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We’ll be taking a look back at the history of the company, gear that we have serviced and sold throughout the years and the customers who have made it all worthwhile. Stick around, we think you’re going to like it.
Fueled by a passion for the studio equipment that was used to create their favorite records, Michigan-based brothers Mike and Andrew Nehra began crafting a plan in their parent's garage to capitalize on a trip to Europe. That’s right, the effort to become one of the leading pro audio gear companies started in an unlikely place - a hotel room in England.
“I was in the studio recording an artist and he said, ‘Do you want to go England?’ and I said ‘Yeah I’d love to go,’” says Vintage King co-founder Mike Nehra. ”With the currency exchange rate in our favor, I knew we could purchase vintage gear in the UK at half the price as home. Andy had a credit card worth $4000, I had one worth $2000 and my dad had one worth a few grand. I went and spent $8000 on recording gear. The rest was history.”
Stuffing old Neve modules and mics into his suitcase, Mike brought back a treasure trove of vintage equipment from England with visions of using it in the brothers’ recording space, White Room Studio. Andrew stepped in with the idea to sell the gear and purchase even more studio equipment with the money made from sales. The brothers compromised by splitting the gear, half would be used in their studio and the other half sold to purchase more.
In terms of the lore of Vintage King, there is probably no more important piece of audio gear than this vintage API 32-channel console. Meet the desk that the Nehra brothers worked on at the White Room and see photos of its recent transformation at the Vintage King Tech Shop.
“I've worked with Vintage King for a long time. I bought an amazing U67 through Vintage King a long time ago that I still use all of the time. It's one of the most extraordinary mics I own. I bought four original Helios Type 69 modules. This is back in the mid-90s at the very beginning of Vintage King. I've been dealing with the Nehras and Vintage King for over 20 years and they've always been just so honest and up-front. It's one of the most difficult things to find when you're dealing with vintage gear. I've interfaced with some people that are just beyond shady and [Vintage King] has always been so cool about everything. It's just very easy to trust and have confidence in them.”
Eric Valentine
As the duo continued to venture into the world of selling recording gear, the theme of “hotel rooms as a place of business” would continue to permeate their new lifestyle. Traveling and playing in Robert Bradley’s Blackwater Surprise, the Nehras would take any break from the rigors of tour to purchase gear out of their hotel or make a sales call during a roadside rest stops - just before the advent of affordable cell phone use.
“With the internet just arriving, we’d use a classified ad in the back of Mix Magazine to get the word out. We’d put 10 or 12 things we had for sale, microphones, compressors, all that and while touring, we’d make the sales on pay phones when stopping for bathroom breaks,” Mike Nehra states. “Andy would be like ‘Mike, the band’s going crazy- get off the phone! We gotta go, we gotta go.’”
Finding themselves in a network of vintage recording gear brokers, the duo began to delve deeper into their new surroundings, making larger purchases like recording consoles from different continents. Yet, as their budding industry relationships and business continued to grow, the brothers stood on the precipice of a life-altering decision.
Vintage King has gained a reputation for reviving some of the world's most historic gear. In an interview with Resolution Magazine, Vintage King co-founder Mike Nehra explains our restoration process for classic outboard gear, consoles and microphones.
“We were building something. It was evolving and we could control it,” says Mike Nehra on the progression of Vintage King. “It was a more reliable way to make a living than doing the ‘musician/producing records’ thing - our hearts were torn between the two.”
While the choice didn’t come as an easy one, the logistics associated with touring and owning a studio were tough enough. Staying at home meant a more stable lifestyle for the Nehras, one dedicated to their burgeoning business.
Exchanging the road for the office quickly became a fruitful move for Vintage King. Over the course of the next two decades, the company would far surpass the brothers’ expectations, growing with their love of selling analog gear to encompass the fresh digital technology of the modern recording studio.
“Vintage King has been amazing. When I grew up in Georgia, the studios there didn't really have vintage gear at all. You guys were really the first that I was aware of who, if you're looking for the crazy Decca compressors, you guys have them and you can hear them. Pye or germanium Neves or vintage UA tube stuff, where else in the world can you find that stuff. It's amazing to see all the crazy stuff you guys get ahold of, at the same time it's very bad for my marriage.”
Dave Cobb
“We try to do more of a boutique-style showroom where you can come in and try things out. It’s not your typical retail environment,” Andrew Nehra says describing Vintage King Los Angeles and Nashville.
With an ultimate goal of complete customer satisfaction, Vintage King spawned two brick-and-mortar locations that imbibe a sense of the ultimate studio. First with the Los Angeles flagship store in 2012, shortly followed by a Nashville location, these showrooms continue to offer pro audio fans a place to hear gear before making any kind of purchase.
By giving audio creators, novice and professional, the ability to learn about new products while instilling the importance of the classics, Vintage King has helped to create a full-circle approach to creating pristine sound.
Styling their showroom and web presence to help customers better understand gear, Vintage King envisions a new approach to creating audio that encompasses digital, analog and beyond. The brand has expanded into new places outside of the studio world, including handling installs for EDU institutions, live sound venues and post-production facilities.
While in the studio and on tour with Robert Bradley's Blackwater Surprise, Vintage King's Mike Nehra employed the Glyn Johns three-mic technique on drums. Learn how Nehra used a combination of two Neumann U47s and a U47FET to get big, natural drum sounds in every venue the band played.
“A friend of mine turned me onto some Calrec modules and I ended up buying 10 of them from Mike Nehra. I still have a pair of them, PQ15s I believe they are called. Back then when we were making like $5 an hour assisting, whatever we paid for them wasn’t a ton, but it was a lot for us in those days. I think out of the 10 of them, two or three of them needed a little work. I called Mike and he was like, “I’m going to send you two or three more right now. Get them up and running and when you do, send me the broken ones back.” I just thought, “Man, who does that? You don’t know me and who’s to say I’m not going to try and keep all of this shit.” I just thought he was the coolest dude and that’s when I first heard of Vintage King.”
Joe Barresi
Throughout the past year, you may have noticed some things changing around Vintage King. We have a new logo, merch and more. Our recently-launched rebrand project is the culmination of over twelve months of exhaustive research, design, and deep thinking.
Check out our logo's evolution here and then learn more about the rebrand by clicking below.
Want to know why we gave ourselves a makeover? Go inside Vintage King's rebrand project and learn how the company has evolved for a new era of pro audio.
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