u003eHitting the CHK switch or sending a trigger to the CHK jack will terminate the burst.\u003c\/p\u003e  \u003cp\u003eTo use an external clock Ęip the clock switch to EXT and send a clock into the INLFO. Everything will work the same except it will use the external clock for output timing. In this mode the DIV knob acts as an adjustable divider to the clock input. To match the external clock without division put DIV in the fully CCW position.\u003c\/p\u003e  \u003ch3\u003eInterface - LFO\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInt\/Ext - This switch selects the burst clock source between the internal LFO or an external clock.\u003c\/li\u003e \u003cli\u003eIn Jack 0-8v - In internal LFO mode this jack is a 1v\/8va CV for the internal LFO and has 8 octaves of range. In external mode, it is a clock input. Burst gate length follows both rising and falling edges so clock duty cycle is maintained between LFO, Out and End.\u003c\/li\u003e \u003cli\u003eTmp\/Div Knob  - In internal LFO mode, this knob controls the LFO tempo. It allows 4 octaves of control. In external mode, it is a controllable clock divider with 1-32 divisions.\u003c\/li\u003e \u003cli\u003eFst\/Slw Toggle - This switch controls the base tempo of the internal LFO. It is a three-position switch. Each position is half tempo of the position above. e lowest tempos in each range are: 1\/2Hz (30 BPM), 2Hz (120 BPM) and 8Hz (480 BPM).\u003c\/li\u003e \u003cli\u003eOut Jack - This jack outputs the LFO used for burst generation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInterface - Burst\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHit Jack - This gate input will start the burst on a rising edge. If using internal clock mode, it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eHit Tactile - This tactile switch will start the burst when depressed. If using internal clock mode it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eChk Jack - This gate input will terminate the current burst on a rising edge.\u003c\/li\u003e \u003cli\u003eChk Tactile - This tactile switch will terminate the current burst when depressed.\u003c\/li\u003e \u003cli\u003eCnt Jack 0-8v - This jack allows to control the burst count with a control voltage.\u003c\/li\u003e \u003cli\u003eCnt Knob - This knob allows the control of the burst count. It acts as a scalar when using an external CV.\u003c\/li\u003e \u003cli\u003eOut Jack - This gate output sends a burst based on the clock when triggered with a Hit. There is an orange LED to indicate the current output state.\u003c\/li\u003e \u003cli\u003eEnd Jack - This gate output sends a pulse based on the clock at the next clock following the end of a burst.\u003c\/li\u003e \u003cli\u003ePat Jack 0-8v - This jack allows CV control over the pattern.\u003c\/li\u003e \u003cli\u003ePat Knob - This knob controls the current pattern used for the burst. Built-in patterns are documented in detail on the following page. When rotated fully CW this knob will double the maximal length of the pattern to 64 gates. When in double length mode the bust pattern is the same as when fully CCW (every clock outputs a gate).\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44449938997351,"sku":"58294","price":195.61,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-erumption-1_8a48be1a-6ca0-4edd-b09a-3ff84afb398d.jpg?v=1787091033"},{"product_id":"wmdevices-and-steady-state-fate-adsrvca","title":"WMDevices and Steady State Fate ADSRVCA","description":"\u003cp\u003eThe \u003cstrong\u003eWMDevices and Steady State Fate ADSRVCA\u003c\/strong\u003e is a multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA).\u003c\/p\u003e  \u003cp\u003eThis envelope generator is capable of producing a classic, gate driven Attack\/Decay\/Sustain\/Release (ADSR) envelope as well as a self sustaining, looping Attack Decay (AD) and Attack Decay Release (ADR) one shot envelopes.\u003c\/p\u003e  \u003cp\u003eThe integrated VCA eliminates the need for an external VCA module and can be used independently when an external control voltage is utilized.\u003c\/p\u003e  \u003cp\u003eThe envelope controls the shape of the VCA’s amplitude response by default.\u003c\/p\u003e  \u003cp\u003ePower Draw: +36 mA, -16 mA. 6HP width. 25 mm depth.\u003c\/p\u003e","brand":"WMD \/ Steady State Fate","offers":[{"title":"Default Title","offer_id":44449943421031,"sku":"58358","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wmd-ssf-adsrvca-1_0daa156c-1851-4585-928e-fc7785c2b92d.jpg?v=1787091038"},{"product_id":"studio-electronics-ste-16","title":"Studio Electronics STE. 16","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics STE. 16\u003c\/strong\u003e (the second collaboration with eowave designer Marc Sirguy), is a dual LFO featuring a HI-freq mode and complex waveform mixing possibilities producing thousands of different modulation and audio frequency shifts and wiggles.\u003c\/p\u003e  \u003cp\u003eThe STE's amplitude modulation, frequency modulation, and waveform mixing and blending push the envelope far above and beyond typical\/classic four waveform LFOs construction and limit, and so now shall you. The 1 SHOT function dramatically transforms the STE into a punchy and varied percussive tool; applied to an external VCA, one can generate compact and expansive, concussive encounters. More experimental tonal space can be explored via the AM function, with LFO 1's starting rate somewhere near the low end of the STE's vibrational spectrum: 5 Hz (about 3:40s), and LFO 2 ultimately demanding its 6 kHz scream, shatter, and fracture ceiling of thrills and audio frequency chills.\u003c\/p\u003e  \u003cp\u003eWith sixteen waveforms per LFO, setting the initial fragmentizing, gyrating, LoFi digital oscillating process (whenever you are ready), can be a most impulsive, and highly engrossing pursuit.\u003c\/p\u003e  \u003ch3\u003eCommon Parameters\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSPEED - sets rate of LFO\u003c\/li\u003e \u003cli\u003e1 SHOT - LFO waveform plays once—needs to be triggered by the reset input.\u003c\/li\u003e \u003cli\u003eHI\/LO - in HI mode (6 kHz at the top of its range) the LFO reaches the audio range—think LoFi digital oscillator; in LO mode, (starting at 5 Hz) a very patient 3:40 long sweep is possible\u003c\/li\u003e \u003cli\u003eWAVE - Sets one of 16 different waveforms: triangle, sine, dome, ramp up, ramp down, stairchase, square, 1\/2 square, impulse, four decreasing squares, random, random increasing, random pulse with, random triangles, pitched noise, and digital noise\u003c\/li\u003e \u003cli\u003eFM - Frequency modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eAM - Amplitude modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eMIX - Mix setting of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eMX (MIX) - Mix output of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eCV - Affects the speed via an external voltage\u003c\/li\u003e \u003cli\u003eRESET - Resets the waveform\u003c\/li\u003e \u003cli\u003eOUT - Balanced LFO output: FM\/M\/AM three position switch sets the type or mix of modulation outputted\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eEleven patch points: 1 SHOT, HI\/LO (x2), MX, CV In 1, RESET 1, OUT 1, CV In 2, RESET 2, OUT 2\u003c\/li\u003e \u003cli\u003eSize - 10hp\u003c\/li\u003e \u003cli\u003eDepth - 25 mm with ribbon cable attached\u003c\/li\u003e \u003cli\u003ePower Usage - 150 mA (+12 V) \/ 35 mA (-12 V)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450011611239,"sku":"55381","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-ste-16-1_6576eb1f-d4d4-4dd0-bd10-ba3c919480a6.jpg?v=1787091320"},{"product_id":"snazzy-fx-chaos-brother-demo-deal","title":"Snazzy FX Chaos Brother (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Chaos Brother\u003c\/strong\u003e is a new modulation module full of enough options and knobs to keep it interesting no matter where you decide to use it.  