In our latest Buyer’s Guide, we’ll explain everything you need to know about patch bays, including the different connections types, normalling configurations, and common grounding methods. But before we get into it, let’s take a quick look at the history of patch bays.
The History of Patch Bays
It may be hard to believe, but the very first patch bays were designed in the 1800s. In 1876, Alexander Graham Bell made history when he made the world’s first telephone call. Two years later, the first manual telephone exchange center opened, equipped with a custom patch bay for routing calls.
While audio technology has improved exponentially since then, your average patch bay operates in much the same way. While the early telephone jacks, sometimes referred to as “longframe jacks” are typically only found in legacy studios, the newer “tiny telephone jacks” are still used commonly today for their compact design.
In the 1960s and 70s, as analog recording equipment became more popular, more and more studios began adopting patch bays to speed up their workflow and make it easier to connect different devices. Since then, several different types of patch bays have been designed, including new digital models that let you patch devices directly from your DAW.
Types of Patch Bays
Each patch bay offers two types of connections; one set on the front, and another on the rear. The most common front-panel jacks still use TT connections, also known as tiny telephone or bantam cables. These compact cables are a bit smaller than your standard 1/4” cable, but still provide a balanced signal.
Other types of back-panel connections include EDAC 3 and EDAC 90, which offer significantly more flexibility when working with banks. These models offer banks of up to 24 channels, which can be customized and configured as needed. Some older patch bays feature Cannon DL connectors or bare-wire solder points for hardwiring analog connections.
Patch bays are designed to streamline your workflow and save you time when connecting gear in the studio. To achieve this, the patch bay is configured so that the most common connections are already made, but can be easily switched as needed. This process is called “normalling." There are three different types of “normalled” connections:
Fully Normalled: Typically used for preamp connections, this configuration automatically routs signals from the top row (outputs) to the corresponding output on the row below (inputs). The connection is broken when a cable is inserted into either row.
Half-Normalled: This is the most common type of configuration, in which a signal is automatically routed from the top row to the bottom row—just like a fully-normalled connection. However, the signal is only broken when a cable is inserted into the input (bottom) jack. This allows you to “mult” a signal and send a duplicate copy to another device, as well as the original destination.
Non-Normalled: In some cases, you may want to protect certain devices from accidentally receiving an unintended signal. In this case, a non-normalled connection is recommended. In this configuration, a patch bay will only pass signal from one channel to another when a cable is connected.
Most patch bays allow you to individually configure each column of jacks; meaning you could fully normal some channels and half normal others. It’s common to use normalled connections for most devices and half-normalled connections for effects and aux sends.
Every studio has unique grounding requirements. Most patch bays also offer options for bus grounding, which is the simplest configuration. Additionally, the grounding for each channel bank can be isolated to help reduce noise. The best patch bays include a grounding lug on the back, which allows you to utilize a star grounding technique for the cleanest sound.
Do You Need a Patch Bay?
And if the act of mapping out every piece of gear in your studio seems daunting, it doesn't have to be. Vintage King can help with our custom patch bay creation service. For years, we've helped engineers and studio owners figure out the best way to put together their gear, assemble the right amount of cabling and connection types, and build them custom patch bay rigs.
It starts with a consolation with one of our trained studio technicians to determine the best way to optimize your workflow. We’ll document every piece of equipment in your studio, analyze the layout of your room, and map out the connections for each device to ensure everything syncs up seamlessly. We’ll take care of everything, from configuring normalling and grounding settings to soldering custom cables and connections.