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Drawmer MXPRO-60 Front End One

Single recording channel with mic pre, EQ, compressor/limiter, de-esser and more

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Drawmer
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Our Price: $597.00

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Product Description
Additional Information
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  • Product Description

    The Drawmer MX Pro 60 Front End One is a unique mic/line/instrument input channel in a single rack space providing high quality Drawmer processing prior to tape/hard disc recording.  The MX60 is also ideally suited to project studio and live sound applications.  Functioning as a studio grade mic pre-amp, Program Adaptive gate, de-esser, compressor, limiter, three band EQ and multi band tube saturation stage, the MX60 offers the user more options than competitive units currently available.

    Grass Roots - The MX60 draws its technology from the most successful of Drawmer products.  The mic pre-amp features the same discrete component design found in the legendary Drawmer 1960, the de-esser is derived from the MX50, the VCA based compressor is similar to the MX30, while the peak limiter and gate can be tracked back to the DL241 compressor/limiter.

    Controls:

    • Input Stage: The input stage may be switched to accept mic, line, or instrument level signals - the XLR mic input has switchable 48V phantom power and phase reverse, while the line input is on both a balanced +4dB TRS jack and an unbalanced -10dB jack.  A high impedance Instrument jack is located on the front panel for use with electric guitars, basses, synths and drum machines.
    • Program Adaptive Gate: Drawmer's proprietary Program Adaptive circuitry means that all the time constants are automatically optimized for the material being processed. This enables stable gating and eliminates 'chatter' around threshold.  Controls via a single variable threshold and switchable fast/slow auto release.
    • De-Esser: Floating threshold de-ess operation where the de-esser automatically and continually readjusts its own threshold level.  The MX60 de-esser is almost completely automatic requiring the user only to select a switchable male or female setting and to adjust the amount of de-essing required. Only the sibilant sounds are subjected to gain reduction so that the lisping effect of simpler de-essers is avoided.
    • EQ: High and low shelving sections as well as fully parametric mid range EQ with variable frequency, 'Q', and ±18dB cut/boost.
    • Compressor:  High quality VCA compressor based on that of the MX30 and DL24.  Both the attack and release times are Program Adaptive leaving the user with only ratio, threshold and make-up gain to adjust.
    • Tube sound: Multi band 'tube saturation' allows users to create subtle warming, high frequency effects or out-and-out obvious effects via three separate, independently adjustable audio bands.  Low settings on all bands enable replication of classic tube mic sounds.
    • Output: The output stage includes a limiter with a preset threshold (+16dB) and a variable master fader with output bargraph metering which sets the overall output level from OFF to +15dB.  A two stage soft/hard limiting approach has been adopted with yellow and red LEDs signifying soft (approaching limit point) and hard limiting (hitting limit point).
  • Additional Information

    Condition New
    Channels Single-Channel
    Chassis 19-in Rackmount
    Rack Spaces 1u
    Direct Input Yes
    Digital I/O No
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