It all starts with the CHAOS knob, when turned all the way to the left, you get repetitive, tame oscillations like you would find in a basic LFO. Start turning the knob to the right and the Chaos ensues.\u003c\/p\u003e\r\n\u003cp\u003eThe speed of the chaos can be adjusted with the speed knob so there is a wide range of variation possible.  With Speed and Chaos knobs, it is very easy to dial in just the right amount of craziness. At times like an LFO, other times generating wild patterns, jagged waveforms, or even strange bass blasts. Use it to add vibrato to a melody, out of this world sweeps, hiccups, slow swirls, or use the smooth out for more subtle controlled modulation.  With a CV input, you can have the whole cloud of modulation stop and start, melt and reform on the beat, synced to your sequencer or a sharp LFO.\u003c\/p\u003e\r\n\u003cp\u003eThings get more interesting when you take advantage of the gate output. This single output allows the performer to create chains of percussion. Drive the Chaos Brother with a gate, and then drive the rest of your system with the Chaos Brothers gate out. Flip the threshold till it’s just right, take one of the three outputs (x, y and smooth) and plug them in all over the place.  Modulate your VCOS and your filters, trigger your envelopes, clock your sequencer, and cross-modulate to your hearts content.  10hp wide\u003c\/p\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44450032779367,"sku":"64176","price":209.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_chaos-brother_front_1_273f5ffd-1dac-4fdd-9566-e255aa663960.jpg?v=1787091407"},{"product_id":"mutable-instruments-braids-2","title":"Mutable Instruments Braids","description":"\u003cp\u003e\u003cstrong\u003eBraids by Mutable Instruments\u003c\/strong\u003e is a voltage-controlled monophonic digital sound source.\u003c\/p\u003e\r\n\u003cp\u003eSound source… like an oscillator? Not really.\u003c\/p\u003e\r\n\u003cp\u003eMost of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes.\u003c\/p\u003e\r\n\u003cp\u003eEach algorithm is controlled by two continuously variable parameters, Timbre and Color, both of them voltage controllable. Very often, these parameters simultaneously affect several dimensions of timbre, creating very complex movements which would be hard to generate with a traditional setup.\u003c\/p\u003e\r\n\u003ch3\u003eSynthesis algorithms\u003c\/h3\u003e\r\n\u003ch4\u003eAnalog synthesis\u003c\/h4\u003e\r\n\u003col\u003e\r\n\u003cli\u003eSawtooth with CS-80-style “tooth”-impurity. Modulating the tooth width and polarity creates phasing and timbre animation.\u003c\/li\u003e\r\n\u003cli\u003eContinuous morphing through triangle, sawtooth, square and pulse waveshapes. With adjustable overdrive and coloration.\u003c\/li\u003e\r\n\u003cli\u003eSawtooth and square morphing. Continuous interpolation between the two shapes; and pulse-width modulation controls. Pulse-width modulation is applied to the sawtooth wave too, resulting in a thick “animated saw” sound.\u003c\/li\u003e\r\n\u003cli\u003eDual square or saw wave with hard sync, with frequency ratio and balance control.\u003c\/li\u003e\r\n\u003cli\u003eTriangle and sine, with continuous interpolation between the two shapes; and wave multiplier.\u003c\/li\u003e\r\n\u003cli\u003eTriple saw, square, triangle or sine.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eDirect digital synthesis\u003c\/h4\u003e\r\n\u003cli\u003eThree ring-modulated sine waves, with detune controls.\u003c\/li\u003e\r\n\u003cli\u003eBand-limited dual pulse train, with bandwidth and detune controls.\u003c\/li\u003e\r\n\u003cli\u003eSwarm of seven sawtooth waves, with detune and high-pass filtering controls.\u003c\/li\u003e\r\n\u003cli\u003eDigital Sawtooth wave sent into a tuned delay line (comb filter) with positive and negative feedback.\u003c\/li\u003e\r\n\u003cli\u003eToy keyboard-like waveform generation, with waveshape and bitcrushing parameters.\u003c\/li\u003e\r\n\u003cli\u003eDirect digital emulation of triangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth and square waves sent into low-pass, peaking, band-pass and high-pass filters (Casio CZ meets Roland D-50)\u003c\/li\u003e\r\n\u003cli\u003eCutoff frequency\u003c\/li\u003e\r\n\u003cli\u003ewaveshaping controls.\u003c\/li\u003e\r\n\u003ch4\u003eVocal synthesis\u003c\/h4\u003e\r\n\u003cli\u003eVOSIM synthesis with bell-shaped carrier; control over the frequency position of two formants.\u003c\/li\u003e\r\n\u003cli\u003e80s Home-computer vowel synthesis, with vowel and approximative chipmunk-approved vocal range control.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eFOF vowel synthesis, with vowel and voice range (bass to soprano) control.\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eAdditive harmonics with harmonic emphasis.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003ch4\u003eFM\u003c\/h4\u003e\r\n\u003cli\u003eTwo-operators FM \u003c\/li\u003e\r\n\u003cli\u003eFM index and carrier\/modulator ratio controls.\u003c\/li\u003e\r\n\u003cli\u003eVariants with rough feedback and chaotic behavior.\u003c\/li\u003e\r\n\u003ch4\u003eSimulations\u003c\/h4\u003e\r\n\u003cli\u003ePlucked string simulation, with strength\/pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003ebowed string simulation\u003c\/li\u003e\r\n\u003cli\u003eBlown pipe simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eFlute simulation, with pressure and geometry controls.\u003c\/li\u003e\r\n\u003cli\u003eAdditive bell \u003c\/li\u003e\r\n\u003cli\u003eDrum\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 kick\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 snare\u003c\/li\u003e\r\n\u003cli\u003eSimulation of the 808 hi-hat \u003c\/li\u003e\r\n\u003ch4\u003eWavetables\u003c\/h4\u003e\r\n\u003cli\u003e33 waveforms distributed over 20 wavetable with quantized wavetable selector, and smooth interpolation within a wavetable.\u003c\/li\u003e\r\n\u003cli\u003e256 waveforms optimally laid out in a 16×16 map, with smooth XY interpolation across the map.\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic wavetable synthesis, with chord control.\u003c\/li\u003e\r\n\u003ch4\u003eNoise\u003c\/h4\u003e\r\n\u003cli\u003ePitched noise source with state variable filter; Q and Oberheim-style filter mode (LP to notch to HP) controls.\u003c\/li\u003e\r\n\u003cli\u003ePitched noise source with dual bandpass filters; Q and separation controls.\u003c\/li\u003e\r\n\u003cli\u003eClocked noise, with adjustable cycle length, and adjustable quantization.\u003c\/li\u003e\r\n\u003cli\u003eGranular cloud with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eParticle system simulation (“bag of stuff”) with density and dispersion parameters.