Composer

With over two decades of production and engineering experience, Danny Reisch has cemented himself as an institution in the Austin, Texas recording community. The engineer has spent time working on records with Wye Oak, Heartless Bastards and White Denim, in addition to running live sessions for Daytrotter with the likes of HAIM,  Mac Demarco and Gary Clark Jr. One of Danny's latest endeavors has been handling mixing duties for the score to The Green Knight. We recently sat down for a chat with the Dallas native to talk about his work on the film, his thoughts on mixing an album compared to soundtracks and the gear at his studio, Good Danny's. Continue reading →

In 2020, Vintage King visited Linear Labs, the recording home of accomplished composer, arranger and producer Adrian Younge. We sat down for a conversation with Adrian and talked about how he got his start in music, why he prefers analog gear and the way he seamlessly blends so many different genres together. Watch our new Make Your Mark starring Adrian below and continue on afterward to read the cover story from Vintage King's new print magazine, PLAYBACK. Limited edition magazines are available at Vintage King Los Angeles and Vintage King Nashville while they last, but you can subscribe digitally here and get a copy of each issue sent directly to your Inbox. Enjoy! Continue reading →

We all have different approaches to our craft, whether it be our gear preferences or unique techniques for tracking, mixing, and mastering. In our new series, Vintage King Workflow, we're celebrating the beauty of how our favorite engineers and producers create art and asking them to show us their methods. Maxton Waller was playing in rock bands when he first moved to California in 2007, but quickly transitioned full-time into composing for film and television. Since becoming a Los Angeles resident, he's racked up an incredible resume including scoring the Hulu Original Series RocketJump: The Show, Stan Lee’s Cosmic Crusaders, and SpacePOP. Continue reading →