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BAE G10 500 Series Graphic 10-Band EQ
10-band EQ with balanced input and output and hi/low-pass filters the ultimate hands-on sound shaping tool for tracking, mixing, or mastering
Product Description
The BAE G10 is a 500-series graphic equalizer based on the legendary API 560. The G10 graphic EQ combines a proprietary BAE 2520-style op-amp with transformer-balanced inputs and outputs to deliver uncompromising sound quality. And with new features like switchable high-pass and low-pass filters, the G10 is the ultimate tone-shaping tool for recording, mixing and mastering.
CLASSIC 70s SOUND
Inspired by vintage American recording and mixing consoles from the 70’s, the G10 combines a punchy, transformer-based signal path with a 2520-style op-amp to deliver class-leading sound quality. Unlike traditional 10-band equalizers, both the input and output stages of the G10 are fully balanced using high-quality CineMag transformers—perfect for adding warm and harmonic richness to any signal. And with a versatile 10-band graphic EQ configuration, the G10 is ideal for tweaking a wide range of instrument sounds, such as drums, guitars and vocals.
FLEXIBLE TONE SHAPING CAPABILITIES
The G10 features 10 EQ bands fixed at 31 Hz, 63 Hz,125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz and 16 kHz. Each band is equipped with a high-quality fader capable of boosting or cutting up to 12 dB.
Dedicated filter buttons at the bottom offer added versatility. With the push of a button, you can individually engage a 10 dB per octave high-pass filter fixed at 80 Hz, as well as a 6 dB per octave low-pass filter fixed at 12 kHz—perfect for taming boomy kick drums, harsh cymbals or overpowering acoustic guitars.
Effortlessly A/B tracks with a dedicated In/Out switch, which bypasses both the EQ and filter sections.
HAND-MADE DESIGNS
All BAE products are hand-made in California using premium-grade analog components. Inspired by classic vintage designs, BAE products combine authentic sound quality with modern features to create versatile, flexible and affordable signal processors for modern audio engineers.
FEATURES:
- Complies with 500 Series Specification for mechanical and electrical interface
- ±12 dB Boost/Cut @ 31 Hz, 63 Hz,125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz
- Individually Selectable LPF @ 12 kHz, and HPF @ 80 Hz (approx 6 and 10 dB per octave, respectively)
- EQ In/Out Select Switch (bypasses EQ and Filters)
- Fully enclosed ventilated steel enclosure
- CineMag transformer balanced in/out
- Top quality components used throughout
Product Specifications
| Condition | New |
|---|---|
| Chassis | 500 Series |
| Module Type | 500 Series |
| Module Slot Count | 1 Slot |
| EQ Type | Graphic |
Related Blog Posts
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Buyer's Guide: Equalizers
01.10.2019Read MoreThe letters EQ have become such a mainstay in the studio that we often don't think about where the abbreviation came from. It's essentially shorthand for "equalization" and "equalizer." It’s also helpful to think of them as symbols for "Enhancing Quality," as equalizers have certainly had a hand in improving audio over the years.Throughout this Buyer's Guide, we will be approaching the subject of equalizers and learning more about their history and impact on the modern-day studio. Additionally, we will be covering the different types of equalizers, what makes them unique and the controls featured on most EQs. Continue reading → -
Buyer's Guide: BAE Audio
10.04.2019Read More
The roots of BAE Audio were planted back in the 1980s with the original Brent Averill Enterprises. It began with a focus on repairing and racking original Neve and API modules to bring the sound of a full mixing board into rack-mounted gear that could fit into any studio workflow. As the business evolved, Brent began replicating the original designs to the nth degree, using original spec components from OEM manufacturers (particularly the transformers) and wiring these all-discrete designs by hand. A reputation for build quality and sonic excellence was established that continues to this day.
In the late ‘90s, Brent decided to retire. Enter Mark Loughman, a tech at the firm who decided to buy the business and continue the excellence. He renamed it BAE, a nod to both the original name and an acronym for British Audio Engineering, which was and still is the focus of the sonic signature created by BAE products. The classic “British EQ” and the sound heard on countless records emanating from the UK for the past five decades is at the heart of BAE. Continue reading →
The letters EQ have become such a mainstay in the studio that we often don't think about where the abbreviation came from. It's essentially shorthand for "equalization" and "equalizer." It’s also helpful to think of them as symbols for "Enhancing Quality," as 
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