\u003c\/li\u003e\r\n\u003cli\u003eSimulation of telecommunications digital modulator.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003ch3\u003eInputs and outputs\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrigger input (required for the simulations which require an onset\/excitation impulse, or to trigger the internal AD envelope).\u003c\/li\u003e\r\n\u003cli\u003eV\/Oct CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter. This uses a finer conversion resolution than the V\/Oct input, making it suitable for subtle modulations with a resolution of 1 cent.\u003c\/li\u003e\r\n\u003cli\u003eTimbre CV input with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eColor CV input.\u003c\/li\u003e\r\n\u003cli\u003eAudio output.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured in september 2015 or later)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 100mA ; -12V: 15mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch4\u003eTechnical characteristics (units manufactured before september 2015)\u003c\/h4\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5V voltage source needed (for example Mutable Instruments Volts).\u003c\/li\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 4kHz.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV capture.\u003c\/li\u003e\r\n\u003cli\u003e96kHz, 16-bit audio processing (some algorithms 2x or 4x oversampled).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e16-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 15mA ; -12V: 15mA ; +5V: 85mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450036023399,"sku":"64519","price":319.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_braids_top_1_adee4b8d-db7b-4560-b834-20eecfc23a86.jpg?v=1787091420"},{"product_id":"2hp-lfo-oscillator","title":"2hp LFO Oscillator","description":"\u003cp\u003e\u003cstrong\u003e2hp LFO\u003c\/strong\u003e is a voltage controlled, low frequency oscillator. 8 waveforms are available with smooth morphing between each, allowing for complex and unique patterns.\u003c\/p\u003e  \u003cp\u003eIn addition to sine, triangle, sawtooth, and square waveforms, four alternate waveforms are accessible. The alternate waveforms have been designed with modulation in mind and provide an innovative voltage source to use on filters, oscillators, and everything else.\u003c\/p\u003e  \u003cp\u003eIf you’re looking to take your modulation to the next level, the 2hp LFO can get you there.\u003c\/p\u003e","brand":"2hp","offers":[{"title":"Default Title","offer_id":44450045001831,"sku":"64941","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/2hp-lfo-1_c525fa03-8311-4fd4-9be1-31968c659633.jpg?v=1787091456"},{"product_id":"studio-electronics-ste-16-demo-deal","title":"Studio Electronics STE. 16 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics STE. 16\u003c\/strong\u003e (the second collaboration with eowave designer Marc Sirguy), is a dual LFO featuring a HI-freq mode and complex waveform mixing possibilities producing thousands of different modulation and audio frequency shifts and wiggles.\u003c\/p\u003e  \u003cp\u003eThe STE's amplitude modulation, frequency modulation, and waveform mixing and blending push the envelope far above and beyond typical\/classic four waveform LFOs construction and limit, and so now shall you. The 1 SHOT function dramatically transforms the STE into a punchy and varied percussive tool; applied to an external VCA, one can generate compact and expansive, concussive encounters. More experimental tonal space can be explored via the AM function, with LFO 1's starting rate somewhere near the low end of the STE's vibrational spectrum: 5 Hz (about 3:40s), and LFO 2 ultimately demanding its 6 kHz scream, shatter, and fracture ceiling of thrills and audio frequency chills.\u003c\/p\u003e  \u003cp\u003eWith sixteen waveforms per LFO, setting the initial fragmentizing, gyrating, LoFi digital oscillating process (whenever you are ready), can be a most impulsive, and highly engrossing pursuit.\u003c\/p\u003e  \u003ch3\u003eCommon Parameters\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eSPEED - sets rate of LFO\u003c\/li\u003e \u003cli\u003e1 SHOT - LFO waveform plays once—needs to be triggered by the reset input.\u003c\/li\u003e \u003cli\u003eHI\/LO - in HI mode (6 kHz at the top of its range) the LFO reaches the audio range—think LoFi digital oscillator; in LO mode, (starting at 5 Hz) a very patient 3:40 long sweep is possible\u003c\/li\u003e \u003cli\u003eWAVE - Sets one of 16 different waveforms: triangle, sine, dome, ramp up, ramp down, stairchase, square, 1\/2 square, impulse, four decreasing squares, random, random increasing, random pulse with, random triangles, pitched noise, and digital noise\u003c\/li\u003e \u003cli\u003eFM - Frequency modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eAM - Amplitude modulation from LFO 2 on LFO 1; the Mix pot will set the amount of modulation\u003c\/li\u003e \u003cli\u003eMIX - Mix setting of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eMX (MIX) - Mix output of LFO 1 and LFO 2\u003c\/li\u003e \u003cli\u003eCV - Affects the speed via an external voltage\u003c\/li\u003e \u003cli\u003eRESET - Resets the waveform\u003c\/li\u003e \u003cli\u003eOUT - Balanced LFO output: FM\/M\/AM three position switch sets the type or mix of modulation outputted\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eEleven patch points: 1 SHOT, HI\/LO (x2), MX, CV In 1, RESET 1, OUT 1, CV In 2, RESET 2, OUT 2\u003c\/li\u003e \u003cli\u003eSize - 10hp\u003c\/li\u003e \u003cli\u003eDepth - 25 mm with ribbon cable attached\u003c\/li\u003e \u003cli\u003ePower Usage - 150 mA (+12 V) \/ 35 mA (-12 V)\u003c\/li\u003e \u003c\/ul\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450109522023,"sku":"78935","price":177.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-ste-16-1_1_588ae0ac-cbc6-4c05-a091-03899c72e18c.jpg?v=1787091729"},{"product_id":"verbos-electronics-voltage-multistage","title":"Verbos Electronics Voltage Multistage","description":"\u003cp\u003eIn theory, a sophisticated enough control voltage source can replace all of the control voltage sources in a modular system. That includes saw, square, pulse, triangle LFOs, AR, AD, ADSR, multistage envelopes, tracking generators, quantizers and of course sequencers. It is not practical to actually replace all of these with one module type, but the \u003cstrong\u003eVerbos Electronics Voltage Multistage\u003c\/strong\u003e can create any of these control signals.\u003c\/p\u003e  \u003cp\u003eAs a sequencer, it  has switchable slides and gates on each stage. Gate are output musically to match slides and stepped stages.  As a multistage envelope, any stage can be the sustain. Stage \"TIME\" can be voltage controlled.\u003c\/p\u003e  \u003cp\u003eThe \"ref\" output is a falling ramp the length of the entire stage. This is usable as a decay envelope the length of the stage.\u003c\/p\u003e  \u003cp\u003eWhen the \"strobe\" input is pulsed, the setting of the \"analog\" control and CV input selects the stage. This is usable as a reset or to jump to any specific stage of the sequencer.\u003c\/p\u003e","brand":"Verbos Electronics","offers":[{"title":"Default Title","offer_id":44450145861735,"sku":"81275","price":790.