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SKU
97506
API 529 500 Series Stereo Compressor
The classic sounds of the 2500 series compressor in 500 format
MFR# 529
Product Description
The API 529 Stereo Compressor provides all the sonic qualities we expect from an API compressor by using the legendary 2510 and 2520 op amps with transformer outputs, but now in the convenient dual slot 500 series format.
The 529 functions very similarly to the classic 2500 series compressor, with continuous variable controls for Gain, Threshold, Attack, Ratio, Release, Compression Type, Knee and the patented Thrust circuit. By setting the Make-Up control to AUTO, you can adjust the compression levels to extreme settings without affecting the output level.
Choose between Old or New styles of compression. “Old” provides a smoother sound using feedback style compression, “New” provides a modern “in your face” sound utilizing feedforward style compression circuit.
Take shape of your compression with three different Knee types and Thrust controls. Adjusting the knee will range the compression from smooth to aggressive, the Thrust switch will activate the frequency dependent side chain control.
10 segment LEDs show proper levels for input, output and gain reduction. Switch between monitoring the input or output levels with the METER button. Engaging the OUT switch will activate a True Bypass and remove the 529 from the signal path.
Product Specifications
| Condition | New |
|---|---|
| Unit Weight | 2.4 lb |
| Tube or Solid State | Solid State |
| Channels | Dual-Channel |
| Chassis | Module |
| Module Type | 500 Series |
| Module Slot Count | 2 Slots |
Product Reviews
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I mean. You get what you pay for in this thing. A flipping portable 2500. Hahaha. It’s MAGIC.
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Great Compressor
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Maybe the only compressor you need lol
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So flexible, and so transparent - when I want it to be : )
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API 529 is Awesome using it for parallel compression on drums buss and i use one to compress for my toms for kick and my snare drums 527 on individual channels API keep up the good work
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Related Blog Posts
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API Introduces New 529 Stereo Compressor In 500 Series Format
01.25.2018Read More
This morning at NAMM, API announced that they will be introducing a brand new compressor in 2018. The API 529 stereo compressor has been designed to offer a bevy of compression options in a single 500 series module.
Based on the API 2500 stereo bus compressor, this new 500 series module includes many of the same controls and features that made the 2500 a staple in studios all over the world. The API 529 includes continuously variable Gain, Threshold, Attack, Ratio and Release controls, three selectable compressor curve knee settings and 10 segment LED meters that show Gain Reduction and selectable Input or Output level. Continue reading → -
Buyer's Guide: Compressors/Limiters
05.23.2019Read MoreCompressors and limiters are some of the most important and versatile tools that any audio engineer can use. Virtually every modern recording uses compression somewhere in the chain of tracking, mixing, and mastering. This ubiquity makes them valuable but also creates confusion when considering the many choices in the marketplace. To help straighten that out, we’ll discuss the main types of compressors and the terminology that explains their usage.The purpose of a compressor is to even out the audio signal in order to tame loud transients and bring up lower amplitude material. Compressors were born out of necessity to fill that very straightforward role, to protect radio transmitters from overly hot signals, and to keep recordings in a narrower dynamic range that was easier to reproduce on tape or record. Continue reading → -
Vintage King's Inside Look At Gold-Diggers Sound
07.03.2019Read More
The phrase "If these walls could talk," gets thrown around a lot, but if the surroundings at Gold-Diggers spoke up, we'd be all ears. Whether the location served as Ed Wood's movie set, Slayer's practice space or the home to LA's finest exotic dancers, something interesting has always been going down at 5632 Santa Monica Blvd.
That continues to remain true today, as recording studio owner Dave Trumfio recently took over the space and has built out an extremely unique complex. The facilities at Gold-Diggers now include state-of-the-art recording facilities with nine studios and large sound stage, a bar/live music venue, and rock star-worthy hotel. Continue reading → -
Vintage King Instagram Followers Ask API Anything
08.11.2019Read More
Last week, the API Audio crew were set to visit Vintage King for a day of talking all things pro audio at the historic company. We thought while we had them here, we'd ask Vintage King Instagram followers to submit their questions to ask API.
Continue on below to read our interview with API Audio Director of Sales Dan Zimbelman and Account Manager Mark Seman. The duo fields questions on new products, best-selling gear and the potential for a free rack full of golden 312 and 550A 500 Series modules. Continue reading →
This morning at NAMM, API announced that they will be introducing a brand new compressor in 2018. The 
Compressors and limiters are some of the most important and versatile tools that any audio engineer can use. Virtually every modern recording uses compression somewhere in the chain of tracking, mixing, and mastering. This ubiquity makes them valuable but also creates confusion when considering the many choices in the marketplace. To help straighten that out, we’ll discuss the main types of compressors and the terminology that explains their usage.The purpose of a compressor is to even out the audio signal in order to tame loud transients and bring up lower amplitude material. Compressors were born out of necessity to fill that very straightforward role, to protect radio transmitters from overly hot signals, and to keep recordings in a narrower dynamic range that was easier to reproduce on tape or record. 
The phrase "If these walls could talk," gets thrown around a lot, but if the surroundings at Gold-Diggers spoke up, we'd be all ears. Whether the location served as Ed Wood's movie set, Slayer's practice space or the home to LA's finest exotic dancers, something interesting has always been going down at 5632 Santa Monica Blvd.
That continues to remain true today, as recording studio owner Dave Trumfio recently took over the space and has built out an extremely unique complex. The facilities at Gold-Diggers now include state-of-the-art recording facilities with nine studios and large sound stage, a bar/live music venue, and rock star-worthy hotel. 
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