{"title":"New at AES","description":null,"products":[{"product_id":"eventide-h9000","title":"Eventide H9000 Gen 2 Multi-Channel Hardware Effects Processor","description":"\u003cp\u003eEventide revolutionized the audio industry in 1974 with their innovative H910 Harmonizer — the first device capable of simultaneously altering the pitch and speed of a sound. Eventide continues their unbroken tradition of delivering industry-leading signal processing with the \u003cstrong\u003eEventide H9000\u003c\/strong\u003e, the next generation Harmonizer.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow with double the power of the previous model, the Gen2 platform features four updated quad-core ARM processors powering 16 DSP engines, built to handle the most demanding sessions. With over 1,600 customizable algorithms and hundreds of FX chains, the H9000 remains your gateway to pristine audio and limitless sonic exploration. Same legendary unit, same price. Now faster and more powerful.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE PINNACLE OF EFFECTS PROCESSING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eExperience the next-generation Harmonizer, reimagined by the team who started it all. Dive into over 1,600 unique effects from classic to cutting edge—now with enhanced processing capabilities and 96kHz support across all algorithms. Take your vocal productions to new heights with the pitch-perfect Harmonizer+ vocal suite. These studio-grade algorithms add dimension and professional polish to your vocal mix. Includes VocalShift, VocalTune, VocalShiftMIDI, and Quadravox+.  Unlock polyphonic effects like never before with Polyphony, Prism Shift, and PolySynth. Groundbreaking SIFT Technology—Spectral Instantaneous Frequency Tracking—delivers unprecedented precision in polyphonic pitch-shifting, redefining what's possible in effects processing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLegendary Sounds, Modern Tools:\r\nEventide Classics: Access the legendary sounds of the Instant Flanger, Instant Phaser, Omnipressor, SP2016 Reverb, and H3000 Harmonizer presets—iconic effects that defined an era and continue to inspire today.\r\nVintage Studio Effects: Relive the classics with meticulously modeled effects like Bouquet Delay–based on classic Bucket-Brigade designs, Head Space–an emulation of classic 4 head-tape delay, and Even-Vibe–modeled after the legendary uni-vibe. \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePOWERED BY ARM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe H9000 is powered by Gen 2 DSP quad-core ARM processors, offering double the processing power. This enhanced platform fuels Eventide's proprietary SIFT technology and opens the door for the future of effects processing innovations to come. New H9000 units already include this enhanced platform.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eMODULAR DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBoasting world-class converters and the option to expand with Dante, MADI, or Pro Tools HD cards, the H9000 is designed to elevate your rig. Whether you’re performing live or working in the studio, the H9000 seamlessly integrates and enhances your setup, offering limitless possibilities.  \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eCOLOSSAL I\/O\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith support for up to 128 channels of simultaneous signal processing, the H9000 is the ultimate platform for multitrack recording, front-of-house mixing, or immersive surround sound setups. Expand your workflow with Dante, MADI, or Pro Tools HD cards for seamless integration into any setup.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44450191736935,"sku":"488794","price":7999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide-h9000_94864_1_57fc9215-ec86-4330-b818-4aaff95a2ad0.jpg?v=1787092060"},{"product_id":"neumann-kh-120-ii-two-way-active-studio-monitor-single","title":"Neumann KH 120 II Two-Way Active Studio Monitor - Single","description":"\u003cp\u003eFollowing in the footsteps of its predecessor, the \u003cstrong\u003eNeumann KH 120 II Two-Way Active Studio Monitor\u003c\/strong\u003e has been engineered and optimized to provide exceptionally linear performance, low distortion, and adaptability to any acoustic environment. With a powerful onboard DSP engine powering it’s crossover system and automatic calibration, the KH 120 II allows you to hear your tracks with even greater clarity, work more efficiently, and create mixes that translate optimally to all playback systems. The monitor’s small footprint makes it a superb choice for home and project studios as well as large multichannel monitor systems.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003ePRISTINE SOUND\u003c\/h3\u003e\r\n\u003cp\u003eThe KH 120 II’s 5.25-inch woofer and 1-inch dome tweeter deliver incredibly linear frequency response with a ±3 dB tolerance from 44 Hz to 21 kHz, giving you consistent, transparent sound across the vast majority of the audible spectrum. The sophisticated DSP-controlled crossover provides linear phase performance (±45°) in the critical range from 120 Hz to 16 kHz, providing pinpoint accuracy in the time domain without comb filtering or smeared transients. These characteristics also give the KH 120 MK II superb spatial resolution and imaging in nearfield applications (3–6 feet).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eADVANCED STUDIO FEATURES\u003c\/h3\u003e\r\n\u003cp\u003eThe KH 120 MK II’s DSP engine also provides Automatic Monitor Alignment, seamlessly calibrating your monitors for optimal performance for your particular room and listening position. Analog and S\/DIF digital inputs make the monitor easy to integrate in any setup, and it’s small size and light weight make it ideal for small studios, large multichannel systems, and makeshift control rooms for on-location and broadcast mixing. To top it all off, it’s efficient Class D amplifier ensures superior audio performance while consuming only 17 W at idle, and auto-standby reduces power consumption to 0.3 W when not in use. The MK II improves on its predecessor in every way, making it a standout choice in the compact active monitor category.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44450920333415,"sku":"185980","price":949.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kh-120-ii_185980_1_0f75fa0b-f0ef-46a8-9be4-e79ce0318b75.jpg?v=1787095103"},{"product_id":"wolff-audio-propatch-128r-128-point-digitally-controlled-analog-patch-bay","title":"Wolff Audio ProPatch 128R 64-in\/64-out Digitally-Controlled Analog Patch Bay","description":"\u003cp\u003eThe \u003cstrong\u003eWolff Audio ProPatch 128R\u003c\/strong\u003e is the next generation software-controlled, analog patch bay. The number one job of a patch bay is to route audio with 100% transparency. To accomplish this, ProPatch uses a matrix of relays (a LOT of them). No FET switches, no games with gain staging, no electronics in the signal path, no compromises. Routing in ProPatch has zero effect on your audio signals because the path is effectively a \"straight wire\".