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SKU

176020

Please note: this item is available for purchase in the United States only.

Amphion 7.1.4 Immersive Music System - Large

Passive monitoring system designed for immersive mixing workflows in large professional production facilities
MFR# 7.1.4 Immersive Music System - Large

Product Description

This Amphion 7.1.4 Immersive Music System is a passive monitoring system optimized for immersive mixing workflows in large professional production facilities.

The main components of the system are three Two18 2-way passive monitors for left, center, and right channels and eight One15 2-way passive monitors for surround and overhead channels. Massive low-end is provided by the BaseTwo25 system (L/R) and the FlexBase25 system (LFE).

Two Amp700 stereo power amplifiers power the LCR channels while a single Amp400.8 8-channel amplifier drives the surround and overhead channels with fast, controlled, and low distortion Class D power. Four custom ceiling/wall mounting adapters allow you to securely fasten the overhead speakers to industry-leading König & Meyer mounting hardware.

For professional engineers and producers looking to equip their studios for immersive mixing, Amphion has your monitoring needs covered!

Dolby Atmos naming taxonomy is structured as follows: Standard Channels.LFE (Low Frequency Effects) Channels.Overhead Channels. So, for example, a 7.1.4 Dolby Atmos system consists of seven standard channels (left front, center, right front, left side surround [Lss], right side surround [Rss], left rear surround [Lrs] and right rear surround [Rrs]), one LFE channel, and four overhead channels. Learn more about mixing with Dolby Atmos here.

AMPHION 7.1.4 IMMERSIVE MUSIC SYSTEM - LARGE INCLUDES:


AMPHION TWO18 2-WAY PASSIVE STUDIO MONITOR (QTY: 3 SPEAKERS TOTAL)

The Amphion Two18 Studio Monitor is the number one choice for a number of A-list composers, sound engineers, and producers. The Two18 monitors provide them the confidence that their work will translate accurately to the outside world. These loudspeakers provide a neutral presentation, with a phase-accuracy and imaging that is second to none. Whether you are composing, tracking, mixing, or mastering, the Two18 studio monitors are the perfect tool to assist you finishing your work both faster as well as achieving premium results. These transparent and elegantly-truthful studio monitors are perfectly balanced, and easily respond to any acoustic environment, personal tastes, or music genre.


AMPHION ONE18 2-WAY PASSIVE STUDIO MONITOR (QTY: 8 SPEAKERS TOTAL)

The Amphion One18 Studio Monitor offers a wide sweet spot and pinpoint-accurate imaged sound. This allows for fast and accurate creative decisions. Whether you are writing music, recording, or mixing, the One18 loudspeakers can be your creative weapon-of-choice. Thanks to their natural tone and balanced frequency response you can enjoy 12-hour-long sessions, with no ear fatigue. Extremely detailed but not bright or harsh, the One18 studio monitors allow you to achieve great results quicker and without any doubt. Their perfect translation to any other listening system or environment brings no surprises when auditioning your work outside of your studio.


AMPHION BASETWO25 LOW FREQUENCY EXTENSION SYSTEM

The BaseTwo25 is a state-of-the-art monitoring solution converting any Amphion two-way studio monitor into a full-range, time and phase coherent, three-way system. These full-range towers extend all the way down to 20 Hz. Each BaseTwo25 has 2 x 25 cm woofers (top) and matching 2 x 25 cm radiators (below) mounted in back to back force-canceling mode on both sides of the cabinet. The system is driven by 2 x 900 W amplifier, and controlled by Amphion’s signature filtering module with a variable-level attenuator.


AMPHION FLEXBASE25 STEREO BASS-EXTENSION AND MANAGEMENT SYSTEM

The Amphion FlexBase25 is a stereo bass-extension and management system with a separate LFE-channel input and FlexAmp1200 amplifier/crossover. The FlexAmp1200 amplifier update will bring more control, speed, and definition to the system. Nailing the lowest octave-settings and translating it precisely from a studio to any listening situation is the foremost challenge for any contemporary music production. The fragmented playback environment demands extreme precision in the process of music creation and sound editing, especially when it comes to modern, bass-heavy production.


AMPHION AMP700 STEREO POWER AMPLIFIER (QTY: 2)

The Amphion Amp700 delivers rock-solid control and tight, fast, highly resolving power to draw maximum performance from your Amphion monitors. Amp700 provides 2 x 350 W for 8 ohm, and 2 x 700 W to 4 ohm load, which supplies an abundance of headroom for the highest level of performance. The buffer stage allows you to set the amplifier gain according to the used speaker model/application, making the Amp700 highly suitable for all Amphion models.


AMPHION AMP400.8 8-CHANNEL AMPLIFIER (QTY: 1)

The Amphion Amp400.8 provides an exceptional level of multichannel amplification. It is built on the highly advanced Class-D platform, which offers abundant, fast, controlled, and low distortion power. To reach the needed sonic character and performance, an in-house designed buffer-stage was added to complement the merits of the latest Class D technology. The buffer stage improves the impedance characteristics and cohesion between the channels, so that speed, control, neutrality, and ultra-low distortion can come across in an emotionally involving manner.


AMPHION SPEAKER CABLE - 11.5' (QTY: 3)

Specially braided silver coated copper conductor with Chord banana connectors. Same conductor is used as internal wiring to ensure perfect synergy. Use these 11.5' cables to connect the Amp700s to the LCR channel monitors.


CEILING/WALL MOUNT ADAPTER (QTY: 4)

To ensure safe and speedy installation, the four overhead monitors can be equipped with this custom adaptor, which connects securely to industry-leading Konig & Meyer mounting hardware.

Product Specifications

Condition New
Monitor Application Immersive
Number of Speakers 7.1.4 (7 + 1 Sub Channel + 4 Overheads)

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I would like to thank VK for the wonderful sales assistance, service and prices. This was my first purchase with you and it won't be my last. I only wish I'd discovered you years ago!
Matthew R.
I had two Grammy wins this year - Ray LaMontagne & Carolina Chocolate Drops. Both made with help from Vintage King!
Ryan F.
In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
Martin C.
This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
James P.
Thank you so much! Vintage King has been so fair and easy to work with. I can't thank you enough. It feels good to trust such a hefty purchase to folks who are so helpful and knowledgeable. Vintage King is a sound designers dream store.
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You guys have excellent customer service and I am excited about the next upgrade I complete on my fifth recording facility. I've been in the studio business for forty plus years. The salesman I worked with at Vintage King was the best of the best. You all rock!
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My experience with Vintage King was excellent. The order was here fast considering it was out of stock. The sales person had SKB send it to me directly and I couldn't have been more pleased.
Michael D.
From the minute I placed my order I was kept well-informed through each step in your process. Even though I was buying a comparatively modest piece of gear, your attention to detail made me feel like I was purchasing a six-figure mixing desk.
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