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Antelope Audio Orion 32 HD

32 channel AD/DA with AFC clocking technology and a free suite of over 30 proprietary plug-ins
MFR# Orion32 HD
Antelope Audio Orion 32 HD
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Description

The Antelope Orion 32 HD is a powerful professional recording interface that combines digital clarity with analog warmth. Featuring zero-latency monitoring, 32 channels of pristine AD/DA conversion, and industry-leading clocking, Orion 32 HD has everything you need to record stunning tracks in any DAW. Add vintage vibes to your tracks in real-time using the ever-expanding library of FPGA FX.

THE ULTIMATE INTERFACE

Orion 32 HD features 32 channels of exceptional AD/DA conversion via DB25, MADI, ADAT and SPDIF, making it easy to connect any number of devices. Seamlessly sync audio across multiple sources with Antelope’s 64-bit clocking technology. Continuing Antelope Audio’s longstanding tradition of superb sound, Orion 32 HD offers I/O streaming of up to 64 channels of 192 kHz/24-bit audio. Orion 32 HD uses mastering grade monitor outputs for pristine monitoring and employs the same circuitry as the popular Pure2 Mastering Converter to deliver detailed transients.

ZERO LATENCY MONITORING

Ask any musician and they’ll tell you the most important requirement for getting a good performance in the recording studio is a quality monitoring system. Sure, a classic instrument, a vintage microphone and some mood lighting doesn’t hurt, but none of that means a thing if the artist can’t hear themselves accurately. Even a few milliseconds of delay can easily throw a performance out of whack. With Orion 32 HD artists never have to worry about latency, instead, they’re free to focus on the performance. Artists can even enjoy zero latency monitoring while using DSP plug-ins.

FGPA EFFECTS

Antelope Audio is known for their crisp, clean, modern sound, but sometimes you need a little vintage vibe. That’s why Orion 32 HD features an integrated and ever-growing library of hardware-based vintage EQs, compressors and more with their proprietary FPGA effects plug-ins. Instantly add analog grit to tracks with emulations of tape machines, preamps, amps & cabs, equalizers, compressors and even microphones.

INTUITIVE SOFTWARE CONTROL

Orion32 HD is fully controllable via its intuitive OS X and Windows compatible desktop app. Its color-coded routing matrix now features an alternative view making routing a piece of cake. The interface can be also accessed from multiple computers on the same network. With freely movable and resizable panels you can maximize the most out of your computer monitor space, perfect when working on huge projects, scoring to picture and on multiple screen set ups.

FEATURES:

  • 64 CHANNELS I/O: Simultaneous streaming of 64 I/O channels 24-bit, 192 kHz audio via HDX & USB3
  • SUPREME CLOCKING: Powered by Antelope’s 64-BIT Clocking Technology with 2 Word Clock or Loopsync Outs, Word Clock or LoopSync & Antelope 10M/10MX Atomic Clock Inputs
  • POWERFUL FPGA: Custom FPGA for powering multiple monitor mixers and real-time effects processing, measuring only 2 samples of inaudible latency!
  • EXTENDED CONNECTIVITY: HDX, USB3, MADI, ADAT, S/PDIF, 8x DB25
  • MASTERING GRADE MONITOR OUTS: High Monitoring DA included using chips from our popular Pure2 Mastering Converter
  • SOFTWARE CONTROL: Routing, mixing, real-time effects processing via OS X & Windows compatible app
  • QUIET OPERATION: Housed in an efficient “green” design with no fans inside, means no need for expensive machine rooms or iso racks
Specs

Additional Information

Condition New
Width 19 in
Depth 8.66 in
Height 1.75 in
Unit Weight 6.6 lb
Chassis 19-in Rackmount
Rack Spaces 1u
Channels 32-Channel
Digital Inputs 64
Analog Inputs 32
Input Connectors Digital RCA, Analog DB25, Optical, BNC
Digital Outputs 64
Analog Outputs 32
Output Connectors Analog DB25, Optical, BNC, Digital RCA
Computer Connection Digilink, USB, Thunderbolt
Clock I/O In, Out
Maximum Sampling Rate 192 kHz
Digital Format S/PDIF, ADAT, MADI
Reviews
Perfect fit for my hybrid rig

My studio recently made the switch to a hybrid rig with a console. We do a lot of live band recording, so most of the time we aren't using too many inputs but we'll have a lot of outboard gear hooked up. 32 channels seemed ideal for the console and outboard I/O, every time we went searching for a new interface the quality and price range led us back to the Orion 32 HD. We were using a Digidesign 192 I/O before switching to the Orion. I've always been happy with the sound of the 192, but we needed to expand the I/O and the 192 is outdated with newer versions of pro tools, it made sense to make the switch rather than adding on. The Orion also gave us double the I/O at half the price of a new HD I/O from Avid. The first session we recorded on the new rig was the best we'd done to date. The Orion was so much tighter and cleaner sounding than the 192s. I haven't heard them in comparison to the HD I/O, but I'm really happy with the sound of the Orion. The onboard DSP made it a smooth transition from our old HD rig. Pro Tools 12 HD native with the Orion is running and sounding better than our HD3 System and Pro Tools 8HD.

By Bryan R on May 9, 2017

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