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Antelope Audio Goliath Hybrid Audio Interface

36 in x 32 out Thunderbolt, USB and MADI audio interface with 16 Class-A mic preamps, transparent AD/DA conversion with Antelope's clocking technology and a free suite of over 50 proprietary plug-ins

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Antelope Audio
Included with your purchase:
  • Free Shipping (USA)
  • Free Tech Support
  • Free Extended Warranty

Free plug-ins with purchase!

Act Fast! Sale Ends 01/31/2017

Regular Price: $4,995.00
Save 8%: -$400.00
Sale Price: $4,595.00

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Product Description
Additional Information
  • Product Description

    Free plug-ins with purchase!Free plug-ins with purchase!

    The Antelope Audio Goliath is the most powerful audio interface on the market. Offering the biggest number of I/O’s available on the market, Goliath is the result of Antelope’s 20+ years of experience in digital audio, innovative clocking technologies and analog circuit design.

    Connectable via blazing-fast Thunderbolt™, USB & 2 x MADI, Goliath houses a total of 36 analog ins and 32 analog outs, providing digital clarity and analog realism like no other audio interface out there. Antelope’s most powerful audio interface comes with an array of hardware-based audio effects, among which vintage guitar amps & cabs, AuraVerb reverb, legendary EQ and compressor emulations, plus our world-renowned Acoustically Focused Clocking technology.

    Flawless clocking and unique analog circuitry brings pro sound to a new level. At Antelope Audio we love to say that best clock = best sound. So, no surprise that our 4th generation of Acoustically Focused Clocking jitter management algorithms (AFC) is in charge of Goliath’s flawless clocking. The audio interface features the oven-controlled crystal oscillator you know from Antelope’s signature crystal-based master clocks. For optimum detail and sound stage, Goliath can be additionally synced to the extremely accurate Rubidium Atomic Clock – 10MX, and it can also be used as a master clock for two other devices via Word Clock Outs on BNC.

    Realistic vintage FX. Process multiple zero latency mixes and get crazy creative with Goliath’s custom hardware-based effects. Goliath employs Antelope’s powerful FPGA-based DSP engine, a massive platform allowing you to process four zero latency mixers with custom effects. These include the stunning AuraVerb reverb and several modern and vintage hardware EQ and compressor models. Antelope’s new RealModel technology recreate not only the true sound of classic analog gear but its behavior and feel as well. Stacks of effects can be combined in custom FX Chains and saved as Presets. All our guitar amp and cabs simulations were developed in a partnership with leaders in guitar software Overloud Audio Tools, so we know guitar players will just love Goliath.

    64 channels via Thunderbolt™. Goliath offers 36 Analog Inputs and 32 Analog Outputs with pristine AD/DA converters. These include 4 superb Instrument DI’s, 2 transformer Reamp Outs, 2 Headphone Outs with integrated Talkback on the front, 16-Channels of Class-A Mic Preamps, 2 sets of Stereo Inserts and a pair of mastering grade Monitor Outs on the back. The DB25 connectors feature 24 Outputs (1-8 can be level controlled for Surround Sound Mixing) and 16 additional Line Inputs, making Goliath an attractive solution for Hardware Inserts and Summing. Even more Analog I/O Channels can be added by connecting Antelope’s Orion32 or Orion32+ via MADI for a total of 64 Channels of Analog I/O simultaneously.

    Touch and control. Reinvent your studio experience with Goliath’s advanced control options. All Goliath functions are accessible via its intuitive, high-resolution touch screen. All features of the audio interface can be also accessed via the OS X and Windows compatible Software Control Panel. Just like all new breed Antelope Audio devices. the Goliath follows our networking control concept. This means you can now access all Goliath features from multiple computers in the same network.


