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Antelope Audio Goliath Hybrid Audio Interface

MFR# Goliath
Antelope Audio Goliath Hybrid Audio Interface
Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface Antelope Audio Goliath Hybrid Audio Interface

Free plug-ins with purchase!

36 in x 32 out Thunderbolt, USB and MADI audio interface with 16 Class-A mic preamps, transparent AD/DA conversion with Antelope's clocking technology and a free suite of over 50 proprietary plug-ins
Ships directly from Antelope Audio This item ships directly to you from the manufacturer. To ensure that the manufacturer currently has stock, please chat, call or email for the latest availability status.
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  • We add an additional year of coverage for additional peace of mind.Free Extended Warranty
$4,595.00
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Description

The Antelope Audio Goliath is the most powerful audio interface on the market. Offering the biggest number of I/O’s available on the market, Goliath is the result of Antelope’s 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design.

Connectable via blazing-fast Thunderbolt™, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there.Antelope’s most powerful audio interface comes with an array of hardware-based audio effects, among which vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus our world-renowned Acoustically Focused Clocking technology.

Flawless clocking and unique analog circuitry brings pro sound to a new level. At Antelope Audio we love to say that best clock = best sound.So, no surprise that our 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath’s flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope’s signature crystal-based master clocks.For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock – 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC.

Realistic vintage FX. Process multiple zero latency mixes and get crazy creative with Goliath’s custom hardware-based effects.Goliath employs Antelope’s powerful FPGA-based DSP engine, a massive platform allowing you to process four zero latency mixers with custom effects.These include the stunning AuraVerb reverb and several modern and vintage hardware EQ and compressor models.Antelope’s new RealModel technology recreate not only the true sound of classic analog gear but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets.All our guitar amp and cabs simulations were developed in a partnership with leaders in guitar software Overloud Audio Tools, so we know guitar players will just love Goliath.

64 channels via Thunderbolt™. Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back.The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing.Even more Analog I/O Channels can be added by connecting Antelope’s Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously.

Touch and control. Reinvent your studio experience with Goliath’s advanced control options.All Goliath functions are accessible via its intuitive, high-resolution touch screen. All features of the audio interface can be also accessed via the OS X and Windows compatible Software Control Panel. Just like all new breed Antelope Audio devices. the Goliath follows our networking control concept. This means you can now access all Goliath features from multiple computers in the same network.


Specifications

  • Analog Inputs: 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms; 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also); 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front
  • Analog Inserts: 2 x INserts on TRS 1/4 jacks (dedicated to rear universal inputs 1,2)
  • Digital Inputs: 2 x Fiber Optic MADI (up to 64CH each); 2 x ADAT (up to 16CH); 8 x AES/EBU on D-SUB 25 (16CH); 1 x S/PDIF
  • Analog Outputs: 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms; 1 x Monitor out on 2x TRS 1/4 jacks2 x Stereo Headphone outs on TRS; 2 x ReAmp outs on TRS
  • Digital Outputs: 2 x Fiber Optic MADI (up to 64CH each); 2 x ADAT (up to 16CH); 8 x AES/EBU on D-SUB 25 (16CH); 1 x S/PDIF
  • Thunderbolt: 1 x Thunderbolt (64 channels I/O)
  • D/A Monitor Converter: Dynamic Range: 129 dB; THD + N: -108 dB
  • D/A Converter: Dynamic Range - 120 dB; THD + N: -107dB
  • A/D Converter: Dynamic Range - 120 dB; THD + N: -110 dB
  • Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
  • Mic Pre: Gain: 0 – 65 dB; THD + N: -108 dB
  • Clocking System: 4th Generation Acoustically Focused Clocking; 64-bit DDS; Oven Controlled Crystal Oscillator
  • Clocking Stability: <+/-0.02 ppm, oven controlled at at 64.5ºC/ 148.1ºF
  • Clock Aging: < 1 ppm per year
  • Clock Calibration: <+/-0.001 ppm
  • Power Supply: AC Universal input ~95-245 V; Power Consumption: 25 Watts Max
  • USB I/0: 1 x USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
  • Weight: 6.8 kg/ 15 lbs approx
  • Dimensions (approx.): Width: 483mm /19”; Height: 81mm / 3.2”; Depth: 279mm / 11”


System requirements

Windows

  • OS: Windows 7/8/8.1/10
  • Disk Space: Minimum 512 MB available disk space
  • USB: 1x USB 2.0 Port
  • Required USB bandwidth: 80%-90%
  • CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency
  • Memory (RAM): 4GB Minimum (8GB or more Recommended)

Additional info: Internet connection required for product activation.