\u003c\/p\u003e\r\n\u003cp\u003eProPatch signal chains are configured and managed using an app that supports Windows, Mac or iPad OS. The app provides easy to use creation of complex device chains, including mults, mono to stereo, inserts, processors, AB groups and many more intuitive and useful shortcuts. All of these can be saved, recalled and associated with sessions. Connect your audio processors like plug-ins. Drag and drop your devices into complex audio chains that can be edited, auditioned and recalled instantly.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eRELAY SWITCHING\u003c\/h3\u003e\r\n\u003cp\u003eUsing relay switching has many advantages. It is ultra-reliable, based on telecom-scale technology rated for millions of cycles. It requires little power to operate and generates no heat, eliminating the need for a fan. Because the signal path is just a wire, it can pass full bandwidth audio signal, mic level, phantom power, control voltage, digital audio and MIDI. It is agnostic to the signals being routed. The relays are latching, so if a ProPatch loses power, the current routing remains in effect.\u003c\/p\u003e\r\n\u003cp\u003eThe soft click of a physical relay cues that routing changes have happened. Connect the web enabled app to ProPatch via USB-C, Ethernet or WiFi. Use the app to setup or adjust current routings or to configure and store new presets. The last configuration will load immediately on power-up.\u003c\/p\u003e\r\n\u003cp\u003eRear panel DB25 connectors provide 48 channels of I\/O, while front panel I\/O includes 16 TT I\/O pairs, 4 XLR\/TRS combi jacks and 4 TRS jacks. Use these to integrate ProPatch into an existing TT patch bay system, quickly connect temporary gear, or scale up and create a larger system by interconnecting multiple ProPatch units.\u003c\/p\u003e\r\n\u003cp\u003eEliminate the usual workflow pause experienced when configuring manual patch bay systems and keep projects in the groove and flowing with ProPatch.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eSOFTWARE-CONTROLLED ANALOG PATCH BAY\u003c\/h3\u003e\r\n\u003cp\u003eThe ProPatch takes up a single rack space, does not generate heat, nor does it require fans. Designed to easily drop-in and replace an existing TT patch bay, the ProPatch may also be integrated with large existing TT patch bay systems via its front panel TT connections. 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Routing in ProPatch has zero effect on your audio signals because the path is effectively a \"straight wire\".\u003c\/p\u003e  \u003cp\u003eProPatch signal chains are configured and managed using an app that supports Windows, Mac or iPad OS. The app provides easy to use creation of complex device chains, including mults, mono to stereo, inserts, processors, AB groups and many more intuitive and useful shortcuts. All of these can be saved, recalled and associated with sessions. Connect your audio processors like plug-ins. Drag and drop your devices into complex audio chains that can be edited, auditioned and recalled instantly.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eRELAY SWITCHING\u003c\/h3\u003e  \u003cp\u003eUsing relay switching has many advantages. It is ultra-reliable, based on telecom-scale technology rated for millions of cycles. It requires little power to operate and generates no heat, eliminating the need for a fan. Because the signal path is just a wire, it can pass full bandwidth audio signal, mic level, phantom power, control voltage, digital audio and MIDI. It is agnostic to the signals being routed. The relays are latching, so if a ProPatch loses power, the current routing remains in effect.\u003c\/p\u003e  \u003cp\u003eThe soft click of a physical relay cues that routing changes have happened. Connect the web enabled app to ProPatch via USB-C, Ethernet or WiFi. Use the app to setup or adjust current routings or to configure and store new presets. The last configuration will load immediately on power-up.\u003c\/p\u003e  \u003cp\u003eEliminate the usual workflow pause experienced when configuring manual patch bay systems and keep projects in the groove and flowing with ProPatch.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSOFTWARE-CONTROLLED ANALOG PATCH BAY\u003c\/h3\u003e  \u003cp\u003eThe ProPatch takes up a single rack space, does not generate heat, nor does it require fans. Designed to easily drop-in and replace an existing TT patch bay, the ProPatch may also be integrated with large existing TT patch bay systems via its front panel TT connections. Multiple ProPatches can be chained together to incorporate larger routing systems.\u003c\/p\u003e","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":44451289825383,"sku":"486433","price":3487.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wolff-audio-propatch-64r_486433_1_cb60ebef-86f2-4cb8-b7ee-cb9bd03bf93e.jpg?v=1787096645"},{"product_id":"wolff-audio-propatch-32-digitally-controlled-16-i-o-analog-patchbay","title":"Wolff Audio ProPatch 32R 16-in\/16-out Digitally-Controlled Analog Patch Bay","description":"\u003cp\u003eThe \u003cstrong\u003eWolff Audio ProPatch 32R\u003c\/strong\u003e is the next generation software-controlled, analog patch bay. The number one job of a patch bay is to route audio with 100% transparency. To accomplish this, ProPatch uses a matrix of relays (a LOT of them). No FET switches, no games with gain staging, no electronics in the signal path, no compromises. Routing in ProPatch has zero effect on your audio signals because the path is effectively a \"straight wire\".\u003c\/p\u003e  \u003cp\u003eProPatch signal chains are configured and managed using an app that supports Windows, Mac or iPad OS. The app provides easy to use creation of complex device chains, including mults, mono to stereo, inserts, processors, AB groups and many more intuitive and useful shortcuts. All of these can be saved, recalled and associated with sessions. Connect your audio processors like plug-ins. Drag and drop your devices into complex audio chains that can be edited, auditioned and recalled instantly.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eRELAY SWITCHING\u003c\/h3\u003e  \u003cp\u003eUsing relay switching has many advantages. It is ultra-reliable, based on telecom-scale technology rated for millions of cycles. It requires little power to operate and generates no heat, eliminating the need for a fan. Because the signal path is just a wire, it can pass full bandwidth audio signal, mic level, phantom power, control voltage, digital audio and MIDI. It is agnostic to the signals being routed. The relays are latching, so if a ProPatch loses power, the current routing remains in effect.\u003c\/p\u003e  \u003cp\u003eThe soft click of a physical relay cues that routing changes have happened. Connect the web enabled app to ProPatch via USB-C, Ethernet or WiFi. Use the app to setup or adjust current routings or to configure and store new presets. The last configuration will load immediately on power-up.\u003c\/p\u003e  \u003cp\u003eEliminate the usual workflow pause experienced when configuring manual patch bay systems and keep projects in the groove and flowing with ProPatch.