{"title":"Digital Mixers","description":null,"products":[{"product_id":"yamaha-o2r96vcm-digital-mixing-console","title":"Yamaha 02R96VCM","description":"\u003cp\u003eIn addition to the significant overall performance enhancements, the \u003cstrong\u003eYamaha 02R96V2\u003c\/strong\u003e (Version 2) system Software offers a range of new features that add advanced capabilities for audio production, broadcast, and live applications. But there's more. You also get the capability to install the new optional ADD-ON EFFECTS, providing a range of state-of-the-art effect programs in addition to the current internal effect list. \u003cbr\u003e \u003cbr\u003eThe Yamaha Studio Manager gives you access to the console's parameters for either on-line or off-line control, and can manage and extensive archive of mix data, scene memory and library files, and it can be used as a medium to exchange data between the Yamaha Digital Consoles.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSTUDIO MANAGER\u003c\/strong\u003e Version 2 application for Windows 2000\/XP and Mac OS X platforms provide a number of enhancements that makes the already indispensable program more flexible and powerful than ever. 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So while the three StudioLive AI-series mixers — the StudioLive 32.4.2AI, 24.4.2AI, and 16.4.2AI —look and feel much like their non-AI counterparts, they have been reengineered from the ground up with far more capabilities and computing power.\u003c\/p\u003e\u003cp\u003eThe difference is Active Integration(AI), a complete, networked, tightly integrated hardware\/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eActively integrated software\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePreSonus StudioLive AI-series mixers are tightly integrated with an entire suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other digital mixer anywhere near this price class comes close with respect to software integration and features. 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Don’t use up two channels, create two completely different Fat Channel settings for each guitar and access them with the press of a button before he’s got the next guitar strap on.\u003c\/p\u003e\u003cp\u003eIt’s like having two complete channel strips on every input and output—but simpler and more efficient!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEffects you'd expect from a $600 stand-alone processor\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eYou get four programmable, 32-bit, stereo DSP effects engines—two of them loaded with reverbs and two armed with delay effects that you can really use. Each stereo processor has its own dedicated internal FX bus, and you can use all four all of the time without compromising other resources.\u003c\/p\u003e\u003cp\u003eThe reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. 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Every input channel and bus send has its own dedicated jack—no sharing, no compromises.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe ease of analog meets the power of digital\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAmong the employees of PreSonus, there are more band members than you can shake a mic stand at. All of us have lived with conventional mixers for years. And many of us have struggled with the less-than-intuitive interfaces of earlier digital mixers, with their bank switching, layers, nested menus, etc. Many of today’s digital mixers have the same problems.\u003c\/p\u003e\u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. So when we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible —not buried inside multiple menus. And the few times you do need to access a menu, StudioLive AI-series mixers quickly get you to the page you need. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eComplete store and recall—instantly\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwo factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation. This adds up to a lot of settings to remember and reset at every performance.\u003c\/p\u003e\u003cp\u003eThat's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. 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With its versatility and small footprint, you can connect stage mics and other inputs and outputs directly to the console, integrate Pro Tools LE® recording and playback for Virtual Soundcheck and show archiving, control all software functions remotely over a wired or wireless Ethernet device, and mix front-of-house and monitors using studio-quality processing.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eDon’t let its small size fool you. SC48 is a powerful performer, letting you create and deliver everything from simple to complex mixes in stunning sound quality. Its studio-grade mic preamps preserve audio fidelity and imaging for complete transparency, while built-in processing, including high-quality graphic EQ and dynamics, optimize clarity. 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Using the exclusive Channel Control, a single button press gives you immediate access and control over any channel strip function, including input parameters, EQ and dynamics, and Aux sends, using the console’s eight color-coded rotary encoders. Use the unique Flex Channel in latch mode to assign and gain perpetual access to a key channel, and never lose sight of the star of the show. Take advantage of VCA Spill, which gives you unprecedented access to specific channels within your mix without banking. And maximize your efficiency using the console’s General Purpose Interface (GPI) I\/O and D-Show® software to create custom macros, enabling you to perform multiple functions by simply pressing a button, stomping a footswitch, or moving a fader.\u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003eAll VENUE systems operate under one common software platform — VENUE D-Show® software, the industry’s easiest, most comprehensive control software. 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You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449337606247,"sku":"14906","price":28555.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_venue_sc48.jpg?v=1787088609"},{"product_id":"avid-venue-d-show-system","title":"Avid Venue D-Show System","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAvid Venue \u003c\/span\u003eis a revolutionary line of digital live sound systems that deliver amazing sound quality, reliability, flexibility, and ease-of-use.  Designed with direct input from leading mix engineers, Venue brings innovation and intuitive workflows to live mixing, answering the complexities of today’s live sound applications while empowering efficiency and creativity.  From studio-grade plug-in processing support and seamless Pro Tools® integration to customizable options that fit a variety of interface needs, Venue is shaping the future of live sound, and is the choice for concert tours, clubs, houses of worship, theaters, and broadcast events.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eAmazing Sound Clarity\u003c\/span\u003e\u003cbr\u003e Achieve studio-quality sound, with optimal clarity and smoothness, in live sound environments thanks to studio-grade mic preamps, pristine digital audio conversion, and high-quality processing.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eRock-Solid Reliability\u003c\/span\u003e\u003cbr\u003e The live environment is unpredictable. That’s why all Venue systems are built to withstand the rigors of the road and designed to circumvent potential hazards for total peace of mind.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eComplete Ease of Use\u003c\/span\u003e\u003cbr\u003e From consoles that give you familiar functionality, to software that’s simple to use, you gain great efficiency so you can spend more time exploring your creativity.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFlexibility for Your Needs\u003c\/span\u003e\u003cbr\u003e Whether you need more power, I\/O, or faders, or want to integrate personal monitoring and\/or Pro Tools recording, there’s an option to meet your needs.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eThe Sound of the Studio, Live\u003c\/span\u003e\u003cbr\u003e With Venue, recording artists can experience the same sound that inspired them in the studio on stage, thanks to direct Pro Tools plug-in support.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eDirect Connection to Pro Tools\u003c\/span\u003e\u003cbr\u003e Get the most streamlined, economical approach to integrating Pro Tools recording and playback into your live environment with an option card — no additional interfaces required.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSave Time with Virtual Soundcheck\u003c\/span\u003e\u003cbr\u003e Fine-tune mixes based on previous live recordings. With Pro Tools and Virtual Soundcheck, you can EQ the room, set up snapshots, and more — without the band.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eComplete Scalability\u003c\/span\u003e\u003cbr\u003e Because all Venue systems operate on the same software platform, you can swap out individual Venue components to re-scale your system as your needs change.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTotal Show File Portability\u003c\/span\u003e\u003cbr\u003e Never rebuild show files or chart settings again when you change systems. With Venue, you can copy show files to a USB key for use on any Venue system.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIncludes:\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e1x VENUE D‐Show Main\u003c\/li\u003e\n\u003cli\u003e1x VENUE D‐Show Sidecar\u003c\/li\u003e\n\u003cli\u003e1x VENUE Stage Rack 48 analog mic\/line in x 8 analog line out\u003c\/li\u003e\n\u003cli\u003e1x VENUE FOH Rack with 3 DSP Mix Engine Cards\u003c\/li\u003e\n\u003cli\u003e1x VENUEPack and VENUEPack Pro plug‐ins\u003c\/li\u003e\n\u003cli\u003e1x Video monitor mounting bracket (monitor not included)\u003c\/li\u003e\n\u003cli\u003e1x PACE iLok USB Smart Key, pre‐authorized with all factory‐installed and VENUEPack plug‐ins\u003c\/li\u003e\n\u003cli\u003e1x FOH Link cable\u003c\/li\u003e\n\u003cli\u003e1x 15' Console Link cable\u003c\/li\u003e\n\u003cli\u003e1x ECx Ethernet Option card\u003c\/li\u003e\n\u003cli\u003eAll necessary Software and User Guides\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449344880743,"sku":"16658","price":78745.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_venue_d-show_system_1461a002-dcd8-46cf-a69c-7e557b96e8a7.jpg?v=1787088640"},{"product_id":"avid-venue-profile-system","title":"Avid Venue Profile System","description":"\u003cp\u003eAvid VENUE live sound systems are comprised of high-quality components that work together to deliver studio-grade sound, powerful performance, and complete ease of use, with maximum flexibility.  The \u003cspan style=\"font-weight: bold;\"\u003eAvid VENUE Profile System\u003c\/span\u003e is based around the VENUE Profile console and employs a VENUE FOH Rack and Stage Rack processing and I\/O system.  This system offers great I\/O expandability and a compact console, providing maximum power in a smaller footprint.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eIncludes:\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eVENUE Profile\u003c\/span\u003e\u003cbr\u003e Compact, 24-fader console — a size-conscious alternative to the larger and expandable VENUE console\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eVENUE FOH Rack\u003c\/span\u003e\u003cbr\u003e Expandable rack component provides local I\/O, computer, and DSP processing for VENUE D-Show and Profile systems\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eVENUE Stage Rack\u003c\/span\u003e\u003cbr\u003e Expandable rack component provides remote mic\/line-level inputs and outputs from the stage for VENUE D-Show and Profile systems (typically deployed with FOH Rack)\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eECx Ethernet Option Card\u003c\/span\u003e\u003cbr\u003e Option card for VENUE FOH Rack (now standard in current FOH Racks) provides remote control of a VENUE system over a wired or wireless Ethernet network.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eVENUE D-Show software\u003c\/li\u003e\n\u003cli\u003eVENUEPack and VENUEPack Pro plug-in bundles\u003c\/li\u003e\n\u003cli\u003eMounting brackets for trackball and video monitor (trackball and monitor sold separately)\u003c\/li\u003e\n\u003cli\u003eAll necessary cables and accessories\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":44449344913511,"sku":"16659","price":62985.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/avid_venue_profile_system.jpg?v=1787088640"},{"product_id":"yamaha-ls9-16","title":"Yamaha LS9-16","description":"\u003cp\u003eThe \u003cstrong\u003eYamaha LS9 series\u003c\/strong\u003e consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic\/line input 64-channel LS9-32, and the 16-mic\/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder\/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449374306407,"sku":"17748","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha_ls9_16_1.jpg?v=1787088759"},{"product_id":"yamaha-ls9-32","title":"Yamaha LS9-32","description":"\u003cp\u003eThe \u003cstrong\u003eYamaha LS9 series\u003c\/strong\u003e consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha's digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic\/line input 64-channel LS9-32, and the 16-mic\/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there's also a built-in USB memory recorder\/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449374339175,"sku":"17749","price":12699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha_ls9_32.jpg?v=1787088759"},{"product_id":"yamaha-m7cl-32","title":"Yamaha M7CL-32","description":"\u003cp\u003eThe\u003cstrong\u003e Yamaha M7CL series\u003c\/strong\u003e is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. 