ZVEX Effects Nano Head Tube Amplifier Hand Painted Pedal MFR# NANO HEAD TUBE AMPLIFIER
ZVEX Effects Nano Head Tube Amplifier Hand Painted Pedal
Revolutionary, palm-sized, all-tube, guitar amplifier with one-half watt of roaring tube power, startlingly rich overtones from any 8-16 ohm cabinet, includes 12v wall wort (hand painted)
Special Order Due to the special nature of this item, we order each unit fresh from the factory, exclusively for you! Lead times may vary so please chat, call or email for up-to-date inventory status.
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    50% off shipping outside the US and to Hawaii and Alaska.
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  • Our friendly and knowledgeable sales team is here to support you before, during and after your purchase.Free Tech Support
  • We add an additional year of coverage for additional peace of mind.Free Extended Warranty
$519.00
12-month 0% financing available with the Vintage King Credit Card

EASY PAYMENT AND FINANCE OPTIONS

At Vintage King, we make it easy to get what you want and pay for it however you like best. Take a look at our convenient payment, financing, and leasing options below. For questions or to learn more, just give us a call at 888.653.1184 or contact our Sales Team.


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FINANCING AND LEASING

Building your dream studio or looking to make a long-needed upgrade? We can create financing and lease options to fit nearly any budget. We have relationships with several reputable financing institutions that can keep your cash flow intact, while helping you get the gear you need right now. Equipment leasing lines are another option, giving you the chance to build up your inventory of income-producing equipment — after all, we believe that equipment should pay for itself. Whatever your unique needs, together, we can come up with a strategy that makes solid business sense for you. Contact our Sales Team to learn more.

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Description

Welcoming the world’s smallest production tube amp, the ZVEX Nano Head. This little marvel is a one-half watt (distorted) powerhouse that will surprise you with its apparent volume. Plug it into a 4X12 (or any 8 to 16 ohm speaker) and listen to it roar! This amp is voiced to deliver classic rock tone, with a very high level of crunch available if it’s wanted. Just crank the volume knob around to the level of distortion you desire, from a very quiet (one tenth watt) clean mode to a micro-Marshall (TM) blast when cranked up. It does a great job of emulating big amps at very reasonable volumes, which makes it exceptionally nice for recording.

In a recording situation, you stick microphones in front of guitar amps and hope for the best, but often the sheer sound pressure level necessary to get what sounds like a really cool tone is so ungodly high that it causes mic distortion that wrecks the sound. You might try putting a nice Coles ribbon or a Beyer M160 in front of the amp, but at 140 dB it could easily cause weird sounds as the ribbon rattles around in the magnetic field, stretching and possibly striking the magnet as it goes past the boundaries of its gap. A classic condenser microphone under that kind of crushing pressure can end up with a stretched diaphragm that can touch from front to back, suddenly shutting down, or overloaded preamp circuitry, adding unwanted harshness. Even a dynamic mic like a Shure 57 or 58 can have problems as the severe magnetic field developed by high-wattage amps couples through the air into the mic’s own windings, causing a blistering crispiness that seems very unnatural when it shows up in your recording. You can spend hours trying to find a safe spot to put your mics when trying to accurately capture the sound of a roaring high-wattage amp, and in the end, find that the best sound is miced so far from the cab that you begin to hear the room and everything else that’s bleeding in. By the time you’ve got a sound you like, someone has called the cops and you have to shut down for the night.

The Nano Head eliminates many of these microphone problems instantly because it is at least 20 dB quieter than a 50 watt head, so that the volume levels coming from your speaker cabinet are very close to the levels that a loud singer can produce. The amp is capable of going into total saturation, struggling like crazy and sweating up a storm at this moderate volume, so no matter where you put the microphone it’s safe signal level that won’t overload your preamps or strain the microphone’s element. The result is a crystal-clear reproduction of the speaker’s sound. The other high-volume factors that can mess up your ears (there’s something called the Fletcher-Munson curves that change the way your ears hear things at high volumes) are much reduced, too, so the characteristic of the sound you hear in the room will be much closer to the recorded sound.

*Hand painted pedals feature a lifetime warranty. Colors and details may vary.

Technical Specifications

Additional Information

Condition New
Module Slot Count No
Input Connectors 1/4 in. TS
Output Connectors 1/4 in. TS
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