{"title":"Summing \u0026 Line Mixers","description":"\u003cstyle\u003e\n  .vk-plp-copy {\n    box-sizing: border-box;\n    width: 100%;\n    background: var(--vk-color-tan);\n    font-family: var(--font-body--family);\n  }\n\n  .vk-plp-copy__inner {\n    width: 100%;\n    max-width: var(--page-width);\n    margin-inline: auto;\n    padding: 48px var(--page-margin);\n  }\n\n  .vk-plp-copy__title {\n    margin: 0 0 32px;\n    font-family: var(--font-body--family);\n    font-size: var(--font-size--3xl);\n    font-weight: 700;\n    line-height: 1.2;\n    color: var(--vk-color-near-black);\n  }\n\n  .vk-plp-copy__section {\n    margin-bottom: 40px;\n  }\n\n  .vk-plp-copy__section:last-child {\n    margin-bottom: 0;\n  }\n\n  .vk-plp-copy__heading {\n    margin: 0 0 16px;\n    font-family: var(--font-body--family);\n    font-size: var(--font-size--lg);\n    font-weight: 700;\n    line-height: 1.3;\n    color: var(--vk-color-near-black);\n  }\n\n  .vk-plp-copy__subheading {\n    margin: 0 0 24px;\n    font-family: var(--font-body--family);\n    font-size: var(--font-size--lg);\n    font-weight: 700;\n    line-height: 1.4;\n    color: var(--vk-color-near-black);\n  }\n\n  .vk-plp-copy__text {\n    margin: 0 0 16px;\n    font-family: var(--font-body--family);\n    font-size: 0.9375rem;\n    font-weight: 400;\n    line-height: 1.6;\n    color: var(--vk-color-near-black);\n  }\n\n  .vk-plp-copy__text:last-child {\n    margin-bottom: 0;\n  }\n\n  .vk-plp-copy__text a {\n    color: inherit;\n    text-decoration: underline;\n  }\n\n  .vk-plp-copy__grid {\n    display: grid;\n    grid-template-columns: repeat(2, 1fr);\n    gap: 24px;\n    margin-bottom: 40px;\n  }\n\n  .vk-plp-copy__grid:last-child {\n    margin-bottom: 0;\n  }\n\n  .vk-plp-copy__card {\n    padding: 28px 32px;\n    background: var(--color-white);\n    border-radius: 4px;\n  }\n\n  .vk-plp-copy__card--wide {\n    grid-column: 1 \/ -1;\n  }\n\n  .vk-plp-copy__card-title {\n    margin: 0 0 12px;\n    font-family: var(--font-body--family);\n    font-size: var(--font-size--lg);\n    font-weight: 700;\n    line-height: 1.3;\n    color: var(--vk-color-near-black);\n  }\n\n  .vk-plp-copy__card-text {\n    margin: 0;\n    font-family: var(--font-body--family);\n    font-size: var(--font-size--xs);\n    font-weight: 400;\n    line-height: 1.55;\n    color: var(--vk-color-near-black);\n  }\n\n  @media screen and (max-width: 1023px) {\n    .vk-plp-copy__inner {\n      padding: 36px var(--page-margin);\n    }\n\n    .vk-plp-copy__title {\n      font-size: var(--font-size--xl);\n      margin-bottom: 24px;\n    }\n\n    .vk-plp-copy__section {\n      margin-bottom: 32px;\n    }\n\n    .vk-plp-copy__grid {\n      gap: 16px;\n      margin-bottom: 32px;\n    }\n  }\n\n  @media screen and (max-width: 640px) {\n    .vk-plp-copy__inner {\n      padding: 28px var(--page-margin);\n    }\n\n    .vk-plp-copy__grid {\n      grid-template-columns: 1fr;\n    }\n\n    .vk-plp-copy__card {\n      padding: 20px 24px;\n    }\n\n    .vk-plp-copy__card--wide {\n      grid-column: auto;\n    }\n  }\n\u003c\/style\u003e\n\n\u003cdiv class=\"vk-plp-copy\"\u003e\n  \u003cdiv class=\"vk-plp-copy__inner\"\u003e\n    \u003ch2 class=\"vk-plp-copy__title\"\u003eSumming Mixers\u003c\/h2\u003e\n\n    \u003cdiv class=\"vk-plp-copy__section\"\u003e\n      \u003cp class=\"vk-plp-copy__text\"\u003e\u003ca href=\"\/blogs\/gear-demos\/exploring-the-ams-neve-8816-summing-mixer\"\u003eExplore the AMS Neve 8816 Summing Mixer \u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv class=\"vk-plp-copy__section\"\u003e\n      \u003ch3 class=\"vk-plp-copy__heading\"\u003eAbout Summing Mixers\u003c\/h3\u003e\n      \u003cp class=\"vk-plp-copy__text\"\u003eAn analog summing mixer is a great way to add some warmth and character into your digital mixes. By using analog outputs from your DAW interface, you can easily sum, process, and print stems of instrument, vocal, or effect groups. Vintage King offers a wide variety of summing and line mixers. Whereas some like the Rupert Neve Designs 5059 satellite offer simple functionality, some have feature advanced controls such as the Dangerous Music 2-BUS+.\u003c\/p\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv class=\"vk-plp-copy__section\"\u003e\n      \u003ch2 class=\"vk-plp-copy__title\"\u003eSumming Mixers FAQs\u003c\/h2\u003e\n\n      \u003cdiv class=\"vk-plp-copy__grid\"\u003e\n        \u003cdiv class=\"vk-plp-copy__card\"\u003e\n          \u003ch4 class=\"vk-plp-copy__card-title\"\u003eWhat is a summing mixer?\u003c\/h4\u003e\n          \u003cp class=\"vk-plp-copy__card-text\"\u003eA summing mixer combines multiple audio signals into a single stereo or mono output. It allows for analog summing of tracks, which can enhance the warmth, depth, and overall quality of a mix, compared to purely digital mixing within a DAW.\u003c\/p\u003e\n        \u003c\/div\u003e\n        \u003cdiv class=\"vk-plp-copy__card\"\u003e\n          \u003ch4 class=\"vk-plp-copy__card-title\"\u003eCan I use a summing mixer with my digital audio workstation (DAW)?\u003c\/h4\u003e\n          \u003cp class=\"vk-plp-copy__card-text\"\u003eYes, summing mixers are designed to work alongside your DAW. You send individual tracks or submixes from your DAW to the summing mixer, where they are combined into a single stereo output, which can then be recorded back into the DAW or sent to a mastering device.\u003c\/p\u003e\n        \u003c\/div\u003e\n        \u003cdiv class=\"vk-plp-copy__card vk-plp-copy__card--wide\"\u003e\n          \u003ch4 class=\"vk-plp-copy__card-title\"\u003eWhat features should I look for in a summing mixer?\u003c\/h4\u003e\n          \u003cp class=\"vk-plp-copy__card-text\"\u003eImportant features to consider include the number of input channels, high-quality analog components, options for panning and level control, integrated preamps, and additional features like inserts for external processing. Build quality and brand reputation are also key factors.\u003c\/p\u003e\n        \u003c\/div\u003e\n      \u003c\/div\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv class=\"vk-plp-copy__section\"\u003e\n      \u003ch3 class=\"vk-plp-copy__heading\"\u003eGetting Started with Summing Mixers\u003c\/h3\u003e\n      \u003cp class=\"vk-plp-copy__text\"\u003eSumming and Line Mixers come in all shapes and sizes, ranging from two channels up to 30 channels, and can be expanded upon beyond that. A project studio or small mastering facility might be better off with the two channel options, where a larger music production facility might look into eight or sixteen channels to start out with. For music production, a 16 channel is a great choice, and gives you the ability to sum an entire mix into eight analog stereo stems. A summing example could be drums, percussion, bass, guitar, piano, vocals, and effects.\u003c\/p\u003e\n    \u003c\/div\u003e\n\n    \u003cdiv class=\"vk-plp-copy__section\"\u003e\n      \u003ch3 class=\"vk-plp-copy__heading\"\u003eWhy Shop Summing Mixers at VintageKing.com?\u003c\/h3\u003e\n      \u003cp class=\"vk-plp-copy__text\"\u003eFor over 30 years, Vintage King has been committed to equipping our customers with the very best recording gear, expert advice, and professional studio install services. Our award-winning team is dedicated to helping you find the best summing mixer for your recording studio. As musicians and engineers ourselves, we have hands-on experience with the most popular summing and line mixers available. The Vintage King team is committed to helping you find the right summing mixer for your needs, so call us today at \u003ca href=\"tel:+18886531184\"\u003e+1 888.653.1184\u003c\/a\u003e to find the best summing mixer for your studio!\u003c\/p\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"api-7800-master-module","title":"API 7800 Master Module","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAPI 7800 Rack Mounted Master Control Module\u003c\/span\u003e is the final stage in the line of 7600 input modules linked together in a console configuration.  The new API 7800 fits into one rack space unit.  It includes summing amps for the echo sends, busses and stereo mix bus when linked up with the 7600 input module.  The 7800 is available in either a vertical or horizontal configuration, depending on the custom needs of the user.\u003c\/p\u003e\n\u003cp\u003eComplete with external L100 power supply, the 7800 strip is the basis for building a 4-channel, 8-channel or even 16-channel professional sounding API console when used with the 7600.\u003c\/p\u003e\n\u003cp\u003eThis allows a studio to design a custom \"side-car\" console that can be used as extra inputs or as a portable \"floating\" console that can be moved from control room to control room.  It can also be the basis for an extremely high quality four- or eight-channel console for remote recording applications, such as classical recordings or broadcast live remotes.\u003c\/p\u003e\n\u003cp\u003eThe 7800 includes the master controls for the solo system, including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  There are XLR outputs for the stereo outputs as well as the speaker amp inputs.   All other outputs are on a D-sub, with a DA-88 type pin-out.  This is a professional master section that can be used in any application requiring a control room controller.\u003c\/p\u003e\n\u003cp\u003eFor engineers\/artists that are using a Pro Tools type of product, the 7800M is perfect for use as a control room master without the summing amps and output controls for the sends or busses.  It also provides eight 2-track inputs, speaker controls, dim and a stereo output.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449257128039,"sku":"286","price":2545.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_7800.jpg?v=1787088342"},{"product_id":"manley-16x2-mic-line-mixer-8-8","title":"Manley 16 x 2 Mic\/Line Mixer","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eManley 16x2 Mic\/Line Mixer 8+8\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eversion splits itself into eight mic pre-amps and eight line inputs and, as I'll attest to later, is perfect for live recording. The Bus Version adds the ability to send the post-pan signals to two stereo busses and also lets you send the aux amp to two mono busses. The Special Line Version is a mic\/line hybrid that adds polarity reversal to the line inputs (polarity reverse is only standard on mic inputs) and is switchable between +4dBu and -10dBv input. The L\/C\/R Version replaces the pan pot with a three-deck pot so you can use the mixer for simple surround applications. Lastly, there is a 32x8 version that lets you send the post pan signal to a total of four stereo busses. Of course, this completely changes the front and back panels to represent the additional inputs and outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mixer has the distinctive look and feel that Manley fans have grown to love. From the military-grade knobs, switches and connectors to the oversized, lighted VU meters and hefty quarter-inch front aluminum panel, the mixer looks like it's ready for serious business. Designer ‘Hutch’ Hutchison has borrowed some ideas from their existing product line and added some nice new touches. For instance, the input stage is the same low-noise instrumentation amp that's used in their custom mastering console, and the summing amplifiers are similar to the make-up gain amps used in the Massive Passive. Other nice touches include the slick locking toggles used for the on\/off and phantom power switches. These prevent accidental AC power up\/down or phantom power up situations, which could be hazardous to speakers not to mention ribbon mics. They’ve also used some very cool looking and sturdy micro toggles, which are used to switch the relays for polarity reversal (no IC's here!) and the insert I\/O function.