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It includes an impressive array of advanced concepts such as the Centralogic™ control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that \"digital is difficult\". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. 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Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today's live sound scene as well.\u003cbr\u003e\u003cbr\u003eIt's no exaggeration to state that the PM5D Digital Mixing Console took the digital revolution to a new level. What's more, it offers a system solution that can enhance the entire sound production process from input to output through seamless integration with digital systems including Yamaha's DME series digital mixing engines and AD8HR 8-channel A\/D converters with remote controllable preamps. 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You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eWhat was then is now: complete store and recall.\u003c\/span\u003e\u003cbr\u003e Two factors work against getting that Perfect Mix with an analog mixer.First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. 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Configurable networking and communications option cards ensure your investment won’t be outdated as new technologies emerge.\u003c\/p\u003e\u003cp\u003eIn short, StudioLive AI-series mixers deliver the very best in digital mixing and recording technology and make it all incredibly intuitive and easy to learn and use.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThe future is Active Integration\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eStudioLive AI-series mixers start with all the strengths that made the first generation of StudioLive mixers famous: powerful, surface-driven interface; loads of DSP processing and analog I\/O; and layerless mixing, thanks to dedicated mix buses. Then they push the technology to the next level. So while the three StudioLive AI-series mixers — the StudioLive 32.4.2AI, 24.4.2AI, and 16.4.2AI —look and feel much like their non-AI counterparts, they have been reengineered from the ground up with far more capabilities and computing power.\u003c\/p\u003e\u003cp\u003eThe difference is Active Integration(AI), a complete, networked, tightly integrated hardware\/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eActively integrated software\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePreSonus StudioLive AI-series mixers are tightly integrated with an entire suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other digital mixer anywhere near this price class comes close with respect to software integration and features. 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You can put the kibosh on that, thanks to the StudioLive AI mixer’s security features!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA gigantic console in a small package\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIf a StudioLive AI mixer were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors!\u003c\/p\u003e\u003cp\u003eThat's because each channel and bus has its own studio-grade compressor, limiter, gate\/expander, and 4-band parametric equalizer. Each input channel, aux and FX bus also has a highpass filter, and input channels have polarity invert.\u003c\/p\u003e\u003cp\u003eIt all fits into one remarkable processing and routing section known as the Fat Channel.\u003c\/p\u003e\u003cp\u003eUnlike most competing digital mixers, there are no limitations or compromises, no shared resources, no figuring out what processing is available where. 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Connection is over Cat5 cable running Allen \u0026amp; Heath’s dSNAKE protocol, allowing the AR2412 to be positioned up to 120m from the GLD-80. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. For larger systems, a GLD-AR84 Expander AudioRack can be connected to the AR2412 to add a further 8 XLR inputs and 4 XLR outputs. AR2412 also includes an AviomTM Pro16 compatible Monitor port.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449517600871,"sku":"31508","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/ar2412_front_2ff73f81-0902-4438-a0cf-ea06fcd6f7d9.jpg?v=1787089285"},{"product_id":"presonus-studiolive-48-avb-mix-system","title":"PreSonus StudioLive 48 AVB Mix System","description":"\u003cp\u003eEasy to use, equipped with XMAX™ preamps and Burr-Brown converters, loaded with no-compromises signal processing, and flawlessly integrated with state-of-the-art software, StudioLive™ AI Active Integration™ mixing consoles deliver the most creative environment possible for live performance and studio music production. \u003cstrong\u003eStudioLive 48AI Mix Systems\u003c\/strong\u003e consist of two cascaded StudioLive 24.4.2AI consoles, creating the functional equivalent of a 48-channel mixer. These feature-rich mixing systems are a fraction of the size, weight, and price of a conventional large-format digital console yet offer an analog-style workflow and features no console near their price class can match.\u003c\/p\u003e  \u003ch3\u003eSeamlessly integrated, with the power and performance of StudioLive AI\u003c\/h3\u003e  \u003cp\u003eStudioLive 48AI Mix Systems perform as a cohesive 48-channel mixer and offer 22 mix buses (including 4 reverb and 4 delay processors with dedicated buses), discrete EQ and dynamics processors on every input and output, and a familiar, surface-driven workflow with one-to-one control over every channel. Every channel is routed through the bus outputs of the Master mixer and every global setting is controlled from the Master to provide seamless integration between the two cascaded consoles. Each StudioLive 48AI Mix System provides a robust 64x50 FireWire audio interface, making it easy to record and play audio with a Mac or Windows PC. All the power and performance available to a single StudioLive 24.4.2AI mixer are available to a cascaded StudioLive 48AI Mix System.\u003c\/p\u003e  \u003ch3\u003eIntegrated, multiplatform software for flexible control and one-click recording\u003c\/h3\u003e  \u003cp\u003eLike every StudioLive AI mixer, StudioLive 48AI Mix Systems are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac, Windows, and iPad®. Musicians control their monitor mixes onstage with QMix™-AI for iPhone®\/iPod® touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live 64-track recordings in Capture and edit both in Studio One Artist. Only StudioLive AI-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e  \u003ch3\u003eEasy networking with future-looking options\u003c\/h3\u003e  \u003cp\u003eIt’s easy to network the two mixers in a StudioLive 48AI Mix System: Simply connect the mixers with a FireWire 800 cable, set the mixer on the left to “Slave,” and you’re there. Connect each mixer to a wireless router with a standard Ethernet cable and you’re ready to remote control your StudioLive AI Mix System from an iPad or iPhone or go wireless using the included USB WiFi LAN adapters. Or go all-in with the latest technology by equipping both mixers with optional Dante or AVB cards. Now you not only have cascading but also advanced networking with PreSonus StudioLive RM-series rack mixers, StudioLive AI Active Integration loudspeakers, and more.\u003c\/p\u003e  \u003ch3\u003eThose important accessories\u003c\/h3\u003e  \u003cp\u003eAlthough the two cascaded StudioLive 24.4.2AI mixers are the main attraction, we know you’ll want a few accessories. So all StudioLive 48AIMix Systems come with a joining bracket that locks the two mixers together into one unit. We also give you a custom dust cover for the two joined consoles. And to help you use UC Surface’s Smaart room-analysis and other testing features, we’ve included a PreSonus PRM1 Precision Reference Microphone—a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools.\u003c\/p\u003e  \u003ch3\u003eConfigurable, flexible, and expandable\u003c\/h3\u003e  \u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. With StudioLive 48AI Mix Systems, you get the high channel counts required for large shows and studio projects with all the cutting-edge hardware and software advantages of StudioLive Active Integration systems.\u003c\/p\u003e\u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. 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These feature-rich mixing systems are a fraction of the size, weight, and price of a conventional large-format digital console yet offer an analog-style workflow and features no console near their price class can match.\u003c\/p\u003e  \u003ch3\u003eSeamlessly integrated, with the power and performance of StudioLive AI\u003c\/h3\u003e  \u003cp\u003eStudioLive 64AI Mix Systems perform as a cohesive 64-channel mixer and offer 26 mix buses (including 4 reverb and 4 delay processors with dedicated buses), discrete EQ and dynamics processors on every input and output, and a familiar, surface-driven workflow with one-to-one control over every channel. Every channel is routed through the bus outputs of the Master mixer and every global setting is controlled from the Master to provide seamless integration between the two cascaded consoles. Each StudioLive 64AI Mix System provides a robust 80x66 FireWire audio interface, making it easy to record and play audio with a Mac or Windows PC. All the power and performance available to a single StudioLive 32.4.2AI mixer are available to a cascaded StudioLive 64AI Mix System.\u003c\/p\u003e  \u003ch3\u003eIntegrated, multiplatform software for flexible control and one-click recording\u003c\/h3\u003e  \u003cp\u003eLike every StudioLive AI mixer, StudioLive 64AI Mix Systems are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac, Windows, and iPad®. Musicians control their monitor mixes onstage with QMix™-AI for iPhone®\/iPod® touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live 64-track recordings in Capture and edit both in Studio One Artist. Only StudioLive AI-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e  \u003ch3\u003eEasy networking with future-looking options\u003c\/h3\u003e  \u003cp\u003eIt’s easy to network the two mixers in a StudioLive 64AI Mix System: Simply connect the mixers with a FireWire 800 cable, set the mixer on the left to “Slave,” and you’re there. Connect each mixer to a wireless router with a standard Ethernet cable and you’re ready to remote control your StudioLive AI Mix System from an iPad or iPhone or go wireless using the included USB WiFi LAN adapters. Or go all-in with the latest technology by equipping both mixers with optional Dante or AVB cards. Now you not only have cascading but also advanced networking with PreSonus StudioLive RM-series rack mixers, StudioLive AI Active Integration loudspeakers, and more.\u003c\/p\u003e  \u003ch3\u003eThose important accessories\u003c\/h3\u003e  \u003cp\u003eAlthough the two cascaded StudioLive 32.4.2AI mixers are the main attraction, we know you’ll want a few accessories. So all StudioLive 64AIMix Systems come with a joining bracket that locks the two mixers together into one unit. We also give you a custom dust cover for the two joined consoles. And to help you use UC Surface’s Smaart room-analysis and other testing features, we’ve included a PreSonus PRM1 Precision Reference Microphone—a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools.\u003c\/p\u003e  \u003ch3\u003eConfigurable, flexible, and expandable\u003c\/h3\u003e  \u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. With StudioLive 64AI Mix Systems, you get the high channel counts required for large shows and studio projects with all the cutting-edge hardware and software advantages of StudioLive Active Integration systems.\u003c\/p\u003e\u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. 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Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-8 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZEDi-8 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.\u003c\/p\u003e\u003ch3\u003eMIXER + USB INTERFACE\u003c\/h3\u003e\u003cp\u003eZEDi-8 offers the best of both worlds, incorporating a studio quality 2 in \/ 2 out, 24-bit\/96kHz USB audio interface for hassle-free recording and playback to\/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow. ZEDi-8 is class compliant with Mac and iOS.\u003c\/p\u003e\u003ch3\u003eCUBASE LE MUSIC PRODUCTION SOFTWARE INCLUDED\u003c\/h3\u003e\u003cp\u003eZEDi-8 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets – with outstanding audio quality as well as time-saving recording and editing functionality.\u003c\/p\u003e\u003ch3\u003eCUBASIS LE MOBILE MUSIC PRODUCTION APP\u003c\/h3\u003e\u003cp\u003eThe mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg’s streamlined, multitouch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.\u003c\/p\u003e\u003ch3\u003eEXCEPTIONAL AUDIO QUALITY\u003c\/h3\u003e\u003cp\u003eZEDi-8 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen \u0026amp; Heath’s analogue range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.\u003c\/p\u003e\u003ch3\u003eROAD TOUGH\u003c\/h3\u003e\u003cp\u003eAll ZED mixers are designed and built to Allen \u0026amp; Heath’s legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.\u003c\/p\u003e\u003ch3\u003eMADE FOR GUITARS\u003c\/h3\u003e\u003cp\u003eZEDi-8 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. 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It comes with configurable USB audio in\/out making it easy to capture stereo recordings. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We’ve added a set of fabulous effects to give shimmering reverbs and enhance your sound.\u003c\/p\u003e\u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e\u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! 