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Antelope Audio Goliath HD

64-Channel interface usable with Pro Tools HD or Native DAWs via second-generation Thunderbolt, USB 3.0 or MADI connections
MFR# Goliath HD

Product Description

The Antelope Goliath HD brings Antelope Audio’s innovative 64-channel Goliath interface and arsenal of hardware-based FPGA FX to Pro Tools HD and Native users. Featuring extensive I/O options, 16 Accusonic mic preamps and mastering grade monitor outputs, Goliath HD has everything you need to tackle gargantuan sessions in Pro Tools with Antelope Audio’s unbeatable sonic detail and precision.

Pro Tools Users Rejoice!

Finally, the wait is over! Antelope Audio’s most powerful interface can be used with Pro Tools HD or Native DAWs. For the first time, Antelope Audio’s supreme AD/DA conversion and clocking technology are available to Pro Tools users, including their Acoustically Focused Clocking, BNC Word Clock I/O and 10M Atomic Input.

Thanks to Antelope Audio’s proprietary HDX Delay Compensation, Goliath is the only interface capable of providing perfect integration for digital sources to Pro Tools HD—meaning you can track and mix complex, large-scale projects with zero latency.

Bigger is Better

Goliath HD offers 32 analog inputs and 32 analog outputs with over 124 dB of dynamic range, making it the perfect solution for engineers who require pristine audio quality for large sessions. Equipped with 16 class-A preamps, four dedicated instrument inputs, and two transformer outputs for re-amping, Goliath HD can handle even the most complex sessions. Throw in an integrated talkback mic, two headphone outputs and a pair of analog inserts and there’s nothing Goliath HD can’t accomplish. And those are just the analog connections! Goliath HD also features a versatile collection of digital inputs and outputs including AES, MADI, ADAT and S/PDIF.


Goliath HD is armed with the full arsenal of Antelope Audio’s proprietary hardware-based FPGA FX, including zero latency emulations of vintage analog EQs, compressor and more. Perfect for tracking or mixing in real time, FPGA FX offers a versatile collection of authentic studio-grade signal processors. Dial in the perfect vintage sound using innovative new Microphone and Mic Preamp emulations. FGPA FX even includes guitar amp and cab simulators, allowing you to track guitar parts with no amp while still retaining the proper feel and tone.


  • 16 Class-A Mic preamps Hi-Z, Mic & Line ins with DMR of 124 dB
  • 64 channels I/O Simultaneous streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 and MADI (to Dante Bridge), ADAT, S/PDIF and DB25
  • Latest generation of ESS powered audiophile grade conversion, paired with Antelope’s 64-bit Acoustically Focused Clocking technology with BNC Word Clock I/O plus the Antelope Audio 10M Atomic Input
  • Proprietary FPGA for authentic modeling of vintage EQs, Compressors, Guitar Amps & Cabs; maintaining multiple mixers and zero latency real-time FX processing
  • Goliath HD offers high-end monitor outputs, with dynamic range boosted to 132 dB
  • Touchscreen, enhanced front panel, user friendly routing, mixing and real-time effects processing via OS X & Windows compatible panel and mobile apps

Product Specifications

Condition New
Package Contents Goliath HD Interface, owner’s manual, warranty card, AEC power cable, and USB cable
Width 19 in
Depth 11 in
Height 3.2 in
Chassis 19-inch Rack-mount
Rack Spaces 2U
Channels 64-Channel
Input Connectors AES/EBU DB25, BNC, Coaxial, Analog DB25, Optical, XLR Combo
Output Connectors AES/EBU DB25, BNC, Analog DB25, Digital Coaxial, MADI, Optical, 1/4-inch TRS
Computer Connection Thunderbolt, USB
Number of Preamps 12
Clock I/O In, Out
Maximum Sampling Rate 192 kHz
Digital Format ADAT, AES/EBU, MADI, S/PDIF, Thunderbolt

Product Reviews

5 out of 5 stars.
Review Count (2)

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So, I was using an SSL Alpha Madi interface before this purchase and let me tell you...The Goliath strictly as a converter was much more accurate than the SSL!! How could I tell? There was so much more on the bottom end...my Focals sounded like they had a sub with them. It was undeniable!! As for AD conversion...I noticed a much more analog sound compared to the crisper SSL. Also, I got a bigger, “taller” image. A client of mine said she thought there was more presence to components of her song that we had remixed with the Goliath. She loved the bigger bottom end. I’ve used in both native ProTools and in Ultimate with an HDX card. The latter will give you that pro sound you’re after! Anyway, I highly recommend. Don’t be intimidated by the Antelope routing software...once you understand it it is simple. Antelope has great customer support too! Definitely worth the cash!!!

By Jason M on April 15, 2019

For the first time in a dozen or more AD/DA shootouts, I'm hearing things in a master that have never been heard before. Currently using Burl, which I love, but this is the first converter in a long time that is making me consider a switch. Still some more demo/listening to do.

By Jerry L on July 19, 2017

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How do you rate this product?
I would like to thank VK for the wonderful sales assistance, service and prices. This was my first purchase with you and it won't be my last. I only wish I'd discovered you years ago!
Matthew R.
I had two Grammy wins this year - Ray LaMontagne & Carolina Chocolate Drops. Both made with help from Vintage King!
Ryan F.
In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
Martin C.
This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
James P.
Thank you so much! Vintage King has been so fair and easy to work with. I can't thank you enough. It feels good to trust such a hefty purchase to folks who are so helpful and knowledgeable. Vintage King is a sound designers dream store.
Noa L.
You guys have excellent customer service and I am excited about the next upgrade I complete on my fifth recording facility. I've been in the studio business for forty plus years. The salesman I worked with at Vintage King was the best of the best. You all rock!
Robby T.
I would recommend Vintage King to any one looking for top-class gear, unbeatable customer service and the best prices on the map!
Jake D.
My experience with Vintage King was excellent. The order was here fast considering it was out of stock. The sales person had SKB send it to me directly and I couldn't have been more pleased.
Michael D.
From the minute I placed my order I was kept well-informed through each step in your process. Even though I was buying a comparatively modest piece of gear, your attention to detail made me feel like I was purchasing a six-figure mixing desk.
Thomas W.
I am a new customer of yours. You guys provided me the absolute best deals in ordering all the equipment to power my brand new recording studio. Your customer service is amazing and i will always deal with you from here on out.
Rob M.
Thanks for your great service and getting this out today. You guys really are the Kings!
Alan B.
Better than expected! Truly impeccable service. Your team was professional, knowledgeable, provided speedy delivery above and beyond standard. Vintage King Audio is definitely my go to for all of my audio and information needs.
James O.