Offer extended! Up to 36 months promotional financing* on qualified products! Offer ends 10/23. For more info, click here.

Schoeps CMC68ni Set

Complete figure-8 microphone set including amplifier, popscreen, clamp and box

View more products from:

Schoeps Mikrofone
Included with your purchase:
  • Free Shipping (USA)
  • Free Tech Support
  • Free Extended Warranty
Our Price: $1,912.00

12-month financing with the Vintage King credit card

Ships directly from Schoeps Mikrofone fast!

We have special arrangements with Schoeps Mikrofone, ensuring expedient shipping directly from their location to you. They're generally pretty quick, but Email, chat or call 888.653.1184 for estimated ship date.

Need expert advice? Click here.

Product Description
Additional Information
  • Product Description

    The Schoeps CMC68ni Set is a complete microphone set that includes the CMC 6U amplifier, MK 21 Wide Cardioid capsule, SG 20 stand clamp, ad the B 5 popscreen.

    CMC 6 U

    The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier.

    The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognizes the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.

    The microphone amplifier provides the electrostatic charge which the capsule requires in order to produce a signal. Since only a minuscule amount of current is contained in this signal, amplification of the current is required. To avoid interference to the signal on the way from the microphone to the input of the mixer or preamp, the signal is conveyed at low impedance and in balanced form. The CMC 6 Ug amplifier offers a symmetrical, transformerless, direct-coupled Class A output stage with low impedance, low distortion, and high freedom from interference.

    • Flat frequency response
    • Extremely low noise and distortion
    • Balanced, very low-impedance output
    • Can be used with very long cables
    • Well-protected against RFI
    • For use with 12- or 48-Volt phantom powering

    MK 8

    This capsule type is a true dipole (bidirectional) transducer, operating with a single diaphragm. Its main axis is at a right angle to the capsule, and is marked at 0° and 180° with a red and a black dot respectively.

    When M/S stereo recordings are made, the 0° axis normally faces to the left as viewed from behind the microphone setup. The “8“ engraved on the top of the housing should be aligned on its side so as to appear horizontal, at a precise right angle to the Mid capsule. The microphone should be placed directly above or beneath the “M“ channel microphone, and as close to it as possible.

    The inherent qualities of a pure pressure-gradient transducer are readily observed in this capsule type:

    • Its sensitivity decreases at low frequencies
    • The directional characteristic is extraordinarily independent of frequency
    • Proximity effect is present
    • The sound quality of the MK 8 is clear and neutral. The frequency response rolls off above 16 kHz

    When an MK 8 is used as a spot microphone, care must be taken to avoid picking up early reflections or unwanted direct sound from its rear, since sound arriving from the back is picked up with full level but reversed in polarity. This could result in partial cancellation of the intended sound, which can lead to comb-filter effects at higher frequencies.

    The directivity index of a figure-8 pattern is the same as that of a cardioid; if microphones with these two patterns are placed at the same distance from a sound source, a quantitatively similar balance of direct and reverberant sound would be picked up. In practice such a comparison would be deceptive, however, since a figure-8 does not respond to sound coming from the sides, from above or from beneath its main axis as does a cardioid. The figure-8 has a rear lobe equal in sensitivity to its front lobe, and this exactly makes up the quantitative difference – but in normally reverberant settings, the sound reaching a figure-8's rear lobe will be delayed and dispersed to a considerably greater extent than the reverberant sound energy which a cardioid picks up from its front and sides; the reflected sound will typically be subject to far more high frequency absorption as well. Thus the reverberant sound energy picked up by a figure-8, though theoretically equal in amount, is quite different in character from that which would be picked up by a cardioid in the same position.

    • Pure pressure-gradient transducer
    • Figure-8 pattern with near-ideal consistency across the frequency range
    • Side-addressed (pickup perpendicular to the microphone body)
    • Optimal for use in M/S and Blumlein stereo recording

    Please note: Stock photo used. Actual item color not as pictured.

  • Additional Information

    Condition New
    Length 150 mm
    Diameter 20 mm
    Unit Weight 78 g
    Transducer Type Condenser
    Polar Pattern Bi-Directional / Figure-Eight
    Number of Microphones Single Microphone
    Impedance 25 Ohms @ 12 V / 35 Ohms @ 48 V
    Frequency Range 40 Hz - 16 kHz
    Sensitivity -40 dBV/Pa (10 mV)
    Max. SPL 134 dB
  • Reviews

    This product currently has no reviews.

    Write Your Own Review

    Only registered users can write reviews. Please, log in or register