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Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e\u003ch3\u003eSEND OPTIONS:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain Mix Left + Right (Post master Level)\u003c\/li\u003e\n\u003cli\u003eAux + FX bus (Aux is a pre-fade send, FX is a post-fade send)\u003c\/li\u003e\n\u003cli\u003eRecord Bus Left + Right (Separate stereo bus to Main Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRETURN OPTIONS:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTo Playback input (through jack socket break contacts)\u003c\/li\u003e\n\u003cli\u003eTo Stereo 2 channel (through jack socket break contacts)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMUSIQ\u003c\/h3\u003e\u003cp\u003eZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.\u003c\/p\u003e\u003ch3\u003eZED-FX\u003c\/h3\u003e\u003cp\u003eZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. The DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.\u003c\/p\u003e\u003ch3\u003eGUITAR DI\u003c\/h3\u003e\u003cp\u003eZED-10FX’s pre-amps are similar in design to the MixWizard range of mixers, but with a twist! Inputs 3 \u0026amp; 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. 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It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs.\u003c\/p\u003e\u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e\u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e\u003ch3\u003eSEND OPTIONS\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMain Mix Left + Right (Post master Level)\u003c\/li\u003e\n\u003cli\u003eAux + FX bus (Aux is a pre-fade send, FX is a post-fade send)\u003c\/li\u003e\n\u003cli\u003eRecord Bus Left + Right (Separate stereo bus to Main Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eRETURN OPTIONS\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTo Playback input (through jack socket break contacts)\u003c\/li\u003e\n\u003cli\u003eTo Stereo 2 channel (through jack socket break contacts)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eMUSIQ\u003c\/h3\u003e\u003cp\u003eZED-10 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.\u003c\/p\u003e\u003ch3\u003eGUITAR DI\u003c\/h3\u003e\u003cp\u003eZED-10’s pre-amps are similar in design to the MixWizard range of mixers, but with a twist! Inputs 3 \u0026amp; 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character\u003c\/p\u003e\u003ch3\u003eFEATURE SUMMARY\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e4 mic\/line inputs, 2 with Class A FET high impedance inputs\u003c\/li\u003e\n\u003cli\u003eNeutrik mic XLR\u003c\/li\u003e\n\u003cli\u003eNeutrik 1\/4 inch jacks\u003c\/li\u003e\n\u003cli\u003e3 band EQ with MusiQ\u003c\/li\u003e\n\u003cli\u003e2 auxes\u003c\/li\u003e\n\u003cli\u003eSound image pan\u003c\/li\u003e\n\u003cli\u003eIlluminated PFL indicator\u003c\/li\u003e\n\u003cli\u003eStereo returns \u0026amp; playback\u003c\/li\u003e\n\u003cli\u003eAll inputs with level control\u003c\/li\u003e\n\u003cli\u003e12 bar meters\u003c\/li\u003e\n\u003cli\u003eResponsive 3-band, swept mid EQ with MusiQ\u003c\/li\u003e\n\u003cli\u003e2 stereo sources with MP3 player compatibility\u003c\/li\u003e\n\u003cli\u003eSeparate 2-track record outputs\u003c\/li\u003e\n\u003cli\u003eStereo playback input for 2-track replay\u003c\/li\u003e\n\u003cli\u003eXLR main stereo outputs with inserts\u003c\/li\u003e\n\u003cli\u003eComprehensive monitoring\u003c\/li\u003e\n\u003cli\u003eConfigurable USB stereo audio in\/out\u003c\/li\u003e\n\u003cli\u003eStereo monitor outs\u003c\/li\u003e\n\u003cli\u003e48V microphone phantom power\u003c\/li\u003e\n\u003cli\u003eDI level switching for sub mixing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449853014119,"sku":"55654","price":379.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-_-heath-zed10_-55654_1_0dbfcd71-9ed1-496b-94c3-37050a655bb5.jpg?v=1787090699"},{"product_id":"allen-heath-zed-p1000","title":"Allen \u0026 Heath ZED-P1000","description":"\u003cp\u003eThe \u003cstrong\u003eAllen \u0026amp; Heath ZED Power 1000\u003c\/strong\u003e is a rugged, reliable powered mixer that is built to deliver outstanding audio quality night after night. Created for gigging musicians, schools, PA and AV rental companies, hotels and conference centers, ZED Power 1000 is the professional choice for power and performance.\u003c\/p\u003e\u003ch3\u003eFEATURE SUMMARY\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2x500W Power Amp\u003c\/li\u003e\n\u003cli\u003e8 Mic\/Line Inputs\u003c\/li\u003e\n\u003cli\u003e2 Stereo Inputs\u003c\/li\u003e\n\u003cli\u003e1 Aux \/ FX Send\u003c\/li\u003e\n\u003cli\u003e9 Band Graphic EQ\u003c\/li\u003e\n\u003cli\u003eRecord Bus\u003c\/li\u003e\n\u003cli\u003eUSB Recording \/ Playback\u003c\/li\u003e\n\u003cli\u003eTouring Grade Build Quality\u003c\/li\u003e\n\u003cli\u003e2 Line Inputs with Class A high impedance for ultimate guitar tone\u003c\/li\u003e\n\u003cli\u003e3 Band British EQ with Swept Mid\u003c\/li\u003e\n\u003cli\u003e16 Studio Quality FX with Tap Tempo\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eTOURING GRADE BUILD QUALITY\u003c\/h3\u003e\u003cp\u003eZED Power 1000 is designed and built to Allen \u0026amp; Heath’s legendary standards to ensure a long life in the toughest of live sounds environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.\u003c\/p\u003e\u003ch3\u003ePURE POWER\u003c\/h3\u003e\u003cp\u003eSelected for maximum ruggedness and low distortion, ZED packs enough power to comfortably rock 200-300 capacity venues with no distortion. The output can be set to feed L+R speakers, or Mono LR + Foldback, or Mono LR + Sub. ZED Power 1000 has a built in, 2 channel, high power class D amplifier, coupled to a super-reliable linear power supply. This combination provides the best of both worlds—the cool running efficiency of class D amplification allied to the proven robustness and peak headroom of a toroidal power supply, with the ability to cope with high demand surges.\u003c\/p\u003e\u003ch3\u003eSIMPLE, EFFICIENT, PORTABLE\u003c\/h3\u003e\u003cp\u003eZED Power 1000 offers a super convenient solution for high quality PA on the move. The mixer weighs in at a modest 10.3kg (24lbs) and there is a tough carry handle built into the chassis, making it easy to take the mixer into the most challenging of venues.\u003c\/p\u003e\u003ch3\u003eUSB PLAYBACK \/ RECORDING\u003c\/h3\u003e\u003cp\u003eA flexible USB connection allows playback to \/ from a computer, so capturing a high quality stereo recording of the show or playing walk-in music or backing tracks from a laptop could not be simpler.\u003c\/p\u003e\u003ch3\u003eULTIMATE GUITAR TONE\u003c\/h3\u003e\u003cp\u003eTwo of the mixer’s jack inputs can take a normal line level or a low level, high impedance input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth.\u003c\/p\u003e\u003ch3\u003eAUDIO QUALITY\u003c\/h3\u003e\u003cp\u003eThe ZED preamps are developed by Allen \u0026amp; Heath’s pre-eminent analogue designer, Mike Griffin, and have earned an enviable reputation in pro audio circles for their exceptionally low noise and high headroom.\u003c\/p\u003e\u003ch3\u003e100% PROFESSIONAL\u003c\/h3\u003e\u003cp\u003eProfessional touches like outputs on XLRs, inserts on the masters and sweepable mids on the EQ set ZED Power 1000 apart from the many semi-pro powered mixers on the market. The attention to detail can also be felt from the Neutrik jacks and XLRs right through to the smooth glide ALPS faders.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449853046887,"sku":"55651","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-_-heath-zed-power-1000_55651_1_37f27067-2b88-47d8-9814-13bd466e6fe5.jpg?v=1787090700"},{"product_id":"allen-heath-zed-60-14fx","title":"Allen \u0026 Heath ZED-60\/14FX","description":"\u003cp\u003e​Live or in the studio, the \u003cstrong\u003eAllen \u0026amp; Heath ZED60-14FX\u003c\/strong\u003e is a compact, portable mixer that is ideal for small bands. This mixer is a guitarist’s dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3\/CD players or keyboards. ZED60-14FX comes with configurable USB audio in\/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-14FX lives up to the audio and build quality standards that have made Allen \u0026amp; Heath one of the most trusted names in professional audio for more than 40 years.\u003c\/p\u003e  \u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e  \u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e  \u003ch3\u003eSEND OPTIONS:\u003c\/h3\u003e  \u003cp\u003e1) Main Mix Left + Right (Post master Level)\u003c\/p\u003e  \u003cp\u003e2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)\u003c\/p\u003e  \u003cp\u003e3) Record Bus Left + Right (Separate stereo bus to Main Mix)\u003c\/p\u003e  \u003ch3\u003eRETURN OPTIONS:\u003c\/h3\u003e  \u003cp\u003e1) To Playback input (through jack socket break contacts)\u003c\/p\u003e  \u003cp\u003e2) To Stereo 2 channel (through jack socket break contacts)\u003c\/p\u003e  \u003ch3\u003eMUSIQ\u003c\/h3\u003e  \u003cp\u003eZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.\u003c\/p\u003e  \u003ch3\u003eZED-FX\u003c\/h3\u003e  \u003cp\u003eZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. The DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.\u003c\/p\u003e  \u003ch3\u003eGUITAR DI\u003c\/h3\u003e  \u003cp\u003eZED60-14FX’s pre-amps are similar in design to the MixWizard range of mixers, but with a twist! Inputs 7 \u0026amp; 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449853079655,"sku":"55647","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-_-heath_zed-sixty-14fx_1_099379fc-7853-42d2-bfe3-e67cae4a4cd0.jpg?v=1787090699"},{"product_id":"allen-heath-zed-60-10fx","title":"Allen \u0026 Heath ZED-60\/10FX","description":"\u003cp\u003eLive or in the studio, the \u003cstrong\u003eAllen \u0026amp; Heath ZED60-10FX\u003c\/strong\u003e is an ultra-portable mixer for solo artists and small bands. Based on the top selling ZED-10FX, the new ZED60-10FX adds premium quality 60mm faders for that intuitive, tactile mixing experience. This mixer is a guitarist’s dream. Two of the 4 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3\/CD players or keyboards. ZED60-10FX comes with configurable USB audio in\/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX. Most important of all, ZED60-10FX lives up to the audio and build quality standards that have made Allen \u0026amp; Heath one of the most trusted names in professional audio for more than 40 years.\u003c\/p\u003e\u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e\u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e\u003ch3\u003eSEND OPTIONS:\u003c\/h3\u003e\u003cp\u003e1) Main Mix Left + Right (Post master Level)\u003c\/p\u003e\u003cp\u003e2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)\u003c\/p\u003e\u003cp\u003e3) Record Bus Left + Right (Separate stereo bus to Main Mix)\u003c\/p\u003e\u003ch3\u003eRETURN OPTIONS:\u003c\/h3\u003e\u003cp\u003e1) To Playback input (through jack socket break contacts)\u003c\/p\u003e\u003cp\u003e2) To Stereo 2 channel (through jack socket break contacts)\u003c\/p\u003e\u003ch3\u003eMUSIQ\u003c\/h3\u003e\u003cp\u003eZED60-10FX features a responsive 3-band British EQ with sweepable mid frequency that is acclaimed for its musicality, even when applying extreme creative or corrective equalisation. All EQ controls have been carefully calibrated for responsiveness and smooth, precise adjustment.\u003c\/p\u003e\u003ch3\u003eZED-FX\u003c\/h3\u003e\u003cp\u003eZED60-10FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. The DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.\u003c\/p\u003e\u003ch3\u003eGUITAR DI\u003c\/h3\u003e\u003cp\u003eZED60-10FX’s pre-amps are similar in design to the MixWizard range of mixers, but with a twist! Inputs 3 \u0026amp; 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449853112423,"sku":"55649","price":599.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-_-heath_zed-sixty-10fx_55649_1_9c9e84af-9458-4f8a-bd8c-4663c0784995.jpg?v=1787090699"},{"product_id":"allen-heath-zed-18","title":"Allen \u0026 Heath ZED-18","description":"\u003cp\u003eThe \u003cstrong\u003eAllen \u0026amp; Heath ZED-18\u003c\/strong\u003e has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in\/out makes it easy to capture stereo recordings.\u003c\/p\u003e\u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e\u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e\u003ch3\u003eSEND OPTIONS\u003c\/h3\u003e\u003cp\u003e1) Main Mix Left + Right (Post-fade)2) Main Mix Left + Right (Pre-Fade)3) Auxes 1-24) Auxes 3-4\u003c\/p\u003e\u003ch3\u003eRETURN OPTIONS\u003c\/h3\u003e\u003cp\u003e1) To Stereo 3 channel\u003c\/p\u003e\u003ch3\u003eMUSIQ\u003c\/h3\u003e\u003cp\u003eZED-18 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.\u003c\/p\u003e\u003ch3\u003eDUOPRE\u003c\/h3\u003e\u003cp\u003eBased on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.\u003c\/p\u003e\u003ch3\u003eSONAR LE – PROVIDED FREE!\u003c\/h3\u003e\u003cp\u003eComes with Cakewalk SONAR LE with this ZED mixer so you can start recording your own music today with the most complete introductory music production software for Windows PC. Based on Cakewalk’s award-winning SONAR X3 digital audio workstation, SONAR LE has been enhanced with cutting-edge instruments, effects, and creative tools to make creating your own music as simple and intuitive as possible, no matter what your experience level. 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It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality FX unit in a compact, rack mountable format. Configurable USB audio in\/out makes it easy to capture stereo recordings.