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Behringer SPRING REVERBERATION 646 Spring Reverb Module

Dual-spring reverb unit featuing an authentic reproduction of original Grampian Reverberation Unit Type 636 circuitry and Eurorack compatibility
MFR# SPRING REVERBERATION 646
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Behringer SPRING REVERBERATION 646 Spring Reverb Module
Dual-spring reverb unit featuing an authentic reproduction of original Grampian Reverberation Unit Type 636 circuitry and Eurorack compatibility

In Stock

Product Description

Give your music that extra twang and sense of space with the Behringer SPRING REVERBERATION 646 – a legendary spring reverb in a compact and portable Eurorack format! Behringer have designed the SPRING REVERBERATION 646 to be as faithful as possible to the original Grampian Type 636 used by Pete Townshend and legendary reggae dub master Lee “Scratch” Perry. Now you can have their legendary secret ingredient added to your setup so you can create your very own masterpiece, or to just have fun with.

PURE AND SIMPLE

The 646 is a no-nonsense reverb unit. No digital emulation here. Inside, you’ll find dual mechanical springs that provide that lush and dynamic reverb sound that no other reverb type can match. And if you bump the 646 it can even do that iconic spring reverb “sproing.” Just be gentle with it.

SUPER VERSATILE

Behringer built the 646 to be as versatile as possible so you can use it with any instrument you want! The 646 accepts balanced and unbalanced mic inputs where you can control the input level with the Mic Channel knob as well as high- and low-level line inputs such as keyboards or guitars. The integrated overload circuit can even give you a warm analog overdrive before the signal gets passed to the reverb.

BEHRINGER SPRING REVERBERATION 646 FEATURES:

  • Classic analog spring reverb effect from the 60s
  • Authentic reproduction of original Grampian Reverberation Unit Type 636 circuitry
  • Legendary vintage reverb sound from the king of spring reverbs, as heard on countless records
  • Dual mechanical springs provide signal reflections for rich and dynamic room emulations
  • Overload circuit for a warm analog overdrive of the signal before entering the spring reverb
  • Total reverb decay time approx. 2 seconds
  • Wet/dry mix control for adjusting the amount of reverberation effect
  • Remote switch input for muting the reverb path
  • Mic and line inputs with high/low line inputs for flexible routing
  • Complete Eurorack solution – main module can be transferred to a standard Eurorack case

More Information

Condition New
Chassis Module

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