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/verbos-voltage-multistage_81275_1_5ca96509-c05a-40cc-821e-7d8fe03124ae.jpg?v=1787091865"},{"product_id":"mutable-instruments-tides-demo-deal","title":"Mutable Instruments Tides (Demo Deal)","description":"\u003cp\u003e\u003cstrong\u003eMutable Instruments' Tides\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rate. This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and “bounces” to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003ch3\u003eFeatures, controls, I\/O\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCycle mode selector: single shot AD, single shot AR, looping (VC-LFO\/VCDO).\u003c\/li\u003e\r\n\u003cli\u003eFrequency range selector: low (20 minutes to 5 Hz), medium (0.05 Hz to 300 Hz), high (8 Hz to 10kHz).\u003c\/li\u003e\r\n\u003cli\u003eFrequency control, with 1V\/Oct frequency CV input.\u003c\/li\u003e\r\n\u003cli\u003eExponential FM CV input, with attenuverter.\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or raised cosine segments.\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input.\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input. From 0V to -5V, smoothes the waveform using a 2-pole digital filter, from 0V to +5V, adds bumps and kinks with a digital wavefolder.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar CV input controlling output level.\u003c\/li\u003e\r\n\u003cli\u003eTrigger input, which works as a trigger in AD\/AR modes and a sync\/reset in looping mode.\u003c\/li\u003e\r\n\u003cli\u003eClock input to “tap” or “ping” the LFO and envelopes, or to lock the VCDO frequency through a PLL. In these cases, the frequency control acts as a frequency division\/multiplication control.\u003c\/li\u003e\r\n\u003cli\u003eFreeze gate input to stop the oscillator and hold its output.\u003c\/li\u003e\r\n\u003cli\u003eHigh tide and Low tide gate outputs for chaining\/quadrature operation, or other applications such as gate delaying.\u003c\/li\u003e\r\n\u003cli\u003eUnipolar (8V) and bipolar (+\/- 5V) outputs, with a distinct shape\/character.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eTechnical characteristics\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 500 Hz for shape\/slope\/smoothness, DC to 3kHz for FM, DC to 24 kHz for level.\u003c\/li\u003e\r\n\u003cli\u003e12-bit CV acquisition with separate power supply for converters and references.\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV generation, 48kHz sample rate (12.5kHz in the lowest frequency range).\u003c\/li\u003e\r\n\u003cli\u003eCortex-M3 ARM processor.\u003c\/li\u003e\r\n\u003cli\u003eOpen-source hardware and firmware.\u003c\/li\u003e\r\n\u003cli\u003e14-HP.\u003c\/li\u003e\r\n\u003cli\u003eEasy firmware updates through an audio interface.\u003c\/li\u003e\r\n\u003cli\u003eCurrent consumption: +12V: 55mA ; -12V: 5mA.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450177187943,"sku":"90170","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable_tides_straight_1_2b9b4c6c-1bba-4439-861c-6baa321abc5c.jpg?v=1787091999"},{"product_id":"roland-system-500-540-dual-eg-and-lfo-demo-deal","title":"Roland System-500 540 - Dual EG and LFO (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eRoland 540 Dual Envelope Generator and LFO (low frequency oscillator) Eurorack\u003c\/strong\u003e is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output. Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44450211463271,"sku":"89058","price":249.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-540-eurorack-1_1_0a324949-7868-4cf2-a66a-22518439151a.jpg?v=1787092142"},{"product_id":"snazzy-fx-tidal-wave-demo-deal","title":"Snazzy FX Tidal Wave (Demo Deal)","description":"\u003cp\u003eWith the \u003cstrong\u003eSnazzy FX Tidal Wave\u003c\/strong\u003e a flexible VC-Mix\/crossfader section is used to create comb filter effects. A VC-LFO and an autotrigger envelope plus an internal modulation buss are used for CV routing with interesting opposite going modulations. All sections of the module can be used individually.  While each component usable individually, the Tidal Wave benefits from the interaction of all sections and the flexible routing, the simultaneous modulations of the filter and the waveshaper, resulting in phase cancellations and comb filter effects as well as from the settings of the voltage controlled mixer.\u003c\/p\u003e\r\n\u003cp\u003eThe filter is a 4-pole low pass with voltage controlled resonance (Q to be exact) with three different Q modes: normal, compressed and high-Q. The self-oscillation possible in the last mode generates a sine wave that can be used as audio source which turns the Tidal Wave into a synth voice. Feedback can draw it’s signal either from the filter or from the wave shaper.  A voltage controlled mixer blends between the sound processors: dry\/vcf, dry\/waveshaper (ws), vcf\/ws and so on. The control voltage can originate from the internal AD envelope generator which features autotrigger modes or triggering by the LFO. The LFO can modulate the mix and the filter and a three-position switch selects a number of routings which partially have different phase.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCV wave folder \/ shaper with 3 parameter control\u003c\/li\u003e\r\n\u003cli\u003eVCF four pole filter with 2 resonance modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable VC mixer \u0026amp; crossfader\u003c\/li\u003e\r\n\u003cli\u003eFEEDBACK section with two modes\u003c\/li\u003e\r\n\u003cli\u003eVcLfo with sine\/tri\/sqr and output\u003c\/li\u003e\r\n\u003cli\u003eLin fm input on filter\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in attack\/release envelope with output\u003c\/li\u003e\r\n\u003cli\u003eInternal CV and LFO bus\u003c\/li\u003e\r\n\u003cli\u003eBuilt in Vca\u003c\/li\u003e\r\n\u003cli\u003e1\/v oct Sine VCO in self osc mode\u003c\/li\u003e\r\n\u003cli\u003eUsable as a voice or for processing signals\u003c\/li\u003e\r\n\u003cli\u003eDC coupled Folder\/Filter\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Snazzy FX","offers":[{"title":"Default Title","offer_id":44450222964839,"sku":"97099","price":289.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/snazzyfx_tidal-wave_front_1_84b6f80b-ded6-4b86-b512-9ce2d5676507.jpg?v=1787092195"},{"product_id":"snazzy-fx-dreamboat-demo-deal","title":"Snazzy FX Dreamboat (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSnazzy FX Dreamboat\u003c\/strong\u003e has two oscillator sections to the module, the top half is an audio rate chaotic oscillator and the lower half outputs LFO rate signals. With its five outputs, the Dreamboat allows you to connect to plenty of modules all at once, allowing all kinds of modulation and listening possibilities.When used with an oscilloscope or a scope program in X\/Y mode, the Dreamboat allows you to view its chaotic attractors in realtime.  Allowing for unique rhythms through the use of the gate output, a typical setup might see the Dreamboat involved in a few feedback loops while controlling an ADSR and a VCA with its gate output. When used with TIP-TOP’s special dual cables, hearing AND viewing the Dreamboat at the same time is a snap.