    • Analog Inputs: 16 x Line inputs on two D-SUB 25, +20 dBu max, 11.2 kOhms; 16 x Mic / Line universal inputs on XLR combos on the rear (first 4 can be used for instruments also); 4 x Instrument (HiZ) inputs on TRS 1/4 jacks on front
    • Analog Inserts: 2 x INserts on TRS 1/4 jacks (dedicated to rear universal inputs 1,2)
    • Digital Inputs: 2 x Fiber Optic MADI (up to 64CH each); 2 x ADAT (up to 16CH); 8 x AES/EBU on D-SUB 25 (16CH); 1 x S/PDIF
    • Analog Outputs: 24 x Line outs on three D-SUB 25, +20dBu, 56 Ohms; 1 x Monitor out on 2x TRS 1/4 jacks 2 x Stereo Headphone outs on TRS; 2 x ReAmp outs on TRS
    • Digital Outputs: 2 x Fiber Optic MADI (up to 64CH each); 2 x ADAT (up to 16CH); 8 x AES/EBU on D-SUB 25 (16CH); 1 x S/PDIF
    • Thunderbolt: 1 x Thunderbolt (64 channels I/O)
    • D/A Monitor Converter: Dynamic Range: 129 dB; THD + N: -108 dB
    • D/A Converter: Dynamic Range - 120 dB; THD + N: -107dB
    • A/D Converter: Dynamic Range - 120 dB; THD + N: -110 dB
    • Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz)
    • Mic Pre: Gain: 0 – 65 dB; THD + N: -108 dB
    • Clocking System: 4th Generation Acoustically Focused Clocking; 64-bit DDS; Oven Controlled Crystal Oscillator
    • Clocking Stability: <+/-0.02 ppm, oven controlled at at 64.5ºC/ 148.1ºF
    • Clock Aging: < 1 ppm per year
    • Clock Calibration: <+/-0.001 ppm
    • Power Supply: AC Universal input ~95-245 V; Power Consumption: 25 Watts Max
    • USB I/0: 1 x USB 2.0 Hi-Speed; Data stream up to 480 Mbits/192kHz, 32 channels I/O, Type B
    • Weight: 6.8 kg/ 15 lbs approx
    • Dimensions (approx.): Width: 483mm /19”; Height: 81mm / 3.2”; Depth: 279mm / 11”

    System requirements


    • OS: Windows 7/8/8.1/10
    • Disk Space: Minimum 512 MB available disk space
    • USB: 1x USB 2.0 Port
    • Required USB bandwidth: 80%-90%
    • CPU: Intel or AMD equivalent CPU with at least 2GHz operating frequency
    • Memory (RAM): 4GB Minimum (8GB or more Recommended)

    Additional info: Internet connection required for product activation.


    • OS X: 10.9/10.10/10.11 (El Capitan 10.11.5 Recommended)
    • Disk Space: Minimum 512 MB available disk space
    • USB: 1x USB 2.0/3.0 Port
    • Required USB bandwidth: 80%-90%
    • Memory(RAM): 4GB Minimum (8GB or more recommended)
    • CPU: Intel Core 2 Duo (Minimum) Intel Core i3 ™ or higher (Recommended)

    Plus, over 50 free  vintage Realtime FX plugins!





    BAE 1073


    HELIOS 69





    Integrated EQ

    VEQ-4K Black

    VEQ-4K Pink

    VEQ-4K Brown

    VEQ-4K Orange



    Antelope FeedForward Compressor




    BurnSphere (DE) Lead

    MarcusII (US) Lead

    Overange 120 (UK)

    Tweed Deluxe (US)

    Top30 (UK) Bright

    Darkface 65 US

    Modern (US) CH3

    Plexi59 (UK)

    Rock75 (UK)

    Rock22.10 (UK)


    MarcusII (US) Lead

    Darkface 65 2x12

    Modern 4x12

    Top30 2x12

    CIst 1x12

    Bluelux 1x12

    England 4x12

    Green 2x12

    Vintage 4x12

    Green 4x12

    Caliper 501x10


    11 guitar amp models

    PreSonus Studio One Artist Version

    10 guitar cabinet models

    Breverb 2 Antelope Edition



    CE-5 Chorus

    Chromatic Tuner

    REmatrix Player with Factory library

    VKFX suite multi-tape tape delay, modulation, tape emulation

  • Additional Information

    Condition New
    Width 19 in
    Depth 11 in
    Height 3.2 in
    Unit Weight 15 lb
    Chassis 19-in Rackmount
    Rack Spaces 2u
    Channels 36-Channel
    Digital Inputs 24
    Analog Inputs 36
    Input Connectors Digital RCA, XLR Combo, AES/EBU DB25, Optical, Digital RCA
    Digital Outputs 24
    Analog Outputs 32
    Output Connectors Analog DB25, AES/EBU DB25, Optical, BNC, Digital RCA
    Computer Connection USB
    Number of Preamps 16
    Clock I/O In, Out
    Maximum Sampling Rate 192 kHz
    Digital Format AES/EBU, S/PDIF, ADAT, MADI
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