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe inside of the mixer is just as impressive, using gold contact Grayhill rotary pots for the monitor switching and mic pre-amp gain, Tocos toggle switches, Bournes series 91 conductive plastic GT series pots and Siemens and Magnecraft relays. As the title alludes to, the mixer uses a tube stage at the stereo output utilizing two 12AT7WA and two 6414 tubes. This adds a very nice touch to anything you send to the stereo bus, making it perfect for those who want to add a touch of warmth to their mostly-digital signal path. The noise and distortion figures from channel input to channel output are an incredible THD+N of 0.0002 percent (-90dB) at unity gain (+4dBu). The channel input to mix output figures are not as good, but hey, a little tube distortion and noise is what imparts that much-needed love touch to a cold digital world. These figures are THD+N 0.05 percent (-65dBu) at unity gain (+0dBu).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause you can have the mixer custom built to your specific needs, it's best to describe the 16x2 in modular form. From top to bottom a single mic pre-amp channel consists of a pan knob, a micro insert I\/O toggle switch and LED, and a microphone gain knob, which is detented from zero to 60 in 5dB increments. Under that there is a micro polarity toggle switch and LED, the mix gain knob and the channel solo and mute buttons. The line input channel from top to bottom features a pan knob, an aux output gain control, the channel volume control and solo and mute buttons.\u003c\/span\u003e\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449257685095,"sku":"594","price":8550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_16x2_1_1.jpg?v=1787088345"},{"product_id":"chandler-mini-rack-mixer","title":"Chandler Limited Mini Rack Mixer","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eChandler Limited Mini Mixer\u003c\/span\u003e is the culmination of Chandlers experience working with many types of vintage, discrete circuits.  The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the '60s and '70s that have been \"Chandlerized\" for modern usage.  Each Channel of the 16x2 Mixer is transformer balanced and driven by the New Chandler Line Amp, which borrows from Chandlers other products but has been redesigned for use in this mixer.  The Mini Mixer is jam packed with discrete amps and classic sound, 20 discrete amplifiers and 22 custom wound transformers in the unit, and delivering all the punch and tone you need for today's digital environment. In addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449261879399,"sku":"1271","price":8999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_minirackmixer_1.jpg?v=1787088353"},{"product_id":"api-dsm-48-channel-rack-system","title":"API DSM 48-Channel Rack System","description":"\u003cp\u003eThe popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e No complicated wiring, no configuring, and no guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package.  Unpack, mount and connect the harness and you're mixing!  It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals.  Available from 24 to 72 channels, all DSM systems include the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - eight-channel summing mixer \n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's discrete technology rack format mixdown and monitor system\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your digital audio workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing analog\u003c\/li\u003e\n\u003cli\u003eAvailable in 24-, 48-, 72-channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eDSM Rack Systems\u003c\/strong\u003e are made from several channels of the 8200 Aux Mixer, the 2500 Stereo Bus Compressor, the 7800 Master Module, and the 424 Bus Interface.  Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment.  Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDSM Monitor Panel\u003c\/strong\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the aux and track buses.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e2500 Bus Compressor \u003c\/strong\u003eis a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.  It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy bottom end.  With its dual-channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting.  It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e7800 Master Module\u003c\/strong\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus.  It includes the master controls for the solo system including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  All interfacing of the 7800 has been wired through the DSM rack's custom patch bay and rear access panel.  This is a professional master section that can be used in any application requiring a control room controller.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 8200 Eight-Channel Mixer Module\u003c\/strong\u003e is the latest rack mount module from API.  It provides eight inputs in a one rack space unit and features a level control, a panner and 2 aux sends per channel.  Each channel has a balanced input and a balanced insert point, conveniently switchable on the front panel.  The addition of front panel mute and solo switches make this the perfect mixer for any line level application.  Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution!  Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control.  Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e\u003cbr\u003eAn included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 424 Bus Interface\u003c\/strong\u003e lets you add external audio sources for summing to the stereo bus, the aux send buses or the multi track buses of the 7800 Master Module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449262141543,"sku":"1460","price":24500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm_channel_rack_system_1_2_c3a00527-10d8-40dd-b00d-2259603b9da3.jpg?v=1787088354"},{"product_id":"spl-mix-dream","title":"SPL MixDream 16-in-2 Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eSPL MixDream\u003c\/strong\u003e design plan provides for the integration of analog equipment in digital production environments and stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. One MixDream can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreams may be linked together.\u003c\/p\u003e\r\n\u003cp\u003eThe MixDream discrete class A technology is based on a 60-volt rail (±30V). Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a low noise level of -97 dBu (A-weighted, all channels active) and a dynamic level of over 125 dB. Thus the MixDream easily realizes the technical level of the best analog consoles.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eANALOG VS. DIGITAL SUMMING\u003c\/h3\u003e\r\n\u003cp\u003eNowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? Summing with the MixDream creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions. These are analog summing differences that we hear—and that you can expect.\u003c\/p\u003e\r\n\u003cp\u003eHowever, in contrast to simple summing devices the MixDream‘s insert and processing capabilities clearly spotlight a factor that is most important in a quality mix: while quality summing is the basis of a good mix, quality processing in the mixing process has the biggest influence on sound. When engineers discuss the qualities of highly-acclaimed analog consoles, it is very often the superior analog processing potential of such consoles that is an integral part of such “shop talk”.\u003c\/p\u003e\r\n\u003cp\u003eThe MixDream now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eREDUCTION OF A\/D CONVERSIONS\u003c\/h3\u003e\r\n\u003cp\u003eCalculated with 16 units for all MixDream inserts, 14 A\/D conversions can be spared in the summing process: DAW insertion of 16 analog units through A\/D-D\/A converters requires 32 conversions, while with the MixDream only the summed signal needs to be converted (18 conversions). Especially the critical A\/D conversions are reduced to a minimum and the analog effects are summed before any (in principle not loss-free) A\/D conversion has to be made at all.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTHE MIXDREAM IN MASTERING\u003c\/h3\u003e\r\n\u003cp\u003eMulti-channel sessions can be mixed and processed in analog, something that may also be of special importance when an engineer wishes to upsample to SACD or DVD-A.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCONTROLS FOR STEREO SUMMING:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAdjustable insert level\u003c\/li\u003e\r\n\u003cli\u003eStereo expansion control with infinite gradation\u003c\/li\u003e\r\n\u003cli\u003eAdjustable analog peak limiter\u003c\/li\u003e\r\n\u003cli\u003eAdjustable outputs with added in\/out switching of Lundahl transformers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"toc_4\"\u003ePROCESSING, BUT YOU CHOOSE THE MIX\u003c\/h3\u003e\r\n\u003cp\u003eEach input channel is equipped with a signal-present LED and a switchable insert-loop. A three stage toggle switch per channel allows the choice of whether or not a channel should be added to the mix buss. With the No-Mix switch control, a channel may be removed from the mix while remaining available for re-recording through its Direct Output. The No-Mix function can be particularly useful, for example, when the engineer wishes to add track compression. The compressed signal can be re-recorded to the DAW for level automation. This is also known as “bounce back” capability, and without it, compressed signals could not employ level automation, since the compressor is inserted post fader.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449262895207,"sku":"2587","price":3699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl-mixdream_2587_1.jpg?v=1787088357"},{"product_id":"api-dsm-24-channel-rack-system","title":"API DSM 24-Channel Rack System","description":"\u003cp\u003eThe popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e NO complicated wiring, NO configuring, and NO guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package. Unpack, mount and connect the harness and you're mixing! It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals. Available from 24 to 72 channels, all DSM systems include the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - 8 channel summing mixer \n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's discrete technology rack format mixdown and monitor system\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your digital audio workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing analog\u003c\/li\u003e\n\u003cli\u003eAvailable in 24-, 48-, 72-channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eDSM Rack Systems\u003c\/strong\u003e are made from several channels of the 8200 Aux Mixer, the 2500 Stereo Bus Compressor, the 7800 Master Module, and the 424 Bus Interface.  Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment.  Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDSM Monitor Panel\u003c\/strong\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the aux and track buses.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e2500 Bus Compressor \u003c\/strong\u003eis a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.  It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy bottom end.  With its dual-channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting.  It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e7800 Master Module\u003c\/strong\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus.  It includes the master controls for the solo system including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  All interfacing of the 7800 has been wired through the DSM rack's custom patch bay and rear access panel.  This is a professional master section that can be used in any application requiring a control room controller.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 8200 Eight-Channel Mixer Module\u003c\/strong\u003e is the latest rack mount module from API.  It provides eight inputs in a one rack space unit and features a level control, a panner and 2 aux sends per channel.  Each channel has a balanced input and a balanced insert point, conveniently switchable on the front panel.  The addition of front panel mute and solo switches make this the perfect mixer for any line level application.  Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution!  Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control.  Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e\u003cbr\u003eAn included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 424 Bus Interface\u003c\/strong\u003e lets you add external audio sources for summing to the stereo bus, the aux send buses or the multi track buses of the 7800 Master Module.\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449262829671,"sku":"2588","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm_channel_rack_system_1_1_7ca32dc2-7721-43d6-b3f7-648748c5ceea.jpg?v=1787088356"},{"product_id":"api-dsm-72-channel-rack-system","title":"API DSM 72-Channel Rack System","description":"\u003cp\u003eThe popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e No complicated wiring, no configuring, and no guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package.  Unpack, mount and connect the harness and you're mixing! It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals.  Available from 24 to 72 channels, all DSM systems include the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - 8 channel summing mixer \n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's discrete technology rack format mixdown and monitor system\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your digital audio workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing analog\u003c\/li\u003e\n\u003cli\u003eAvailable in 24-, 48-, 72-channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eDSM Rack Systems\u003c\/strong\u003e are made from several channels of the 8200 Aux Mixer, the 2500 Stereo Bus Compressor, the 7800 Master Module, and the 424 Bus Interface.  Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment.  Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDSM Monitor Panel\u003c\/strong\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the aux and track buses.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e2500 Bus Compressor \u003c\/strong\u003eis a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.  It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy bottom end.  With its dual-channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting.  It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e7800 Master Module\u003c\/strong\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus.  It includes the master controls for the solo system including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  All interfacing of the 7800 has been wired through the DSM rack's custom patch bay and rear access panel.  This is a professional master section that can be used in any application requiring a control room controller.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 8200 Eight-Channel Mixer Module\u003c\/strong\u003e is the latest rack mount module from API.  It provides eight inputs in a one rack space unit and features a level control, a panner and 2 aux sends per channel.  Each channel has a balanced input and a balanced insert point, conveniently switchable on the front panel.  The addition of front panel mute and solo switches make this the perfect mixer for any line level application.  Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution!  Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control.  Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e\u003cbr\u003eAn included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 424 Bus Interface\u003c\/strong\u003e lets you add external audio sources for summing to the stereo bus, the aux send buses or the multi track buses of the 7800 Master Module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449262862439,"sku":"2589","price":34600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm72_channel_rack_system_1.jpg?v=1787088357"},{"product_id":"manley-16x2-line-mixer","title":"Manley 16 x 2 Line Mixer","description":"The \u003cb\u003eManley 16x2 Line Mixer\u003c\/b\u003e comes in three different flavors: \u003cbr\u003e\u003cbr\u003e The\u003cb\u003e LINE\u003c\/b\u003e has 16 line inputs, with one aux send per channel. The LINE version is intended for workstations and allows users to avoid the digital mix buss which is often less than great sounding. Folks with huge expensive keyboard rigs who have inexpensive mixers that just ain’t cutting it have also been grabbing up the Manley 16x2 LINE version mixers. \u003cbr\u003e \u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eMICPRE\u003c\/span\u003e version has very low noise mic preamps with up to 60 dB of gain selectable on a rotary switch which replaces the aux knob. The XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1\/4\" plugs. (so yes you can run line level signals into it.) The MIC version also has phase reverse and inserts on every channel. \u003cbr\u003e \u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003e8+8\u003c\/span\u003e version mixes it up, with 8 mic channels and 8 line channels (shown above). Great for location recording, keyboard rigs and general purpose tasks.\u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWhat's in this thing?\u003c\/span\u003e\u003cbr\u003eThe channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1\/4\" plugs. There are balanced direct outputs on every channel post fade and pre cut for multi-track recording. \u003cbr\u003e \u003cbr\u003eEach channel uses the best sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise know of no mixer ever with better headroom or higher output levels and, well, this mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just 3 superb polystyrene caps from input to output. No carbon resistors, just 1\/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. All the good stuff. \u003cbr\u003e \u003cbr\u003eSorry we didn’t make this thing all-tube for \"ad appeal\" and sales hype. We certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. However, the tube mix amps\/line drivers are right at the end and impart that \"Manley Sound\" to your final outputs with all the richness, loudness and BIG sound you expect from us. Built like a tank and easy to service. \u003cbr\u003e \u003cbr\u003eMutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. Please! The Solo is of the \"mute everything else\" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected. \u003cbr\u003eThe master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master section has an aux mix gain (master effects send) in the LINE version and an Ext input gain in the MIC version. There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. We included MUTE and DIM buttons plus a rotary switch to monitor the main mix, the mono mix, 2 track tape playback (more balanced inputs), the Ext inputs (for linked consoles or effects returns), and the aux mix (only on LINE version). \u003cbr\u003eThe dedicated power supply unit cranking out all the necessary filtered and regulated DC voltages to power up this beast is external further reducing noise and heat.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449263222887,"sku":"2671","price":8100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_16x2_1.jpg?v=1787088359"},{"product_id":"manley-16x2-micpre-mixer","title":"Manley 16 x 2 MicPre Mixer","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eManley 16x2 MICPRE\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eversion has very low noise mic preamps with up to 60 dB of gain selectable on a rotary switch which replaces the aux knob. The XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1\/4\" plugs. The MIC version also has phase reverse and inserts on every channel. The 8+8 version mixes it up, with 8 mic channels and 8 line channels. Great for location recording, keyboard rigs and general purpose tasks.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eThe channel input jack is a Neutrik Combo which accepts XLR or 1\/4\" phone plugs. It is perfectly happy with either balanced or unbalanced sources. In the MIC version, the XLR has the appropriate 2400 ohm impedance and switches to 68K for the 1\/4\" plugs. There are balanced direct outputs on every channel post fade and pre cut for multi-track recording.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e Each channel uses the best sounding chips (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch’s circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout. Spec-wise know of no mixer ever with better headroom or higher output levels and, well, this mixer’s subterranean noise floor and crosstalk figures are simply quite amazing. The signal path has just three superb polystyrene caps from input to output. No carbon resistors, just 1\/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. \u003cbr\u003e \u003cbr\u003e Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching. The Solo is of the \"mute everything else\" type. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED’s to clearly indicate when they’re selected.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe master section provides mixdown to two channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7WA \u0026amp; 6414 dual triodes. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom, +36dBu, about 10dB better than million-dollar consoles. The master section has an aux mix gain (master effects send) in the LINE version and an Ext input gain in the MIC version. There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. Included MUTE and DIM buttons plus a rotary switch to monitor the main mix, the mono mix, two track tape playback (more balanced inputs), the Ext inputs (for linked consoles or effects returns), and the aux mix (only on LINE version).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dedicated power supply unit cranking out all the necessary filtered and regulated DC voltages to power up this beast is external further reducing noise and heat.\u003c\/span\u003e\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449263255655,"sku":"2672","price":8910.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_16x2_1_2.jpg?v=1787088359"},{"product_id":"manley-16x2x4-aux-line-mixer","title":"Manley 16 x 2 x 4 AUX Line Mixer","description":"\u003cp\u003eManley has redefined the mixer by introducing the \u003cstrong\u003eManley 16x2x4 AUX Line Mixer\u003c\/strong\u003e, a user-definable unit that sounds great. It is simple yet versatile enough to cover a wide variety of tabletop or rackmount applications. The unique design lets you tailor the mixer exactly to your needs by choosing one of six configurations. The basic unit from which all other permutations are derived is the Line Version; it simply has 16 line inputs that feed a stereo bus. If your needs call for mic pre-amps, you can choose the Mic Version, which contains 16 mic pre-amps and a few other extras we'll get into later as we zoom in on the details. The 8+8 version splits itself into eight mic pre-amps and eight line inputs and is perfect for live recording. The Bus Version adds the ability to send the post-pan signals to two stereo busses and also lets you send the aux amp to two mono busses. The Special Line Version is a mic\/line hybrid that adds polarity reversal to the line inputs (polarity reverse is only standard on mic inputs) and is switchable between +4dBu and -10dBv input. The L\/C\/R Version replaces the pan pot with a three-deck pot so you can use the mixer for simple surround applications. Lastly, there is a 32x8 version that lets you send the post pan signal to a total of four stereo busses. Of course, this completely changes the front and back panels to represent the additional inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eThe mixer has the distinctive look and feel that Manley fans have grown to love. From the military-grade knobs, switches and connectors to the oversized, lighted VU meters and hefty 1\/4\" front aluminum panel, the mixer looks like it's ready for serious business. Designer ‘Hutch’ Hutchison has borrowed some ideas from their existing product line and added some nice new touches. For instance, the input stage is the same low-noise instrumentation amp that's used in their custom mastering console, and the summing amplifiers are similar to the make-up gain amps used in the Massive Passive. Other nice touches include the slick locking toggles used for the on\/off and phantom power switches. These prevent accidental AC power up\/down or phantom power up situations, which could be hazardous to speakers not to mention ribbon mics. They’ve also used some very cool looking and sturdy micro toggles, which are used to switch the relays for polarity reversal and the insert I\/O function.