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SKU
29645
$2,395.00
BAE 1073D 500 Series Mic/Line Preamp/EQ
Three-slot 500 series 1073-style microphone preamp/EQ module with extra high frequencies and a direct input
The BAE 1073D 500 Series Mic Pre/EQ is a stellar re-creation of the classic Neve 1073. This three-slot 500 series preamp delivers that signature Neve sound, now for a fraction of the price. The 1073 design has been a favorite on drums, guitars, vocals, bass, and pianos, for decades. You can easily achieve a warm, silky sound, or drive the preamp to get beautiful harmonic distortion, which is great for that "Revolution" guitar tone, or gritty vocal performance.
The 1073D offers the same EQ as the original Neve 1073, but with some added frequencies on the high band. The standard 1073 12 kHz band is available, along with options to select 10 kHz, and 16 kHz. You can choose to completely bypass the EQ with the EQL selector switch on the front panel, or engage EQL without adding any EQ to give color of the transformer.
The output knob is great for getting the right amount of harmonic distortion, without clipping the input to your audio interface. Since the output knob is post EQ, it can be used to dial back the signal if the EQ boost is pushing your convertor over the top.
1073D can be used as a stand alone DI, great great for bass, keyboards, or even a guitar you wish to Re-Amp down the road. A ¼” input and DI selector switch is on the front panel for easy access.
Send signal back through the 1073D in “Line” mode to use the EQ as a stand-alone unit. Also gives access to the line input preamp, which can be used as a trim, or you can use it to add more warmth, and grit to whatever source you send it.
FEATURES:
Classic Neve 1073 tone
Standard Neve 1073 EQ settings, with added 10 and 16 kHz bands
High-pass filter
EQL bypass
48 V phantom power
Phase reversal
300 Ohm selector
Line level input switch
Standalone DI, easy front panel accessibility
Specifications:
High Frequency: ±16 dB fixed frequency shelving at 10 kHz, 12 kHz and 16 kHz
Low Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz & 220 Hz
Mid Range: ±18 dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz & 7.2 kHz
The roots of BAE Audio were planted back in the 1980s with the original Brent Averill Enterprises. It began with a focus on repairing and racking original Neve and API modules to bring the sound of a full mixing board into rack-mounted gear that could fit into any studio workflow. As the business evolved, Brent began replicating the original designs to the nth degree, using original spec components from OEM manufacturers (particularly the transformers) and wiring these all-discrete designs by hand. A reputation for build quality and sonic excellence was established that continues to this day.
In the late ‘90s, Brent decided to retire. Enter Mark Loughman, a tech at the firm who decided to buy the business and continue the excellence. He renamed it BAE, a nod to both the original name and an acronym for British Audio Engineering, which was and still is the focus of the sonic signature created by BAE products. The classic “British EQ” and the sound heard on countless records emanating from the UK for the past five decades is at the heart of BAE. Continue reading →
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