\u003c\/p\u003e\r\n\u003cp\u003eThe Dreamboat is easy to use, just turn the knobs until the Chaos starts, then add modulation, cross-couple the two sections, and bring in a VCO or Noise module. For even more far out sounds, we recommend the use of two or even three Dreamboats for a truly powerful setup. 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With or without looping.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFlexible input\/output layout\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4… depends simply on how you patch it. 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It comprises two independent LFOs with variable wave shapes and a DC coupled VCA. In addition LFO1 includes an extra low range and a Sync (reset) input.\u003c\/p\u003e  \u003cp\u003eThe onboard VCA is normalized to the Triangle output of LFO 2 and this makes it a simple, one module solution for adding variable depth modulation to VCOs, VCFs, etc. as the modulation amplitude (level) can be controlled by applying a control voltage (CV) of between 0 and +5 Volts to the VCA CV Input.\u003c\/p\u003e  \u003cp\u003eThe VCA can also be used independently from the two onboard LFOs, and it responds to CV voltages in a linear manner. The \"Triangle\" output wave shape can be continuously varied from Sawtooth (Shape control fully  counterclockwise) to triangle (Shape control at 12 o'clock) through to Ramp (Shape control fully clockwise). 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In addition LFO1 includes an extra low range and a Sync (reset) input.\u003c\/p\u003e  \u003cp\u003eThe onboard VCA is normalized to the Triangle output of LFO 2 and this makes it a simple, one module solution for adding variable depth modulation to VCOs, VCFs, etc. as the modulation amplitude (level) can be controlled by applying a control voltage (CV) of between 0 and +5 Volts to the VCA CV Input.\u003c\/p\u003e  \u003cp\u003eThe VCA can also be used independently from the two onboard LFOs, and it responds to CV voltages in a linear manner. The \"Triangle\" output wave shape can be continuously varied from Sawtooth (Shape control fully  counterclockwise) to triangle (Shape control at 12 o'clock) through to Ramp (Shape control fully clockwise). 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The SYS-555 contains both traditional and non-traditional modulation sources applicable to any imaginable configuration or setup. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSystem 500\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eClassic System. New Format.\u003c\/h3\u003e\r\n\r\n\u003cp\u003eInspired by vintage Roland modular synths of the 1970s,  new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":44450275000423,"sku":"100303","price":411.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roland-sys-555_100303_1_5864b06c-1393-4ecd-b161-13bcc8fda6d5.jpg?v=1787092414"},{"product_id":"mutable-instruments-tides-2018","title":"Mutable Instruments Tides 2018","description":"\u003cp\u003eThe \u003cstrong\u003eMutable Instruments Tides 2018\u003c\/strong\u003e is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and bounces to the waveform.\u003c\/p\u003e\r\n\r\n\u003ch3\u003ePOLYRHYTHMIC VARIATIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhat sets this 2018 revision apart from its predecessor is the introduction of additional output modes, producing variations (shifted in amplitude, time, phase or frequency) of the main signal.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd of course, a redesign from scratch focused on accuracy and audio quality.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDigital function generator:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e3 operating mode: AD envelope, looping (VC-LFO\/VCDO), AR envelope\u003c\/li\u003e\r\n\u003cli\u003e3 frequency ranges for the main frequency knob: low (2 minutes to 2 Hz), medium (0.125 Hz to 32 Hz), high (8 Hz to 2kHz), this range can be widened by applying an offset on the V\/OCT input\u003c\/li\u003e\r\n\u003cli\u003eA large palette of waveforms\u003c\/li\u003e\r\n\u003cli\u003eShape control with CV input – covering various combinations of linear, exponential, or sinusoidal segments\u003c\/li\u003e\r\n\u003cli\u003eSlope\/asymmetry (A\/D time ratio) control with CV input\u003c\/li\u003e\r\n\u003cli\u003eSmoothness control with CV input: smoothes the waveform using a 2-pole digital filter, or adds bumps and kinks with a digital wavefolder\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eExternal clocking\/PLL:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eThe module can use an external clock or clean audio signal as a reference, and operate at a multiple of this clock (from 1⁄16 to 16x)\u003c\/li\u003e\r\n\u003cli\u003eThis allows, for example, the generation of (sub)harmonics from another VCO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003e4 output modes:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eDifferent shapes - each output produces a different waveshape: main signal (with voltage-controlled attenuverter), raw asymmetric triangle, end of attack gate, end of release gate\u003c\/li\u003e\r\n\u003cli\u003eDifferent amplitudes: Voltage-controlled dispatching of the signal to each of the 4 outputs\u003c\/li\u003e\r\n\u003cli\u003eDifferent times: Voltage-controlled phase or apex shifting of the signal\u003c\/li\u003e\r\n\u003cli\u003eDifferent frequencies: Outputs 2, 3, and 4 are shifted up or down in frequency relatively to output 1, creating chords or polyrhythmic LFOs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAll inputs: 100k impedance, DC to 7.8 kHz\u003c\/li\u003e\r\n\u003cli\u003eSLOPE, SMOOTHNESS, SHAPE, SHIFT\/LEVEL input range: ±8 V\u003c\/li\u003e\r\n\u003cli\u003eV\/OCT input range: -3 to +7 V\u003c\/li\u003e\r\n\u003cli\u003eTRIG and CLOCK input range: 0 to +8 V, protected\u003c\/li\u003e\r\n\u003cli\u003e16-bit CV capture\u003c\/li\u003e\r\n\u003cli\u003eInternal processing: 32-bit floating point\u003c\/li\u003e\r\n\u003cli\u003eCV Outputs: 14-bit, 62.5 kHz (31.25 kHz in different frequencies mode)\u003c\/li\u003e\r\n\u003cli\u003eOutput levels: bipolar ±5 V for cyclic signals; unipolar +8 V for gates and envelopes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":44450337292391,"sku":"108933","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mutable-instruments-tides-2018_108933_1_ba36343b-d957-40e9-bf85-eb5ba824141a.jpg?v=1787092643"},{"product_id":"2hp-vco","title":"2hp VCO Eurorack Module - Silver","description":"\u003cp\u003e\u003cstrong\u003e2hp VCO\u003c\/strong\u003e is an analog voltage controlled oscillator based on the reissue of the legendary Curtis CEM3340 IC. 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Channels can be set separately to envelope mode or to cycle in LFO mode, giving PA maximal flexibility in a minimal footprint.\u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450380218471,"sku":"111838","price":260.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-pons-asinorum_111838_1.jpg?v=1787092824"},{"product_id":"4ms-company-spherical-wavetable-navigator","title":"4ms Company Spherical Wavetable Navigator","description":"\u003cp\u003eThe \u003cstrong\u003e4ms Company Spherical Wavetable Navigator\u003c\/strong\u003e is a six-channel synthesizer that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures. The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and\/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be “played” using the top row of buttons, the internal LFOs, or note-change detection on the 1V\/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.