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MICROPHONES
OUTBOARD
SOFTWARE
MONITORS
INSTRUMENTS
Out of stock
The Channel Strip, from API, is a complete input module with mic pre, dynamics processing, precision EQ and output level control. With extensive signal metering, multiple balanced insert points and an output mute switch, the Channel Strip contains the best features of a large console input channel in a single rack space. It's the perfect choice for anyone looking for that high-performance API console sound. Features:
The result of thoughtful engineering, the Channel Strip includes everything needed to record an audio signal. It all starts with the famed 512c mic preamplifier, which includes the benefit of additional mic, line or instrument input switching. Next is the 527 multi-mode compressor with fully adjustable Threshold, Attack, Release, and Ratio controls on detented pots. The patented THRUST® circuit in the 527 gives your track the "in-your-face" punch that has made this circuit an award winner. Also included in The Channel Strip is probably the most recognized and revered API EQ of all time, the 550A three-band equalizer with its switchable frequencies and 12dB of boost or cut. The 550A's high and low frequency bands can be individually switched to be shelving EQs, and the "B.P. Filter" switch inserts a 50Hz to 15KHz bandpass filter. At the output of the unit is the 325 Line Driver, taken directly from API console designs with an output level pot and 10 segment meter. The meter can also be switched to show the output level of the preamp. Each of the Channel Strip's processing pieces can be switched in or bypassed individually, while a flip switch internally routes the compressor after the EQ if desired. Additional features include a side-chain input and the famous API 2520/transformer combination.
The Channel Strip by API was my introduction to high-quality analog gear. What an introduction it was. I'll start with the 512c preamp. With untrained ears, I wasn't sure what I was hearing in the preamp that made it so special. However, the more I recorded with it, the more it dawned on me - the sound I was getting was present, punchy, clear, and sweet. All buzz words that can be misconstrued, but hearing is entirely independent to the listener, and that's what I hear. It gives my vocals a tailored sound that I love. It's really a difference that shows itself most when accumulated across multiple tracks in a mix. However, it's great on any individual element of the mix. Vocals and guitars are how I've used it so far, and it has shined like a fine diamond for those applications. I'm getting drums in the studio soon, and it will be my first choice for the snare drum - because of the preamp, yes, but also importantly the next two features. The 550A three-band EQ from API changed the way I think about EQ. First of all, it's got so much usable range. You can really add and subtract large amounts with this thing and get delightful results. Three bands is somehow all you need when the EQ does something so musical with each band (can I just say that I love proportional Q.) It's so good that I went on a hunt for a plugin that sounded similar, so I could have an approximation of this sound on hundreds of channels if I wanted. The Axis EQ from Kush/Sly-Fi gets scarily close, but the API has clearly got the leg up. I actually use the Axis to test out curves quickly in the box, and then use those settings on the API for different things. I have my set go-to EQ that I commit to my vocals, and it lends my voice a hefty amount of depth and presence. The end result in a mix is fantastic. People may not think of API and vocals going together that much, but I have paired the two to great effect. The effect works equally well for guitar cabs. The 527 VCA compressor is interesting. I use it differently than all the plugins I'm used to. I think of the Lindell SBC, for example. That plugin has a nice big meter for you to dial in a few dB of compression with. But there's something about the LED metering of the API that makes me want to drive things hard. I end up doing 6-10dB of gain reduction on most sources. Sometimes more on drums. I commit to that 6dB of 4:1 compression on my vocals. It certainly makes my vocals stand out in a mix. It adds sustain, bite, warmth, and of course, consistency. You really should be wary of doing these things, to be clear. It's usually better practice to record clean, for maximum flexibility in the box. But I've found that analog processing is just different than digital. It's more forgiving. You can drive things harder without crushing them. Now, you might say that a VCA compressor isn't a good choice for individual instruments, or especially, vocals. I have found that it sounds fantastic on everything, not just groups. Maybe I'm doing things terribly wrong, but the point is that you can really use and abuse these features, and color your sound drastically, if you want. I wish I had a second unit linked in stereo so I could run my mix groups through this compressor. One day. In summary, this was absolutely worth the investment, and let's be honest, the payments (I don't usually have 3 grand lying around.) It absolutely oozes quality. It's started me on a path towards finding my own unique sound as an engineer and musician. In an age where so many people are using fully digital chains, getting something with so much personality like this can be the perfect way to spice things up. The experience of using it is one of continued, self-renewing satisfaction. I'm an API fan for life.
I’ve had a Neve 1073 as my mic pre for a while and love it, but wanted to hear what the API sound was all about. In short it’s incredible! Electric guitars are super punchy and slamming and a perfect choice for rock related music. Acoustic guitars sound great too. I haven’t tried vocals yet but I’m sure it’s top notch as well. I love having the different options sonically between the Neve and API and my recordings are getting better and better because of it.
Unquestionably pure API. Don’t know why I waited so long ...
In love with it , just sound right on any track I apply it to, software will never replace hardware though.
The best gear advice always comes from those who use it the most. That's where you come in! Let the pro audio world hear your voice with a review of the API The Channel Strip . Once you submit your review, please check your email and verify your address to have it posted.
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