Aurora Audio GT10x8 Absolute
The Aurora Audio GT10x8 Absolute is an 8-input, 8-output unit that enables the engineer to route line level signal where they need to for their session. Each channel on the GT10x8 Absolute has it’s own input and output level control and pan, so you can determine the level and position in the stereo field (when you choose to use a send in stereo). Also included is a pre and post control that enables you to optimally choose if the mixer fader affects the level to the GT10x8 Absolute or not. Traditionally speaking, you would use the pre mode for a cue mix, while using the post mode for FX sends/mixing applications. But we know that special things can happen when using these modes in their non-traditional roles. To that end, Geoff gave the user 10 dB of additional gain on the input control for maximum flexibility.
When used with the Aurora Audio GT8x2 Absolute, suddenly the engineer has a powerful, linkable, and expandable line level bussing matrix. This way you can buss your signal around the GTM822-2GN console, creating more FX sends, returns , cue sends, and even the ability to get into more modern mixing techniques like parallel compression. Even with the smallest 8 channel Aurora mixing setup, you can make your mix sound like you were working on a console multiple times its size.
Now for the important bit: Although Geoff Tanner puts the maximum amount of color, vibe, and soul into every Aurora Audio product, the GT10x8 Absolute takes the opposite approach. Geoff calls this Absolute due to the purity of the signal retained and the LACK of color that permeates the sound. Bussing and routing shouldn’t be colored by a path whose job it is to go from point A to point B. If you are combining sounds that you already think are perfect, why would you want it changed by the time it gets to the destination?
The Aurora Audio GT10x8 Absolute is not only a part of the Aurora Audio expandable console, but a key unit in making your tracking and mixing sessions as professional as they can be.
- Gain: +10 dB
- Input Impedance: 18 kOhms (electronically balanced)
- Common Mode Rejection Ratio: 50 dB @ 60 Hz
- Slew Rate: 12 volts per Microsecond
- Input Headroom: >26 dB
- Gain: 0 dB
- Output Impedance: 50 Ohms (electronically balanced)
- Common Mode Rejection Ratio: 65 dB @ 1 kHz
- Frequency Response: 20 Hz to 20 kHz +0.5 dB
- Noise: <-75 dBu
- Crosstalk: <–65 dB @ 1 kHz
- Headroom: >26 dB
- Input voltage: 85 V to 250 V AC, 50/60 Hz
- Power: <20 watts
|Tube or Solid State||Solid State|
|Number of Inputs||8|
|Input Connectors||Analog DB25, 1/4-inch TRS|
|Number of Outputs||8|
|Output Connectors||Analog DB25, 1/4-inch TRS|
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