\u003c\/p\u003e\n\u003cp\u003eThe inside of the mixer is just as impressive, using gold contact Grayhill rotary pots for the monitor switching and mic pre-amp gain, Tocos toggle switches, Bournes series 91 conductive plastic GT series pots and Siemens and Magnecraft relays. As the title alludes to, the mixer uses a tube stage at the stereo output utilizing two 12AT7WA and two 6414 tubes. This adds a very nice touch to anything you send to the stereo bus, making it perfect for those who want to add a touch of warmth to their mostly-digital signal path. The noise and distortion figures from channel input to channel output are an incredible THD+N of 0.0002 percent (-90dB) at unity gain (+4dBu). The channel input to mix output figures are not as good, but hey, a little tube distortion and noise is what imparts that much-needed love touch to a cold digital world. These figures are THD+N 0.05 percent (-65dBu) at unity gain (+0dBu).\u003c\/p\u003e\n\u003cp\u003eBecause you can have the mixer custom built to your specific needs, it's best to describe the 16x2 in modular form. From top to bottom a single mic pre-amp channel consists of a pan knob, a micro insert I\/O toggle switch and LED, and a microphone gain knob, which is detented from zero to 60 in 5dB increments. Under that there is a micro polarity toggle switch and LED, the mix gain knob and the channel solo and mute buttons. The line input channel from top to bottom features a pan knob, an aux output gain control, the channel volume control and solo and mute buttons.\u003c\/p\u003e","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449263288423,"sku":"2673","price":10350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_16x2_line_mixer_3.jpg?v=1787088359"},{"product_id":"api-dsm-72-channel-rack-system-unloaded","title":"API DSM 72-Channel Rack System - Unloaded","description":"The popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e NO complicated wiring, NO configuring, and NO guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package. Unpack, mount and connect the harness and you're mixing! It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals. Available from 24 to 72 channels, all DSM systems include the following:\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - 8 channel summing mixer\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack \u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAPI's Discrete Technology Rack Format Mixdown and Monitor System\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your Digital Audio Workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing ANALOG\u003c\/li\u003e\n\u003cli\u003eAvailable in 24, 48, 72 channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e The DSM Rack Systems are made from several channels of the \u003cspan style=\"font-weight: bold;\"\u003e8200 Aux Mixer\u003c\/span\u003e, the \u003cspan style=\"font-weight: bold;\"\u003e2500 Stereo Bus Compressor\u003c\/span\u003e, the \u003cspan style=\"font-weight: bold;\"\u003e7800 Master Module\u003c\/span\u003e, and the \u003cspan style=\"font-weight: bold;\"\u003e424 Bus Interface\u003c\/span\u003e. Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment. Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003eDSM Monitor Panel\u003c\/span\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the Aux and track buses.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003e2500 Bus Compressor\u003c\/span\u003e is a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix. It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy, bottom end. With its dual channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting. It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003e7800 Master Module\u003c\/span\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus. It includes the master controls for the Solo system including PFL, SIP and level control. There are six 2-Track inputs, monitoring of the four Sends, and monitoring of the Stereo Bus. All interfacing of the 7800 has been wired through the DSM Rack's Custom Patch bay and Rear access Panel. This is a professional Master section that can be used in any application requiring a Control Room Controller.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003e8200 8 Channel Mixer Module\u003c\/span\u003e is the latest rack mount module from API. It provides 8 Inputs in a one rack space unit and features a Level control, a Panner and 2 Aux sends per channel. Each channel has a Balanced Input and a Balanced Insert Point, conveniently switchable on the front panel. The addition of front panel Mute and Solo switches make this the perfect mixer for any line level application. Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution! Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control. Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e \u003cbr\u003e An included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e \u003cbr\u003e The \u003cspan style=\"font-weight: bold;\"\u003e424 Bus Interface\u003c\/span\u003e lets you add external audio sources for summing to the Stereo bus, the Aux send buses, or the multi track buses of the 7800 Master Module.","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449263353959,"sku":"2698","price":10655.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm48_1_1.jpg?v=1787088359"},{"product_id":"api-dsm-48-channel-rack-system-unloaded","title":"API DSM 48-Channel Rack System - Unloaded","description":"\u003cp\u003eThe popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e No complicated wiring, no configuring, and no guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package.  Unpack, mount and connect the harness and you're mixing!  It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals.  Available from 24 to 72 channels, all DSM systems include the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - 8 channel summing mixer \n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's discrete technology rack format mixdown and monitor system\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your digital audio workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing analog\u003c\/li\u003e\n\u003cli\u003eAvailable in 24-, 48-, 72-channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eDSM Rack Systems\u003c\/strong\u003e are made from several channels of the 8200 Aux Mixer, the 2500 Stereo Bus Compressor, the 7800 Master Module, and the 424 Bus Interface.  Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment.  Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDSM Monitor Panel\u003c\/strong\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the aux and track buses.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e2500 Bus Compressor \u003c\/strong\u003eis a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.  It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy bottom end.  With its dual-channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting.  It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e7800 Master Module\u003c\/strong\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus.  It includes the master controls for the solo system including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  All interfacing of the 7800 has been wired through the DSM rack's custom patch bay and rear access panel.  This is a professional master section that can be used in any application requiring a control room controller.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 8200 Eight-Channel Mixer Module\u003c\/strong\u003e is the latest rack mount module from API.  It provides eight inputs in a one rack space unit and features a level control, a panner and 2 aux sends per channel.  Each channel has a balanced input and a balanced insert point, conveniently switchable on the front panel.  The addition of front panel mute and solo switches make this the perfect mixer for any line level application.  Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution!  Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control.  Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e\u003cbr\u003eAn included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 424 Bus Interface\u003c\/strong\u003e lets you add external audio sources for summing to the stereo bus, the aux send buses or the multi track buses of the 7800 Master Module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449263386727,"sku":"2699","price":6540.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm_48_1.jpg?v=1787088359"},{"product_id":"api-dsm-24-channel-rack-system-unloaded","title":"API DSM 24-Channel Rack System - Unloaded","description":"\u003cp\u003eThe popular \u003cspan style=\"font-weight: bold;\"\u003eAPI DSM Rack\u003c\/span\u003e is a complete turnkey solution from API.\u003cbr\u003e \u003cbr\u003e No complicated wiring, no configuring, and no guesswork - DSM racks show up ready to work, allowing you to produce world class mixing from your DAW an hour after you get the package.  Unpack, mount and connect the harness and you're mixing!  It couldn't be easier.\u003cbr\u003e \u003cbr\u003e All DSM systems are complete mixing packages, for summing multi-track signals.  Available from 24 to 72 channels, all DSM systems include the following:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeter Panel - stereo and aux meters\u003c\/li\u003e\n\u003cli\u003e7800 - control room master section\u003c\/li\u003e\n\u003cli\u003e2500 - stereo buss compressor\u003c\/li\u003e\n\u003cli\u003e8200 - 8 channel summing mixer\n\u003cul\u003e\n\u003cli\u003eDSM24 - 3 x 8200, 24 channels\u003c\/li\u003e\n\u003cli\u003eDSM48 - 6 x 8200, 48 channels\u003c\/li\u003e\n\u003cli\u003eDSM72 - 9 x 8200, 72 channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTT patchbay\u003c\/li\u003e\n\u003cli\u003e424 buss interface box\u003c\/li\u003e\n\u003cli\u003eRear panel connections with all harnessing between modules\u003c\/li\u003e\n\u003cli\u003e19\" rack \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntroducing the DSM 24, DSM 48, and DSM 72\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAPI's discrete technology rack format mixdown and monitor system\u003c\/li\u003e\n\u003cli\u003eGet the famous API sound from your digital audio workstation\u003c\/li\u003e\n\u003cli\u003eFree up processing power while improving the performance and quality of mixes by mixing analog\u003c\/li\u003e\n\u003cli\u003eAvailable in 24-, 48-, 72-channel configurations, or to your custom requirements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \u003cstrong\u003eDSM Rack Systems\u003c\/strong\u003e are made from several channels of the 8200 Aux Mixer, the 2500 Stereo Bus Compressor, the 7800 Master Module, and the 424 Bus Interface.  Full tt patch bay facilities with rear connector interface panel are provided to allow flexibility in processing with external equipment.  Metering for all mix buses is provided as well as talkback functions.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDSM Monitor Panel\u003c\/strong\u003e lets you visually monitor the Stereo bus with the same analog meters used on API consoles and LED level indicators for the aux and track buses.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e2500 Bus Compressor \u003c\/strong\u003eis a versatile unit which allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix.  It features ATI's patented \"Thrust\" circuit for a chest hitting, punchy bottom end.  With its dual-channel design, the 2500 is set up for stereo compression and is normalled across the 7800's stereo bus through the DSM patchbay, but can be used as two separate units via a single compression setting.  It boasts a range of parameters that have made it an instant classic.