36-month financing with the Vintage King Credit Card
Shop the Hottest Prices of the Summer New Deals Drop Daily

Mixing

  1. Building Out A Basic Recording And Mix Room Within Your Budget

    Building Out A Basic Recording And Mix Room Within Your Budget
    The original version of this article appeared in the first issue of Vintage King's Playback. If you haven't subscribed digitally to our new magazine, you can do so right here. Here at Vintage King, we often get asked, “How do I build a studio for _____ amount of money?” This question is an interesting one, and we can certainly help you find an answer that fits within your budget. The starting point is most likely a question that you must ask yourself: “What is the goal for my studio?” In upcoming issues, we’ll be tackling how to build out several kinds of studios on a budget, but for the purposes of this article, we thought it best to start out with the essential gear needed for a basic recording and mix room. We’ll be covering three pieces of gear in particular: microphone, interface and monitors. Continue reading →
  2. Solid State Logic Expands DAW Tool Offerings With UC1 Plug-In Controller

    Solid State Logic Expands DAW Tool Offerings With UC1 Plug-In Controller
    Solid State Logic is known for its world-class consoles with industry-leading ergonomics and next-gen workflows. With the new SSL UC1 plug-in controller ($849), you can enjoy the brand's legendary sound and the feel of mixing on a 9000 L SuperAnalogue console for a fraction of the price and space. The UC1 plug-in controller offers engineers complete tactile control over the new SSL Channel Strip 2 and Bus Compressor 2 plug-ins. For those who prefer working in-the-box, but love getting hands-on, this new release will pair well with the recent UF8 advanced DAW controller. SSL's approach with these two releases will afford users a simple set-up and slick ecosystem to work within. Continue reading →
  3. 20 Questions With Erin Tonkon

    20 Questions With Erin Tonkon
    Erin Tonkon broke into the world of engineering at a young age and started learning under the best at NYU's Clive Davis Insitute of Recorded Music. During her studies, the budding engineer began working with production legend Tony Visconti. Over the course of six years, Erin would work side-by-side with Tony, including handling the engineering duties for David Bowie's final record, Blackstar, in addition to releases from Esperanza Spalding and The Damned. In recent years, Erin has continued to amass an incredible discography of work, including mixing albums for Sad13, Richard Hell, Rosie Tucker, Lady Lamb and more. She is also the co-founder of a new company that is trying to revive the New York City music scene post-pandemic by bringing together musicians, producers, multiple studios and a new live venue. Continue reading →
  4. Studio Spotlight: Maximus Music

    Studio Spotlight: Maximus Music
    For over two decades, artists from around the globe have been flocking to Maximus Music to find the key to that Southern sound. Owner and founder Ira Parker has propelled the Queen City studio to success and brought in an incredible array of talent including Anthony Hamilton, G-Eazy, Rick Ross, Jadakiss and many more. We recently sat down with Ira for our new Studio Spotlight series to talk about Maximus Music in more detail. Continue below to find out how Ira started the studio, hear his favorite stories about artists working in the room, and discover some of his go-to gear that he picked up from Vintage King Audio Consultant Anthony Erwin. Continue reading →
  5. Studio Spotlight: Tiny Thunder Audio

    Studio Spotlight: Tiny Thunder Audio
    Serge Espitia is a mastering engineer out of Maplewood, New Jersey. With over a decade of experience in the music industry, he has spent time working in some of the most recognizable studios in the world, including Blue Jay Recording in Boston, and East Side Sound, Stratosphere Sound and Masterdisk in New York. In 2011, Serge began putting together his own Brooklyn-based studio space under the banner of Tiny Thunder Audio. Eventually, he headed to New Jersey and shifted focus from tracking and mixing to predominantly mastering. Recently, we sat down to talk with Serge about the history of Tiny Thunder, his philosophy on mixing vs. mastering, and some of the gear choices that he’s made for his studio. Continue reading →
  6. The Making Of Future Islands' As Long As You Are With Steve Wright

    The Making Of Future Islands' As Long As You Are With Steve Wright
    When synth-pop quartet Future Islands were looking for a studio to track its sixth record, As Long As You Are, they didn't have to venture far from home to find the right place. The Baltimore, Maryland-based group made its way to the world-class facilities of Wright Way Studios, located conveniently within the limits of Charm City. Once there, Future Islands set to work with studio owner, producer, and audio engineer Steve Wright. In addition to handling both recording engineer and mix engineer duties on As Long As You Are, Steve has built an incredible resume over the past three decades working with artists like Mos Def, U.N.K.L.E, Slipknot, and Dying Fetus. We recently caught up with Steve to talk about the new Future Islands record and the recording and mixing process. Continue reading below to find out what gear he used and learn a little more about the set-up over at Wright Way. Continue reading →
  7. The Making Of Protomartyr's Ultimate Success Today With David Tolomei