MAC

  • OS X: 10.9/10.10/10.11 (El Capitan 10.11.5 Recommended)
  • Disk Space: Minimum 512 MB available disk space
  • USB: 1x USB 2.0/3.0 Port
  • Required USB bandwidth: 80%-90%
  • Memory(RAM): 4GB Minimum (8GB or more recommended)
  • CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)

Free FX Library Included

Including exclusives from BAE, Grove Hill, Gyraf and Lang

Receive an ever-growing bank of Realtime FX plug-ins when you register your Antelope Audio interface. With your purchase, you gain access to emulations of top-of-the-line gear, helping your achieve the sound you're looking for.

FPGA FX bundles

Antelope's new breed of hardware-based effects are broken down into four, gear-specific packages: Guitar Classics, Equalizer Legends, Vintage Compressors and Auraverb, a reverb designed by Antelope's hand-picked team of mathematicians, including company founder, Igor Levin.


GUITAR CLASSICS

Burnsphere (DE) / Marcus II Overange 120 (UK) / Tweed Deluxe / Top 30 / Darkface / Modern / Plexi 59 / Rock 75 / Rock 22.10 / + more amp and cab FX coming soon

EQUALIZER LEGENDS

Veq-1A / Vmeq-5 / Veq-HLF / BAE 1073 / BAE 1084 / LANG-PEQ2 / UK-69 / Veq-55A / Veq-55b / Veq-STU 089 / Veq-STU 169 / Veq HA32C / BAE 1023 / Neu-W492 / Neu-W495 / Neu-PEV / ParametricEQ / Veq-4K Black / Veq-4K Brown / Veq-4K Pink / Veq-4K Orange / + more EQ hardware-based FX coming soon

VINTAGE COMPRESSORS

Antelope FeedForward / Grove Hill Liverpool / BA-6A / SMT-100A / FET-A78 / ALT-436C / Stay-Levin / VCA160 / Tube 176 / X903 / Gyraf Gyratec X / FET-A76

AURAVERB FEATURES

→ New algorithmic reverb runs in real time on Antelope’s own DSP engine
→ 24 custom presets created by Brian Vibberts for various instruments and styles
→ ‘Color’ and ‘Richness’ parameters enable users to control different textures and densities
→ PreDelay can delay the onset of reverb by up to 150ms
→ Long and smooth decays feature no digital artifacts
→ Create your own savable presets and share with other AuraVerb users
→ Signals can also be routed from DAW software as a Hardware Insert


Compare Interface FX Packages

Guitar Classics Equalizer Legends Vintage Compressors Auraverb
Orion 32+
Orion 32 HD
Orion Studio
Goliath
Zen Tour
Zen Studio

After product registration, license keys for software downloads will be emailed directly from Antelope Audio.

Technical Specifications

Additional Information

Condition New
Width 19 in
Depth 11 in
Height 3.2 in
Unit Weight 15 lb
Chassis 19-in Rackmount
Rack Spaces 2u
Channels 36-Channel
Digital Inputs 24
Analog Inputs 36
Input Connectors Digital RCA, XLR Combo, AES/EBU DB25, Optical, Digital RCA
Digital Outputs 24
Analog Outputs 32
Output Connectors Analog DB25, AES/EBU DB25, Optical, BNC, Digital RCA
Computer Connection USB
Number of Preamps 16
Clock I/O In, Out
Maximum Sampling Rate 192 kHz
Digital Format AES/EBU, S/PDIF, ADAT, MADI
Reviews

Customer Reviews 1 item(s)

Well done, Antelope!
This has been the biggest improvement to my studio since my first outboard channel strip. Right away I noticed my mixes were fuller and punchier, I think due to the outstanding clocking inside all Antelope’s products. But having the ability to use the 16 internal preamps with all their modeling software as well as hook all my outboard gear through the DSUB connections I am finally able to use my studio to it’s full potential. I’ve also been able to reuse some of my older ADAT hardware that’s been sitting unhooked in a rack for years. Tracking through the Goliath has been a total game changer, I am finding that the tones are fuller and louder with less signal level coming into my DAW than my previous interface. The DSP plug-ins that are included are really helping shape the sound while tracking and leave more time to be creative in the mixing process rather than fixing poorly tracked audio. The design and the metering just look great in my studio as well, since installing the Goliath, each one of my clients have noticed it and brought it up during a session.
Overall
Price
Value
Review by Joseph T / (Posted on 11/7/2017)

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