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Even with the best convolution reverb tools, you need the proper impulse responses to get just the right effect. Without that, a scene can’t really draw you in. The latest collection of impulse responses, Boom Library FIELDS & SPACES: OUTDOOR IMPULSE RESPONSES, enhances the reality of your work by letting you incorporate the beautiful, sonic qualities of the great outdoors. Until now, no library has provided such a detailed, spatial set of outdoor impulse responses.
The stereo set of impulse responses is a mix-down of the ambisonic version, resulting in rich and dense tails.
Don’t settle for lifeless sound effects. Bring the great outdoors to your projects.
Boom have finally figured out how to correctly model the sonic complexity of any setting by using Bomm's long history of field recording experience and years of research and development. You’ll get over 120 impulse responses for the hardest places to record, like huge canyons, snow-covered hills, grassy fields, and narrow city streets. This is without a question the most complete and well-organized set of impulse responses on the market today and features – because of the nature of IR modeling – a near-infinite signal-to-noise ratio.
To make FIELDS & SPACES – OUTDOOR IMPULSE RESPONSES as useful and accurate as possible, Boom have included distances that vary depending on what’s appropriate for each sound. With large open spaces like a medium-sized canyon, they go from 0–30–40–70 meters, or a long alley, 0–70–120 meters, whereas in tighter areas they've included closer intervals, such as for a forest pit, 0–10 meters.
Boom have covered the most common outdoor environments for film and video games, with both urban and natural settings; there is an impulse response for every occasion. Natural IRs include canyons, forests, hills, mountains, and more, all with varying ground materials and distances. While urban IRs include bridges, squares, streets, alleys, ports, courtyards, dams, castles, underpasses, and more, also with varying distances. Below you’ll find example photos of just some of the modeled locations.
Boom Library sound FX come as WAV files, meaning you can import and work with them in any software that can handle this file type. Here are the most common audio and video editing software tools that work perfectly with the sound FX.
AUDIO SOFTWARE:
VIDEO EDITING SOFTWARE:
To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata. Here are the most common audio management tools:
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