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Please fill out the form below and a Vintage King Audio Consultant will contact you with a ship date for the BAE 1073 Mic/Line Preamp/EQ with PSU.
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The BAE 1073 is a 19-inch rack-mount mic/line preamp and EQ that brings iconic British console sound to any modern studio. This hand-wired, boutique channel strip features an authentic Class A mic/line preamp and DI input with 80 dB of gain, followed by a high-pass filter and a three-band EQ for musical tone-shaping. Built using the exact solid-state circuit topology of the original vintage module and original-spec components, including Carnhill St. Ives transformers, Elma switches, and Canford wire, the BAE 1073 delivers the same rich harmonic detail and generous headroom that made the 1073 so legendary. The included external power supply provides stable voltage and low-noise performance for up to two units. Painted in an RAF-style blue-gray color scheme with blue, white, and red accent knobs, the BAE 1073 brings instant British sound and style to any studio.
The BAE 1073 mic pre is based around a vintage-style Class-A circuit topology with original-spec St. Ives (Carnhill) transformers driving both the input and output stages for smooth low-end warmth and musical saturation at high gain levels. Elma switches ensure rock-solid reliability, while premium Canford wire maintains pristine sonic integrity throughout the signal path. Simply connect your mic, line, or DI source, dial in input and output gain, and let the transformer stages infuse your sound with the harmonically rich punch heard on countless classic records.
Every detail of the BAE 1073 mic/line preamp mirrors the classic solid-state circuitry, components, aesthetics, and sound of its 1970s predecessors. Using original-spec capacitors, resistors, and transformers throughout the entire unit, arranged in the exact topology of the original vintage modules, the BAE 1073 reproduces the legendary 1073 sound to a T. Enjoy the characteristic frequency response, dynamic behavior, and sonic coloration that defined the British rock 'n roll sound.
Even the layout of the BAE 1073 matches the original console module. From left to right, you'll find the DI input jack next to clearly labeled buttons for input switching, phantom power, polarity, and EQ in/out. The five-position high-pass filter includes 50 Hz, 80 Hz, 160 Hz, 300 Hz, and Off settings with an 18 dB-per-octave-slope. Just like vintage modules, the EQ section includes a 35 - 220 Hz low shelf, a midrange band covering 360 Hz - 7.2 kHz, and a high shelf fixed at 12 kHz for dialing in that classic British edge. The Gain control features 5 dB increments up to 80 dB, and the Output knob allows for final level adjustments. There's also an impedance switch with 300Ω and 1,200Ω settings, making it easy to dial in the right settings for any source.
The BAE 1073 preamp ships with a linear power supply capable of powering up to two modules. Designed for low ripple and stable voltage delivery, the BAE 1073 PSU minimizes noise and ensures consistent performance day in and day out. Featuring the same premium build quality and solid chassis construction as the mic preamp/EQ itself, the BAE 1073's dedicated power supply guarantees reliable operation and protects your sound from noisy and unstable power sources.
Went from an SPX to a BAE. Thought it was just a different sound. Learned it was an upgrade.
For years Ive been wanting to add that Neve Sound to my studio but never could pull the trigger on the real deal. I also wanted something that could come with me if I need to do a vocal or guitar overdub at a location other than my studio. Once I heard BAE was releasing this 1073 I was very intrigued. I did a little research and heard that it sounds so close or even better in some people's opinions than the real deal. The first session I did with the BAE was a huge success, I had to do some vocal overdubs, electric bass and acoustic guitars. It had a mixed sound without having to do anything, the preamp was smooth and warm. Very clean on the lower input levels, but added some pleasing harmonic distortion when I drived it a touch. Even turning the EQ on without any boosts or cuts adds a little vibe, but I ended up adding a little 220 Hz and 12kHz shelf to the vocal. I used the DI for the electric bass, without any EQ it had a huge round sound, much better than the previous DI I was using. On the acoustic guitar, I hit the preamp a little harder to make it break up a bit, then used the output to send the proper level into my DAW. I dont think anything would sound bad through this preamp and EQ.
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the BAE 1073 Mic/Line Preamp/EQ with PSU . Once you submit your review, please check your email and verify your address to have it posted.
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