\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003e7800 Master Module\u003c\/strong\u003e includes summing amps for the Echo Sends, Track Busses and Stereo Mix Bus.  It includes the master controls for the solo system including PFL, SIP and level control.  There are six 2-track inputs, monitoring of the four sends and monitoring of the stereo bus.  All interfacing of the 7800 has been wired through the DSM rack's custom patch bay and rear access panel.  This is a professional master section that can be used in any application requiring a control room controller.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 8200 Eight-Channel Mixer Module\u003c\/strong\u003e is the latest rack mount module from API.  It provides eight inputs in a one rack space unit and features a level control, a panner and 2 aux sends per channel.  Each channel has a balanced input and a balanced insert point, conveniently switchable on the front panel.  The addition of front panel mute and solo switches make this the perfect mixer for any line level application.  Perfect with any DAW or \"Pro Tools\" type digital audio recording software system as a high fidelity discrete API mixing solution!  Plug your DAW direct outputs into the DSM Rack Rear Interface panel, and then use the 8200 for panning and static level control.  Use the recording software of your choice to do your mixing, and let the 8200 give you the option of bypassing your DAW's digital mix bus.\u003cbr\u003e\u003cbr\u003eAn included tt patch bay provides all connections to the external equipment and is manufactured by Audio Accessories, the same company we use for API Legacy and Vision consoles.\u003cbr\u003e\u003cbr\u003eThe\u003cstrong\u003e 424 Bus Interface\u003c\/strong\u003e lets you add external audio sources for summing to the stereo bus, the aux send buses or the multi track buses of the 7800 Master Module.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":44449263419495,"sku":"2700","price":4025.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/api_dsm48_1.jpg?v=1787088359"},{"product_id":"tonelux-mx2d-module","title":"Tonelux MX2D Module","description":"The \u003cb\u003eTonelux MX2D Mixer\u003c\/b\u003e is a stereo line mixer with many features of a large frame console. The MX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section. \u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel. \u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. \u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything. \u003c\/p\u003e\u003cp\u003eThe ST button turns on the stereo bus, which allows the module to send to the aux sends without going to the stereo bus. \u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path. \u003c\/p\u003e\u003cp\u003eThe 4 sends are internally configurable for PRE or POST fader signal. The MX2 has an optional DIRECT transformer output.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449266663527,"sku":"4772","price":495.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_mx2d_module.jpg?v=1787088372"},{"product_id":"tonelux-mx5-1d-module","title":"Tonelux MX5.1D Module","description":"The \u003cb\u003eTonelux MX5.1 Mixer\u003c\/b\u003e is a SURROUND line mixer with many features of a large frame console. The MX5.1 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare, etc. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section. \u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel. \u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. \u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything. \u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path. \u003c\/p\u003e\u003cp\u003eThe 5.1 switch turns on the signal to the surround bus, allowing the module to send signal to the aux sends without going to the surround bus. \u003c\/p\u003e\u003cp\u003eThe LCR button switches the PAN pot from stereo to LCR, and pans from left, through center, to right, or in 2 channel stereo, allowing phantom center. \u003c\/p\u003e\u003cp\u003eThe 2 sends are internally configurable for PRE or POST fader signal. One of the sends can be used as the LFE send for Surround Mixes. \u003c\/p\u003e\u003cp\u003eThe MX5.1 has an optional DIRECT transformer output.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449266696295,"sku":"4773","price":585.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_mx5.1d_module.jpg?v=1787088372"},{"product_id":"tonelux-mx5-1-module","title":"Tonelux MX5.1 Module","description":"The \u003cb\u003eTonelux MX5.1 Mixer\u003c\/b\u003e is a SURROUND line mixer with many features of a large frame console. The MX5.1 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare, etc. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section. \u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel. \u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. \u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything. \u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path. \u003c\/p\u003e\u003cp\u003eThe 5.1 switch turns on the signal to the surround bus, allowing the module to send signal to the aux sends without going to the surround bus. \u003c\/p\u003e\u003cp\u003eThe LCR button switches the PAN pot from stereo to LCR, and pans from left, through center, to right, or in 2 channel stereo, allowing phantom center. \u003c\/p\u003e\u003cp\u003eThe 2 sends are internally configurable for PRE or POST fader signal. One of the sends can be used as the LFE send for Surround Mixes. \u003c\/p\u003e\u003cp\u003eThe MX5.1 has an optional DIRECT transformer output.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449266729063,"sku":"4774","price":485.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_mx5.1_module.jpg?v=1787088372"},{"product_id":"tonelux-fx2-module","title":"Tonelux FX2 Module","description":"The \u003cb\u003eTonelux FX2\u003c\/b\u003e Mixer is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. \u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. \u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eFX2+ \"AUX MSTR\" \u003c\/b\u003eis an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. \u003c\/p\u003e\u003cp\u003eThe rear panel feature connector provides for an external fader for the send master option on the FX2+. \u003c\/p\u003e\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. \u003c\/p\u003e\u003cp\u003eWhen used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. \u003c\/p\u003e\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. \u003c\/p\u003e\u003cp\u003eThis module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449266761831,"sku":"4775","price":425.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fx2_module.jpg?v=1787088372"},{"product_id":"tonelux-fx2-module-1","title":"Tonelux FX2+ Module","description":"The \u003cb\u003eTonelux FX2+ Mixer\u003c\/b\u003e is a DUAL stereo line mixer with a simple pair of level controls and a pair of panners. \u003cbr\u003e \u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. The FX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. \u003c\/p\u003e\u003cp\u003eThe \u003cb\u003eFX2+ \"AUX MSTR\" \u003c\/b\u003eis an OPTIONAL send master, which can be used in place of the SM1 or SM2 bus master when rack space is critical. It allows the rack to be filled with a full set of 16 modules, giving you 32 channels, including the masters, ALL IN ONE 3U RACK. \u003c\/p\u003e\u003cp\u003eThe rear panel feature connector provides for an external fader for the send master option on the FX2+. \u003c\/p\u003e\u003cp\u003eThe FX2 can be used by it self as a inexpensive dual stereo mixer for DAW or LIVE use when a simple stereo bus is all that is required. \u003c\/p\u003e\u003cp\u003eWhen used with the MX2 series, the addition of FOUR FX2 modules will give you 8 returns and the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules. \u003c\/p\u003e\u003cp\u003eThe FX2 can also be used as an additional set of sends, fed from the direct output of the MX2, as the outputs of each panner can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT sends from each MX2, including the onboard set of FOUR sends. \u003c\/p\u003e\u003cp\u003eThis module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449266794599,"sku":"4776","price":495.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fx2__module.jpg?v=1787088372"},{"product_id":"tonelux-aux1-buss-access-module","title":"Tonelux AUX1 Buss Access Module","description":"The \u003cb\u003eTonelux AUX1 \u003c\/b\u003eis a simple BUS access module that allows the user to insert an additional mixer, mic pre, etc. into the Tonelux MIX BUS. Each input is BALANCED and is calibrated for a level of +4 dBu \u003cp\u003e The LED at the bottom of the module indicates the mode that the AUX1 is in. Internally, there are headers that allow you to switch the jacks from the MX2 Stereo Mixer's busses to the MX5.1 Surround Mixer's busses, since any combination of modules can be used at the same time in the rack.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449267810407,"sku":"4777","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_aux1_buss_access_module.jpg?v=1787088372"},{"product_id":"tonelux-sm1-module","title":"Tonelux SM1 Module","description":"The \u003cb\u003eTonelux SM1\u003c\/b\u003e is a DISCRETE Mono Summing module, with a selectable input (on the PC board with jumpers) so you can grab any bus and use the SM1 as the summing master for the bus, such as Sends, Center Channel, LFE, PFL, etc. \u003cp\u003e The 8 seg LED VU meter follows the output of the final stage. The Summing input uses the Tonelux DISCRETE op-amp for summing, then feeds the Tonelux DISCRETE output op-amp into a transformer for the summing (or ACA) output. The return from the ACA out comes back into a DISCRETE booster amp, the master fader and transformer for the final output stage. \u003c\/p\u003e\u003cp\u003e This configuration allows you to insert a compressor after the summing amp and before the master fader (either the front panel pot or the external fader option), then returning it back into the fader and to the final Booster output. This modules works the same way any typical professional recording console would work. \u003c\/p\u003e\u003cp\u003e The INS (insert) button allows the engineer to compare or insert the device such as a compressor for IN\/OUT comparison or when required for a special CUE point. \u003c\/p\u003e\u003cp\u003e The SM1 is also available with only a Summing\/Booster\/Fader output when the INS function is not required, as when it is used for a send master. \u003c\/p\u003e\u003cp\u003e Both the ACA output and the BOOSTER output are transformer coupled.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449267875943,"sku":"4783","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_sm1_module.jpg?v=1787088373"},{"product_id":"tonelux-sm2-module","title":"Tonelux SM2 Module","description":"The \u003cb\u003eTonelux SM2\u003c\/b\u003e is a STEREO DISCRETE Summing module, with selectable inputs (on the PC board with jumpers) so you can grab any pair of bus and use the SM2 as the summing master for the Stereo bus, Surround Bus or the Solo Bus, etc. \u003cp\u003e The two 8 seg LED VU meters follows the outputs of the both final stages. The Summing inputs use the Tonelux DISCRETE op-amp for summing, then feeds the Tonelux DISCRETE output op-amp into a transformer for the summing (or ACA) outputs. The return from the ACA out comes back into a DISCRETE booster amp, the master fader and transformer for the final output stages. \u003c\/p\u003e\u003cp\u003e This configuration allows you to insert a Stereo compressor after the summing amp and before the master fader (either the front panel pot or the external fader option), then returning it back into the fader and to the final Booster outputs. This modules works the same way any typical professional recording console would work. \u003c\/p\u003e\u003cp\u003e The INS (insert) button allows the engineer to compare or insert the device such as a compressor for IN\/OUT comparison or when required for a special CUE point. One switch controls both channels. \u003c\/p\u003e\u003cp\u003e The rear panel connector allows the user to insert a Stereo fader, which will serve as the Master fader. \u003c\/p\u003e\u003cp\u003e Both the ACA outputs and the BOOSTER outputs are transformer coupled.