Search results for 'first listen'

Moog has announced today that the brand is reviving its classic 16 Channel Vocoder for 2020. The news comes more than four decades after the Moog Vocoder first appeared in gear shops around the world in 1978. The new Moog Vocoder will be extremely faithful to the classic design of the original. The storied synth brand has left the schematics completely intact and each unit will be hand-soldered at the brand's factory in Asheville, North Carolina. The only update to the Moog Vocoder will be improved connectors and power supply for reliability. Continue reading →

NAMM 2020 is here and Moog has officially announced it's brand new Subsequent 25 synthesizer. Ever since photos of the new synth were leaked around the start of the year, gear lovers everywhere have been salivating waiting to find out what the story is with this new creation. Fans of the recently discontinued Sub Phatty should be excited, as the Subsequent 25 is a spiritual successor to the beloved synth first released in 2014. The new and improved Subsequent 25 is a 2-note paraphonic analog synth that combines the high-quality analog designs of classic Moog instruments with the versatile sound engine of a modern synthesizer. Continue reading →

When Retro Instruments first announced the brand's new 500PRE ($799), we knew we were in love before we ever even heard it. After all, what's not to love about bringing the Sta-Level design to the 500 Series world and packing three tubes into that compact module. Little did we know, we had something to do with the inspiration for it. "It was inspired by the Vintage King April Fools’ Day post on the 500 Series Fairchild 670," says Retro Instruments Owner/Designer Phil Moore. "“The performance of the 500PRE exceeded my expectations. It’s based on professional tube console program amplifiers from the era of the Sta-Level and 176. It’s got 75 dB of gain and no compromises." Continue reading →

Over the past decade or so, musicians have increasingly looked to cab sims, impulse responses and DIs to lighten their load in terms of weight and volume. The new Strymon Iridium ($399) offers a different take on these options for guitarists by giving them a fully-featured cab sim/IR loader that lives on their pedalboard. Have you ever plugged your guitar directly into a full-range monitor with your favorite overdrive engaged? It sounds like a coffee can filled with hornets angrily buzzing around. With the Iridium placed after your overdrive and before the monitor, this transforms the can of bees into your favorite tube amp with the flick of a switch. Continue reading →

When Universal Audio announced the release of the Apollo X recording interface series, audio creators around the world wondered what would be next for the Apollo Twin. The brand has just unveiled the next generation of its award-winning desktop interfaces, the Apollo Twin X (DUO and QUAD) and Apollo x4 and they are in stock at Vintage King Audio. The Apollo Twin X is a 10 x 6 desktop interface, which features two Unison mic preamps and one Hi-Z instrument input. This upgraded version of the Apollo Twin features the same stunning conversion as the Apollo X rackmount series. Universal Audio is offering the Apollo Twin X with DUO ($899) and QUAD ($1399) realtime UAD plug-in processing and both versions of the interface now feature Thunderbolt 3 connectivity. Continue reading →

The Burl Audio B4 made its debut at the 2019 NAMM Show and in the time since the announcement, engineers have been dreaming about the expanded possibilities of the B80 and B16 Motherships with the daughter card. For those of you who have been anxiously waiting to add a mic pre card to your Mothership, the wait is finally over. The B4 is here! With the B4 mic pre daughter card, a number of I/O options and configurations open up for both the B80 and B16 Mothership. Since the B4 features four mic/line inputs on the card, an engineer using a single B80 Mothership chassis can create a system that features 40 input channels of audio mic/line inputs. Whether working in the studio or in the live sound setting, you now have access to a significant number of channels with Burl's signature warm, fat sounds. Continue reading →

David Peach started Peach Audio over 20 years ago and has been designing and hand-building audio gear from his home in Australia ever since. His dynamics, EQs, and tube mic pres, including the Savannah 196sx,  have garnered an underground reputation for their incredible sounds and now we've brought Peach Audio on as an exclusive brand to Vintage King. The Peach Audio Savannah 196sx is the third generation of David's tube mic pre and combines lighting-fast transient response with an ultra-wide dynamic range for class-leading detail and precision. Engineers will be able to take advantage of versatile controls for impedance, multiple transformer options, and mid/side processing capabilities, to craft their source's sound. Continue reading →

Since the 500 Series format became en vogue, the Retro Instruments Doublewide has been one of the best selling modules at Vintage King. As its name implies, the Doublewide takes up two rack spaces offering premium single channel compression with huge, tube-powered punch via your lunchbox. Late last year, Retro Instruments announced a new successor to the compressor, the Doublewide II. This new version features faster attack and release time, stereo linking capabilities and a greatly improved signal to noise ratio. The Doublewide 2 still features the signature Single and Double timing modes that made the original such a favorite on drums, bass and well… Just about everything. Continue reading →

Whenever we talk about thought leaders or innovation in pro audio, one must begin with Rupert Neve. While he got his start creating monitors, Rupert will forever be known for his work designing consoles and mic pres. The timeless 1073 has long been lauded as the world's preeminent mic pre, a design which Rupert has continued to build upon with his current brand, Rupert Neve Designs. For their latest product, the 5211 two-channel mic pre, Rupert Neve Designs has taken elements from their original 5012 two-channel mic pre and given them a significant upgrade for 2019. One of the biggest updates is the addition of a variable Silk control, which offers users the ability to finely control Rupert's Class A output stage (the same as the Shelford Channel). The original only featured a single Silk button with no knob to control the output. Continue reading →

Antelope Audio has been extremely busy as of late. The company launched the succesful Edge and Verge modeling mic series and has followed that up with a reworking of many of its interfaces. At the 2019 NAMM Show, we were introduced to the third generation of the Orion 32+ and Orion 32 HD. Both of these interfaces have seen significant upgrades with new mastering-grade converters, an improved dynamic range, and spruced up faceplates. With the recent release of these upgraded Orion interfaces, we wanted to hit the studio and use the Orion 32 HD to record and mix a song. This powerful tool offers 64 channels of audio via USB 3.0 or Avid’s MiniDigilink connectors, and provides access to Antelope’s FPGA effects platform. These plug-ins include a wide variety of classic emulations and impressive tools, including 35 EQs, compressors, reverbs, and more, for real-time effects processing. Continue reading →