Brad Pack

For over 60 years, the legendary EMI recording consoles built at Abbey Road Studios have shaped the sound of popular music. From The Beatles to Pink Floyd, these historic desks captured some of the most influential recordings in history. But for decades, these classic EMI designs remained out of reach.  That changed when Chandler Limited partnered with Abbey Road Studios to develop the REDD Mixing System, the first new EMI recording console released in over 50 years. After six years of meticulous development, Chandler Limited has brought the iconic sound of REDD, TG, and RS desks into the modern era with a fully modular system that lets you build your dream console from the ground up.  Continue reading →

When it comes to immersive audio, there’s a lot to consider: software, speakers, monitor calibration tools, and of course, an audio interface at the center of it all. But what exactly does an interface need to support an immersive mixing system? Ultimately, it depends on your needs, budget, and space, but the short answer is plenty of outputs to support your speaker array, and ideally, some integrated software support for immersive mixing. Continue reading →

For over 30 years, IK Multimedia has been designing professional, affordable studio gear for musicians. After building a reputation for designing world-class virtual instruments and innovative mobile audio interfaces, IK introduced the brand’s first studio monitors in 2016 with the iLoud Micro Monitors. Since then, the IK has released several monitors in the iLoud Series, including the iLoud MTM mkII, iLoud Precision 6 MKII, iLoud Precision 5 MKII, and iLoud Micro Monitor Pro; not to mention the brand’s groundbreaking ARC Room Correction System.  Continue reading →

A great recording starts at the source, but the first link in the signal chain is just as important. Sometimes you need the clarity and detail of a condenser microphone. Other times, you need the high-SPL capabilities or biting midrange of a dynamic mic. But sometimes, you need something to take the edge off; that’s where ribbon microphones come in. Ribbon microphones have a special place in recording history. They’ve been trusted in studios and broadcast rooms for decades because of their smooth tone, natural response, and warm character. They're particularly good at taming bright or harsh sources, making them favorites for everything from screaming guitar amps to brilliant brass instruments.  Continue reading →

At Vintage King, we’ve always believed that the right piece of vintage gear can transform a recording, adding warmth, character, and a touch of history that modern equipment simply can’t replicate.  With one of the largest and most diverse collections of vintage and used pro audio gear anywhere, Vintage King is proud to offer access to these timeless tools for today’s studios. In this blog, we’re spotlighting some of the hottest vintage pieces currently available at Vintage King. From sought-after compressors and equalizers to iconic microphones that have shaped recording history, these pieces aren’t just tools; they’re storytellers. Continue reading →

Large diaphragm condenser microphones are the heart and soul of the modern studio. From lead vocals to acoustic instruments to room mics, these workhorses have shaped the sound of countless classic records. They’re known for their clarity, detail, and that larger-than-life presence. Of course, not everyone has the budget for a vintage U47 or ELA M 251. Thankfully, today’s microphone makers are building outstanding large diaphragm condensers that deliver professional results at far more accessible price points. With thoughtful designs, high-quality components, and modern reliability, these mics punch well above their weight. Continue reading →

Love is in the air, and this year, it sounds better than ever. Vintage King is back with our fourth annual collection of custom, hand-drawn Valentine's Day cards, and we think this might be our best one yet.  Continue reading →

Walking through the Vintage King Tech Shop, you see a lot of legendary gear. But when a GML 8200 Parametric Equalizer arrives on the bench, it still stops people in their tracks. This isn’t just another EQ. This is the parametric EQ, from the man who invented the idea itself. For nearly forty years, the 8200 has been the gold standard that all other stereo bus EQs are measured against. With five overlapping frequency bands ranging from 15 Hz all the way up to 26 kHz, the 8200 is known for its powerful lows, brilliant highs, and smooth midrange.  Continue reading →

When it comes to high-end studio monitoring, Ex Machina Soundworks is quickly becoming a go-to brand for today’s top creators. Founded by a team of passionate engineers and acousticians, Ex Machina has built its reputation on a no-compromise approach to speaker design, where every component is engineered for perfect translation. Today, that commitment reaches new heights with the launch of two groundbreaking studio monitors and two purpose-built subwoofers. The Terra and Selene monitors, alongside the Gravity and Poseidon subwoofers, create a complete monitoring ecosystem designed for modern stereo, immersive, and post-production workflows.  Continue reading →

As the annual Grammy Awards continue to emphasize elaborate performances and celebrity hosts, more and more awards are being left out of the prime-time broadcast, including most of the production-related awards. To recognize the talent behind the faders, here’s our roundup of the people and albums that took home awards for production, engineering, and immersive audio.  Continue reading →