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Neumann O 410 Studio Monitor

Three-way studio monitor that features Neumann's proprietary Mathematically Modeled Dispersion, or MMD and waveguide which controls wave dispersion

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Product Description
Additional Information
  • Product Description

    Back in 1967, Neumann launched the world’s first active multi-channel studio monitor, the OY. The Neumann O 410 represents the latest incarnation of the many technologies pioneered by us during the intervening 40 years. Engineering excellence applied to all aspects of the O 410 design brings a new benchmark in audio reproduction quality. A waveguide featuring Mathematically Modeled Dispersion™(MMD™), flexible acoustical controls, various input options, and an extensive mounting hardware range allow the O 410 to be used in diverse acoustical conditions, with any source equipment, and in a wide variety of physical locations. The O 410 has been designed for use as a mid-field or main monitor. It is particularly well-suited for use in music, broadcast, and post production studios for tracking, mixing, and mastering. The O 410 can be used free-standing or flush mounted into a wall, and, in multichannel systems, can be mixed freely with other loudspeakers in the range.

    Mid Sized 3-way System:

    • The most important part of the frequency spectrum is reproduced by a separate midrange driver
    • Extremely low harmonic and intermodulation distortion results in clean sounding audio reproduction
    • Exceptionally neutral sound stage from 30 Hz to 24 kHz (±3 dB)
    • Ideal cabinet materials with excellent self-damping properties
    • Structural resonances avoided using LRIM™ (Low Resonance Integral Molding™)
    • Vented enclosure extends bass response, even at very high output
    • Modern-looking design with optional grille
    • Extensive accessories allow for a multitude of installation possibilities
    • Magnetically shielded for use next to CRT screens

    Mathematically Modeled Dispersion™ (MMD™):

    • Three stage design process:
    • Waveguide is mathematically modeled before physical prototypes are realized,
    • Physical prototypes are measured under anechoic conditions to verify theoretical performance,
    • Extensive listening tests correlate objective measurements and subjective perception
    • Wide horizontal directivity gives increased freedom of movement along the mixing console
    • Narrow vertical directivity reduces the effect of early reflections off the console surface
    • MMD™ is easily rotated in the field when horizontal mounting the cabinet
    • Perfect directivity pattern leads to a smooth power response

    Advanced Electronics:

    • Transformer balanced input stage (TIM 1) equipped with special distortion reduction crossover function
    • Electronics can be remotely accessed when the cabinet is flush mounted (REK 1 and CP 2, CP 5, CP 10, CP 15, CP 20, CP 25, or CP 30)
    • Integrated electronic limiter for each driver
    • Hybrid class A-B amplifiers, employed for their best overall performance, are also protected
    • Active three-way crossover with 24 dB/oct. slopes
    • Display for power on and protect is integrated into the MMD™, together with a logo
    • Controls adapt the monitor’s response to compensate for the loudspeaker’s environment:
    • Bass, mid and treble controls for specific and common acoustical issues,
    • Parametric EQ for low-frequency corrections
    • Accelerated Heat Tunneling™ (AHT™) ensures effective amplifier cooling whether the cabinet is mounted vertically or horizontally.
    • Electronics can be remotely accessed when the cabinet is flush mounted
    • Electronics can be remotely powered on with two modes of operation (0 V and 12 V trigger)
    • Attention to detail in design results in low self-generated noise
  • Additional Information

    Condition New
    Width 13 in
    Length 18 in
    Height 25 in
    Unit Weight 79 lb
    Active or Passive Active
    Monitor Application Mid-Field
    driver_sizes Woofer: 10" (magnetically shielded) / Midrange: 3" / Tweeter: 1"
    Number of Speakers Single
    Number of Inputs 1
    Input Connectors Analog XLR
    Amp Wattage 400 W
    Impedance Electrical symmetric: XLR, 13 kOhms, Balanced floating: R, 4.7 kOhms
    Frequency Range -3 dB free field: 30 Hz to 24 kHz, ± 3 dB Pass band free field: 32 Hz to 20 kHz, ± 2 dB
    Max. SPL Full space calculated in half space @ 3% THD @ 1 m: 115.8 / 121.8 dB (averaged between 100 Hz and 6 kHz) Short term with IEC-weighted noise (IEC 286-5) @ 1 m: 112 dB(C) Short term with music material at 2.3 m (pair): 102 dB(C) (full range) 110 dB(C) (with
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