Brad Pack

Since its founding, Soyuz Microphones has made its mark on the recording world by blending vintage charm with cutting-edge craftsmanship. Known for their hand-built microphones, Soyuz has earned a reputation for capturing sound with unrivaled warmth and clarity.  Continue reading →

BURL Audio has long been synonymous with innovation and exceptional audio quality, earning a reputation for redefining digital conversion with the brand’s renowned Mothership series. From world-class recording studios to project setups, the BURL Mothership has become a trusted tool for engineers looking to add vintage vibe to modern digital recordings. Continue reading →

Sennheiser has long been synonymous with high-quality audio, and their microphones have been staples in both live sound and studio environments for decades. Among the most iconic is the MD 421, a dynamic mic that has captured everything from powerful guitar cabs to delicate vocals with ease. The MD 421 II, a modern update, continued this legacy, preserving the microphone’s versatility and clarity while enhancing durability. Continue reading →

In the world of audio engineering, few names evoke as much reverence as Neve. The Neve 2254 compressor/limiter stands as a testament to this legacy, bridging the gap between vintage warmth and modern functionality. Originally designed in 1969, the 2254 quickly became a cornerstone in professional studios, famed for its rich, creamy sound and its ability to glue tracks together seamlessly. Continue reading →

The Softube Console 1 has long been celebrated for its innovative design and seamless integration into modern production environments. With the recent launch of the Console 1 Fader MkIII, users are presented with a host of enhanced features, making it an irresistible upgrade for any audio professional. Continue reading →

This review was written by Vintage King Audio Consultant Cody Angel.  While working at Vintage King, I’ve become a big fan of Antelope Audio. In my humble opinion, Antelope is on the cutting edge of audio interface design, which makes it easy to recommend their products. All of Antelope’s interfaces stand out from the crowd thanks to their intuitive workflow, versatile I/O options, and creative features.   Continue reading →

Ribbon microphones do what no other type of mic can, and Royers do what no other ribbon mics can. With their mellow but musically flattering high-end response, extraordinary sound pressure tolerance, and impressive durability, Royer Labs ribbon mics can handle pretty much anything you throw at them. Continue reading →

The Universal Audio / Urei 1176 compressor has become a studio legend since its introduction in 1967. Created by audio pioneer Bill Putnam Sr., the 1176 was a groundbreaking design, replacing the tube-based 176 limiter with solid-state technology to achieve lightning-fast attack times. This combination of speed and precision, along with its distinctive "all-buttons-in" mode, made the 1176 a favorite for taming vocals, drums, and other dynamic sources, all while adding a unique tonal character.  Continue reading →

Apogee has long been a trusted name in the audio world, known for crafting innovative recording solutions that are as easy to use as they are sonically pristine. Since its founding in 1985, Apogee’s gear has been the backbone of countless GRAMMY-winning recordings, trusted by the world's top artists and producers.  Continue reading →

In this month’s Staff Picks blog, we’re sitting down with Vintage King Audio Consultant Brett Kutter to learn more about some of his favorite guitar pedals.  As a child, Brett listened to Boston, Def Leppard, and Metallica with his parents before discovering bands like Nirvana, Smashing Pumpkins, and Sonic Youth in the ‘90s – so it’s safe to say he knows a thing or two about stompboxes. Continue reading →