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSOFTWARE-CONTROLLED ANALOG PATCH BAY\u003c\/h3\u003e  \u003cp\u003eThe ProPatch takes up a single rack space, does not generate heat, nor does it require fans. Designed to easily drop-in and replace an existing TT patch bay, the ProPatch may also be integrated with large existing TT patch bay systems via its front panel TT connections. Multiple ProPatches can be chained together to incorporate larger routing systems.\u003c\/p\u003e","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":44451289858151,"sku":"486434","price":2287.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wolff-audio-propatch-32r_486434_1.jpg?v=1787096645"},{"product_id":"wolff-audio-propatch-200-digitally-controlled-100-i-o-patchbay","title":"Wolff Audio ProPatch 200R 100-in\/100-out Digitally-Controlled Analog Patch Bay","description":"\u003cp\u003eThe \u003cstrong\u003eWolff Audio ProPatch 200R\u003c\/strong\u003e is the next generation software-controlled, analog patch bay. The number one job of a patch bay is to route audio with 100% transparency. To accomplish this, ProPatch uses a matrix of relays (a LOT of them). No FET switches, no games with gain staging, no electronics in the signal path, no compromises. Routing in ProPatch has zero effect on your audio signals because the path is effectively a \"straight wire\".\u003c\/p\u003e  \u003cp\u003eProPatch signal chains are configured and managed using an app that supports Windows, Mac or iPad OS. The app provides easy to use creation of complex device chains, including mults, mono to stereo, inserts, processors, AB groups and many more intuitive and useful shortcuts. All of these can be saved, recalled and associated with sessions. Connect your audio processors like plug-ins. Drag and drop your devices into complex audio chains that can be edited, auditioned and recalled instantly.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eRELAY SWITCHING\u003c\/h3\u003e  \u003cp\u003eUsing relay switching has many advantages. It is ultra-reliable, based on telecom-scale technology rated for millions of cycles. It requires little power to operate and generates no heat, eliminating the need for a fan. Because the signal path is just a wire, it can pass full bandwidth audio signal, mic level, phantom power, control voltage, digital audio and MIDI. It is agnostic to the signals being routed. The relays are latching, so if a ProPatch loses power, the current routing remains in effect.\u003c\/p\u003e  \u003cp\u003eThe soft click of a physical relay cues that routing changes have happened. Connect the web enabled app to ProPatch via USB-C, Ethernet or WiFi. Use the app to setup or adjust current routings or to configure and store new presets. The last configuration will load immediately on power-up.\u003c\/p\u003e  \u003cp\u003eEliminate the usual workflow pause experienced when configuring manual patch bay systems and keep projects in the groove and flowing with ProPatch.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eSOFTWARE-CONTROLLED ANALOG PATCH BAY\u003c\/h3\u003e  \u003cp\u003eThe ProPatch takes up a single rack space, does not generate heat, nor does it require fans. Designed to easily drop-in and replace an existing TT patch bay, the ProPatch may also be integrated with large existing TT patch bay systems via its front panel TT connections. Multiple ProPatches can be chained together to incorporate larger routing systems.\u003c\/p\u003e","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":44451289923687,"sku":"486432","price":13987.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/wolff-audio-propatch-200r_486432_1.jpg?v=1787096646"},{"product_id":"eventide-h9000-gen2-dsp-upgrade-kit","title":"Eventide H9000 Gen2 DSP Upgrade Kit","description":"\u003cp\u003eThe \u003cstrong\u003eEventide H9000 Gen2 DSP Upgrade Kit\u003c\/strong\u003e transforms your H9000 into an even more formidable tool. This enhanced platform delivers more processing power, perfect for taking on the most demanding sessions and FX chains. In short, the Gen2 DSP upgrade prepares your H9000 for the next generation of audio innovation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003ePlease note: H9000 and H9000R units purchased after October 2025 will come with this kit pre-installed. If you own a unit produced before then, this kit will update your unit with the latest DSP from Eventide.\u003c\/em\u003e\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":44451308896359,"sku":"488605","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/eventide-h9000-gen2_488605_1.jpg?v=1787096725"},{"product_id":"rupert-neve-designs-optofet-dual-stage-compressor","title":"Rupert Neve Designs OptoFET Dual Stage Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs OptoFET\u003c\/strong\u003e is a one-of-a-kind dual compressor and waveshaper that artfully combines the precision and punch of FET compression with the smooth, musical nature of optical compression in a streamlined single-channel unit. Use the two compressors in series for total dynamics control, process low and high frequencies separately, or introduce harmonic richness with the Bloom and Grit modes. Both circuits feature fully variable Attack, Release, Threshold, Gain, and Blend controls, plus thoughtfully selected ratio options and sidechain filters. A central set of controls allows you to toggle between routing modes, flip the order of processing, and set a crossover anywhere between 50 and 500 Hz. Incredibly flexible for a 1U compressor, the RND OptoFET is an excellent all-purpose tool for shaping dynamics and adding analog harmonics to any track.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eNEWLY DESIGNED FET COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe FET compressor section provides fast attack and precise transient control, ideal for adding punch to any source or extreme envelope shaping. Variable Attack, Release, Threshold, and Gain controls make it easy to dial in gain reduction, while the Ratio switch gives you the option of moderate compression (4:1) or limiting (8:1). Grit mode introduces harmonic saturation for subtle enhancement or aggressive bite, while the Blend control gives you access to instant parallel compression.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eOPTIMIZED OPTO-COMPRESSOR DESIGN\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Opto section delivers program-dependent optical compression with a gentler touch and slightly slower action that's perfect for transparent vocal smoothing or adding sustain to instruments like bass and guitar. The Attack, Release, Threshold, Gain, and Blend controls are identical to the FET stage, while the Ratio switch offers 2:1 and 5:1 settings for ultra-transparent leveling or stronger envelope-shaping. The Bloom control adds even-order harmonics that make any track pop, whether you want a touch of analog saturation or a bolder sound.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eDUAL STAGE MODE FOR SERIAL COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eOf the OptoFET's two primary compression modes, the default setting routes signals through the FET and Opto circuits in series, giving you the best of both worlds. Dial in a tight, punchy sound with the FET compressor, then run it through the Opto stage for extra \"glue.