\u003c\/p\u003e","brand":"4ms Company","offers":[{"title":"Default Title","offer_id":44450420457575,"sku":"118130","price":540.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/4ms-swn_118130_1.jpg?v=1787092989"},{"product_id":"studio-electronics-tonestar-folktek-d-2600","title":"Studio Electronics Tonestar Folktek'D 2600","description":"\u003cp\u003eThe \u003cstrong\u003eStudio Electronics Tonestar Folktek'D 2600\u003c\/strong\u003e is an Arias Blaze\/Folktek Fibonacci flight, feast and fancy. Studio Electronics were hyped when Arias told the, \"I like your layout - it's very approachable. And you've got some hex things happening which I'm all about.\" Who knew the Tonestar was so hexy?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlaze continued \"I'm a circle person so you're going to end up with something that circle driven. The design will end up like a mescaline vision. If you're not into that, say the word now...\" Oh but we were. He continued—well he wrote this bit before the last, \"One of my goals is not just to throw some image stuff on this but to create something that makes sense visually as it corresponds to functionality. I find that kind of thing difficult with complex layouts like this - it's difficult to find the room for pure design, yours or mine. But at this point I'm starting to come to something...\"\u003c\/p\u003e","brand":"Studio Electronics","offers":[{"title":"Default Title","offer_id":44450425208935,"sku":"116547","price":669.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/studio-electronics-tonestar-folktek-d-2600_116547_1_dbe330f5-d222-40b5-85f7-1f0b42397f55.jpg?v=1787093010"},{"product_id":"xaoc-devices-kamieniec","title":"Xaoc Devices Kamieniec","description":"\u003cp\u003eThe \u003cstrong\u003eXaoc Devices Kamieniec\u003c\/strong\u003e is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, it's Xaoc's intention to preserve the classic sound as they transport it to a new tonal space while prioritizing flexible modular usability.\u003c\/p\u003e  \u003cp\u003eJust like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tunable stages. However, they have included two additional fixed stages so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise opamps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, that can vary from subtle and creamy to utterly brutal and grinding. On top of that Xaoc have included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.\u003c\/p\u003e","brand":"Xaoc Devices","offers":[{"title":"Default Title","offer_id":44450438938727,"sku":"121663","price":309.1,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/xaoc-kamieniec_121663_1_a0b7c0c9-8c35-46a6-bd02-be1a45148d69.jpg?v=1787093067"},{"product_id":"xaoc-devices-batumi","title":"Xaoc Devices Batumi","description":"\u003cp\u003eThe \u003cstrong\u003eXaoc Devices Batumi\u003c\/strong\u003e is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform outputs available. Voltage control is possible for each oscillator’s frequency, reset, and external sync (“tap tempo”).\u003c\/p\u003e","brand":"Xaoc Devices","offers":[{"title":"Default Title","offer_id":44450439069799,"sku":"121667","price":297.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/xaoc-batumi_121667_1_ec496586-a733-4bf0-b8fa-835282da117d.jpg?v=1787093067"},{"product_id":"doepfer-a-147-2-eurorack-voltage-controlled-lfo-module","title":"Doepfer A-147-2 Eurorack Voltage Controlled LFO Module","description":"\u003cp\u003eThe \u003cstrong\u003eDoepfer A-147-2 Eurorack Voltage Controlled LFO Module\u003c\/strong\u003e is the successor to the VCLFO A-147 , but offers much more options than its predecessor. Essentially, the module consists of the following three subunits:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eVCLFO: Voltage Controlled Low Frequency Oscillator (LFO)\u003c\/li\u003e\r\n\u003cli\u003eVCA: voltage controlled amplifier (VCA), switchable to polarizer\/ring modulator\u003c\/li\u003e\r\n\u003cli\u003eVC delay unit: voltage-controlled, linear delay envelope (with only one parameter: delay or attack) for delayed LFO use with voltage control\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch3\u003eLFO\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe voltage-controlled LFO has the waveforms triangle, sine, sawtooth and square and is additionally equipped with a reset\/sync input. The LFO outputs sine\/triangle and rectangle are displayed with two-color LEDs. The sawtooth output of the LFO is displayed with a monochrome LED. The output levels for triangle, sine and rectangle are around -4 - +4 V. The output level for sawtooth is approximately 0 - + 8 V.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe function of the CV control for the external control input can be switched between Attenuator and Polarizer (\"CV Mode\" switch). In polarizer mode, the control voltage applied to the \"LFO CV\" jack to the left of the center of the CV control negatively affects the LFO frequency, to the right of the center position as a normal attenuator.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe frequency range of the LFO without external CV is about 0.005 Hz (about 3 minutes per period) up to about 200 Hz (with external CV up to about 1 kHz). In addition, a so-called ultra-low mode is possible (similar to the A-143-4). For this purpose, a jumper can be set on the circuit board, which supplies the \"LFO CV\" socket via the switch contact a fixed voltage. In polarizer mode, the CV control adjusts extremely low frequencies (up to an hour or more). To do this, the jumper ex works on the pin header JP7 (\"Dummy\") must be transferred to the pin header JP6. JP6 is behind the CV controller. JP7 itself has no function and serves only to \"park\" the jumper.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eVCA\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThis is a VCA with linear control voltage characteristic that can be switched between \"real\" VCA (Voltage Controlled Attenuator) and Voltage Controlled Polarizer using the \"VCA Mode\" switch. In \"real\" VCA mode gain +1 is achieved at approximately + 5V control voltage. In polarizer mode, the gain ranges from about -0.5 (ie inverted at about half level) at 0 V control voltage to about +0.5 (ie non-inverted at about half level) at about +5 V control voltage. At approximately + 2.5 V control voltage, the CV signal in polarizer mode is suppressed.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VCA of the A-147-2 has the three sockets \"In\" (signal input), \"Out\" (signal output) and \"CV\" (control input).\r\nThe triangle output of the LFO is connected via the switching contact of the socket \"VCA In\" to the signal input of the VCA. If another LFO waveform (or other external signal) is to be edited with the VCA, this can be done by patching the relevant signal to the VCA In \"VCA In\" input. The VCA can also be used independently of the LFO and delay unit for other functions than stand-alone, linear VCA, polarizer or ring modulator. In this case, the 3 sockets of the VCA (In, Out, CV) should be patched accordingly. The VCA can also be used as a waveshaper for the LFO signals.