\u003c\/p\u003e\u003ch3\u003eUSB AUDIO FLEXIBILITY\u003c\/h3\u003e\u003cp\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:-\u003c\/p\u003e\u003ch3\u003eSEND OPTIONS\u003c\/h3\u003e\u003cp\u003e1) Main Mix Left + Right (Post-fade)2) Main Mix Left + Right (Pre-Fade)3) Auxes 1-24) Auxes 3-4\u003c\/p\u003e\u003ch3\u003eRETURN OPTIONS\u003c\/h3\u003e\u003cp\u003e1) To Stereo 3 channel\u003c\/p\u003e\u003ch3\u003eMUSIQ\u003c\/h3\u003e\u003cp\u003eZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.\u003c\/p\u003e\u003ch3\u003eZED-FX\u003c\/h3\u003e\u003cp\u003eZED-16FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. The DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.\u003c\/p\u003e\u003ch3\u003eDUOPRE\u003c\/h3\u003e\u003cp\u003eBased on the proven pre-amps from the hugely successful PA series, ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.\u003c\/p\u003e\u003ch3\u003eSONAR LE – PROVIDED FREE!\u003c\/h3\u003e\u003cp\u003eIt comes included with Cakewalk SONAR LE with this ZED mixer so you can start recording your own music today with the most complete introductory music production software for Windows PC. Based on Cakewalk’s award-winning SONAR X3 digital audio workstation, SONAR LE has been enhanced with cutting-edge instruments, effects, and creative tools to make creating your own music as simple and intuitive as possible, no matter what your experience level. You can use SONAR LE and your ZED mixer together in many ways – e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop.\u003c\/p\u003e\u003ch3\u003eFEATURE SUMMARY\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e10 mono mic\/line inputs\u003c\/li\u003e\n\u003cli\u003e3 stereo channels with 2-band EQ\u003c\/li\u003e\n\u003cli\u003e16 internal time-delay effects\u003c\/li\u003e\n\u003cli\u003eNeutrik mic XLRs\u003c\/li\u003e\n\u003cli\u003eNeutrik 1\/4 inch jacks\u003c\/li\u003e\n\u003cli\u003eChannel insert\u003c\/li\u003e\n\u003cli\u003eSuper wide gain DuoPreTM mic line input\u003c\/li\u003e\n\u003cli\u003e3 band EQ with MusiQ\u003c\/li\u003e\n\u003cli\u003e2 pre-fade Aux sends\u003c\/li\u003e\n\u003cli\u003e1 post-fade Aux send\u003c\/li\u003e\n\u003cli\u003e1 internal FX send\u003c\/li\u003e\n\u003cli\u003eIlluminated mute\u003c\/li\u003e\n\u003cli\u003eSound image pan\u003c\/li\u003e\n\u003cli\u003eIlluminated PFL \u0026amp; peak warning indicator\u003c\/li\u003e\n\u003cli\u003eALPS 100mm faders\u003c\/li\u003e\n\u003cli\u003eStereo returns \u0026amp; playback\u003c\/li\u003e\n\u003cli\u003eAll inputs with level control\u003c\/li\u003e\n\u003cli\u003e12 bar meters\u003c\/li\u003e\n\u003cli\u003eMono\/stereo function on auxes 1\u0026amp;2\u003c\/li\u003e\n\u003cli\u003eMonitor output section\u003c\/li\u003e\n\u003cli\u003eAlt stereo output source\u003c\/li\u003e\n\u003cli\u003eConfigurable USB stereo audio in\/out\u003c\/li\u003e\n\u003cli\u003eCakewalk SONAR LE bundled with mixer\u003c\/li\u003e\n\u003cli\u003eRack ears available\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449853210727,"sku":"55645","price":999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen-_-heath_zed-16-fx_55645_1_aade5a56-217d-4e3d-a4b9-bdcb1985d44e.jpg?v=1787090700"},{"product_id":"soundcraft-signature-12-mt","title":"Soundcraft Signature 12 MT","description":"\u003cp\u003eDrawing on over 40 years experience in live sound mixing, the Signature Multi-Track mixers bring together an ultra-low latency USB recording interface, a superb analogue mixer and the unrivalled British sound of Soundcraft. Whether you're recording a live gig or a studio rehearsal, mixing a band, or producing a demo, Signature Multi-Track mixers deliver great sounding results thanks to high-grade Ghost® preamps, the most musical EQ in the business, pristine Lexicon® effects and powerful dbx® dynamics - all designed to let you discover your Signature sound.\u003c\/p\u003e  \u003cp\u003eThe \u003cstrong\u003eSoundcraft Signature 12MTK\u003c\/strong\u003e incorporate Soundcraft’s iconic Ghost mic preamps, directly drawn from the company’s top-of-the-line professional consoles, to deliver extraordinary audio quality with high headroom, wide dynamic range and exceptional resolution and clarity with a superb signal to noise ratio. They employ Soundcraft’s Sapphyre Assymetric EQ for perfectly equalizing every vocal and instrumental element in a mix with the unmistakable musicality inherent in every Soundcraft console, plus the GB Series audio routing technology famous in thousands of live venues worldwide.\u003c\/p\u003e  \u003cp\u003eIt includes a wide variety of built-in Lexicon studio-grade reverb, chorus, modulation and other effects and dbx limiters on the input channels. In addition, the console’s multi-track USB audio interface allows any VST\/AU\/AAX\/TDM\/RTAS plug-ins to be inserted on any input channel, enabling studio plug-ins to be seamlessly integrated with live performances. Accompanying the consoles are free downloads of the Lexicon MPX-L native plug-in and Ableton Live 9 Lite.\u003c\/p\u003e  \u003cp\u003eThe console is designed to deliver pristine recordings. Both have an ultra-low-latency USB interface that flawlessly captures every channel, which can then be mixed or transferred to a DAW for further mixdown and production. The consoles offer XLR and switchable Hi-Z inputs that enable guitars, basses and other instruments to be directly connected.\u003c\/p\u003e  \u003cp\u003eThe Soundcraft Signature 12MTK features smooth, premium-quality faders with GB® Series audio routing with flexible pre\/post switching on each Aux, and subgroups with powerful routing and switching options as well as dedicated outputs.\u003c\/p\u003e  \u003cp\u003eBoth the Soundcraft Signature 12MTK and Soundcraft Signature 22MTK are built using tour-grade robust metal construction and top-quality components. Both have an internal universal power supply.\u003c\/p\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":44449873756263,"sku":"49411","price":619.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundcraft-sig12mt_49411_1_1d2e5e92-ad69-41b4-a63c-d89f086a556a.jpg?v=1787090783"},{"product_id":"soundcraft-vi3000-48-standard-config-console","title":"SoundCraft Vi3000-48 Standard Config Console","description":"\u003cp\u003eThe \u003cstrong\u003eSoundcraft Vi3000\u003c\/strong\u003e features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono\/stereo busses and a sweeping black screen panel with four Vistonics II touchscreen interfaces with sleek, updated 3D graphics. Because the Vi3000 has four touch-screens, it's the only console in its class that can be used by two engineers at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analog and digital inputs and outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante\/MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards, to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft Realtime Rack, a hardware\/software unit designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a Dante interface as standard, for seamless digital audio networking with Dante-enabled devices.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlong with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow illuminated faders that display different colors according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft's ViSi app that allows remote control from an iPad, built-in Lexicon reverb\/delays, dbx compression, effects and more.\u003c\/p\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":44449873854567,"sku":"55365","price":58039.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundcraft-vi3000_55365_1_eaabfbf1-0bba-432a-af24-f058b9fd6f36.jpg?v=1787090784"},{"product_id":"soundcraft-ui-16-digital-mixer","title":"Soundcraft Ui-16 Digital Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eSoundcraft Ui16\u003c\/strong\u003e mixer features cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the Ui16 features built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. It also features fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels.\u003c\/p\u003e  \u003cp\u003eThe ui16 offers 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show\/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. It also also offers independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications.\u003c\/p\u003e  \u003cp\u003eThe Ui16 boasts eight XLR combo mic\/line inputs, four XLR mic inputs, two channels of Hi- Z\/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with four balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. Two-channel USB audio playback is compatible with MP3, WAV and AIFF formats, and 2-channel USB Record direct-to-memory devices functionality is possible as well. The Ui16 also has an HDMI display connection output.\u003c\/p\u003e","brand":"Soundcraft","offers":[{"title":"Default Title","offer_id":44449876279399,"sku":"56310","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/soundcraft-ui-16_56310_1_401c4c60-9c10-4b1d-9c66-f68a3ad15ff6.jpg?v=1787090792"},{"product_id":"soundcraft-ui-12-digital-mixer","title":"Soundcraft Ui-12 Digital Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eSoundcraft Ui12\u003c\/strong\u003e mixer features cross-platform compatibility with iOS, Android, Windows, Mac OS, and Linux devices, and can use up to 10 control devices simultaneously. In addition, the Ui12 features built-in HARMAN signal processing from dbx, DigiTech and Lexicon, including dbx AFS2, DigiTech Amp Modeling, and more. It also features fully recallable and remote-controlled mic gain and phantom power, along with 4-band parametric EQ, high-pass filter, compressor, de-esser and noise gate on input channels.\u003c\/p\u003e  \u003cp\u003eThe ui12 offers 31-band graphic EQ, noise gate and compressor on all outputs, plus real-time frequency analyser (RTA) on inputs and outputs. Built in are three dedicated Lexicon FX busses: Reverb, Delay and Chorus. In addition, mixer controls include Subgroups, Mute groups and View groups, among others. The Ui Series mixers feature full Show\/Snapshot recallability with channel recall safes. while security lockout features allow customization of device access to only specific functions and mixes if needed. It also also offers independent network interfaces on board for simultaneous control by Wi-Fi and Ethernet, plus a floor-ready rugged chassis for live applications.\u003c\/p\u003e  \u003cp\u003eThe Ui12 also features four XLR combo mic\/line inputs, four XLR mic inputs, two channels of Hi- Z\/instrument inputs, as well as a stereo RCA line input. A 2-channel USB media player is included, along with two balanced XLR Aux outputs, two quarter-inch headphone outputs with level control, plus balanced stereo XLR and quarter-inch main outputs. 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Core features and performance inherited directly from the CL series, including natural sound supported by sonically superb internal processing capabilities, operation that easily adapts to the demands of just about any working environment, and built-in Dante networking that facilitates flexible system configuration, have now been condensed and concentrated into the compact QL series digital mixing consoles. QL series consoles offer all-in-one mixing, processing, and routing capability for small to medium scale live sound, corporate speech events, installations, and much more.\u003c\/p\u003e  \u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e  \u003cp\u003eThe Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e  \u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e  \u003cp\u003eThe ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as “Touch and Turn” knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e  \u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e  \u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. 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Heath Qu-16\u003c\/strong\u003e reshapes digital mixing with innovative design and exceptional functionality combining to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance. Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-16.\u003c\/p\u003e  \u003ch3\u003eFeature Summary\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e16 Mono Inputs (TRS + XLR)\u003c\/li\u003e \u003cli\u003e3 Stereo Inputs (TRS)\u003c\/li\u003e \u003cli\u003e4 Stereo FX Returns\u003c\/li\u003e \u003cli\u003e16 Busses\u003c\/li\u003e \u003cli\u003e12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)\u003c\/li\u003e \u003cli\u003e4 FX Engines\u003c\/li\u003e \u003cli\u003eAES Digital Out\u003c\/li\u003e \u003cli\u003e19” Rack Mountable\u003c\/li\u003e \u003cli\u003eMoving Faders\u003c\/li\u003e \u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e \u003cli\u003eQu-Drive direct Multitrack Recording \/ Playback on USB drives\u003c\/li\u003e \u003cli\u003e800×480 Touchscreen\u003c\/li\u003e \u003cli\u003eiLive FX Library\u003c\/li\u003e \u003cli\u003edSNAKE Remote Audio Port\u003c\/li\u003e \u003cli\u003eAutomatic Mic Mixer\u003c\/li\u003e \u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e \u003cli\u003eQu-Pad iPad App\u003c\/li\u003e \u003cli\u003eQu-You iPhone \/ Android personal monitoring app\u003c\/li\u003e \u003cli\u003eUSB Audio Streaming\u003c\/li\u003e \u003cli\u003eDAW MIDI Control\u003c\/li\u003e \u003cli\u003e4 Mute Groups\u003c\/li\u003e \u003cli\u003e4 DCA Groups\u003c\/li\u003e \u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs\u003c\/li\u003e \u003cli\u003eInsert, 1\/3 octave GEQ, compressor and delay on Main LR and Mono Mix outputs\u003c\/li\u003e \u003cli\u003eInsert, 4-band PEQ, compressor and delay on Stereo Mix outputs\u003c\/li\u003e \u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e \u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e \u003cli\u003eSpectrogram to aid with feedback elimination and taming room acoustics\u003c\/li\u003e \u003cli\u003eHigh contrast metallic finish controls, matching premium GLD Chrome series\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eAnalogiqtm Preamps\u003c\/h3\u003e  \u003cp\u003eQu-16’s sixteen AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/p\u003e  \u003ch3\u003eThe Mixing Experience\u003c\/h3\u003e  \u003cp\u003eHaving massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-16 you’ll sense the years of research into ergonomics and the hands-on mixing experience that our team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all. High contrast metallic finish controls complete the picture, offering excellent low light visibility and enhanced tactile control.