Studio Workflow

If you're a music producer or audio engineer, you know how important it is to make sure your music has a powerful, punchy low end. And in order to dial in the low-end in your mixes, you need a high-quality subwoofer.  A good subwoofer can provide numerous benefits to your studio setup, including improved accuracy in bass response, increased headroom, and a more precise mix. However, selecting the right subwoofer for your studio can be a daunting task, with many factors to consider.  Continue reading →

Being one of the most prestigious studios in the world, the bar is set incredibly high for the quality of gear utilized at EastWest Studios, especially for audio converters. When deciding what gear to bring into the studio, EastWest's manager Candace Stewart often looks to her clients as a source of inspiration. "We find out what our clients want and we get it," says Candace. "I can't remember who introduced me to the BURL Audio converters, it might have been Dave Cobb (Chris Stapleton / Sturgill Simpson), but they said they needed new converters. The people wanted a better converter." Continue reading →

While Beau Burchell is prominently known for being the founder and guitarist of Saosin, the Orange County native has also been working as a producer and engineer for nearly his entire music career. He's produced and mixed many punk and post-hardcore classics including The Bronx' self-titled debut, The Bled's Pass The Flask, and If There Is Light, It Will Find You from Senses Fail. When deciding where to build out his next studio space, Beau opted for the confines of his home garage. The room is truly a swiss army knife for recording and mixing, as it features an amp wall, drum kit, buildable vocal booth with descending top, and a rig centered around the Antelope Audio Orion 32 HD Gen 3 interface. Continue reading →

In our Vintage King Workflow series, we enter the studios of audio creators to learn about the gear that is essential to their process. For Santa Monica-based producer and mix engineer Jim Kaufman (Anti-Flag / Beware of Darkness), the world-class conversion and summing power of Burl Audio have had the biggest impact on his output."I was never happy with the conversion that I had before. Navon [Weisberg] at Vintage King told me about the Burl stuff," says Jim. "I knew Dave Cobb was using it, Dave and I have the same manager, and I love Dave's records. So I went in and I got the Mothership and it was amazing." Continue reading →

For Needlz, the creation of music has always centered on finding new sounds that intrigue him. Whether by way of a snare hit, synth melody or sample, the world has provided plenty of inspiration for the Atlanta-based music maker. He's written and produced multi-million-selling records for the likes of Bruno Mars, Cardi B, G-Unit, Lupe Fiasco, and countless others.In order to capture his song sketches in the moment and turn them into hits, Needlz has relied on Universal Audio's Apollo audio interface series for as long as he can remember. "I started with the silver one and I've gotten each new version since," Needlz says from the confines of Dry Rain Studio. "Now I've got two Apollo x16s in my set-up, which gives me 32 channels to work with." Continue reading →

We all have different approaches to our craft, whether it be our gear preferences or unique techniques for tracking, mixing, and mastering. In our new series, Vintage King Workflow, we're celebrating the beauty of how our favorite engineers and producers create art and asking them to show us their methods. Maxton Waller was playing in rock bands when he first moved to California in 2007, but quickly transitioned full-time into composing for film and television. Since becoming a Los Angeles resident, he's racked up an incredible resume including scoring the Hulu Original Series RocketJump: The Show, Stan Lee’s Cosmic Crusaders, and SpacePOP. Continue reading →