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449267941479,"sku":"4784","price":895.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_sm2_module.jpg?v=1787088373"},{"product_id":"tonelux-fd1-fader-module","title":"Tonelux FD1 Fader Module","description":"The \u003cb\u003eTonelux FD1 Fader \u003c\/b\u003eis a mono 100mm fader. The price includes a 2 foot TRS cable that plugs into the rear of the MX2, MX5.2 or the SM1, SM2 as well as the FX2 external fader jack on the rear of the VRACK.","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449267908711,"sku":"4785","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fd1_fader_module.jpg?v=1787088373"},{"product_id":"tonelux-fd2-stereo-fader-module","title":"Tonelux FD2 Stereo Fader Module","description":"FD2 Stereo 100mm Fader w\/Hookup Cable","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449268695143,"sku":"4786","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_fd2_stereo_fader_module.jpg?v=1787088373"},{"product_id":"tonelux-psu","title":"Tonelux PSU","description":"Powers up to 2 rack units.","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449268760679,"sku":"4787","price":599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_psu.jpg?v=1787088373"},{"product_id":"tonelux-cr2-module","title":"Tonelux CR2 Module","description":"The \u003cb\u003eTonelux CR2\u003c\/b\u003e is a FULL featured CONTROL ROOM MONITOR module that has Three External Stereo Inputs and the internal Stereo Mix Bus. The CR2 uses an ALL DISCRETE signal path for superb sonic quality. \u003cp\u003eThe features include AFL stereo level, which is switched on when ever a channel is soloed, TWO control room speaker outputs, a MONO compatibility switch, Left and Right Speaker CUT switches and a DIM control that dims the Control room level 15dB. \u003c\/p\u003e\u003cp\u003eThe CONTROL ROOM LEVEL pot is a matched detented stereo control for perfect imaging. Of course, it uses a HUGE Tonelux knob! \u003c\/p\u003e\u003cp\u003eThere is a talkback feature that when pressed, sends an external mic signal into the send busses via the COM button. This also automatically DIMs the Control Room Level. \u003c\/p\u003e\u003cp\u003eThe two 8 seg VU meters follow the selection of the Control Room and are also accessible from the rear of the VRACK for an external set of VU meters.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449268858983,"sku":"4949","price":895.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_cr2_module.jpg?v=1787088374"},{"product_id":"chandler-mini-module-frame","title":"Chandler Limited Mini Module Frame","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited Mini Module Frame\u003c\/strong\u003e is designed as a counter part to the Mini Rack Mixer but will function completely independently for those wishing for a modular, grow-as-you-can setup.\u003c\/p\u003e\n\u003cp\u003eThe frame is designed to accept new modular versions of our TG Channel and TG1 Limiter and when combined with the Mini Mixer creates a fully rack mountable and portable TG mixing system designed specially for use with todays studio setups.\u003c\/p\u003e\n\u003cp\u003ePrice includes 3 amp power supply.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449269940327,"sku":"5197","price":1350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_mini_module_frame_1_1.jpg?v=1787088378"},{"product_id":"spl-mix-dream-xp","title":"SPL Mix Dream XP","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eSPL MixDreamXP\u003c\/span\u003e design plan provides for stereo mixdown at the analog level. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. In use, the MixDreamXP requires almost no departures from an engineer‘s usual working mode, so that all his trusted DAW features and familiar working routines remain available while the MixDreamXP seamlessly expands his aural mixing palette.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eActive analog summing on just 1U rack space—no analog mixing console necessary\u003c\/li\u003e\r\n\u003cli\u003eSophisticated, active Class A\/6oV stages for analog summing in the quality of the best consoles\u003c\/li\u003e\r\n\u003cli\u003eAll analog tracks can be summed before A\/D conversion.\u003c\/li\u003e\r\n\u003cli\u003eChannel adjustments and automation (level, panorama etc.) remain controlled from the DAW - no digital efficiency is lost\u003c\/li\u003e\r\n\u003cli\u003eLower DAW processor utilization rates\u003c\/li\u003e\r\n\u003cli\u003eLatency free monitoring\u003c\/li\u003e\r\n\u003cli\u003eSurround capable (from up to 3 MixDreamXP units)\u003c\/li\u003e\r\n\u003cli\u003eChannel capacity expandable through linked units\u003c\/li\u003e\r\n\u003cli\u003eProprietary differential amplifiers for each input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eOne MixDreamXP can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreamXP may be linked together. Owners of a MixDream, model 2384, can expand this unit with the cost effective MixDreamXP at an identical quality level and by the way, that‘s where the suffix „XP“ comes from (=Expansion).\u003cbr\u003e \u003cbr\u003e The MixDreamXP discrete class A technology is based on the same 60-volt rails (+\/- 30V) of the MixDream model 2384. Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a very low noise level of -97dBu and a dynamic range of 125dB. Thus the MixDreamXP easily reaches the technical level of the best analog consoles.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAnalog vs. Digital Summing\u003c\/span\u003e\u003cbr\u003e Nowadays, many are asking whether analog summing is better than digital summing. But perhaps the real question is whether digital summing better than analog summing? We at SPL don‘t know of anyone who says so. We do know that summing with the MixDreamXP creates an amazing signal depth, precise localization and a wonderful stereo imaging. Moreover, the addition of individual instruments results in soft and pleasant transitions.\u003cbr\u003e \u003cbr\u003e These are analog summing results that we appreciate from past decades of the best analog technology. The MixDreamXP now allows DAW users to exploit this potential with maximum comfort and uncompromising quality, ensuring that nothing can stand in the way of the engineer‘s having the best of both analog and digital worlds.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eConnection of Sampler, Keyboards etc.\u003c\/span\u003e\u003cbr\u003e Along with DAW audio tracks and effects machines or processors in the insert loops, samplers, keyboards and expanders may also be connected directly to the MixDreamXP. Then the Midi tracks need only be added in the DAW project, the outputs (for example, from a keyboard) are then routed directly to the MixDreamXP.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eMono Controls\u003c\/span\u003e\u003cbr\u003e To save converter channels, all channels may be switched to Mono so that two signals can be converted by a paired D\/A.\u003cbr\u003e \u003cbr\u003e In this case such signals are characteristically chosen which would receive a more central placement in the stereo mix (e.g. kick, snare, lead vocal, bass). All channel pairs must otherwise be panned hard left\/right in the mix.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming\u003c\/span\u003e\u003cbr\u003e Tracks destined for analog summing are routed from the DAW to the MixDreamXP via A\/D converters. Identical converters are ideal to exclude level and sound differences.\u003cbr\u003e \u003cbr\u003e Although you may often wish to sum more than 16 tracks, a general recommendation to reduce track numbers is to route those tracks to a common output bus of the sequencing program which are not played back simultaneously in your arrangement. This way you avoid digital summing and your production benefits from the full potential of 100% analog summing.\u003cbr\u003e \u003cbr\u003e With mono signals one should switch these to mono mode to confine them to single D\/A converter, thereby avoiding the waste of having to use a D\/A pair for one mono track. In the DAW such signals must be panned hard left or right.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSumming of Subgroups\u003c\/span\u003e\u003cbr\u003e To reduce track numbers, there are two other options besides the above mentioned \"Summing\" tip:\u003cbr\u003e Well, you could buy additional MixDreamXP or sum your grouped tracks with the MixDreamXP itself.\u003cbr\u003e \u003cbr\u003e For example, if you've done a chorus backup in 16 solo tracks, you can adjust your panning in the DAW and the MixDreamXP sums a stereo mix which is recorded again—the sound benefits of analog summing are larger than the disadvantage of a further A\/D-D\/A conversion.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eMixDreamXP in Mastering Applications\u003c\/span\u003e\u003cbr\u003e The MixDreamXP is predestined for mastering applications, as SPL planned its superior sound quality for just such occasions.\u003cbr\u003e \u003cbr\u003e Two applications are especially interesting: discrete Mastering, and up-sampling to SACD\/DVD-A formats. Normally a studio mastering engineer requires that a stereo file be made available for his or her work. But in such a mixdown, any problems (for example, significant variations in volume among instrumental subgroups) will mean equally significant limitations to your final mastering options. Instead, however, if one masters from a discrete mix with single tracks or subgroups, each of these can be adjusted just as easily and quickly in the mastering process - to the extent that even individual groups can be tweaked with different processing. Your final result is clearly better and the time needed, minimal - especially since it is less likely that a new mix will be called for.\u003cbr\u003e \u003cbr\u003e Multichannel sessions can be summed in the infinite resolution of analog signal processing equipment, something that may also be of special importance when an engineer wishes to up-sample to SACD or DVD-A.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eLinking Several MixDream XP\u003c\/span\u003e\u003cbr\u003e An expansion connector provides for a second MixDream XP input should 16 channels not suffice. The Main Outputs of the second MixDream XP must be connected to the Expansion Inputs of the first unit; do not connect both Expansion Inputs.\u003cbr\u003e \u003cbr\u003e If more than three MixDream XP are to be summed, SPL recommends to employ a further MixDream XP as master - otherwise the signals from the first MixDream XP (to cite a \"worst case scenario“) would unnecessarily be summed in each following unit.\u003cbr\u003e \u003cbr\u003e In such a chain One MixDream XP is connected to the Expansion Inputs while all other units are connected to the usual (DB25) Input Channels.\u003c\/p\u003e","brand":"SPL Audio","offers":[{"title":"Default Title","offer_id":44449270038631,"sku":"5258","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/spl_mixdream_xp_1.jpg?v=1787088378"},{"product_id":"neve-8816-summing-mixer","title":"Neve 8816 Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eNeve 8816 Summing Mixer\u003c\/strong\u003e delivers the legendary Neve sound in an all-analog 16-channel summing mixer. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 summing mixer packs all of the flexibility of a fully-functional Neve console into a compact, rack-mountable solution.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHANDS-ON CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe Neve 8816 summing mixer combines the class-leading electronics from the famous 88R analog console with comprehensive input, mixing and monitoring features to provide DAW users with unparalleled sound quality and versatility. Each of the 8816’s 16 input channels include level, pan, cut and cue controls for added flexibility. And with a +15 dB gain range, 8816 accommodates professional and consumer audio gear. Use the two track buss to chain multiple 8816 modules together for even more connectivity.