\u003c\/p\u003e  \u003ch3\u003eTouch Control\u003c\/h3\u003e  \u003cp\u003eThe 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu-16 interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.\u003c\/p\u003e  \u003ch3\u003eThe Superstrip\u003c\/h3\u003e  \u003cp\u003eAll your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1\/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.\u003c\/p\u003e  \u003ch3\u003eFader Automation\u003c\/h3\u003e  \u003cp\u003eMoving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-16 features 17 motorized ALPS faders, 16 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.\u003c\/p\u003e  \u003ch3\u003eIlive Fx\u003c\/h3\u003e  \u003cp\u003eQu-16’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-16 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.\u003c\/p\u003e  \u003ch3\u003eTotal Recall\u003c\/h3\u003e  \u003cp\u003eTrue digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-16 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu-16.\u003c\/p\u003e  \u003ch3\u003eUSB Audio Streaming\u003c\/h3\u003e  \u003cp\u003eQu-16’s built-in interface streams up to 24 selectable tracks to your Mac or PC. The returns from the Mac or PC can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunneled over the USB connection so you can easily map the faders to the tracks of your favorite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.\u003c\/p\u003e  \u003ch3\u003eAutomatic Mic Mixer (AMM)\u003c\/h3\u003e  \u003cp\u003eAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. Our D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/p\u003e  \u003ch3\u003eQU-Drive\u003c\/h3\u003e  \u003cp\u003eForget soundcard drivers and software setup, Qu-16 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to \/ from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono channels plus ST1. On top of this, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.\u003c\/p\u003e  \u003ch3\u003eArmed To The Hilt\u003c\/h3\u003e  \u003cp\u003eQu-16 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording \/ playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response. The mixer’s DSP farm exploits next generation dual core DSPs, giving 10 DSP cores, with 8 dedicated to the channel and mix processing alone. The Qu-16 DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/p\u003e  \u003ch3\u003eThe Shape Of Things To Come\u003c\/h3\u003e  \u003cp\u003eMade from 18 gauge, cold-rolled Zintec steel, Qu-16’s distinctive frame is designed for strength, rigidity and ease of rack mounting. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by the resident ex-tank commander.\u003c\/p\u003e  \u003cp\u003eSilence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu-16’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.\u003c\/p\u003e  \u003cp\u003eThe shape has some unexpected benefits too. When A\u0026amp;H started taking Qu-16 out to gigs it was soon found the space beneath it incredibly useful for keeping the USB drive, talkback mic, cue sheet and other clutter tucked out of the way. We’ve even had engineers hanging the mixer from a handy scaffold bar and mixing vertically.\u003c\/p\u003e  \u003ch3\u003eQU-Pad Mixing App\u003c\/h3\u003e  \u003cp\u003eAdd the Qu-Pad iPad app to your Qu-16 setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings.\u003c\/p\u003e  \u003cp\u003eFind out more here.\u003c\/p\u003e  \u003ch3\u003eMe Personal Mixing System\u003c\/h3\u003e  \u003cp\u003eQu-16 is fully compatible with ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com\/ME\u003c\/p\u003e  \u003ch3\u003eDSnake\u003c\/h3\u003e  \u003cp\u003eQu-16 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-16’s dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is the proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’. So if you’re mixing FoH you can place your I\/O on the stage and run a single Cat5 cable back to the Qu-16 in the mix position.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449904296039,"sku":"37712","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath-qu-16c_37712_1_2bac39d1-7865-4074-8efd-d25768e2a54a.jpg?v=1787090891"},{"product_id":"allen-heath-qu-24c-digital-mixing-system-chrome","title":"Allen \u0026 Heath QU-24C Digital Mixing System - Chrome","description":"\u003ch3\u003eDigital Mixing Reshaped\u003c\/h3\u003e  \u003cp\u003eWith its responsive touchscreen, 25 motor faders and acclaimed AnalogiQ recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on the GLD and iLive touring systems, Qu makes Allen \u0026amp; Heath digital mixing more accessible and more compact than ever.\u003c\/p\u003e  \u003ch3\u003eFeature Summary\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003e24 Mic \/ Line Inputs (TRS + XLR)\u003c\/li\u003e \u003cli\u003e25 Motor Faders\u003c\/li\u003e \u003cli\u003e3 Stereo Inputs (TRS)\u003c\/li\u003e \u003cli\u003e4 Stereo FX Returns\u003c\/li\u003e \u003cli\u003e20 Mix Outputs (XLR)\u003c\/li\u003e \u003cli\u003e2 Stereo Groups (switchable to Mix mode)\u003c\/li\u003e \u003cli\u003eUp to 9 Monitor Mixes (4 mono + 5 stereo)\u003c\/li\u003e \u003cli\u003e2 Stereo Matrix Outs\u003c\/li\u003e \u003cli\u003e4 Mute Groups\u003c\/li\u003e \u003cli\u003e4 FX Engines\u003c\/li\u003e \u003cli\u003e4 FX Sends \/ Returns\u003c\/li\u003e \u003cli\u003e10 Soft Keys\u003c\/li\u003e \u003cli\u003eUSB Audio Streaming\u003c\/li\u003e \u003cli\u003eDAW MIDI Control\u003c\/li\u003e \u003cli\u003eAES Digital Out\u003c\/li\u003e \u003cli\u003eRecallable AnaLOGIQTM Preamps\u003c\/li\u003e \u003cli\u003eQu-Drive direct Multitrack Recording \/ Playback on USB drives\u003c\/li\u003e \u003cli\u003e800×480 Touchscreen\u003c\/li\u003e \u003cli\u003eiLive FX Library\u003c\/li\u003e \u003cli\u003edSNAKETM Remote Audio Port\u003c\/li\u003e \u003cli\u003eAutomatic Mic Mixer*\u003c\/li\u003e \u003cli\u003eCompatible with ME Personal Mixing System\u003c\/li\u003e \u003cli\u003eQu-Pad iPad App\u003c\/li\u003e \u003cli\u003eTrim, polarity, HPF, gate, insert, 4-band PEQ, compressor and delay on all Inputs\u003c\/li\u003e \u003cli\u003eInsert, 4-band PEQ, 1\/3 octave GEQ, compressor and delay on all Mix outputs\u003c\/li\u003e \u003cli\u003eBuilt-in Signal Generator\u003c\/li\u003e \u003cli\u003eRTA with Peak Band indication\u003c\/li\u003e \u003cli\u003eSpectrogram to aid with feedback elimination and taming room acoustics\u003c\/li\u003e \u003cli\u003eHigh contrast metallic finish controls, matching premium GLD Chrome series\u003c\/li\u003e \u003c\/ul\u003e   \u003ch3\u003eAnalogiq Preamps\u003c\/h3\u003e  \u003cp\u003eQu-24’s twenty four AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/p\u003e  \u003ch3\u003eThe Mixing Experience\u003c\/h3\u003e  \u003cp\u003eHaving massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat. Once you start using Qu-24 you’ll sense the years of research into ergonomics and the hands-on mixing experience that th team has drawn upon to deliver a wonderfully natural layout and workflow. It’s not about recreating an analogue interface, it’s about creating an experience that’s fluid, comfortable and intuitive for novices, digital natives and old school road warriors alike, making all the benefits of digital mixing technology readily accessible to all. High contrast metallic finish controls complete the picture, offering excellent low light visibility and enhanced tactile control.\u003c\/p\u003e  \u003ch3\u003eTouch Control\u003c\/h3\u003e  \u003cp\u003eThe 800 x 480, sixteen million color Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.\u003c\/p\u003e  \u003ch3\u003eThe Superstrip\u003c\/h3\u003e  \u003cp\u003eAll your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1\/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.\u003c\/p\u003e  \u003ch3\u003eFader Automation\u003c\/h3\u003e  \u003cp\u003eMoving faders started as an expensive option in the studio desks of the 80s, and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing, especially when you’re dealing with multiple monitor mixes – just press a mix key and the faders immediately fly to the send levels for that mix. Qu-24 features 25 motorized ALPS faders, 24 arranged over 2 layers, allowing instant access to all channels and masters in a compact space, plus a dedicated master fader which dynamically follows the mix selection. A third, Custom layer is available for ad-hoc user strip layout, where any combination of Inputs, FX Sends, FX Returns and Mix masters can be assigned.\u003c\/p\u003e  \u003ch3\u003eILIVE FX\u003c\/h3\u003e  \u003cp\u003eQu-24’s dynamics and FX algorithms are derived from the FX used in the iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.\u003c\/p\u003e  \u003ch3\u003eTotal Recall\u003c\/h3\u003e  \u003cp\u003eTrue digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-24 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example, if an instrument or mic gets swapped out after the soundcheck, the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off, that mix or channel can be made safe from any scene change. In addition, single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in, you can block this to prevent any overwriting at scene change. Custom settings for each EQ, compressor, channel or FX can be saved as Library presets. This lets you store your tried and tested SM58 EQ or reverb pattern and apply it to other channels or shows. Libraries, Scenes and the complete Show configuration can be saved to a USB key, so you can carry the show with you, ready to use on another Qu mixer.\u003c\/p\u003e  \u003ch3\u003eUsb Audio Streaming\u003c\/h3\u003e  \u003cp\u003eQu-24’s built-in interface streams up to 32 selectable tracks to your Mac or PC. The returns from the Mac or PC can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X – truly plug ‘n play. It will be recognized straightaway by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIO and WDM compatible driver is available for Windows computers. Standard MIDI control is tunneled over the USB connection so you can easily map the faders to the tracks of your favorite DAW. A DAW Control driver is available for easy setup and emulation of HUI or Mackie Control protocols on Mac OS X systems.\u003c\/p\u003e  \u003ch3\u003eAutomatic Mic Mixer (AMM)\u003c\/h3\u003e  \u003cp\u003eAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimizing the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/p\u003e  \u003ch3\u003eQU-Drive\u003c\/h3\u003e  \u003cp\u003eForget soundcard drivers and software setup, Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz 24bit recording and playback straight to \/ from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside 16 Mono channels, and multitrack audio can be played back to 16 Mono channels plus ST1. On top of this, Qu-Drive also provides stereo recording, patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.\u003c\/p\u003e  \u003ch3\u003eArmed To The Hilt\u003c\/h3\u003e  \u003cp\u003eQu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording \/ playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.\u003c\/p\u003e  \u003cp\u003eThe mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/p\u003e  \u003ch3\u003eThe Shape Of Things To Come\u003c\/h3\u003e  \u003cp\u003eMade from 18 gauge, cold-rolled Zintec steel, Qu-24’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by the resident ex-tank commander.\u003c\/p\u003e  \u003cp\u003eSilence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by the whirring of fans coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.\u003c\/p\u003e  \u003cp\u003eAdd the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. Qu-Pad requires the connection of a Wi-Fi router or access point to the Qu-24 Network port.\u003c\/p\u003e  \u003ch3\u003eMe Personal Mixing System\u003c\/h3\u003e  \u003cp\u003eQu-24 is fully compatible with the ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience. Find out more at allen-heath.com\/ME\u003c\/p\u003e  \u003ch3\u003edSNAKE\u003c\/h3\u003e  \u003cp\u003eQu-24 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is the proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’. So if you’re mixing FoH you can place your I\/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.\u003c\/p\u003e  \u003ch3\u003eSoftkeys\u003c\/h3\u003e  \u003cp\u003eQu-24 packs 10 SoftKeys for more user-assignable functions such as Mute Groups, Tap Tempo, Scene navigation or PAFL Clear.\u003c\/p\u003e  \u003ch3\u003e4 Groups\u003c\/h3\u003e  \u003cp\u003eGroups 1-4 are typically used as subgroups to LR for level masters and\/or processing, for example to compress a drum kit or to tame multiple lavalier microphones with a single graphic equalizer. Groups can be switched to Mix mode, typically to provide additional monitor mixes.\u003c\/p\u003e  \u003ch3\u003eThe Matrix\u003c\/h3\u003e  \u003cp\u003eQu-24’s Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I\/O. It is a ‘mixer within a mixer,’ fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks and fill \/ zone speakers where independent GEQ and delay is applied.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449904361575,"sku":"41515","price":2999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath-qu-24c-digital-mixer_41515_1_5c977d59-89b3-4b8b-be17-d912c5e84270.jpg?v=1787090891"},{"product_id":"allen-heath-qu-pac-32-rack-mount-mixing-system","title":"Allen \u0026 Heath QU-PAC-32 Rack Mount Mixing System","description":"\u003cp\u003eThe \u003cstrong\u003eAllen \u0026amp; Heath Qu-Pac\u003c\/strong\u003e takes the power and legendary quality of the Qu family and shrinks it into an uber-compact desk or rack mount format. Qu-Pac frees you to mix from your iPad, but the full functions of the mixer can also be accessed from the front panel and touchscreen.