Allen & Heath GL2800-824

We have taken our pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing with the Allen & Heath GL2800. 10 Auxes, including a dedicated stereo aux for creating stereo recording or monitor feeds. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer�s monitor control using the M fader. With up to 48 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. Responsive 4 band EQ, 100Hz channel high pass filters, Individual phantom power and polarity switching. 8 Audio groups. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambiance and 'more me' control.

You even get matrix talk-back and mono or stereo monitoring. Electronically balanced XLR outputs with +26dBu drive capability. Built-in combiner for redundant backup PSU. Metal jacks, gold-plated XLRs, sealed pots and switches. Individual circuit card assembly with nutted pots. Solid copper bus bar grounding. Sys-Link V2 console linking option. Built- in oscillator / pink noise generator with patchable output, extensive metering and much more.

Features

• 24, 32, 40 and 48 channel frames
• LR and M main mixes
• 8 Audio groups with pan and routing to LR and M
• 10 Auxes including a dedicated stereo send
• 2 multifunction stereo channels each with mic and stereo line inputs
• 2 extra dual stereos provide 4 summed or independent stereo returns
• Fully featured 12x4 Matrix
• Proper dual functionality for FoH/Monitor mixing
• Recording capable with channel direct outputs
• M can be used for centre/sub mix, LR mono sum, or engineers wedge
• Matrix external inputs with level trims and common input capability
• Stereo channel mic inputs can cross patch into matrix for ambience feed
• Responsive 4 band, 2 sweep EQ
• 100Hz channel high pass filters
• Individual phantom power and polarity switching
• Wide angle channel and master meters
• Dedicated stereo monitor meters
• Per channel pre/post fader aux switching for full flexibility
• Recessed pre/post-EQ aux switching per channel
• Internal jumper plugs for aux, direct out and other options
• Mutes on all fader masters
• 100mm dust protected faders
• Assignable talkback to all outputs, includes a talk switch latch mode
• 1kHz oscillator / pink noise generator with patchable external output
• 2-track monitoring and replay to LR
• 3 headphones/earpiece sockets and local monitor outputs
• Electronically balanced XLR outputs with +26dBu drive capability
• Preamp 74dB range with +34dBu input capability for mic or line
• Ultra low noise mix head amp design
• Uses RPS11 high performance external linear power supply
• Built-in combiner for redundant backup supply
• Individual circuit card assembly with nutted pots
• Sys-Link V2 console input/output linking option
• 4-pin XLR lamp sockets � Allen & Heath LED lamp available