\" For an alternative sound, hit the Flip switch to use the Opto compression circuit first, then use the FET stage for peak limiting. Serial compression provides maximum dynamic control, gives you multiple gain stages to work with, and lets you quickly A\/B different mixing techniques.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eDUAL BAND MODE FOR MULTI-BAND COMPRESSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe X-OVER IN switch splits the signal into low and high frequency bands, which are then processed independently through the FET and Opto compressors and recombined at the output. The variable frequency selection control lets you adjust the crossover anywhere between 50-500 Hz, and the Flip switch swaps which compressor is used for the lower and upper frequency ranges. Try using the Opto stage on the lower frequency band for gentle compression while the FET stage adds upper harmonics, or swap them at any time for a different sound. You'll quickly see how flexible a dual-band compressor can be!\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eALL-NEW GRIT AND BLOOM MODES FOR ADDING HARMONICS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Grit button on the FET side and Bloom on the Opto side add harmonic enhancement to the signal. Depending on how hard you hit the compressor, Grit can add a subtle edge or significant bite to your sound, while Bloom brings out musical harmonics reminiscent of vintage opto-compressors. Use the makeup gain and parallel blend controls to thicken vocals, add sheen to guitars, or crush a drum bus without losing its natural dynamics.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eCOMPREHENSIVE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFor such a versatile unit, the OptoFET is remarkably easy to use. Each compressor section offers variable controls for Attack, Release, Threshold, Ratio, and Gain; while the center section offers global controls for flipping the order of processing, adjusting the crossover, and bypassing the unit. Input and output trim controls on either side of the unit allow you to tweak the incoming signal level and add just the right amount of make-up gain after processing.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":44451339731047,"sku":"498110","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/rupert-neve-designs-optofet_498110_1_ced4ca6c-c580-4e72-b87a-ccb32c668ca5.jpg?v=1787096856"},{"product_id":"dangerous-music-bax500-500-series-baxandall-style-equalizer","title":"Dangerous Music BAX500 500 Series Baxandall-Style Equalizer","description":"\u003cp\u003eDangerous Music has managed to condense the acclaimed BAX EQ into a single-channel 500 Series module, delivering the same smooth and musical tone-shaping power in a more compact format. Built around the same core design principles, the \u003cstrong\u003eDangerous Music BAX500\u003c\/strong\u003e features Baxandall high- and low-shelving EQ curves that gently open up or tame high frequencies and subtly enhance or round off the low-end. It also features gradually sloping high-cut and low-cut filters for removing infrasonic rumble and ultrasonic noise. Plus, its DC-coupled signal path includes a relay-controlled bypass for seamless A\/B comparisons. Perfect for enhancing just about any sound source you put through it, the Dangerous Music BAX500 is an excellent single-slot 500 Series EQ for tracking, mixing, and mastering studios alike.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eWHAT IS BAXANDALL EQ?\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA Baxandall EQ uses gentle shelving curves that emphasize musicality and smoothness rather than narrow, surgical boosts or cuts. These wide-band adjustments let you add high-end \"air\" or low-end weight in broad strokes, without emphasizing harshness or muddiness. Baxandall curves are also great for subtractive EQ, subtly rounding off excess bass and taming overly bright tracks without making it feel like anything's missing. To keep things sounding subtle and musical, Baxandall EQs like the Dangerous Music BAX500 (and the rack-mount BAX EQ) typically feature a limited gain range (±5 dB in this case). That may not seem like much, but it's the perfect amount for getting the most out of the broad shelves' shape without going too far.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eVERSATILE FILTERING WITH SIMPLE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eStepped controls provide simple operation and easy recall for repeatable results. Each shelf and filter features an eight-position frequency selector with preselected frequencies chosen for maximum musicality. The Hi Shelf knob stops at 18, 7.1, 4.8, 3.4, 2.5, 2.1, 1.8, and 1.6 kHz, while the Low Shelf offers 74, 84, 98, 116, 131, 166, 230, and 361 Hz options. Both include a Gain knob with a range of ±5 dB in 1\/2 dB increments. Featuring natural slopes of 12 dB per octave, the low- and high-cut filters each offer seven frequency centers and an OFF setting. The Low Cut filter can be set to 54, 43, 36, 30, 24, 18, or 12 Hz, while the Hi Cut settings include 70, 28, 16, 12.6, 11.1, 9, and 7.5 kHz. Whether you use it for mix bus processing, vocal tracking, or anything else, this single-slot 500 Series EQ will breathe new life into your tracks.,\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eTRANSPARENT SOUND AND ROCK-SOLID PHASE COHERENCE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe BAX500 is designed to be transparent, improving your mix without changing its character. 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The BC5000 BIGFOOT breaks from the mold of compressors past, delivering everyday practical functionality with the absolute best, modern day analog circuitry that has made everything BURL Audio does legendary. Anyone who has used an optical compressor knows how musical and natural the optical elements sound. Most optical compressors that we know and love are based on classic designs from the 60s and 70s. There has not been a lot of evolution in solid-state optical compressors since that time. BURL Audio with its years of analog expertise and real world musical production prowess has finally unleashed the BEAST, The BIGFOOT.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eMUSICAL OPTICAL COMPRESSION\u003c\/h3\u003e\n\u003cp\u003eThe BIGFOOT compressor uses an optical element for musical compression in conjunction with a uniquely BURL, fully balanced circuit path that is all Class A, discrete transistor with switchable input and output transformers. The input and output circuits are the same as BURL's Mothership Mastering cards, the BAD4M and BDA4M. The BIGFOOT employs switchable acclaimed BX1 and BX5 transformers with an additional fast limiter circuit. This combination makes the BC5000 ideal for taming large transients in a natural way that doesn’t “pump”. Mixing and Mastering engineers will love the ability to compress and limit in one box.