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eAttack\/Delay\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe third unit in the module is a simple, linear envelope generator with only the Attack parameter. After every delay reset, this unit generates a linearly increasing voltage starting at 0 V, the slope of which can be voltage-controlled manually with the delay controller and additionally via the \"Delay CV\" socket. The waveform of the delay output voltage is linearly increasing, the control characteristic is exponential. The output voltage of the delay unit is represented by a single-color, green LEDs and is available at the \"Delay Out\" socket.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Delay control sweeps - without external \"Delay CV\" - a range of about 5ms (right stop) to 2 minutes (left stop). With the help of an external control voltage this range can be extended. With increasing CV, the delay time shortens! The delay output voltage is in the range of approximately 0 - +5 V. The rising edge of the gate, clock or trigger signal applied to the \"Delay Reset\" socket resets the delay voltage to zero.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe output signal \"Delay Out\" is connected via the switching contact of the \"VCA CV\" socket to the control input of the VCA and thus controls the level of the triangle signal, if no other interconnection is made.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf the \"Delay Reset\" uses the gate signal of a USB\/MIDI interface, you can create the function of a \"transient vibrato\" or \"transient tremolo\" by switching the VCA output to the frequency control input of a VCO or VCFs, or the control input of VCA connects.\u003c\/p\u003e\r\n\r\n\u003cp\u003ehowever, the delay unit may - as well as the VCA - be used completely independently of other tasks in the a-100, for example as a voltage controlled wave shaper or for other functions in which a linear rising signal with a voltage-controlled Steepness is needed.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eOutput level triangle, sine and rectangle: approximately -4 - +4 V (zero-symmetric)\u003c\/li\u003e\r\n\u003cli\u003eOutput level Sawtooth: approximately 0 - +8 V (purely positive)\u003c\/li\u003e\r\n\u003cli\u003eFrequency range without external CV: approximately 0.005 Hz (approximately 3 minutes) - 200 Hz\u003c\/li\u003e\r\n\u003cli\u003eFrequency range in ultra-low mode or external CV: approximately 1 hour period ... approximately 1 kHz\u003c\/li\u003e\r\n\u003cli\u003eTrigger signal for LFO-Reset\/Delay Reset: Rectangle with min. approximately 6 Vss (AC coupled, therefore, the voltage difference is crucial, 0 V\/+6 V works as well as -3 V\/+3 V), if you reset the gate output of one of the MIDI interfaces A-190-x to control LFO or If you want to use Delay Reset, the interface may have to be set to high gate level, a (steep edge) rectangular signal must be used for triggering, a \"soft\" signal such as the output of an envelope generator or the triangle signal of an LFO are not suitable.\u003c\/li\u003e\r\n\u003cli\u003eVCA control voltage\/gain: 0 - +5 V for gain 0 - +1 (in VCA mode), 0 - +5 V for gain -0.5 - +0.5 (in Polarizer-Mode)\u003c\/li\u003e\r\n\u003cli\u003eDelay range: about 5ms - about 2 minutes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":44450450931815,"sku":"116710","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/doepfer-a-147_2_116710_1_974bee95-99d8-445c-afea-15db6ce28b9d.jpg?v=1787093116"},{"product_id":"erica-synths-pico-rnd","title":"Erica Synths Pico RND","description":"\u003cp\u003eThe \u003cstrong\u003eErica Synths Pico RND\u003c\/strong\u003e is a combined LFO\/random source module. It generates sine LFO waves, white noise, S\u0026amp;H CV and some more interesting stuff – random triggers and pulse wave with random duty circle, basically everything you need to bring some uncertainty in your modular setup.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":44450451423335,"sku":"121562","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/erica-pico-rnd_121562_1_cfe86d78-aa45-4004-9dc4-899d698a6ff6.jpg?v=1787093118"},{"product_id":"erica-synths-drum-modulator","title":"Erica Synths Drum Modulator","description":"\u003cp\u003eThe \u003cstrong\u003eErica Synths Drum Modulator\u003c\/strong\u003e is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs\/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":44450453356647,"sku":"121550","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/erica-drum-modulator_121550_1_85f0d5f1-b6d8-4976-aa49-b39c8a4b1365.jpg?v=1787093120"},{"product_id":"noise-engineering-variatic-erumption-demo-deal","title":"Noise Engineering Variatic Erumption (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eNoise Engineering Variatic Erumption\u003c\/strong\u003e is a dual-burst generator. When triggered, it produces a controllable sequence of gates synchronized to a LFO. A 1v\/8va LFO is included. Any external LFO\/clock may optionally be used. Bursts can be terminated early with the choke. Burst length can be controlled as well as the pattern used for the burst.\u003c\/p\u003e  \u003ch3\u003ePatch Tutorial\u003c\/h3\u003e  \u003cp\u003ePut INT\/EXT switch into the INT position. Put FST\/SLW switch into the SLW position.\u003c\/p\u003e  \u003cp\u003eSet PAT knob fully CCW. Set left CNT fully CW.\u003c\/p\u003e  \u003cp\u003eConnect the left OUT and END to two gateble modules such as an envelope or Basimilus Iteritas.\u003c\/p\u003e  \u003cp\u003eHit the let HIT switch. A long burst will be generated which will blink the orange LED and trigger the attached device. At the end of the burst the red LED will blink and any device attached to the end out will trigger.\u003c\/p\u003e  \u003cp\u003eAdjusting the TMP knob while hitting HIT will change the burst speed. The tempo can be controlled by CV (CLK IN). Send an envelope or LFO to modulate the burst rate. The tempo range can be changed with the FST\/SLW switch. It has three positions each is half tempo of the position above. The CNT knob\/jack controls the number of gates in the burst. The PAT knob\/jack controls the pattern of the burst.\u003c\/p\u003e  \u003cp\u003eConnect an external trigger source to the HIT jack to trigger the burst externally.\u003c\/p\u003e  \u003cp\u003eHitting the CHK switch or sending a trigger to the CHK jack will terminate the burst.\u003c\/p\u003e  \u003cp\u003eTo use an external clock Ęip the clock switch to EXT and send a clock into the INLFO. Everything will work the same except it will use the external clock for output timing. In this mode the DIV knob acts as an adjustable divider to the clock input. To match the external clock without division put DIV in the fully CCW position.\u003c\/p\u003e  \u003ch3\u003eInterface - LFO\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eInt\/Ext - This switch selects the burst clock source between the internal LFO or an external clock.\u003c\/li\u003e \u003cli\u003eIn Jack 0-8v - In internal LFO mode this jack is a 1v\/8va CV for the internal LFO and has 8 octaves of range. In external mode, it is a clock input. Burst gate length follows both rising and falling edges so clock duty cycle is maintained between LFO, Out and End.