    The Making Of Protomartyr's Ultimate Success Today With David Tolomei
    Over the last decade, Detroit-based band Protomartyr has been pushing the boundaries of post-punk and how it's defined. The group's earlier work reminds one of Mark E. Smith's The Fall, but they've transitioned into something much broader and more experimental with the release of their fifth record, Ultimate Success Today. When preparing to record the album, the band's record label linked the members of Protomartyr with engineer and producer David Tolomei. David has built a robust resume since getting his start in 2008 with credits on releases from Dirty Projectors, Beach House, !!!, and John Cale. Continue reading →
  8. How To Make Your Podcast Sound Better

    How To Make Your Podcast Sound Better
    Over the last few years, podcasting has continued to rise in popularity. Now with social distancing in effect, podcasts have become one of our primary forms of media. You’d be surprised at how easy it can be to create a professional-sounding podcast from the comfort of your own home. If you've got the knowledge and a concept, we can certainly help you achieve podcast glory. Continue reading this blog to discover some of the essential gear needed to make your own podcast or improve your current set-up, in addition to some proper techniques for recording, editing, and mixing. Continue reading →
  9. The Making of Wargirl's Dancing Gold With Mark Neill and Matt Wignall

    The Making of Wargirl's Dancing Gold With Mark Neill and Matt Wignall
    Wargirl is a six-person garage rock band co-founded by Matt Wignall in 2016. The band combines an eclectic range of influences including current events, world music grooves, dub-centered rhythms, and lyrics of substance. Wargirl makes music that matters, but also makes you want to get down — the soundtrack of our times. The band recently recorded their new record, Dancing Gold, at Matt’s garage-based Tackyland Studio in Long Beach, California. In addition to producing and recording Wargirl’s albums, Matt has also worked with indie-rock icons like Cold War Kids and Mando Diao. Continue reading →
  10. Buyer's Guide: Universal Audio Apollo Interfaces

    Buyer's Guide: Universal Audio Apollo Interfaces
    Universal Audio has always been known for its innovation. From legendary mic pres and compressors to game-changing audio interfaces and software, the brand has truly helped shape the landscape of the modern recording industry.The Apollo interface series, which was first introduced in 2012, has played a major role in furthering Universal Audio's legacy. Now in its third generation, Apollo interfaces offer world-class conversion, amazing preamps, and on-board processing for near-zero latency when using with Universal Audio's top-notch plug-in emulations. Continue reading →

Items 1 to 10 of 22 total

Page
Selection will refresh the page with new results
I would like to thank VK for the wonderful sales assistance, service and prices. This was my first purchase with you and it won't be my last. I only wish I'd discovered you years ago!
Matthew R.
I had two Grammy wins this year - Ray LaMontagne & Carolina Chocolate Drops. Both made with help from Vintage King!
Ryan F.
In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
Martin C.
This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
James P.
Thank you so much! Vintage King has been so fair and easy to work with. I can't thank you enough. It feels good to trust such a hefty purchase to folks who are so helpful and knowledgeable. Vintage King is a sound designers dream store.
Noa L.
You guys have excellent customer service and I am excited about the next upgrade I complete on my fifth recording facility. I've been in the studio business for forty plus years. The salesman I worked with at Vintage King was the best of the best. You all rock!
Robby T.
I would recommend Vintage King to any one looking for top-class gear, unbeatable customer service and the best prices on the map!
Jake D.
My experience with Vintage King was excellent. The order was here fast considering it was out of stock. The sales person had SKB send it to me directly and I couldn't have been more pleased.
Michael D.
From the minute I placed my order I was kept well-informed through each step in your process. Even though I was buying a comparatively modest piece of gear, your attention to detail made me feel like I was purchasing a six-figure mixing desk.
Thomas W.
I am a new customer of yours. You guys provided me the absolute best deals in ordering all the equipment to power my brand new recording studio. Your customer service is amazing and i will always deal with you from here on out.
Rob M.
Thanks for your great service and getting this out today. You guys really are the Kings!
Alan B.
Better than expected! Truly impeccable service. Your team was professional, knowledgeable, provided speedy delivery above and beyond standard. Vintage King Audio is definitely my go to for all of my audio and information needs.
James O.