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eCOMPRESSION THAT SOUNDS GREAT ON ANYTHING\u003c\/h3\u003e\n\u003cp\u003eBIGFOOT loves bottom end. The BC5000 features a side chain low-cut to allow that soulful rhythm section to ring true for bass, vocals, main mix, whatever. You gotta feel that body. For vocals, the BIGFOOT includes of a de-esser circuit to clean up sibilance. One button, done. Additionally, to bring to life slightly dull or dark tracks, the BIGFOOT employs a 10 kHz, high boost for clarity. The main goal in the development of the BC5000 BIGFOOT, was to create a compressor that works on everything. The BIGFOOT is musical for the body of the material, while great at taming high level peaks, pre ADC. 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These also run through the ISA transformer circuitry, allowing you to apply both Console and 430 Air modes.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eSIX REMOTE-CONTROLLABLE, ULTRA-LOW-NOISE MIC PREAMPS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAlongside the two ISA preamps are six remote-controllable, ultra-low-noise Focusrite mic preamps. Each one is designed to reliably capture every nuance with 69dB of clear, detailed gain and includes both analog Air processing for high-end clarity and variable Drive DSP for analog-style harmonic saturation.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eFLAGSHIP AD\/DA CONVERSION\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWhichever inputs you choose, you’ll be recording and mixing with the same 24-bit\/192 kHz AD\/DA converters used in Focusrite’s RedNet range, offering 125dB of dynamic range and ultra-low distortion at 0.00022% THD. And C8X’s two headphone outputs each offer independent level control, extra headroom, and optimized impedance for powerful, detailed playback.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_4\"\u003eRUN YOUR ENTIRE STUDIO\u003c\/h3\u003e\r\n\r\n\u003cp\u003eDesigned for patch-bay setups and permanent installations, ISA C8X provides fixed line inputs that let you connect your outboard gear once and avoid awkward re-patching. For immersive formats, the 12 balanced line outputs enable everything from mono up to 7.1.4, with support for up to three monitor groups and switching via both the front panel and Focusrite Control 2. And the entire system is expandable, thanks to 16 additional channels over ADAT and 2 via S\/PDIF for digital gear, plus MIDI and Word Clock I\/O.  \u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_5\"\u003eREMOTE-CONTROL RECORDING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eFocusrite Control 2 is designed for both desktop and mobile devices, making it easy to manage gain levels, route audio, save and recall preset mixes, and monitor with low latency — wherever you install ISA C8X in your studio. 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While maintaining the sonic character that made the original KH 310 a reference in countless studios, nearly every internal component has been redesigned to further improve real‑world performance. A new amplifier platform increases total power to 525 W. This enables cleaner output with even lower THD and 5 dB higher max SPL. Tighter component integration and production tolerances achieve ±0.6 dB linearity from 100 Hz to 10 kHz for razor sharp imaging.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSUPERIOR MIDRANGE TRANSPARENCY FOR FAST AND CONFIDENT MIX DECISIONS\u003c\/h3\u003e  \u003cp\u003eThe advanced DSP architecture delivers exceptional mid band clarity, enabling engineers to judge vocals, dialogue, and instruments with unmatched precision. Redesigned amplifiers and optimized DSP‑based processing minimize harmonic and intermodulation distortion, ensuring clear reproduction even at high levels and supporting longer, more focused sessions.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eMA 1 READY FOR PERFECTLY ALIGNED STEREO AND MULTICHANNEL SETUPS\u003c\/h3\u003e  \u003cp\u003eAt the heart of the KH 310 II is an DSP architecture that supports MA 1 Automatic Monitor Alignment, ensuring precise frequency and phase correction for consistent translation in any room. Analog and digital AES3id inputs (BNC) enable seamless integration with modern workflows, including Neumann’s new generation of KH subwoofers and monitor control solutions. Fully compatible with previous KH 310 installations, the KH 310 II offers a future‑ready foundation for stereo and immersive setups, preserving Neumann’s tonal signature while delivering meaningful improvements in every key parameter.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCLOSED‑BOX LOW‑FREQUENCY BEHAVIOR FOR TIME‑ACCURATE, RELIABLE MIX TRANSLATION\u003c\/h3\u003e  \u003cp\u003eThe closed-box design continues to deliver the tight, time‑accurate bass response that engineers rely on for trustworthy low‑end decisions. The legendary 3\" soft‑dome midrange driver remains the benchmark for vocal definition and mid band intelligibility. 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As it shares Neumann’s consistent tonal DNA, the KH 350 may be combined with other KH-Line monitors in immersive setups.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eDEEP AND POWERFUL LOW FREQUENCY EXTENSION AND HIGH RESOLUTION MIDRANGE\u003c\/h3\u003e  \u003cp\u003eThe KH 350 impresses with deep and powerful low-end response, enormous headroom, and exceptional linearity across the entire musical spectrum (32 Hz – 20 kHz ±1.25 dB). The KH 350 combines Neumann’s proven mid\/tweeter platform with its MMD waveguide, delivering controlled midrange directivity and precise vocal definition optimized for its size class, longer listening distances, and immersive setups.High resolution midrange performance for detailed, confident decision making\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eCONTROLLED DIRECTIVITY FOR ACCURATE MONITORING FROM NEARFIELD TO MIDFIELD\u003c\/h3\u003e  \u003cp\u003eNeumann’s Mathematically Modeled Dispersion (MMD) waveguide shapes the sound radiation to deliver precise and consistent dispersion throughout the room. This ensures stable imaging and greatly reduces unwanted reflections, supporting accurate monitoring even at longer listening distances while remaining fully capable in nearfield setups.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eMA 1 READY FOR PERFECTLY ALIGNED STEREO AND MULTICHANNEL SETUPS\u003c\/h3\u003e  \u003cp\u003eBuilt on Neumann’s advanced DSP engine, the KH 350 supports MA 1 Automatic Monitor Alignment, offering highly accurate frequency and phase optimization. Analog and digital AES3id inputs (BNC) integrate seamlessly with Neumann’s KH subwoofers and monitor control solutions, enabling flexible system scalability from stereo to immersive environments. Industry leading tight manufacturing tolerances ensure consistent unit to unit matching and predictable performance across multi monitor installations: perfect translation to all playback systems for music production, mixing, and mastering in stereo or immersive formats, as well as film scores, broadcast, and post production workflows. \u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":44534158590055,"sku":"513923","price":3599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neumann-kh-350_513923_1_ea9afb35-bc59-4275-b751-55974d9ac0d2.jpg?v=1788534904"},{"product_id":"neumann-kh-310-ii-active-near-field-3-way-monitor-left","title":"Neumann KH 310 II Active Near-Field 3-Way Monitor - Left","description":"\u003cp\u003eThe \u003cstrong\u003eNeumann KH 310 II\u003c\/strong\u003e introduces the next era of precision to Neumann’s iconic three‑way monitor line. While maintaining the sonic character that made the original KH 310 a reference in countless studios, nearly every internal component has been redesigned to further improve real‑world performance. A new amplifier platform increases total power to 525 W. This enables cleaner output with even lower THD and 5 dB higher max SPL. Tighter component integration and production tolerances achieve ±0.6 dB linearity from 100 Hz to 10 kHz for razor sharp imaging.