Brad Pack

Thanks to a recent change in regulations, a new class of wireless systems is revolutionizing live sound, theater, and broadcast: Wireless Multichannel Audio Systems, or WMAS.  Continue reading →

Ribbon microphones have long been studio staples, prized for their warm, natural sound and ability to tame harsh frequencies. Perhaps one of the most unique designs is the B&O Fen-tone, prized for its smooth, detailed sound. The Warm Audio Fen-tone pays homage to this classic 1950s ribbon design while adding modern upgrades like a custom Japanese ribbon element, rare-earth Neodymium magnet, and CineMag USA transformer. Plus, it includes a built-in 26 dB in-line preamp to combat the low output of the original design.  Continue reading →

The 500 Series format revolutionized modern recording by offering studio-grade processing in a compact, modular design. From pristine preamps to colorful compressors, surgical EQs to vibe-filled effects, the 500 Series ecosystem has something for every engineer, producer, and artist. But with so many great 500 Series modules on the market, how do you narrow it down? We’ve combed through the best 500 Series modules under $1500, prioritizing versatility, sonic character, and real-world usability.  Continue reading →

For decades, engineers have faced an impossible choice: do I reach for a dynamic, a condenser, or a ribbon mic? Each has its strengths, each its weaknesses—but what if you didn’t have to choose? What if you could have all three in a single microphone? Introducing the VK 25 Switchable Dynamic/Condenser/Ribbon microphone—the first mic in history to house three fully independent analog circuits in one body. No modeling, no digital trickery—just pure, unadulterated transducer technology pushed to its absolute limit.  Continue reading →

In this month's Staff Picks blog, we're chatting with Vintage King Audio Consultant James Good about his go-to gear for immersive mixing.  With close to 20 years of experience in pro audio, James has worked with some of the biggest names in the industry, including Max Martin, Blackbird Studios, Apple Music, and Bruno Mars. Throughout his career, James has helped build, design, and maintain some of the best studios in Los Angeles and around the world. Today, he uses that expertise to help clients of all levels—from Grammy-winning producers to home studio enthusiasts—build their dream setups. Continue reading →

In honor of the brand's 20th anniversary, Mojave Audio recently released the MA-200 Cardioid Tube Condenser Microphone Anniversary Edition. To celebrate, we're taking a look back at our visit to Mojave Audio HQ. In the heart of Burbank, California, a city known for its rich musical heritage, lies the headquarters of Mojave Audio, a revered name in the realm of professional studio microphones. Founded in 1985 by renowned engineer David Royer in his garage, the company has carved a niche for itself with its unwavering commitment to sonic excellence and detailed craftsmanship. Continue reading →

Universal Audio’s next-generation Apollo X interfaces bring several new features that promise to improve monitor accuracy in any studio. The Gen 2 Apollo Twin X DUO, Twin X QUAD, x4, x6, x8, x8p, x16, and x16D all support the following new features: Apollo Monitor Correction by Sonarworks® Headphone correction for 500+ models Bass Management functionality in UAD Console Individual Solo, Mute, and Trim controls for each speaker Continue reading →

When it comes to mixing, the stereo bus compressor is the glue that holds everything together. It’s the final touch that can take a good mix and elevate it to greatness, adding punch, cohesion, and that elusive “finished” sound. Whether you’re looking for transparent control, bold character, or something in between, a great stereo bus compressor can make all the difference. The good news? You don’t need to break the bank to get your hands on a world-class unit. Over the years, pro audio manufacturers have brought the magic of legendary console compressors and boutique designs into more accessible price ranges. Today, you can find stereo bus compressors under $3500 that deliver the same sonic mojo and studio-grade performance as their high-end counterparts—without the five-figure price tag.  Continue reading →

For more than 20 years, Antelope Audio has been pushing the boundaries of what’s possible in analog and digital audio technology. From top-tier clocking systems to innovative outboard gear, Antelope has a history of blending classic warmth with cutting-edge control. The brand’s latest release, the A4-1B Analog Automated Opto Valve Compressor, is no exception. Continue reading →