\u003c\/p\u003e  \u003cp\u003eWith custom settings and Cat5 expansion up to 38 inputs, Qu-Pac provides a scalable, failsafe solution for hardworking bands, schools, hotels, corporate events, live music bars, conferences, personal mixing and many more scenarios requiring a pro mixing solution in a tiny footprint.\u003c\/p\u003e  \u003cp\u003eUser permissions and the customizable Qu-Control screen make Qu-Pac convenient and safe for day-to-day use by non-technical staff.\u003c\/p\u003e     \u003ch3\u003eQU-PAD\u003c\/h3\u003e  \u003cp\u003eAdd the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi* and gives instant access to all live mixing parameters and settings.\u003c\/p\u003e  \u003cp\u003e*Requires the connection of a Wi-Fi router or access point to the Qu Network port.\u003c\/p\u003e  \u003ch3\u003eTouch Control\u003c\/h3\u003e  \u003cp\u003eQu-Pac’s 5 inch, 800 x 480, sixteen million color Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.\u003c\/p\u003e  \u003cp\u003eThe Qu-Control key brings up a fully customizable screen which gives access to channels and settings tailored to the user and application. Several ‘widgets’ can be assigned to the page, these include channel levels, mutes and assignment on\/off switches and are arranged to suit the user requirement, for example as a source selection and level control of background music to one or multiple zones.\u003c\/p\u003e  \u003ch3\u003eAnalogiq Preamps\u003c\/h3\u003e  \u003cp\u003eThe AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQ design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.\u003c\/p\u003e  \u003ch3\u003eDSNAKE\u003c\/h3\u003e  \u003cp\u003eQu mixers are self-contained, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu’s dSNAKE port has you future-proofed, allowing connection to a combination of AR2412, AR84 or portable AB168 AudioRacks.\u003c\/p\u003e  \u003cp\u003edSNAKE is the proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m \/ 390’. So if you’re mixing FoH you can place your I\/O on the stage and run a single Cat5 cable back to the Qu mixer in the mix position.\u003c\/p\u003e  \u003ch3\u003eILIVE FX\u003c\/h3\u003e  \u003cp\u003eQu’s dynamics and FX algorithms are derived from the FX used in the iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. All Qu models boast 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more.\u003c\/p\u003e  \u003cp\u003eThe FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.\u003c\/p\u003e  \u003cp\u003eFind out more about FX and processing for Qu\u003c\/p\u003e  \u003ch3\u003eUSB Audio Streaming\u003c\/h3\u003e  \u003cp\u003eQu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.\u003c\/p\u003e  \u003cp\u003eThe returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.\u003c\/p\u003e  \u003ch3\u003eQU-DRIVE\u003c\/h3\u003e  \u003cp\u003eForget soundcard drivers and software setup, Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to \/ from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. Mixes and FX returns can be recorded alongside channels, and multitrack audio can be played back to the mixer for virtual sound-checks.\u003c\/p\u003e  \u003cp\u003eAn independent set of controls is provided for quick stereo recording of the main LR or other mix outputs, and a 2-track USB return can be routed to ST3 for playback of stereo WAV files such as walk-in music.\u003c\/p\u003e  \u003ch3\u003eChannel Ducker\u003c\/h3\u003e  \u003cp\u003eAn advanced yet easy to use Ducker is available on every channel. It can be inserted on the fly on any number of Inputs and Stereo Groups, providing auto signal attenuation and then gently restoring the level to aid the operator in endless applications: reduce the level of background music when a single microphone or mic mix is in use, for example during live announcements, or give a chairman microphone priority over others. Setup is a breeze, with the option to share Ducker settings across multiple channels when in Gang mode.\u003c\/p\u003e  \u003ch3\u003eAutomatic Mic Mixer (AMM)\u003c\/h3\u003e  \u003cp\u003eAMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimizing the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.\u003c\/p\u003e  \u003ch3\u003eArmed To The Hilt\u003c\/h3\u003e  \u003cp\u003eQu mixers are equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording \/ playback and Ethernet. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.\u003c\/p\u003e  \u003cp\u003eThe mixer’s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu is future-proofed, with ample room for updates and extra functionality.\u003c\/p\u003e  \u003cp\u003eThe DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.\u003c\/p\u003e  \u003ch3\u003eMe Personal Mixing System\u003c\/h3\u003e  \u003cp\u003eQu mixers are fully compatible with the ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 \/ AB168 AudioRack if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.\u003c\/p\u003e","brand":"Allen and Heath","offers":[{"title":"Default Title","offer_id":44449904394343,"sku":"52408","price":1999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/allen_heath-qu-pac_52408_1_ad80f8dd-0861-47ec-9074-6a33dd309dcb.jpg?v=1787090891"},{"product_id":"mackie-402vlz4-4-channel-ultra-compact-mixer","title":"Mackie 402VLZ4","description":"\u003cp\u003eMackie relentlessly pursues the perfection of the compact mixer. The \u003cstrong\u003eMackie 402VLZ4 4-channel Ultra Compact Mixer\u003c\/strong\u003e ups the level of sonic quality at every level, featuring Mackie's flagship Onyx mic preamps and premium components from front to back. The result is the most rock solid, the most easy to use and, yes, the best sounding compact mixer ever created.\u003c\/p\u003e\u003cp\u003eNow featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie VLZ4 line delivers the proven feature set, high-headroom\/low-noise design and \"Built-Like-A-Tank\" construction that created an industry more than 25 years ago.\u003c\/p\u003e\u003cp\u003eFrom every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.\u003c\/p\u003e\u003cp\u003eA legend in compact mixer design, performance and durability, Mackie VLZ is the original no-nonsense mixer series. Offering more bang for your buck, the redesigned VLZ4 line now includes Mackie's industry-proven Onyx preamps for crystal-clear sonic clarity. The comprehensive VLZ4 line delivers the proven feature set, high-headroom\/low-noise design and \"Built-Like-A-Tank\" construction that created an industry more than 20 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time.\u003c\/p\u003e\u003cp\u003eThe new VLZ4's feature a sleek black powder coat finish and cockpit-inspired controls. Colorful high-contrast knobs optimizes the VLZ4's usability in low-light scenarios as well as feature a radical, ergonomic taper that provides all the tactile control you need all while keeping the mixer footprint as small as possible.\u003c\/p\u003e\u003cp\u003eMackie VLZ4 mixers are truly \"Built Like A Tank.\" Show to show the VLZ4 is made to keep on working no matter what gets thrown at it. Features like a nearly indestructible steel wrap-around chassis and grime-resistant rotary sealed pots make the Mackie VLZ4 mixer a solid investment.\u003c\/p\u003e\u003cp\u003eThe comprehensive VLZ4 line offers mixers of every channel count for every application. From the 402VLZ4 which is perfect for desktop applications to the tour-ready 3204VLZ4 there is a VLZ4 mixer ready for any situation.\u003c\/p\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":44449907245159,"sku":"54741","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/mackie_402vlz4-1_abedc7c3-80a0-402a-a7f9-aa943caa4dd1.jpg?v=1787090903"},{"product_id":"yamaha-emx512sc-powered-mixer","title":"Yamaha EMX512SC Powered Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eYamaha EMX512SC\u003c\/strong\u003e is powered mixer that integrates a mixer, power amplifier, graphic EQ, and digital effects into a compact, portable unit. No need for complex setup and wiring — simply plug in and play! The entire system is optimized, so it's easy to get great sound just about anywhere.\u003c\/p\u003e  \u003cp\u003eExperienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a high-performance Yamaha EMX-series powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone and instrument and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But that's nowhere near the whole story - Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control … and, of course, that unrivaled Yamaha sound.\u003c\/p\u003e  \u003ch3\u003eSuperior Sound through Painstaking Design and Parts Selection\u003c\/h3\u003e  \u003cp\u003eParts selection is crucial to achieving the best possible sound, and Yamaha spares no effort in selecting the best. The critical head amplifier circuit, for example, uses special low-noise chip resistors that are deposited on a thin film of nichrome for accurate, noise-free reproduction. Special care has also been taken in laying out the system's grounding as well as the circuitry in general to ensure that no unwanted noise or interference degrades the quality of the sound.\u003c\/p\u003e  \u003ch3\u003eIntuitive, Functional Controls and Connectivity\u003c\/h3\u003e  \u003cp\u003eThe mixer section offers a total of 12 inputs in a very versatile configuration: channels 1 through 4 are mono microphone or line inputs, channels 5\/6 and 7\/8 can function either as mono microphone\/line inputs or stereo line inputs, and channels 9\/10 and 11\/12 are stereo line inputs. Connectors are also provided for connection to external power amplifiers and effect processors. Stereo channels 9\/10 and 11\/12 include phono jacks for direct connection of CD players or other music playback devices, to which the 3-band channel equalizers can be applied as required. There are also two 7-band graphic equalizers that can be used to match speaker and\/or room response for optimum sound.\u003c\/p\u003e  \u003ch3\u003eBuilt-In SPX Effects\u003c\/h3\u003e  \u003cp\u003eYamaha's SPX effects are widely recognized as being some of the finest available for both recording and live sound. The EMX-series powered mixers feature an SPX effect processor built in, delivering extraordinary effect quality with 32-bit processing. 16 effect programs with adjustable parameters give you top-quality digital reverb, echo, delay, modulation, and distortion.\u003c\/p\u003e  \u003ch3\u003eHigh-Efficiency Power Amplifiers\u003c\/h3\u003e  \u003cp\u003eTo make the EMX-series powered mixers light and manageable, the power amplifiers used must be extremely efficient while providing superior sound quality. In fact, the EMX power amplifiers are remarkably efficient, delivering high power with relatively low power consumption and heat generation. At the same time they deliver outstanding audio quality with excellent transient response and low distortion. Power output from all models is quite impressive: 500W + 500W from the EMX512SC, 300W + 300W from the EMX312SC, and 220W + 220W from the EMX212S.\u003c\/p\u003e  \u003ch3\u003eLightweight, Practical Design\u003c\/h3\u003e  \u003cp\u003eIn the EMX series reduced weight does not mean reduced performance. The cabinet is formed of a special lightweight-but-rugged material, while a switching power supply delivers all the clean power the system needs. The power amp itself has also been refined for outstanding sound, extra high efficiency, and reliable performance. The cabinet design allows normal or angled placement for improved visibility and access.\u003c\/p\u003e  \u003ch3\u003eUncompromising Reliability and Safety Standards\u003c\/h3\u003e  \u003cp\u003eThe EMX-series powered mixers not only meet worldwide safety and electronic emission standards, but they are also subject to more than sixty rigorous internal Yamaha tests that guarantee the highest possible level of reliability.\u003c\/p\u003e  \u003ch3\u003eForced Air Keeps the System Cool Even in Difficult Conditions\u003c\/h3\u003e  \u003cp\u003eAirflow can be compromised when a powered mixer is rack mounted, and direct sunlight in outdoor applications can raise temperatures to dangerous levels. The EMX-series mixers feature a forced-air cooling system that has been custom-designed for each model to ensure reliable operation and high performance even under difficult conditions.\u003c\/p\u003e  \u003ch3\u003eNew Compressor Circuit on the EMX512SC and EMX312SC\u003c\/h3\u003e  \u003cp\u003eEach mono input channel on the EMX512SC and EMX312SC features an advanced compressor circuit that lets you achieve the ideal degree of compression with a single knob. Setting up optimal compression for a source is usually a complicated process, but this unique compressor makes it easy to achieve \"musical\" compression for enhanced vocal or guitar sound.\u003c\/p\u003e  \u003ch3\u003ePractical Utility Features\u003c\/h3\u003e  \u003cp\u003eThe Yamaha FCL (Feedback Channel Locating) system makes locating and eliminating feedback easier than ever. FCL indicators provided on each input channel indicate which channel feedback is occurring in, so you can identify it visually and adjust levels or EQ as required. Another handy features is a Standby switch that mutes channels 1 through 8 so that, for example, after rehearsal or between sets you can mute performer's inputs 1 through 8 without having to change fader settings, while stereo inputs 9 through 12 remain active for background music playback. There's even a footswitch connector that will accept an optional FC5 footswitch for effect on\/off control.