The MK 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid. The pickup is “drier” and less susceptible to acoustic feedback than any other SCHOEPS capsule type (a loudspeaker should not be located directly along the rear axis of the microphone, however).
- Supercardioid with highly consistent directionality throughout its frequency range
- For music and speech
- High directivity, comparable to that of a short “shotgun“ microphone up through midrange frequencies
- Often preferred for use in film sound recording and as a spot microphone in orchestras
The Schoeps CMC 6 Amplifier is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.
- Flat frequency response
- Extremely low noise and distortion
- Balanced, very low-impedance output
- Can be used with very long cables
- Well-protected against RFI
- For use with 12- or 48-Volt phantom powering
The two amplifiers in a stereo pair of microphones should be of the same type. On request, Schoeps can select ”matched pairs” of capsules with equal sensitivity and frequency response for critical applications, at slight additional cost.
Schoeps Cut 1 Filter
The CUT 1 or CUT 2 is inserted between the capsule and the microphone amplifier. The CUT filter performs two tasks:
First, it prevents the effect of infrasonic disturbances from being passed on to any succeeding device.
In particular, pressure-gradient transducers (directional microphones) produce very high infrasonic signal levels when exposed to wind. These can saturate an input transformer or an amplifier stage even before the audible portion of the disturbance becomes noticeable.
To avoid this, a very sharp (24 dB/oct) infrasonic filter is permanently engaged. It has only a negligible effect on speech, which is the principal field of application for the CUT 1 (cutoff frequency = 60 Hz). The CUT 2's infrasonic filter is an octave lower (i.e. 30 Hz), and has no audible effect on speech pickup whatsoever.
The second task is to offset proximity effect and/or to improve speech intelligibility in reverberant rooms by means of an additional 6 dB/oct rolloff. By turning a recessed thumbwheel the user can vary the frequency at which this begins to have an effect, and thus tailor the low-frequency response as required. Its turnover frequency can be continuously varied between 30 Hz (CUT 2) or 70 Hz (CUT 1) and 600 Hz
- Can be screwed onto the CMC, CMD or M 222 microphone amplifiers
- Very effective suppression of low-frequency and infrasonic effects of wind and vibration: 24 dB/oct below 60 Hz (CUT 1) or below 30 Hz (CUT 2)
- User-adjustable variable rolloff
- Offsets proximity effect