\u003c\/li\u003e \u003cli\u003eTmp\/Div Knob  - In internal LFO mode, this knob controls the LFO tempo. It allows 4 octaves of control. In external mode, it is a controllable clock divider with 1-32 divisions.\u003c\/li\u003e \u003cli\u003eFst\/Slw Toggle - This switch controls the base tempo of the internal LFO. It is a three-position switch. Each position is half tempo of the position above. e lowest tempos in each range are: 1\/2Hz (30 BPM), 2Hz (120 BPM) and 8Hz (480 BPM).\u003c\/li\u003e \u003cli\u003eOut Jack - This jack outputs the LFO used for burst generation.\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eInterface - Burst\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eHit Jack - This gate input will start the burst on a rising edge. If using internal clock mode, it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eHit Tactile - This tactile switch will start the burst when depressed. If using internal clock mode it will also reset the phase of the internal LFO to match the HIT phase.\u003c\/li\u003e \u003cli\u003eChk Jack - This gate input will terminate the current burst on a rising edge.\u003c\/li\u003e \u003cli\u003eChk Tactile - This tactile switch will terminate the current burst when depressed.\u003c\/li\u003e \u003cli\u003eCnt Jack 0-8v - This jack allows to control the burst count with a control voltage.\u003c\/li\u003e \u003cli\u003eCnt Knob - This knob allows the control of the burst count. It acts as a scalar when using an external CV.\u003c\/li\u003e \u003cli\u003eOut Jack - This gate output sends a burst based on the clock when triggered with a Hit. There is an orange LED to indicate the current output state.\u003c\/li\u003e \u003cli\u003eEnd Jack - This gate output sends a pulse based on the clock at the next clock following the end of a burst.\u003c\/li\u003e \u003cli\u003ePat Jack 0-8v - This jack allows CV control over the pattern.\u003c\/li\u003e \u003cli\u003ePat Knob - This knob controls the current pattern used for the burst. Built-in patterns are documented in detail on the following page. When rotated fully CW this knob will double the maximal length of the pattern to 64 gates. When in double length mode the bust pattern is the same as when fully CCW (every clock outputs a gate).\u003c\/li\u003e \u003c\/ul\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":44450481766503,"sku":"125308","price":206.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/noise-engineering-variatic-erumption-1_1_a34af567-6b48-40a6-81b9-6fd0ab3f62bf.jpg?v=1787093241"},{"product_id":"dreadbox-theta-demo-deal","title":"Dreadbox Theta (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDreadbox Theta\u003c\/strong\u003e is a simple, dual LFO Eurorack module. It has sample \u0026amp; hold, a white noise generator and an auto gate generator (clock with variable PW and Tap Tempo).\u003c\/p\u003e  \u003ch3\u003eSpecs:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eLFO Range: 25sec – 50Hz\u003c\/li\u003e \u003cli\u003eSample \u0026amp; Hold: accepts up to 10Vpp inputs\u003c\/li\u003e \u003cli\u003eClock Range: 2sec – 3000Hz\u003c\/li\u003e \u003cli\u003eClock Out: 0-5V pulse\u003c\/li\u003e \u003cli\u003eNoise Out: 10Vpp\u003c\/li\u003e \u003cli\u003e20 HP\u003c\/li\u003e \u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":44450483175527,"sku":"125276","price":247.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/dreadbox-theta_57211_1_1_f66f1ab9-bd76-40aa-a655-2a9ea7ec03e7.jpg?v=1787093246"},{"product_id":"dreadbox-chromatic-series-utopia","title":"Dreadbox Chromatic Series Utopia","description":"\u003cp\u003e\u003cstrong\u003eDreadbox Chromatic Series Utopia\u003c\/strong\u003e is a CV \u0026amp; audio manipulator Eurorack module in 10HP. 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Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave.\u003c\/p\u003e  \u003cp\u003eThe LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.\u003c\/p\u003e  \u003cp\u003eA three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).\u003c\/p\u003e  \u003cp\u003eThe LFO signal can also be synchronized, via the reset input.\u003c\/p\u003e","brand":"Doepfer","offers":[{"title":"Default Title","offer_id":44450499887207,"sku":"110139","price":92.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/doepfer-a-145_110139_1_d7ebddff-e982-41ea-b27b-745b1a291304.jpg?v=1787093313"},{"product_id":"intellijel-quadrax","title":"Intellijel Quadrax Quad Function\/Burst Generator\/LFO with CV Matrix","description":"\u003cp\u003eWhether you are exploring the unique channel functions, CV modulation matrix or chaining options, it is quickly apparent that there are infinite possibilities to explore. The \u003cstrong\u003eIntellijel Quadrax Quad Function\/Burst Generator\/LFO with CV Matrix\u003c\/strong\u003e is powerful and tactile modulation generator will quickly become the beating heart of your modular system. The Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eAD (Attack, Decay) envelope\u003c\/li\u003e\r\n\u003cli\u003eAHR (Attack, Hold, Release) envelope\u003c\/li\u003e\r\n\u003cli\u003eCycling envelope (resulting in a unipolar LFO)\u003c\/li\u003e\r\n\u003cli\u003ePulse burst generator (Finite repeated functions that ascend or descend in amplitude)\u003c\/li\u003e\r\n\u003cli\u003eMorphing, bipolar beat syncable LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5 V or 10 V.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel’s TRIG input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eChannels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel’s trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function’s rise time, or at the end of its fall time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.\u003c\/p\u003e\r\n\r\n\u003cp\u003eQuadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":44450509389927,"sku":"125783","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/intellijel-quadrax_125783_1_eedbb86b-13cd-4c48-ae85-b4587a3b68a0.jpg?v=1787093349"},{"product_id":"cre8audio-chipz-dual-vco-and-lfo-module","title":"Cre8audio Chipz Eurorack Dual VCO and LFO Module","description":"\u003cp\u003eWhat began as a 3-oscillator chiptune synth that recreates the sound of vintage Commodore, Atari and NES systems evolved into the \u003cstrong\u003eCre8audio Chipz Eurorack Dual VCO and LFO Module\u003c\/strong\u003e, a dual voltage-controlled oscillator and low-frequency oscillator module.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach Chipz VCO sports five waveshapes: sine, triangle, saw, square, and noise. Morph between waveshapes with the turn of a knob, and do the same on the LFO side of the module to achieve those vintage video game console sounds Cre8audio set out to mimic. \u003c\/p\u003e","brand":"Cre8audio","offers":[{"title":"Default Title","offer_id":44450509652071,"sku":"130235","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/cre8audio-chipz_130235_1_217634eb-a8ce-4e7d-9abe-f103eb148a21.jpg?v=1787093350"}],"url":"https:\/\/vintageking.com\/collections\/instruments-modular-synthesizers-eurorack-and-modular-synth-modules-lfo-modules.oembed","provider":"Vintage King","version":"1.0","type":"link"}