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SKU
13197
AKG C 414 XL II Large Diaphragm Studio Condenser Microphone
Large diaphragm studio microphone for universal applications
The AKG C414 XLII is a multi-pattern condenser microphone offering a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
Features:
Sonic character of the famous AKG C12 delivering astounding sound quality for lead vocals and solo instruments
Nine selectable polar patterns for the perfect setting for every application
Three attenuation levels (-6/-12/-18 db) for closeup recording of high-output source up to 158 dB SPL
Three switchable bass-cut filters to reduce wind noise, stage vibration or proximity effect
Overload warning with audio peak hold LED to detect audio peaks
Product Specifications
Condition
New
Package Contents
Microphone, universal shock mount, metal carrying case, pop filter, and windscreen
Picked this up for an artist of mine. They have a unique high-mid/low-treble harshness to their voice that almost sounds like distortion in some cases. I've used plenty of mics including the Tlm103, Tlm49, U87, and even the lower end C214 on their voice and I always get the same problem. The harshness stands out extremely well. I was hesitant because I was under the impression a 414 was just a 214 with more polar patterns. I was wrong. Smoothest vocal sound I've ever gotten, and honestly one of my favorite vocal sounds period. Its a very natural sounding mic with a bit of sheen. With the right preamp I feel it would fit almost any session.
By Anthony on June 24, 2020
I was using a rode NT-1 prior to this mic. I have a fairly deep male voice and this mic handles it great. Gives a little sizzle in the upper mids which helps my voice cut through a mix. Great all-arounder.
Antelope Audio has expanded their Edge series with the release of the new Edge Solo, Edge Duo and Edge Quadro. All of these microphones come replete with incredible vintage microphone emulations that will allow you access to classic sounds in the studio, in addition to just being great mics on their own.
Last week I was able to spend a day in the studio with the new Edge series microphones, and after testing each microphone on a variety of sources, I was blown away. There are so many options available right out of the box and the variety of tones I was able to get from a single microphone without leaving the control room was extremely satisfying Continue reading →
Every acoustic sound source, be it a piano, violin, guitar, speaker cabinet, or the human voice, requires a microphone to capture that sound. That makes the microphone the first interface with the vibrating air and the first link in the audio chain. Like any endeavor, you want to have a solid foundation. The microphone is that foundation. Choose the right one and your life just got easier. Choose the wrong one and you’ll be fighting an uphill battle all the way through the signal path. And nobody wants that. Continue reading →
Producer/engineer Lenise Bent has been working in the entertainment industry since she was just eight years old. She began her career as a member of the Screen Children’s Guild, which lead to studying film and TV production in college. That is until she stepped foot into a recording studio for the first time.
After dropping out of college to join the Sound Masters Recording Institute (one of the only audio schools in Los Angeles at the time), she was hired as an assistant engineer at The Village Studios in Los Angeles. There where she would build an incredible resume working on iconic records like Aja by Steely Dan, Breakfast in America by Supertramp, and Tusk by Fleetwood Mac.
Lenise quickly graduated from assistant to chief engineer for producer Mike Chapman, with whom she recorded the platinum-selling record Autoamerican for Blondie, as well as songs for The Knack, Suzi Quatro, and many more. Continue reading →
Summer is finally upon us and you know what that means... The sun, the surf, the sand, and killer sales on new microphones, of course! Vintage King Summer Sale is here once again!
Stack your mic locker with huge savings on top-sellers from AKG, Neumann, Royer, and more, and take your recordings to the next level. Continue below to discover all of our microphone sales, but hurry, these deals only last until Monday, June 24th, 2019. Continue reading →
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In almost 20 years in Pro audio buying, never did I receive a unit so well packed and exactly as described. Works flawlessly. The whole process has been so smooth. I will never hesitate to do business with you guys in the future and will recommend you to everyone I know.
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This was my first experience buying something from Vintage King (although I surf the "used" categories on the website frequently!), and, despite being on the other side of the world, I had absolutely no trouble and everything went very smoothly.
Phil T.
The speed of delivery exceeded my expectations! I was VERY pleased that my shipment arrived in time for a scheduled vocal tracking session. The packing insured that my order arrived safely. And the sales staff responded quickly to questions regarding the product.
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