Antelope Audio LiveClock 192 kHz Live Master Clock
A distinctive pedegree
For over a decade now Antelope Audio has been dominating the market of studio master clocks, providing the most accurate clocking with our signature analog-like sound. The last few years Antelope's synchronizing technology proved to be also extremely beneficial to the live show environment. Clocking the front-of-house (FOH) mixer and monitoring rig brought exceptional sound quality to both audience and musicians. A distinctive stereo image, precise detail and authentic sonic representation are among the main benefits usually associated with Antelope's clocking. The Antelope Audio LiveClock is unique in terms of size, sound quality and price audio master clock, designed to perfectly suit any live sound set up. Fitting perfectly into a FOH console dog house, the pocket size clock carries the signature Antelope sound packed in a robust aluminum case with a lockable touch screen. Taking up just 1U space and with additional rack ears, it's a breeze to set it in the rig.
Well-suited for live and home
The competitive price and elegantly small footprint make LiveClock the perfect choice for any location recordists, home studio producers or traveling artists, dedicated to achieving the optimum sound quality everywhere they go. The LiveClock utilizes the same clocking technology, therefore sounds as amazing as the legendary Trinity and Antelope's latest OCX HD master clock.
Easy to operate
The new LiveClock is easy to configure via the sleek touch buttons. The convenient 'Panel Lock' function prevents from sampling rate changes during a session or live show. All aspects of the device are easily operated via the OS X and Windows compatible software control panel.
Atomic clock input
LiveClock supports up to 192 kHz sample rate, distributed via four World Clock outputs on BNC and two pairs of AES/EBU and S/PDIF outputs. The unit allows simultaneous clocking of multiple devices, providing the perfect synchronization of either a large live rig or a contemporary studio set up. A 10 MHz input for connection with Antelope's 10MX or 10M offers even greater stability and sound quality.
|Number of Inputs||2|
|Input Connectors||1/4-inch TS, Analog DB25, MADI, S/PDIF Coaxial, XLR Combo|
|Number of Outputs||8|
|Output Connectors||AES/EBU XLR, S/PDIF Coaxial|
|Maximum Sampling Rate||192 kHz|
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