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eSUPERIOR MIDRANGE TRANSPARENCY FOR FAST AND CONFIDENT MIX DECISIONS\u003c\/h3\u003e  \u003cp\u003eThe advanced DSP architecture delivers exceptional mid band clarity, enabling engineers to judge vocals, dialogue, and instruments with unmatched precision. Redesigned amplifiers and optimized DSP‑based processing minimize harmonic and intermodulation distortion, ensuring clear reproduction even at high levels and supporting longer, more focused sessions.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eMA 1 READY FOR PERFECTLY ALIGNED STEREO AND MULTICHANNEL SETUPS\u003c\/h3\u003e  \u003cp\u003eAt the heart of the KH 310 II is an DSP architecture that supports MA 1 Automatic Monitor Alignment, ensuring precise frequency and phase correction for consistent translation in any room. Analog and digital AES3id inputs (BNC) enable seamless integration with modern workflows, including Neumann’s new generation of KH subwoofers and monitor control solutions. Fully compatible with previous KH 310 installations, the KH 310 II offers a future‑ready foundation for stereo and immersive setups, preserving Neumann’s tonal signature while delivering meaningful improvements in every key parameter.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eCLOSED‑BOX LOW‑FREQUENCY BEHAVIOR FOR TIME‑ACCURATE, RELIABLE MIX TRANSLATION\u003c\/h3\u003e  \u003cp\u003eThe closed-box design continues to deliver the tight, time‑accurate bass response that engineers rely on for trustworthy low‑end decisions. The legendary 3\" soft‑dome midrange driver remains the benchmark for vocal definition and mid band intelligibility. 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Fewer still become so closely associated with the sound of a finished record. The Solid State Logic Bus Compressor is one of them. For more than five decades, its unmistakable sound has made it one of the most trusted and influential dynamics processors in professional audio. Only SSL could bring it back with this depth of authenticity. Reconnecting with the essentials of the legendary Bus Compressor, the \u003cstrong\u003eSolid State Logic Bus Comp Classic \u003c\/strong\u003ereturns in a dedicated 1U format, remaining faithful to the sound and focused workflow of the original while extending its creative range through Variable VCA Drive, expanded ratios and time constants, and a genuine stereo external side-chain input.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eHIGH-PERFORMANCE THAT 2181 VCAS\u003c\/h3\u003e\n\u003cp\u003eAt the heart of Bus Comp Classic are high-performance THAT 2181 VCAs in the audio path, paired with the unique SSL sidechain architecture that incorporates a VCA in its feedback loop. Together, they create the distinctive response that has made the SSL Bus Compressor a studio staple, combining punch, movement and cohesion with exceptional musicality. From subtle gain reduction to assertive bus processing, transients remain defined yet controlled, while multiple elements begin to move and breathe together. Engineered without compromise, Bus Comp Classic offers a faithful return to the response and feel of the SSL Bus Compressor, with the precision, consistency and reliability expected from modern SSL analog hardware.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eVARIABLE VCA DRIVE\u003c\/h3\u003e\n\u003cp\u003eNew Variable VCA Drive extends Bus Comp Classic far beyond a single sonic signature, placing decades of SSL console character under one continuously variable control. With VCA Drive at its cleanest setting, the VCAs operate in a balanced configuration for the low-distortion clarity and powerful transient response associated with SSL’s SuperAnalogue generation, from the 9000 Series to today’s Oracle and Odyssey consoles. As soon as the control is activated, the VCAs operate in an unbalanced configuration, recreating the harmonic behavior and character of classic SSL designs such as the FX384 and 4000 Series consoles. Increasing the control further progressively introduces additional color and saturation, moving from subtle console-style richness through to the denser, more aggressive character associated with early 4K designs. From polished mix finishing to heavily driven drums and parallel compression approaching 10% THD, Variable VCA Drive lets you decide how clean, colored or confrontational the compressor becomes.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eCLASSIC CONTROL, MORE MUSICALITY\u003c\/h3\u003e\n\u003cp\u003eBus Comp Classic retains the SSL Attack, Release and Ratio settings that have become central to professional bus compression, presented as precision six-position stepped controls for fast operation, accurate recall and repeatable results. Additional Ratio and Release settings extend the compressor's creative range, offering greater control and flexibility while preserving the speed and immediacy of the classic SSL workflow. Each compression ratio has its own carefully defined behavior. The renowned 2:1 mode features an exceptionally gentle soft-knee response, allowing gain reduction to develop progressively for transparent mix bus processing. Higher ratios deliver increasingly assertive control and greater density, making them equally effective on stems, drum busses and parallel chains. More than simply another release setting, SSL Auto Release has a character of its own. Its program-dependent, two-stage release circuitry responds dynamically to changing material, releasing louder elements of the program material more quickly, while allowing quieter material to recover more gradually. The result is a natural, musical release character that retains movement, detail and control, making ‘Auto’ particularly effective on complex program material.\u003c\/p\u003e\n\u003ch3 id=\"toc_3\"\u003eBUILT FOR RECORD-MAKING\u003c\/h3\u003e\n\u003cp\u003eFrom classic stereo mix and music bus compression to creative parallel processing chains, Bus Comp Classic adapts effortlessly to the way records are made. Use it to bring lead and backing elements together into a cohesive arrangement, shape the movement of an instrument bus, add urgency to drums, or apply the final touch that makes a mix feel complete. Its focused workflow makes it an immediate creative tool for artists and producers, while providing the precision and repeatability engineers depend on for professional mixing.