Vintage King Blog

  • 20 Questions With Dave Rieley of Vintage King's Nashville Showroom

    In addition to leading the charge in our Nashville showroom, Vintage King Audio Consultant Dave Rieley is an incredible engineer, producer and mixer in his own right. Dave began his career at the Chicago Recording Company and in the time since has worked with a wide range of artists including Straight No Chaser, Skillet, The Hives and Kelly Clarkson.

    We recently sat down with Dave and asked him to take part in our 20 Questions series. Continue on below to learn his thoughts on miking drums, the one plug-in that goes on all of his mixes and hear about some classic hijinx from inside his studio. Continue reading

  • A Look Back At The Creation Of Michael Jackson's Thriller

     

    Michael Jackson’s Thriller may be the most significant piece of recorded music in human history. On the first day of recording, producer Quincy Jones walked into the studio and said “OK guys, we’re here to save the recorded music industry.”

    And then they did.

    35 years on, Thriller is the still best-selling album of all time. At its peak, it sold more than 1 million copies per week. Since its release, it's sold an estimated 66 million copies in America, and over 105 million worldwide. Continue reading

  • Masters Of Score: An Interview With Horror Composer Charlie Clouser

    Fans of the horror genre will certainly be familiar with the far-reaching discography of Charlie Clouser. The former Nine Inch Nails member moved onto the world of scoring film/television and has been responsible for an incredible number of projects including the Saw series, American Horror Story, Dead Silence and Wayward Pines.

    In keeping with the spooky Halloween season, we reached out to Charlie to talk about his studio set-up, his sonic inspirations and some different ways to get ghoulish and unsettling sounds out of your gear. Continue below to read our conversation with Charlie and to hear a few pieces of his fantastic work. Continue reading

  • The Basics Of Recording Vocal Tracks

    Tracking vocals is hands-down the hardest part of the recording process, and not just because all vocalists are divas (kidding!). The voice is the only instrument you can’t tune. It’s also the most intimate instrument to perform in front of other people.

    The most important thing to remember when tracking vocals is that it’s all about the performance. You can fix a bad note in post, but there’s nothing you can do to turn a nervous performance into confident one. It’s ok if the singer is a little off-pitch, as long as they mean it. Continue reading

  • Recreating The Sounds Of Stranger Things With Pedals

    When Stranger Things debuted on Netflix in July 2016, the show's soundtrack single-handedly rekindled the public's love of spooky sounds created with vintage synthesizers. Scored by Kyle Dixon and Michael Stein of Austin-based band Survive, the duo predominantly used synths like the Arp Odyssey, Roland SH-101, Korg Mono/Poly to create the sounds of Hawkins and the Upside Down.

    Instead of recreating the Stranger Things score with similar synthesizers, I had the idea to build it from scratch using some of my favorite guitar pedals. By using only a Meris Ottobit Jr.Meris Mercury7 and Electro-Harmonix Synth 9, I was able to get something extremely close to the sounds of Dixon and Stein's original theme.   Continue reading

  • East Tennessee State University Selects API 1608 For Student Studio

    With a program centered on furthering forms of old-time music, including bluegrass, Celtic and country, East Tennessee State University has developed an enviable curriculum. Adding to the excitement of the program is the recent addition of an API 1608 console as the centerpiece of the school's recording studio.  

    "A few students may start our series of audio engineering classes with some knowledge of Pro Tools, Logic, or some other DAWs, but for the most part, they are blank slates," says ETSU Recording Lab Manager Benjamin Bateson. "The API 1608 gives them a good, manageable console on which to start learning signal flow through a console." Continue reading

  • Make Noise Introduces Two New Modular Synths Based on 0-Coast

    Over the past few years, Make Noise has become one of the defining leaders of the modular synth movement. Their unique semi-modular synth, the 0-Coast, remains one of our hottest selling synthesizers and has now spawned two modular counterparts, the Contour and Dynamix. Continue reading

  • AMS Neve Debuts 1073SPX at AES 2017

    AES always means lots of exciting gear debuts and AMS Neve has not disappointed in the lead up to the 2017 event. Yesterday, AMS Neve announced that it will be releasing the new 1073SPX, which matches the exact specs of the original 1073, but comes with some exciting modern features. Continue reading

  • Chandler Limited Adds Two New EMI Modules To 500 Series Line

    Chandler Limited, the only brand authorized to develop official equipment from EMI/Abbey Road Studios, has kicked off AES week with a bang. The brand announced two new additions to their EMI/Abbey Road Studios 500 Series line, including the Chandler Limited EMI TG Opto Compressor and Chandler Limited EMI TG12345 MKIV EQ. Continue reading

  • First Listen: A Review Of The Rupert Neve Designs 535 Diode Bridge Compressor

    Prior to the start of AES week, Rupert Neve Designs announced that they would be releasing a brand new compressor. The 535 Diode Bridge Compressor is comparable to the classic 2254, but comes in a 500 series size module and includes some new features. Continue reading

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