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eFLEXIBLE MIXING OPTIONS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 8816 summing mixer will breathe new life into your digital tracks with classic Neve transformer mixing topology. Process tracks with your favorite analog outboard gear using mix inserts with three modes to accommodate any mixing style. Stereo width controls make it easy to dial in the perfect stereo image. The post insert mix function is perfect for stem mixing and blending in special effects.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eDIGITAL FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAn optional digital output makes it easy to print mixes back into your DAW with class-leading converters capable of sample rates up to 192 kHz or DSD. Keep an eye on your levels using output PPM meters and overload LEDs. Quickly A\/B mixes with push-button controls for monitoring Mix Out, 2 Track Return, Channels 1 \u0026amp; 2 and the front panel input min-jack. Easily adjust monitor level and mix level using independent controls, or toggle between Main and Alt speakers for quick comparisons. With a built-in cue output, talkback mic and headphone output, the 8816 can even be used for recording overdubs. And with total recall functionality, you can instantly recreate sessions with the push of a button.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449273774183,"sku":"5844","price":3395.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-8816-22_5844_1.jpg?v=1787088395"},{"product_id":"tonelux-mx2-module","title":"Tonelux MX2 Module","description":"The \u003cb\u003eTonelux MX2 Mixer\u003c\/b\u003e is a stereo line mixer with many features of a large frame console. The MX2 has a unique MUTE circuit that when pressed, the LED turns RED, but when the module is ON, the LED serves as a level presence indicator, illuminating green to show signal presence. This is very useful in live recording when you need to know quickly if a channel has signal or which has the loudest signal on it. It is also perfect for identifying which channel has the Kick and which has the Snare. The SOLO button is both a AFL or PFL, allowing both functions to be selected globally in the Control Room Section. \u003cp\u003eThe FADER knob is the channel fader, with the ability to insert an external fader from the rear panel. \u003c\/p\u003e\u003cp\u003eThe PAN control is a standard stereo pan circuit with a center detent. \u003c\/p\u003e\u003cp\u003eThe INSERT button can act as a balanced insert for outboard equipment, or it can be used as a MIC PRE\/TAPE PLAY switch for live recording to check the mic pre output and then the output of the machine for confidence checks or post recording playback without repatching anything. \u003c\/p\u003e\u003cp\u003eThe ST button turns on the stereo bus, which allows the module to send to the aux sends without going to the stereo bus. \u003c\/p\u003e\u003cp\u003eThe Polarity switch is a standard phase inverter for the main signal path. \u003c\/p\u003e\u003cp\u003eThe 4 sends are internally configurable for PRE or POST fader signal. The MX2 has an optional DIRECT transformer output.\u003c\/p\u003e","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449274429543,"sku":"6003","price":435.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_mx2_module.jpg?v=1787088397"},{"product_id":"tonelux-tb1-module","title":"Tonelux TB1 Module","description":"Cue\/Talk Back Module","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449274462311,"sku":"6007","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_tb1_module.jpg?v=1787088397"},{"product_id":"tonelux-tr8-module","title":"Tonelux TR8 Module","description":"The \u003cb\u003eTonelux TR8 Bus Assign Module\u003c\/b\u003e is a mono input line level module with a simple level control and a panner. \u003cbr\u003e\u003cbr\u003e The PAN control is a standard stereo pan circuit with a center detent. \u003cbr\u003e\u003cbr\u003e The TR8 uses the proprietary all discrete TX-240 op-amp and with the TR8+ bus master option, the all discrete TX-260 output stage with the TX-280 transformer.\u003cbr\u003e\u003cbr\u003e The TR8+ \"BUS MSTR\" is an OPTIONAL bus master control, which is used for controlling the levels of the busses, or can be assigned to any of the busses for a simple Stereo master, Aux master or Surround bus master. It can also serve as the replacement for the SM1 or SM2 bus master. \u003cbr\u003e\u003cbr\u003e It allows the rack to be filled with a full set of 16 modules, giving you 16 in X 8 out channels, including the masters, ALL IN ONE 3U RACK. \u003cbr\u003e\u003cbr\u003e The rear panel feature connector provides for an external fader for the bus master option on the TR8+. \u003cbr\u003e\u003cbr\u003e The TR8 can be used by it self as a inexpensive mono in, 8 out mixer for DAW or LIVE use when a flexable module is required with multiple outputs. It can serve as a monitor matrix, additional sends or even a Mix Minus matrix for live. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably while allowing panning between any pair of busses, which could be assigned to the Stereo Bus and the Surround busses. \u003cbr\u003e\u003cbr\u003e When used with the MX2 series, the addition of FOUR more TR8+ modules will give you the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules, with the added feature of routing when tracking or more inputs when mixing. \u003cbr\u003e\u003cbr\u003e The TR8 can also be used as an additional set of 8 sends, fed from the direct output of the MX2, as the outputs of any of the bus switches can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT additional sends from each MX2.","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449274560615,"sku":"6009","price":425.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_tr8_module.jpg?v=1787088397"},{"product_id":"tonelux-tr8-module-1","title":"Tonelux TR8+ Module","description":"The \u003cb\u003eTonelux TR8 Bus Assign Module\u003c\/b\u003e is a mono input line level module with a simple level control and a panner. \u003cbr\u003e\u003cbr\u003e The PAN control is a standard stereo pan circuit with a center detent. \u003cbr\u003e\u003cbr\u003e The TR8 uses the proprietary all discrete TX-240 op-amp and with the TR8+ bus master option, the all discrete TX-260 output stage with the TX-280 transformer.\u003cbr\u003e\u003cbr\u003e The TR8+ \"BUS MSTR\" is an OPTIONAL bus master control, which is used for controlling the levels of the busses, or can be assigned to any of the busses for a simple Stereo master, Aux master or Surround bus master. It can also serve as the replacement for the SM1 or SM2 bus master. \u003cbr\u003e\u003cbr\u003e It allows the rack to be filled with a full set of 16 modules, giving you 16 in X 8 out channels, including the masters, ALL IN ONE 3U RACK. \u003cbr\u003e\u003cbr\u003e The rear panel feature connector provides for an external fader for the bus master option on the TR8+. \u003cbr\u003e\u003cbr\u003e The TR8 can be used by it self as a inexpensive mono in, 8 out mixer for DAW or LIVE use when a flexable module is required with multiple outputs. It can serve as a monitor matrix, additional sends or even a Mix Minus matrix for live. This module, when used as a simple external summing module, will bring the cost of a DAW external mixing system down considerably while allowing panning between any pair of busses, which could be assigned to the Stereo Bus and the Surround busses. \u003cbr\u003e\u003cbr\u003e When used with the MX2 series, the addition of FOUR more TR8+ modules will give you the masters for the FOUR sends on the MX2, saving you the space of having FOUR SM1 master modules, with the added feature of routing when tracking or more inputs when mixing. \u003cbr\u003e\u003cbr\u003e The TR8 can also be used as an additional set of 8 sends, fed from the direct output of the MX2, as the outputs of any of the bus switches can be internally set to feed any of the 16 available busses in the VRACK, allowing up to EIGHT additional sends from each MX2.","brand":"Tonelux","offers":[{"title":"Default Title","offer_id":44449274593383,"sku":"6010","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/tonelux_tr8__module.jpg?v=1787088397"},{"product_id":"innertube-audio-sumthang","title":"InnerTUBE Audio Sumthang","description":"\u003cp\u003e\u003cspan\u003eInnerTube recognizes the productivity that digital audio workstations (like Avid Pro Tools and others) has made possible.\u003cspan\u003e  \u003c\/span\u003eRunning the outputs through a high-quality mixing console has become a favorite best-of-both world’s solution for those who want digital flexibility and analog sound quality.\u003cspan\u003e  \u003c\/span\u003eBut what if you don't have a large-format console, or prefer to mix \"inside the box\"? Well, they thought up the \u003cstrong\u003eSumthang\u003c\/strong\u003e just for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt sums eight-line-level (+4) inputs into two outputs, using a top-secret vacuum tube circuit for sound quality that mops the floor with any other \"analog\" summing box on the market today.\u003cspan\u003e  \u003c\/span\u003eIns and outs are transformer-balanced.\u003cspan\u003e  \u003c\/span\u003eUnits can be cascaded together to bring as many analog outs as your DAW has into the stereo outs of your main Sumthang unit, and they’ve been kicking around plans for a 16-channel dedicated expander.\u003cspan\u003e  \u003c\/span\u003eAn oversized output volume knob and super-accurate VU meters let you tweak the signal to the liking of your two-track recording or monitoring system, and even better, they look important.\u003c\/span\u003e\u003c\/p\u003e","brand":"InnerTUBE Audio","offers":[{"title":"Default Title","offer_id":44449275674727,"sku":"6154","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/innertube_audio_sumthang.jpg?v=1787088402"},{"product_id":"manley-32x8-line-mixer-custom-built","title":"Manley 32x8 Line Mixer Custom built","description":"Description coming soon.","brand":"Manley Labs","offers":[{"title":"Default Title","offer_id":44449275707495,"sku":"6193","price":20250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/manley_32x8_line_mixer_custom_built.jpg?v=1787088402"},{"product_id":"speck-lilo-16-channel-line-mixer","title":"Speck LiLo 16-Channel Line Mixer","description":"The LiLo is a high-definition desktop analog line mixer for routing and blending your external gear. Short for Line-in\/Line-out, the LiLo was designed as a \"quiet-transparent\" platform that allows you to build a mixing system using the gear you already own. \u003cp\u003e\u003cb\u003eDesign Philosophy\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eOne glance at the LiLo and you will realize that you are not looking at a conventional mixer. The first thing you will notice is the minimalist layout of the LiLo. This unpretentious design lacks mic preamps, equalizers, and is in short supply of knobs and switches. In their place, we bring you a well-designed 32 input mixer with unmatched signal routing, generous amounts of headroom, and a transparent signal path. \u003c\/p\u003e\u003cp\u003eThe Lilo has been designed with the specific idea that you want to connect and mix your external gear and DAW without the limitations imposed by traditional recording consoles. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe In's \u0026amp; Out's\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eAll audio inputs, outputs, and inserts are fully balanced and available on XLR and TRS connectors. \u003c\/p\u003e\u003cp\u003eConnect the LiLo to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. \u003c\/p\u003e\u003cp\u003eThe LiLo has high headroom that will handle balanced signals up to +28dBu. Balanced transformers are standard on the main feed and are optional on other outputs. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe Designer\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eThe LiLo is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 25 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the XTRAMIX rack mixer, the ASC equalizer, and MicPre 5.0 preamp. \u003c\/p\u003e","brand":"Speck Electronics","offers":[{"title":"Default Title","offer_id":44449277280359,"sku":"6562","price":10600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/speck_lilo16_1_1.jpg?v=1787088408"},{"product_id":"chandler-mini-rack-mixer-16-channel-expander","title":"Chandler Limited Mini Rack Mixer 16-Channel Expander","description":"\u003cp\u003eThe \u003cstrong\u003eChandler Limited Mini Rack Mixer 16-Channel Expander\u003c\/strong\u003e doubles the channel count on the Mini Rack Mixer to 32.