\u003c\/p\u003e\n\u003ch3 id=\"toc_4\"\u003eMODERN SIDE-CHAIN CONTROL\u003c\/h3\u003e\n\u003cp\u003eA precision six-position Side-Chain High Pass Filter gives you greater control over the compressor’s response to low-frequency material. By reducing the influence of bass-heavy elements on the detector circuit, kick drums and bass can retain their depth and impact without driving excessive gain reduction across the rest of the mix. The genuine stereo external side-chain input supports both creative processing and advanced delivery workflows. When printing individual stems, the complete mix can feed the side-chain while each stem passes separately through the audio path. Every stem therefore receives the gain-reduction behavior it experienced within the full mix, helping preserve the balance and movement of the approved production across alternate versions and deliverables.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":50432264044647,"sku":"523411","price":1799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ssl-bus-comp-classic_523411_1.jpg?v=1791984379"},{"product_id":"burl-audio-bc5000m-bigfoot-mastering-compressor","title":"Burl Audio BC5000M BIGFOOT Optical Mastering Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eBURL Audio BC5000 BIGFOOT\u003c\/strong\u003e is a solid-state optical compressor with limiting that you will want to use on absolutely everything you create, from individual tracks, to mix bus and mastering. The BC5000 BIGFOOT breaks from the mold of compressors past, delivering everyday practical functionality with the absolute best, modern day analog circuitry that has made everything BURL Audio does legendary. Anyone who has used an optical compressor knows how musical and natural the optical elements sound. Most optical compressors that we know and love are based on classic designs from the 60s and 70s. There has not been a lot of evolution in solid-state optical compressors since that time. BURL Audio with its years of analog expertise and real world musical production prowess has finally unleashed the BEAST, The BIGFOOT.\u003c\/p\u003e\n\u003cp\u003eThe BC500M mastering version available here features all stepped attenuators.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eMUSICAL OPTICAL COMPRESSION\u003c\/h3\u003e\n\u003cp\u003eThe BIGFOOT compressor uses an optical element for musical compression in conjunction with a uniquely BURL, fully balanced circuit path that is all Class A, discrete transistor with switchable input and output transformers. The input and output circuits are the same as BURL's Mothership Mastering cards, the BAD4M and BDA4M. The BIGFOOT employs switchable acclaimed BX1 and BX5 transformers with an additional fast limiter circuit. This combination makes the BC5000 ideal for taming large transients in a natural way that doesn’t “pump”. Mixing and Mastering engineers will love the ability to compress and limit in one box.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eCOMPRESSION THAT SOUNDS GREAT ON ANYTHING\u003c\/h3\u003e\n\u003cp\u003eBIGFOOT loves bottom end. The BC5000 features a side chain low-cut to allow that soulful rhythm section to ring true for bass, vocals, main mix, whatever. You gotta feel that body. For vocals, the BIGFOOT includes of a de-esser circuit to clean up sibilance. One button, done. Additionally, to bring to life slightly dull or dark tracks, the BIGFOOT employs a 10 kHz, high boost for clarity. The main goal in the development of the BC5000 BIGFOOT, was to create a compressor that works on everything. The BIGFOOT is musical for the body of the material, while great at taming high level peaks, pre ADC. With its outstanding tone, extremely low noise floor and versatility you will find the BIGFOOT an indispensable tool for all of your music production needs.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":50650252181607,"sku":"528573","price":4025.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/burl-audio-bc500m-compressor_528573_1.jpg?v=1793287644"},{"product_id":"neve-elements-1084-eq","title":"Neve Elements 1084 EQ 8-Channel Analog Processor with Digital Control","description":"\u003cp\u003eThe \u003cstrong\u003eNeve Elements 1084 EQ\u003c\/strong\u003e is an 8-channel standalone analog processor with digital control featuring classic Neve 1084 inductor-based three-band EQ circuitry. The 1084 is the favorite sound of the legendary Neve Sound City 8028 console - eight channels of unmistakable Neve console EQ! With three switchable EQ bands, a reimagined frequency palette and optional narrow or wide Q settings, the Neve 1084 offers unparalleled sonic versatility.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eTHE SOUND OF YOUR FAVORITE RECORDS\u003c\/h3\u003e\n\u003cp\u003eThe 1084 features the same EQ design as the original 1084 used on countless records. The selectable high shelf EQ can be set at 10 kHz, 12 kHz or 16 kHz — perfect for adding shimmer and sheen to acoustic instruments. The midband is perfect for carving out space in busy mixes and adding warmth and grit to instruments with fixed frequencies at 350 Hz, 700 Hz, 1.6 kHz, 3.2 kHZ, 4.8 kHz and 7.2 kHz. One of the most unique features of the 1084 is the selectable Hi-Q feature on the midband, which produces a narrow Q shape for precise control. The low band is perfect for fattening up tracks with tight, punchy lows using fixed frequencies at 35 Hz, 60 Hz, 110 Hz, and 220 Hz. Clean up your low end with a dedicated high-pass filter, selectable at 45 Hz, 70 Hz, 160 Hz and 360 Hz. Or give your tracks a dark lo-fi vibe with the dedicated low-pass filter, selectable at 6 kHz, 8 kHz, 10 kHz, 14 kHz and 18 kHz.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eELEMENTS STANDALONE ANALOG AUDIO PROCESSORS\u003c\/h3\u003e\n\u003cp\u003eNeve Elements is a modular, standalone range of eight-channel analog processors combining Neve console circuitry with digital control and complete session recall, putting true analog musicality back into the box. Designed to evolve with the studio, the range allows customers to start with one unit and expand their processing capabilities as requirements change. Control every Element audio processor from within the DAW via the Element Control Plugin, with settings recalled instantly as part of the session, or reach for the same graphical control on the go with the Neve Elements App. Nothing about the sound is emulated, the software is controlling authentic Neve analog circuitry.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50678812082279,"sku":"528445","price":6295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-elements-1084_528445_1.jpg?v=1793027918"},{"product_id":"neve-elements-88r-dynamics","title":"Neve Elements 88R Dynamics 8-Channel Analog Processor with Digital Control","description":"\u003cp\u003eThe \u003cstrong\u003eNeve Elements 88R Dynamics\u003c\/strong\u003e features eight channels of Neve VCA compression, limiting, gating and expansion circuitry in a compact format. The 88R console dynamics architecture has been trusted by iconic studios for years. Adaptive attack and release respond to the envelope of incoming signals, while Auto Makeup Gain adjusts the output accordingly so your tracks sit in the mix effortlessly. With a built-in sidechain circuit, console-style linked compression, and onboard metering, the Neve 88R LBC an incredibly flexible studio tool.