Antelope Audio Goliath HD

64-Channel interface usable with Pro Tools HD or Native DAWs via second-generation Thunderbolt, USB 3.0 or MADI connections
MFR# Goliath HD
Antelope Audio Goliath HD
Antelope Audio Goliath HD Antelope Audio Goliath HD Antelope Audio Goliath HD Antelope Audio Goliath HD Antelope Audio Goliath HD Antelope Audio Goliath HD Antelope Audio Goliath HD video
$6,995.00
or $292/month for 24 months 0% interest for 24 months*. 24 equal monthly payments required. Learn more
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Description

EXPLORE THE FULL LINE OF FPGA REAL-TIME VINTAGE AFX

Needless to say the Antelope Audio Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These include the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family.

ALL YOUR HD SETUPS BELONG TO GOLIATH

Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124 dB of Dynamic Range, 32 analog outs with 129 dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132 dB.

Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.

LEAVE LATENCY BEHIND

With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software.The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle.

THE POWER OF THE FPGA FX

FPGA offers a whole new level of real time performance and sonic excellence. The platform is taking advantage of real hardware circuitry and component modeling, allowing engineers to track a vocalist with a zero latency headphone mix, including reverb; record a guitar part with proper feel & tone, using onboard amp and cabinet FX. Capturing a full drum kit is also brought to another level with up to 16 mics using the industry’s best new Microphone and Mic Preamp technology, all in realtime.

HD STUDIO CENTERPIECE

By offering both HD and USB3 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and low latency Thunderbolt and new USB3 modes.

Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.

CLOCK IT LIKE IT’S HOT

Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking, Antelope backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking.

This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.

ALL THE CONTROL YOU NEED

Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control.

Features:

  • 16 Class-A Mic preamps Hi-Z, Mic & Line ins with DMR of 124 dB
  • 64 channels I/O Simultaneous streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 and MADI (to Dante Bridge), ADAT, S/PDIF and DB25
  • Latest generation of ESS powered audiophile grade conversion, paired with Antelope’s 64-bit Acoustically Focused Clocking technology with BNC Word Clock I/O plus the Antelope Audio 10M Atomic Input
  • Proprietary FPGA for authentic modeling of vintage EQs, Compressors, Guitar Amps & Cabs; maintaining multiple mixers and zero latency real-time FX processing
  • Goliath HD offers high-end monitor outputs, with dynamic range boosted to 132 dB
  • Touchscreen, enhanced front panel, user friendly routing, mixing and real-time effects processing via OS X & Windows compatible panel and mobile apps
Specs

Additional Information

Condition New
Package Contents Goliath HD Interface, owner’s manual, warranty card, AEC power cable, and USB cable
Width 19 in
Depth 11 in
Height 3.2 in
Chassis 19-in Rackmount
Rack Spaces 2u
Channels 64-Channel
Input Connectors Analog DB25, XLR Combo, AES/EBU DB25, Optical, MADI, BNC, Digital RCA
Output Connectors Analog DB25, 1/4 in. TRS, AES/EBU DB25, Optical, MADI, BNC, Digital RCA
Computer Connection Digilink Mini, USB, Thunderbolt
Number of Preamps 12
Clock I/O In, Out
Maximum Sampling Rate 192 kHz
Digital Format Thunderbolt, AES/EBU, S/PDIF, ADAT, MADI
Reviews
I'm usually "meh" about converters, but...

For the first time in a dozen or more AD/DA shootouts, I'm hearing things in a master that have never been heard before. Currently using Burl, which I love, but this is the first converter in a long time that is making me consider a switch. Still some more demo/listening to do.

By Jerry L on July 19, 2017

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