\u003c\/p\u003e  \u003ch3\u003eYamaha Speaker Processing\u003c\/h3\u003e  \u003cp\u003eYamaha Speaker Processing provides optimized matching with Yamaha Concert Club series, BR series or AX series speakers, for clean, solid reproduction that will deliver your music with maximum impact.\u003c\/p\u003e  \u003ch3\u003ePower Amp Mode Selector\u003c\/h3\u003e  \u003cp\u003eThe power amp mode switch allows the internal power amplifiers to be configured in a variety of ways. A simple switch setting allows you to set up the ideal main and monitor output configuration for your application.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":44449910063207,"sku":"37821","price":569.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/yamaha-emx512sc_37821_1_c0cf61a1-a0d8-42a4-b03e-ac33ed1fc44e.jpg?v=1787090914"},{"product_id":"alesis-multimix-10-wireless-mixer","title":"Alesis MultiMix 10 Wireless Mixer","description":"\u003cp\u003eThe \u003cstrong\u003eAlesis MultiMix 10 Wireless\u003c\/strong\u003e is redefining the rackmount mixer category. Compact and complete, the MultiMix 10 Wireless delivers ten-channel mixing in a neat 3U package that is perfect for smaller clubs and venues, houses of worship, as well as mobile\/traveling systems. The MultiMix 10 Wireless benefits from an array of easily accessible front panel jacks that enhance the versatility and usefulness of this generously equipped mixer. Topping off the feature list is a channel dedicated to receiving the stereo playback from any Bluetooth device. The MultiMix 10 Wireless is a new breed of rackmount mixer.\u003c\/p\u003e  \u003ch3\u003eAll Are Welcome\u003c\/h3\u003e  \u003cp\u003eThe MultiMix 10 Wireless provides a wealth of inputs to accommodate nearly any audio input. Channels 1-4 are ideal for vocals or acoustically mic’ed instruments, direct boxes, and more. Each provides an XLR mic input with available phantom power; a balanced 1\/4\" TRS line input, plus a TRS 1\/4\" insert jack for incorporating additional effects or working with a second mixer. Channels 5-8 have been set as stereo pairs, offering 1\/4\" left and right inputs. These channels are ideal for stereo sources such as a keyboard, electronic drum set, drum machine, external mixer, etc. Channels 7-8 also provide left and right RCA inputs.\u003c\/p\u003e  \u003ch3\u003eWireless Wonder\u003c\/h3\u003e  \u003cp\u003eStream a stereo audio signal from any Bluetooth device to Channels 9-10 of the MultiMix 10 Wireless. Single-button pairing keeps it simple. Now you can easily play music between sets, stream audio from a computer during a multimedia presentation, or even play a track from a patron’s smartphone for satisfying that “special request.” The articulating Bluetooth antenna delivers optimum reception.\u003c\/p\u003e  \u003ch3\u003eJack Attack\u003c\/h3\u003e  \u003cp\u003eAn additional set of front panel jacks go above and beyond what most rack mixers offer to set your new MultiMix 10 Wireless mixer apart form the crowd in both convenience and functionality. No more snaking cables from front to back; no more reaching around and guessing; no more un-mounting the mixer to get at the jacks you need. To begin with, Channels 1 and 2 are equipped with XLR+1\/4\" combo inputs that override the rear jacks. Simply plug in a mic for making house announcements, adding a new source, patching in a sampler, or whatever you need. The stereo 1\/8\" external input allows instant access to the dedicated Bluetooth channel, providing a quick way to add in any stereo, handheld, or mobile device. Finally, the stereo 1\/8\" front panel output provides the master output signal—taken before the master fader—to deliver an efficient way to capture and record a live mix.\u003c\/p\u003e  \u003ch3\u003eMaximum Mixing\u003c\/h3\u003e  \u003cp\u003eUsing the MultiMix 10 Wireless is easy and intuitive. Each single and stereo-paired channel offers a trim knob, peak LED, and a smooth-traveling 60 mm fader for attaining the best signal level. In addition, there is a two-band EQ and pan for shaping the sound and creating a great mix. There are two aux send knobs per channel for creating a separate monitor mix, using an external global effect, etc. Aux 1 is set to pre-fader and Aux 2 is post-fader for maximum versatility.\u003c\/p\u003e  \u003cp\u003eDual multi-segment LED meters and a Master output fader allow you to easily monitor and control your levels. Left and right main outputs are equipped with balanced 1\/4\" TRS jacks—ideal for extended cable runs. The left and right monitor outs provide unbalanced 1\/4\" jacks. There is a separate headphone output on the front panel, with a dedicated volume control.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":44449989132391,"sku":"61411","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/alesis-multimix-10-1_2e10b073-46f7-4770-9355-8eede81b7a8d.jpg?v=1787091225"},{"product_id":"presonus-studiolive-rml32-ai","title":"PreSonus StudioLive RML32 AI","description":"\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the \u003cstrong\u003ePreSonus StudioLive RML32AI\u003c\/strong\u003e rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. tudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic\/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.\u003c\/p\u003e  \u003ch3\u003eNetworking provides remote control, recording, and more\u003c\/h3\u003e  \u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML32AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML32AI wirelessly from anywhere in the venue using free Mac®, Windows®, and iOS® software. Network the RML32AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML32AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e  \u003ch3\u003eControl the mixer with hardware and software—from anywhere\u003c\/h3\u003e  \u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML32AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than can be listed here — and can control Studio One, too!\u003c\/p\u003e  \u003ch3\u003eIntegrated, multiplatform software for flexible control and one-click recording\u003c\/h3\u003e  \u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One® Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix™-AI for iPhone®\/iPod® touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e  \u003ch3\u003eRecording is in StudioLive AI’s DNA\u003c\/h3\u003e  \u003cp\u003eThe StudioLive RML32AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante™-connected Mac or PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e  \u003ch3\u003eYou’ll never run out of signal processors\u003c\/h3\u003e  \u003cp\u003eStudioLive RML mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors—two reverbs and two delays—each with their own dedicated mix bus; 15 dedicated 31-band graphic EQs; and 500 ms of delay available on the last four mix outputs.\u003c\/p\u003e  \u003ch3\u003eExpandable to meet your needs\u003c\/h3\u003e  \u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. Connect two StudioLive RML32AIs or an RML32AI and an RML16AI via AVB to create up to a 64-channel mixing system. Rack-mount them together, place one on each side of the stage, or put one onstage and one at front-of-house. Record all 64 channels with free Capture™ software and have single-window control of all channels using UC Surface control software. Or enjoy up to 86x66 recording via FireWire with a DAW, such as Studio One. The Mix outputs are conveniently mirrored on both RML mixers. Now your system can grow with your needs and budget!\u003c\/p\u003e  \u003ch3\u003eSuperior sound\u003c\/h3\u003e  \u003cp\u003eConnect a StudioLive RML mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive RML mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in the Studio One® DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And the recallable XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e  \u003ch3\u003eDedicated I\/O—no guesswork\u003c\/h3\u003e  \u003cp\u003eView the front of a StudioLive RML-series rack-mount mixer, and you’ll see a straightforward jackfield with 32 locking XLR channel inputs, the last 8 of which are combo XLR mic\/TRS line inputs, plus 16 XLR Mix outputs and other important connections. The Mix outputs on the front panel are mirrored in a pair of DB25 connectors (Mix Outs 1-8 and 9-16) on the rear. You never have to guess which input feeds which channel or which aux mix goes to an output because they’re always the same. It’s all part of a design that enables you to work quickly and without confusion.\u003c\/p\u003e  \u003ch3\u003eSafe, sane, and secure\u003c\/h3\u003e  \u003cp\u003ePowerful networking and wireless remote control is great—but what if someone tries to hack into your Wi-Fi system and take control of the show or that jokester bass player tries to use his iPhone to mess with the lead singer’s monitor mix? There’s an app for that!\u003c\/p\u003e   \u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. Enjoy models of iconic instruments from Oberheim, Roland, Sequential Circuits, ARP, Hammond, Fender, Wurlitzer, Moog, and Vox.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450011775079,"sku":"62999","price":999.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-studiolive-rml-32-1_9c101599-5f1c-4bf6-b051-135d03fa6c99.jpg?v=1787091320"},{"product_id":"presonus-studiolive-rml16-ai-mixer","title":"PreSonus StudioLive RML16 AI Mixer","description":"\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the \u003cstrong\u003ePreSonus StudioLive RML16AI\u003c\/strong\u003e rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic\/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.\u003c\/p\u003e  \u003ch3\u003eNetworking provides remote control, recording, and more\u003c\/h3\u003e  \u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML16AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML16AI wirelessly from anywhere in the venue using free Mac®, Windows®, and iOS® software. Network the RML16AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML16AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e  \u003ch3\u003eControl the mixer with hardware and software—from anywhere\u003c\/h3\u003e  \u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML16AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than can be listed here — and can control Studio One, too!\u003c\/p\u003e  \u003ch3\u003eIntegrated, multiplatform software for flexible control and one-click recording\u003c\/h3\u003e  \u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One® Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix™-AI for iPhone®\/iPod® touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e  \u003ch3\u003eRecording is in StudioLive AI’s DNA\u003c\/h3\u003e  \u003cp\u003eThe StudioLive RML16AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante™-connected Mac or PC. Each of the first 16 channels can independently access its analog input or its dedicated digital return from your computer. The 16 digital input channels can receive multitrack inputs from a computer, perfect for backing tracks and effects. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e  \u003ch3\u003eYou’ll never run out of signal processors\u003c\/h3\u003e  \u003cp\u003eStudioLive RML mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors—two reverbs and two delays—each with their own dedicated mix bus; 15 dedicated 31-band graphic EQs; and 500 ms of delay available on the last four mix outputs.\u003c\/p\u003e  \u003ch3\u003eExpandable to meet your needs\u003c\/h3\u003e  \u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. Connect two StudioLive RML16AIs or an RML32AI and an RML16AI via AVB to create up to a 64-channel mixing system. Rack-mount them together, place one on each side of the stage, or put one onstage and one at front-of-house. Record all 64 channels with free Capture™ software and have single-window control of all channels using UC Surface control software. Or enjoy up to 86x66 recording via FireWire with a DAW, such as Studio One. The Mix outputs are conveniently mirrored on both RML mixers. Now your system can grow with your needs and budget!\u003c\/p\u003e  \u003ch3\u003eSuperior sound\u003c\/h3\u003e  \u003cp\u003eConnect a StudioLive RML mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive RML mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in the Studio One® DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And the recallable XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e  \u003ch3\u003eDedicated I\/O—no guesswork\u003c\/h3\u003e  \u003cp\u003eView the front of a StudioLive RML-series rack-mount mixer, and you’ll see a straightforward jackfield with 16 locking XLR channel inputs, the last 8 of which are combo XLR mic\/TRS line inputs, plus 8 XLR mix outputs and other important connections. The Mix outputs on the front panel are mirrored in a DB25 connector (Mix Outs 1-8) on the rear. You never have to guess which input feeds which channel or which aux mix goes to an output because they’re always the same. It’s all part of a design that enables you to work quickly and without confusion.\u003c\/p\u003e  \u003ch3\u003eSafe, sane, and secure\u003c\/h3\u003e  \u003cp\u003ePowerful networking and wireless remote control is great—but what if someone tries to hack into your Wi-Fi system and take control of the show or that jokester bass player tries to use his iPhone to mess with the lead singer’s monitor mix? There’s an app for that!\u003c\/p\u003e   \u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. Enjoy models of iconic instruments from Oberheim, Roland, Sequential Circuits, ARP, Hammond, Fender, Wurlitzer, Moog, and Vox.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450011807847,"sku":"62998","price":799.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-studiolive-rml-16-1_05da3523-1b72-4d13-afd3-7fb7fbc357fd.jpg?v=1787091320"},{"product_id":"presonus-studiolive-ar8","title":"PreSonus StudioLive AR8","description":"\u003cp\u003eThe \u003cstrong\u003ePreSonus StudioLive AR8\u003c\/strong\u003e USB 8-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth®. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e  \u003ch3\u003eAll of the connections and controls you need\u003c\/h3\u003e  \u003cp\u003eStudioLive AR8 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the two mono channels and two stereo channels includes level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get a monitor mix output with a dedicate bus for feeding a stage wedge, headphone amp, or in-ear system. Since the StudioLive AR8 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e  \u003ch3\u003ePlug guitars and basses directly into the mixer\u003c\/h3\u003e  \u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e  \u003ch3\u003eSuper Channel\u003c\/h3\u003e  \u003cp\u003eOur unique Super Channel (stereo Channel 7\/8) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e  \u003ch3\u003eRecord in the studio or at the gig—with or without a computer\u003c\/h3\u003e  \u003cp\u003eNaturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR8 USB mixer to your computer via USB 2.0, and you have an 8x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit\/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!\u003c\/p\u003e  \u003ch3\u003eFly in backing tracks and play break music, too!\u003c\/h3\u003e  \u003cp\u003eBoth the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so we enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.\u003c\/p\u003e  \u003ch3\u003eIntegrated software makes recording a snap\u003c\/h3\u003e  \u003cp\u003ePreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in the award-winning Studio One® Artist DAW (recording and production software); both are included free.\u003c\/p\u003e  \u003ch3\u003eSweeten with digital effects for a polished, professional-caliber sound\u003c\/h3\u003e  \u003cp\u003eTo get a great mix, you need high-quality effects. The StudioLive AR8 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor send, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.\u003c\/p\u003e  \u003ch3\u003eA complete solution that’s compact, easy to use, and built for the road\u003c\/h3\u003e  \u003cp\u003eCompact and built for the road, the StudioLive AR8 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!\u003c\/p\u003e   \u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. Enjoy models of iconic instruments from Oberheim, Roland, Sequential Circuits, ARP, Hammond, Fender, Wurlitzer, Moog, and Vox.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450011840615,"sku":"62994","price":499.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-studiolive-ar8-1_322650d0-c62b-4c0c-a485-7b3adeb93be2.jpg?v=1787091320"},{"product_id":"presonus-studiolive-ar16","title":"PreSonus StudioLive AR16","description":"\u003cp\u003eThe \u003cstrong\u003ePreSonus StudioLive AR16\u003c\/strong\u003e USB 18-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth®. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e  \u003ch3\u003eAll of the connections and controls you need\u003c\/h3\u003e  \u003cp\u003eStudioLive AR16 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the eight mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR16 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e  \u003ch3\u003ePlug guitars and basses directly into the mixer\u003c\/h3\u003e  \u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e  \u003ch3\u003eThe Super Channel\u003c\/h3\u003e  \u003cp\u003eThe unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e  \u003ch3\u003eRecord in the studio or at the gig—with or without a computer\u003c\/h3\u003e  \u003cp\u003eNaturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR12 USB mixer to your computer via USB 2.0, and you have a 14x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit\/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!\u003c\/p\u003e  \u003ch3\u003eFly in backing tracks and play break music, too!\u003c\/h3\u003e  \u003cp\u003eBoth the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so PreSonus enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.\u003c\/p\u003e  \u003ch3\u003eIntegrated software makes recording a snap\u003c\/h3\u003e  \u003cp\u003ePreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in the award-winning Studio One® Artist DAW (recording and production software); both are included free.\u003c\/p\u003e  \u003ch3\u003eSweeten with digital effects for a polished, professional-caliber sound\u003c\/h3\u003e  \u003cp\u003eTo get a great mix, you need high-quality effects. The StudioLive AR12 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.\u003c\/p\u003e  \u003ch3\u003eA complete solution that’s compact, easy to use, and built for the road\u003c\/h3\u003e  \u003cp\u003eCompact and built for the road, the StudioLive AR12 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!\u003c\/p\u003e   \u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. Enjoy models of iconic instruments from Oberheim, Roland, Sequential Circuits, ARP, Hammond, Fender, Wurlitzer, Moog, and Vox.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":44450011873383,"sku":"62997","price":699.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/8848\/5479\/files\/presonus-studiolive-ar16-1_a227ef06-7495-48b8-8a51-cc0486afaf40.jpg?v=1787091320"},{"product_id":"presonus-studiolive-ar12-mixer","title":"PreSonus StudioLive AR12 Mixer","description":"\u003cp\u003eThe \u003cstrong\u003ePreSonus StudioLive AR12\u003c\/strong\u003e USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’® famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth®. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e  \u003ch3\u003eAll of the connections and controls you need\u003c\/h3\u003e  \u003cp\u003eStudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e  \u003ch3\u003ePlug guitars and basses directly into the mixer\u003c\/h3\u003e  \u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e  \u003ch3\u003eThe Super Channel\u003c\/h3\u003e  \u003cp\u003eOur unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e  \u003ch3\u003eRecord in the studio or at the gig—with or without a computer\u003c\/h3\u003e  \u003cp\u003eNaturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR12 USB mixer to your computer via USB 2.0, and you have a 14x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit\/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!\u003c\/p\u003e  \u003ch3\u003eFly in backing tracks and play break music, too!\u003c\/h3\u003e  \u003cp\u003eBoth the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so PreSonus enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.\u003c\/p\u003e  \u003ch3\u003eIntegrated software makes recording a snap\u003c\/h3\u003e  \u003cp\u003ePreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in the award-winning Studio One® Artist DAW (recording and production software); both are included free.\u003c\/p\u003e  \u003ch3\u003eSweeten with digital effects for a polished, professional-caliber sound\u003c\/h3\u003e  \u003cp\u003eTo get a great mix, you need high-quality effects. The StudioLive AR12 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.\u003c\/p\u003e  \u003ch3\u003eA complete solution that’s compact, easy to use, and built for the road\u003c\/h3\u003e  \u003cp\u003eCompact and built for the road, the StudioLive AR12 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!\u003c\/p\u003e   \u003chr\u003e\u003ch3\u003ePresonus Conjures Studio Magic\u003c\/h3\u003e\u003cp\u003eRegistered owners of any currently available PreSonus® audio interface or mixer are receiving a free bonus: the Studio Magic Plug-in Suite for Mac® and Windows®. The software bundle includes seven popular plug-ins in VST, AU, and AAX formats. Currently eligible interfaces and mixers include the PreSonus AudioBox USB, AudioBox i-series, and Studio-series interfaces and StudioLive Series III, StudioLive AR USB, and StudioLive RML-series mixers. The software will be automatically added to registered users’ online My PreSonus accounts and can be downloaded at any time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSPL Attacker\u003c\/strong\u003e is a micro-plug-in that employs the same Differential Envelope processing technique as SPL’s famed Transient Designer. Using SPL Attacker, all attack events can be amplified, regardless of their signal level. By focusing on the initial transient instead of specific frequencies, SPL Attacker amplifies just the attack curves of a sound event. This allows instruments to be mixed at lower levels, which opens up space in the mix, while the relationship between tracks is preserved.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMäag Audio EQ2\u003c\/strong\u003e delivers the sound of the Mäag Audio EQ2 two-band hardware equalizer. Mäag Audio’s EQ design allows for exceptionally low phase shift across all EQ adjustments, which helps maintain the integrity of your mix’s original sound while enhancing the very high “air” frequencies. An input attenuator lets you normalize levels before applying EQ.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLexicon’s MPX-i Reverb\u003c\/strong\u003e delivers seven classic Lexicon plate, hall, chamber, and room reverbs. A streamlined interface and 100 versatile, finely crafted presets enable you to quickly get the sound you want. Input and output metering let you monitor levels at a glance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide H910\u003c\/strong\u003e plug-in is a faithful re-creation of the classic H910 Harmonizer, which offered unique combinations of pitch shifting, modulation, and delay. Use pitch changing to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic detuning to synths, and add slap-back delays to vocals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Eventide 2016 Stereo Room\u003c\/strong\u003e, delivers a natural, yet distinctive-sounding reverb that can be lush or subtle. Derived from Eventide’s SP2016 hardware processor, its simple, intuitive controls allow you to fine tune your virtual space, from a dark hallway to a bright studio vocal room. Use multiple instances to bring out the character of different parts of a track.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Brainworx bx_opto compressor\u003c\/strong\u003e combines the best aspects and anomalies from several legendary, light-dependent compressor circuits. The result is a powerful dynamics processor, teeming with character and delivering sounds that can’t be achieved with analog optical compressors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArturia’s Analog Lab Lite\u003c\/strong\u003e, is a “Greatest Hits” collection of physically modeled classic analog synths, organs, string machines, and pianos from Arturia’s V-Collection of virtual instruments. 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A fluid workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThree companies shared a common vision – to engineer and build the very best- sounding, technically-advanced audio products for discerning professionals. The X32 Digital Mixer family is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK and BEHRINGER’s unique ability to deliver a superior value proposition.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe synergy between these three great companies runs deep in the X32. From the pristine, MIDAS -designed mic preamps to KLARK TEKNIK’s rock-solid, ultra-low latency SuperMAC networking technology and BEHRINGER’s completely re-engineered processing algorithms, X32 raises the bar on what a digital mixer can be. A singular passion for delivering advanced technology, unrivalled usability and true road-worthiness has enabled us to engineer a digital console that is the ideal vehicle for your creative expression.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eEnhanced Workflow \u0026amp; Multi-Channel Networking\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the introduction of our new X32 version 2.0 firmware, Behringer have not only dramatically enhanced the workflow, but also added all-new capabilities including “Acoustic Integration” for total connectivity and control of your speaker and In-Ear Monitor (IEM) systems. Behringer has completely re-imagined the more than 50 onboard FX “Plug-Ins” and added classic processor examples based on “True Physical Modelling”. They have also made the X32 even more flexible, with swappable expansion cards for connecting to other multi-channel audio networking via USB, ADAT, MADI and Dante protocols, in addition to the onboard ULTRANET and AES50 connectivity. Above all, the X32 puts the power of digital in your hands – without compromise.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eIntuitive. Immediate. Natural.\u003c\/h3\u003e\r\n\r\n\u003cp\u003eX32 is your mind-to-sound interface… the intersection of creativity and production. Whether you’re accustomed to digital mixers or not, the X32’s intuitive user interface offers a fluid mixing experience that instantly feels like home.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd then there is the X32’s latest version 2.0 firmware. 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Working in concert with the LCD Scribble Strips and TFT Display, the faders serve multiple functions while always keeping you informed.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSeparate fader sections for inputs and groups\/buses allow for convenient assignments from inputs to groups\/buses.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the ability to store up to 100 scenes, X32’s motorized faders jump to life the moment a scene is recalled.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eYou Are Covered\u003c\/h3\u003e\r\n\r\n\u003cp\u003eBehringer always strives to provide the best possible Customer Experience. 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