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e19\" rackmount\u003c\/li\u003e\r\n\u003cli\u003eSteel construction\u003c\/li\u003e\r\n\u003cli\u003eWeight: 50 lb. (22.7kg)\u003c\/li\u003e\r\n\u003cli\u003e22 transformers\u003c\/li\u003e\r\n\u003cli\u003e8 total channels\u003c\/li\u003e\r\n\u003cli\u003e2 channel line input modules\u003c\/li\u003e\r\n\u003cli\u003eTalkback module\u003c\/li\u003e\r\n\u003cli\u003eControl room monitor panel\u003c\/li\u003e\r\n\u003cli\u003eMaster module (4 slot)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":44449277509735,"sku":"6595","price":5900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/chandler_mini_rack_mixer_16-channel_expander.jpg?v=1787088409"},{"product_id":"roll-music-systems-rms216-folcrom","title":"Roll Music Systems RMS216 Folcrom","description":"\u003cp\u003eThe \u003cstrong\u003eRoll Music Systems RMS216 Folcrom\u003c\/strong\u003e is a high quality passive mixer intended for multichannel analog summing of digital mixes. It uses no active circuitry and provides no gain or level controls. The idea is to control the level, panning, EQ, and effects sends of your mix from within the DAW, and send as many as 16 different tracks or submixes to a high quality multichannel outboard DAC which in turn feeds the Folcrom. You then perform only the summing in the analog domain. This enables you to maintain absolute repeatability from within your DAW.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach of the Folcrom's input channels features a balanced connection on standard 8-channel DB25 connectors and a pair of push-button switches to assign that channel to the Left or Right output, neither, or both. The output of the Folcrom is a stereo pair of balanced, 150-ohm signals on XLR connectors and requires approximately 30-40 dB of make-up gain (program dependent). This signal is ideally suited for feeding into an outboard microphone preamp of your choosing. The Folcrom is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier. The Folcrom itself has an extremely simple, pure, and transparent signal path. The absence of faders, EQ, aux sends, pan knobs, or any other superfluous features allows for an entirely passive circuit. There are no amplifiers, ICs, transistors, capacitors, or transformers in the signal path whatsoever. The simplicity of the fully balanced, symmetrical signal path allows the use of no-compromise passive components for ultimate fidelity. The unit passes signals \"from DC to daylight\" without coloration. The \"sound\" of your mixer is up to you and your preamps. Chances are your mic preamps just sit there unused at mixdown time anyway, so why not put them to work?\u003c\/p\u003e\r\n\r\n\u003cp\u003eBy excluding the make-up gain amplifier from the Folcrom, RMS is able to provide an ultimate quality summing buss without compromise and at a price that's less than you paid for your car. At the same time, it provides a unique opportunity for wide tonal control by allowing you to choose your flavor of make-up gain. Put those old Telefunken or RCA tube preamps to work when you want super thick warmth; or plug into your Great River MP-2NV when you need pristine clarity.\u003c\/p\u003e","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":44449277706343,"sku":"6620","price":775.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/roll_music_systems_rms216_folcrom_back_cb808476-4e55-4eaf-935d-2f80a7f6e9d5.jpg?v=1787088409"},{"product_id":"phoenix-audio-nicerizer-16-mk2-summing-mixer","title":"Phoenix Audio Nicerizer 16 MK2 Summing Mixer","description":"\u003cp\u003eThe \u003cstrong\u003ePhoenix Audio Nicerizer 16 v2\u003c\/strong\u003e was originally conceived because of the demand from customers for something that would “sweeten” the output from pro-tools and other DAW, and to make the final mix easier to distribute and handle.The Nicerizer 16 is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording.The “Nicerizer 16” uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology.The Nicerizer 16 is a 2U 19″ rack mountable 16 – 2 Summing Mixer, that can be stacked and linked in any multiple and various configurations to give high quality, line-level, Class A, discrete buffering, summing and mixing.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of our Class A, discrete, truly balanced transformerless input stage.\u003c\/li\u003e\r\n\u003cli\u003eOur proven and loved Class A, discrete, transformer balanced output stage (DSOP-2).\u003c\/li\u003e\r\n\u003cli\u003eIndividual pan control for each channel (16 x Pan pots)\u003c\/li\u003e\r\n\u003cli\u003e16 x Balanced Input XLR’s. Can accept balanced or unbalanced input with no -6dB loss.\u003c\/li\u003e\r\n\u003cli\u003e2 x mix busses (Stereo Mix Bus)\u003c\/li\u003e\r\n\u003cli\u003e1\/4″ TRS unbalanced Inserts on Busses (L + R Bus Insert points)\u003c\/li\u003e\r\n\u003cli\u003e+8dB Boost button on each channel.\u003c\/li\u003e\r\n\u003cli\u003eMaster mix bus output level control.\u003c\/li\u003e\r\n\u003cli\u003eStereo LED level monitoring.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable for each channel and Main Output\u003c\/li\u003e\r\n\u003cli\u003eStereo\/mono External\/Headphone monitoring Output. Switchable to each channel, external input (via 2T Return), Auxiliary and Main output, includes monitoring of the mix bus. (L, R, and Stereo)\u003c\/li\u003e\r\n\u003cli\u003eMain Outputs on Balanced XLR’s\u003c\/li\u003e\r\n\u003cli\u003e1\/4″ TRS unbalanced Jacks for Auxillary outputs with front panel level control\u003c\/li\u003e\r\n\u003cli\u003e2 Track stereo mono inputs on 1\/4″ TRS balanced Jacks\u003c\/li\u003e\r\n\u003cli\u003eClass A Stereo Width control with Loss-less Bass. Pannable from mono through to +25% Wider + Width control Bypass switch.\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level of +26dB.\u003c\/li\u003e\r\n\u003cli\u003eHuge headroom available on all channels.\u003c\/li\u003e\r\n\u003cli\u003eAll units are wired with PTFE silver military grade cable.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size: medium;\"\u003e\u003cstrong\u003eWant to hear the Nicerizer 16 in action?\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThis track was recorded live at the Grouse Lodge, Ireland in April 2012.\u003cbr\u003e\u003cbr\u003eArtist: Peter Doran\u003cbr\u003eSong: Knife Throwers Eyes\u003cbr\u003eRecorded by Filippo Gaetani, co produced and mixed with the artist. \u003ca href=\"http:\/\/www.filippogaetani.com\" target=\"_blank\"\u003ewww.filippogaetani.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.phoenixaudio.net\/site\/assets\/files\/1008\/kte_itb.mp3\" target=\"_blank\"\u003eKTE ITB Mix\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.phoenixaudio.net\/site\/assets\/files\/1008\/kte_nicerizer.mp3\" target=\"_blank\"\u003eKTE Nicerizer Mix\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449280229479,"sku":"6824","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix-audio-nicerizer-16-mk2_6824_1.jpg?v=1787088418"},{"product_id":"neve-8804-fader-pack-for-8816","title":"Neve 8804 Fader Pack for 8816 Summing Mixer","description":"\u003cp\u003eDesigned for rack-mount or tabletop use, the \u003cstrong\u003eNeve 8804\u003c\/strong\u003e features 16 long-throw channel faders, with associated cut and solo switches, and two master faders. The faders' solid feel as you adjust to the mix, the convenience of Total Recall of all parameters, and the pristine sound quality make the 8804 a must-have product in tandem with the 8816. There's no substitute for real hands-on fader control when it comes to real console feel. By adding the 8804 to the 8816 Summing Mixer, the two units form a fully-fledged Neve console.\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":44449280295015,"sku":"6846","price":1850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/neve-8804-fader-pack_6846_1.jpg?v=1787088420"},{"product_id":"phoenix-audio-nicerizer-8-summing-mixer","title":"Phoenix Audio Nicerizer 8 Summing Mixer","description":"The Nicerizer was originally conceived because of the demand from customers for something that would \"sweeten\" the output from pro-tools and to make the final mix easier to distribute and handle. \u003cp\u003eThe Nicerizer is designed to take the output out of the digital realm, and to add the Class A characteristics and feel before the final recording.\u003c\/p\u003e \u003cp class=\"mainBody\"\u003eThe “Nicerizer” uses our well proven and loved Class A output stage, but also has our latest breakthrough in transformerless Class A, Discrete Line Input Technology.\u003c\/p\u003e \u003cp\u003eThe Nicerizer is a 2U 19\" rack mountable 8 channel unit, that can be stacked and linked in any multiple and various configurations to give high quality, line-level, Class A, discrete buffering.\u003c\/p\u003e \u003cp\u003eApplications range from \"digital sweetening\" to source routing, from studio to stadium.\u003c\/p\u003e\u003cbr\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":44449285111911,"sku":"7219","price":3249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/phoenix_audio_nicerizer_8_summing_mixer.jpg?v=1787088433"},{"product_id":"inward-connections-mix690","title":"Inward Connections Mix690","description":"\u003cp\u003eAsk anyone in the know about the \u003cstrong\u003eInward Connections Mix 690\u003c\/strong\u003e summing mixer and they'll tell you it retains the lows really, really well. It manages to give you a mix depth on par with certain large consoles, and not many small summing mixers can say as much. Beyond that, the 16-channel Mix 690 offers discrete op-amps on each and every input, a testament to Inward Connection's commitment to premium quality and, of course, premium tone.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReady to relieve your overworked digital mix bus\u003c\/li\u003e\n\u003cli\u003eInward Connections: boutique gear handmade in LA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eReady to relieve your overworked digital mix bus\u003c\/strong\u003e\u003cbr\u003eThe Mix 690 is armed to restore resolution and depth to even the most overworked digital mix. It constantly gets praise for delivering a surprisingly \"big console sound,\" a combination of exceptional low-end retention with clarity in the highs, capped with a punchy, perceptually loud midrange that adds excitement to any mix.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInward Connections: boutique gear handmade in LA\u003c\/strong\u003e\u003cbr\u003eInitially one of LA's best-kept secrets, the word about Inward Connections has been sweeping the globe. After all, when you hear guys like Chris Lord-Alge and Eddie Kramer swearing by a brand, you know to pay attention. Dreamed up and designed by Steve Firlotte, a well-known LA tech, the Inward Connections line offers premium options for the discerning ear, all meticulously handmade in Firlotte's Los Angeles workshop.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Inward Connections","offers":[{"title":"Default Title","offer_id":44449292910695,"sku":"7712","price":4750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/inward_connections_mix_690.jpg?v=1787088439"},{"product_id":"ssl-x-rack-eight-input-module","title":"SSL X-Rack Eight Input Module","description":"The \u003cb\u003eSSL XRack Eight Input Module\u003c\/b\u003e was developed in response to requests from X-Rack users for a line input module designed to accommodate larger quantities of stereo line level inputs from studio sources such as multichannel audio interfaces, sub mixers and synthesizers.\u003cbr\u003e\u003cbr\u003eThe Eight Input Module offers greater connectivity than the Four Input Module but does not offer independent Level, Solo \u0026amp; Pan control. 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