Reverb

We recently teamed up with our friends at Echo Fix to create a custom Vintage King Edition of the classic EF-X2 Tape Echo. The new EF-X3R Chorus Echo - Vintage King Edition ($2,800) introduces a number of highly-requested features, including a new BBD chorus and analog spring reverb. Read on to learn more about this limited edition tape echo!  Continue reading →

Universal Audio has demonstrated its mastery of creating digital emulations of analog classics for years. Prior innovations like the OX Amp Top Box have shown the brand making its move into the guitar world, but with today's announcement of a new line of UAFX pedals, they've firmly entrenched themselves in the stompbox game. Engineered and developed by the team at Universal Audio, the Astra Modulation Machine ($399), Golden Reverberator ($399) and Starlight Echo Station ($399) feature dual-processor technology that power some of the most stunning effects ever created for the pedal platform. Each release puts three emulations of classic vintage gear at your feet (there are some free extras you can get upon registration) and offers six knobs, three switches and two footswitches for controlling your sound. In addition to accepting Hi-Z, the UAFX also accepts line level, so you can use the pedals for mixing. Continue reading →

Those who are fortunate enough to take the journey to the annual NAMM Show know that when you step out onto that floor, you're bound to find something that completely rocks your world. Something huge, something wild, something you've never seen before. For the past four years or so, Chase Bliss Audio has been the brand doing most of the mind blowing in the pedal realm. Let's go back to the 2019 NAMM Show. Chase Bliss Audio owner and designer Joel Korte debuts a first of its kind pedal dubbed the Automatone Preamp MKII. It features motorized faders that adjust automatically when cycling through presets. We've seen it in the studio for years, so why not go there with a pedal? And just like that, the pedal becomes an instant success because of its innovation and fantastic sounds. Continue reading →

The beloved pedal makers at Strymon recently unleashed the brand's latest release, NightSky. This pedal takes on the form factor of the popular Volante Magnetic Echo Machine and gives users instant access to 13 presets (300 via MIDI) of lush, warm reverb with endless possibilities. NightSky is ideal for those who want to experiment with their reverb. The pedal offers up nine different knobs with additional button-based controls for dialing in the sound you're dreaming of. You can select different waveforms using the MOD section, sculpt the EQ of the effect with the TONE section, use GLIMMER and SHIMMER to enhance different frequencies and pitch shift your reverb... That's just the tip of the iceberg. Continue reading →

With its pulsating screen, input/output transfomers, varied control options, and unique sound, the Tegeler Audio Raumzeitmaschine has become a favorite reverb option for many engineers. One listen and you'll be hooked! The Berlin, Germany-based brand set out to create a reverb that offered "natural surround sound." Using both analog and digital components, the Raumzeitmachine accomplishes Tegeler's goal and gives users the ability to control it via the physical unit's knobs, presets in your DAW, or the accompanying plug-in version. Continue reading →

As a trusted resource of repairs for over decade, Echo Fix has certainly established themselves as the go-to when your tape echo machine has gone haywire. So it makes sense that the Australian company would go even further down the prototyping, testing, and design rabbit hole to create their own take on the classic tape echo. The resulting Tape Echo EF-X2 is nothing short of stunning. This unit has an extremely deep feature set, which starts with four basic functions; tape echo, real spring reverb, DSP reverb/chorus and preamp. From there, the possibilities to tweak and develop creative sounds are endless. Continue reading →

By now you've heard the fantastic news that AMS Neve has revived the beloved RMX16 for the 500 Series rack. The new module was the talk of the NAMM Show in January and had pro audio lovers speculating just how close AMS Neve would get to the original unit. Newsflash! They don't disappoint. The 500 Series version of the RMX16 follows suit with the classic nine reverb programs (plus nine rare aftermarket programs) and allows users to control all parameters in three distinct ways. Dialing in the perfect reverb for your source is possible by way of the pot control section (a rotary dial), the nudge section (Down/Up buttons), and Alphanumeric keypad entry. How does it sound though? Continue reading →

When talking about classic pieces of gear heard on hit records, the AMS RMX16 has easily earned its spot at the table. The reverb microprocessor became a must-use piece of gear in the 1980s and has gone on to become one of the most revered reverberation units ever. Just ahead of the 2020 NAMM Show, AMS has announced that they’re giving the classic unit the 500 series treatment with a new version of the RMX16. While the original units were coveted and sonically magical, they also carried a massive price tag and thus were fairly rare and unattainable. With this new offering in 500 series form from AMS, a new generation of engineers will be able to use this reverb classic in their 500 Series rack for much less. The RMX16 500 series module is set to carry a price tag of just $1295, making its cost almost as small as its new, compact footprint. Continue reading →

Earlier today, our friends over at Reverb shared a video that highlights Vintage King Audio via a trip through the Vintage King Tech Shop. Vintage King Audio co-founder Mike Nehra acts as your tour guide telling stories from the company's past and showing off some prized vintage gear currently in the shop. If you haven't had a chance to check out Reverb's video, you can watch it below. Afterward, continue reading to learn more about the gear featured in the video, including classic pieces from Neumann, Neve, Telefunken/TAB, Universal Audio, and API Audio. Continue reading →

A few weeks back, we posted a new VK Shootout featuring a vintage EMT 140 plate reverb going up against some popular emulations. People were digging the shootout so much that we decided to do another blog that expands on other ways to get plate reverb sounds in the studio and during live performances. Since the release of the original EMT 140, the options for getting plate reverb sounds have gotten way smaller. Sure... Being smaller than a 600-pound metal structure isn't super hard, but we're talking much smaller, like nearly as small as the palm of your hand. Continue reading →