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eLEGENDARY VCA COMPRESSOR CIRCUIT\u003c\/h3\u003e\n\u003cp\u003eAt the heart of the Neve Elements 88R is the premium VCA circuit derived from the Neve 88RS desk, famous for delivering a balance of punch and transparency. Great for both fast and slow transients, the Neve 88R LBC preserves detail while providing the classic sound associated with large-format Neve consoles. Use it on individual tracks to tighten dynamics without smearing transients, link two or more units to process drums or background vocals, or put it in limiting mode to keep your mix bus in check. Designed for high headroom, the 88R delivers musical compression that sits well in modern mixes while retaining classic Neve character.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eELEMENTS STANDALONE ANALOG AUDIO PROCESSORS\u003c\/h3\u003e\n\u003cp\u003eNeve Elements is a modular, standalone range of eight-channel analog processors combining Neve console circuitry with digital control and complete session recall, putting true analog musicality back into the box. Designed to evolve with the studio, the range allows customers to start with one unit and expand their processing capabilities as requirements change. Control every Element audio processor from within the DAW via the Element Control Plugin, with settings recalled instantly as part of the session, or reach for the same graphical control on the go with the Neve Elements App. Nothing about the sound is emulated, the software is controlling authentic Neve analog circuitry.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50678812049511,"sku":"528444","price":5595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-elements-88r_528444_1.jpg?v=1793028777"},{"product_id":"neve-elements-88r-eq","title":"Neve Elements 88R EQ 8-Channel Analog Processor with Digital Control","description":"\u003cp\u003eThe \u003cstrong\u003eNeve Elements 88R EQ\u003c\/strong\u003e features eight channels of 4-band fully parametric EQ based on the revered analog circuitry of the flagship 88RS console with ±20 dB gain per band, extensive frequency overlap, and smoothly adjustable Q in a compact format. The 88R parametric equalizer is built for precise control and minimal phase shift.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eCLASSIC 88RS CONSOLE EQ\u003c\/h3\u003e\n\u003cp\u003eThe Elements 88R EQ preserves the key elements that made the 88RS a staple in major studios: colorful frequency response, coherent phase, and ample headroom for high dynamic range signals. The Neve 88R EQ offers over +27 dBu of headroom and ultra-low distortion, keeping transients and stereo image intact even with heavy processing.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eELEMENTS STANDALONE ANALOG AUDIO PROCESSORS\u003c\/h3\u003e\n\u003cp\u003eNeve Elements is a modular, standalone range of eight-channel analog processors combining Neve console circuitry with digital control and complete session recall, putting true analog musicality back into the box. Designed to evolve with the studio, the range allows customers to start with one unit and expand their processing capabilities as requirements change. Control every Element audio processor from within the DAW via the Element Control Plugin, with settings recalled instantly as part of the session, or reach for the same graphical control on the go with the Neve Elements App. Nothing about the sound is emulated, the software is controlling authentic Neve analog circuitry.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50678812180583,"sku":"528443","price":4895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-elements-88r-eq_528443_1.jpg?v=1793029504"},{"product_id":"neve-8424e-24-channel-console","title":"Neve 8424E 24-Channel Resettable Mixing Console","description":"\u003cp\u003eThe \u003cstrong\u003eNeve 8424E\u003c\/strong\u003e is an international standard, resettable 24 channel console. Its Marinair transformer-coupled stereo mix bus, derived from the iconic 80-series consoles, delivers the legendary Neve sound every time you mix. Supercharged by Neve Elements processors (sold separately) the 8424E is available with your choice of EQ and Dynamics, allowing you to specify your workflow to your projects.\u003c\/p\u003e\n\u003cp\u003eEvery 8424E comes fitted with a high resolution TFT touchscreen, the Elements Upstand Screen, mounted to the console upstand. Connected Elements appear on it automatically, providing graphical control of settings and routing for every processor in the studio, so you never have to leave the sweet spot whilst making music. Control every connected Element directly from your desk with the E-Controller. Authentic Neve processing is at your fingertips. Two digitally controlled VCA compressors serve your mixbus, groups or recording path. Retain 500 series smart-routing with instant reset of mixbus compression.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003ePOWERED BY ELEMENTS\u003c\/h3\u003e\n\u003cp\u003ePowered by Neve Elements, the 8424E allows you to choose your compliment of EQ and Dynamics in any combination, tailored to your unique workflow. The 88R EQ, 1084 EQ, 88R Dynamics brings authentic Neve console circuitry into compact, digitally controlled audio processors, bringing the definitive sound of the 88R and classic warmth of the 1084 into a modular studio system. Each Elements unit contains an intelligent insert matrix, seamlessly integrating Neve analogue audio processing with all your favorite outboard equipment through the 8424E. As your projects change, your ambitions change and your clients change, the 8424E evolves with you.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003ePUT THE MUSIC BACK INTO THE BOX\u003c\/h3\u003e\n\u003cp\u003eEmulation is fine – but there is nothing like the real thing. Now you can have the musicality of true analogue circuitry, but with all the convenience of emulation. The processing can be wherever it belongs in the studio, while its controls are wherever you want to work. Your Neve is no longer defined by where the hardware is. Control the Elements processors directly from your DAW, with every Element setting recallable as part of the session itself, offering instant reset of all parameters. The Neve Elements App gives you the same graphical control when you want to work independently of the DAW. Either way, nothing about the sound is emulated – you are breaking out of the box into Neve analogue circuitry, controlling it precisely, recalling it perfectly, every time.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":50678812278887,"sku":"528446","price":37950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-8424e_528446_1.jpg?v=1793366829"}],"url":"https:\/\/vintageking.com\/collections\/features-new-at-aes.oembed","provider":"Vintage King","version":"1.0","type":"link"}