Antelope Audio Eclipse 384 MFR# Eclipse
Antelope Audio Eclipse 384
Antelope Audio Eclipse 384 Antelope Audio Eclipse 384
Mastering AD/DA converter with 64 bit acoustically focused clocking
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$6,995.00

$4,995.00 (You Save 29%, ends 03/31)

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Description
The Antelope Audio Eclipse 384 is an advanced 384 kHz A/D & D/A converter clocked by Antelope's renowned 64-bit technology and a flexible monitoring system that creates a technological synergy by combining the most prominent Antelope's innovations. It provides mastering and mixing engineers an unprecedented level of productivity, sound quality and ease of use.

64-bit DSP Trinity-level clocks

The Eclipse comprises 384 kHz A/D & D/A converters clocked by two independent 64-bit DSP Trinity-level clocks. The fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback. The Eclipse also includes two dedicated headphone amplifiers and a custom USB interface, as well as two large peak meters on the front panel. The advanced software control panel compatible with both Mac & PC, allows five nameable presets for easy recall of favorite setups.

Studio and live
Master clocks are becoming more and more popular for use with digital consoles and recording equipment at concerts and live events. By using the Eclipse 384, a live sound engineer is able to provide sync reference for up to four different devices, while using the main D/A for backing material, the A/D with multiple digital outs feeding redundant recording systems, and monitor DAC to check the recording post A/D conversion.

Supreme audio quality and boosted efficiency
The unique dual-domain clocking system enables analog-based, more natural sounding sample rate conversion. The integrated patching/routing capabilities make monitoring of either analog or digital sources extremely simple, avoiding jitter, distortion and cabling noise. By eliminating the many input and output stages and the various power supplies, that would be present in separate devices, the noise floor can be substantially reduced and the audio quality significantly improved.

Features:


Clocking
  • 64-bit DSP Trinity-quality clocking
  • 0.001 PPM Oven-controlled oscillator
  • Two independent sample rates
  • Complete Varispeed capability
  • 10M Atomic clock input
Conversion
  • 384 kHz A/D & D/A converters
  • A/D with Dynamic Range of 124 dB
  • D/A with Dynamic Range of 129 dB
  • Two bypassable A/D inserts
  • 480 Mbits USB 2.0 custom chip
Monitoring
  • Three sets of switchable monitor outs
  • Second dedicated monitor D/A
  • Base Management with LFE output
  • Relay attenuators matched to 0.05 dB
Complete management via user-friendly Mac/PC/Linux software control panel.

Six different presets for convenient set-up.
Technical Specifications

Additional Information

Condition New
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Q & A
Testimonials
  • Jeremy Harding
    "You don't know what you're missing until you hear it... Your entire studio sounds different. Your monitors just got an extended range. Your room all of a sudden reads low frequency bass response better. And your mid-range sounds free and floating. Superior clocking makes your starting point entirely different, which affects every decision you make afterwards."
    Jeremy Harding
    Jeremy Harding is an engineer, producer, musician, DJ and manager whose 2 Hard recording studio (and label of the same name) has a prominent hold on the music scene in his native Kingston, Jamaica. Learn more about Jeremy and his favorite gear in our 'Producers Corner.'
  • Ron Saint Germain
    "The Antelope 10M and the their Trinity and OCX clocks are the biggest change in digital audio since digital audio was invented!"
    Ron Saint Germain
    In Ron's 34+ years in the business, he has mixed and/or produced and mixed on 18 Grammy nominated projects with 12 winners. He has worked with such artists as 311, Muse, Bad Brains, Tool, Sound Garden, U2, DMC, Mos Def, Breed 77, Sonic Youth, Alien Ant Farm, Living Color, Jimi Hendrix, Red Hot Chili Peppers, The Cure, Killing Joke, Creed, Kraftwerk, Whitney Houston, Diana Ross, Michael Jackson, Ashford & Simpson, Ornette Coleman, McCoy Tyner, Dexter Gordon and The Last Poets to mention a few.
  • Michael Brauer
    "With the Atomic, I'd say there was a 20% improvement which for me is mind-blowing. The image was wider, more solid and the vocal appeared to project towards me!"
    Michael Brauer
    Michael Brauer has mixed such records as the Rolling Stone's 'Steel Wheels,' Tony Bennett's Grammy Album of the Year 'Unplugged,' and Coldplay's Grammy Alternative Album of the year 'Parachutes.' Recent projects include Paul McCartney's 'Live Back in the USA,' Bob Dylan's 'Rolling Thunder Revue' and Grandaddy. Check out www.mbrauer.com for more information.
  • Kevin Augunas
    "The Rubidium Atomic Clock makes a bigger difference to the sound of my DAW than any clock or converter that I've ever heard."
    Kevin Augunas
    Kevin Augunas has been producing/engineering for more than ten years. His eclectic list of work includes Jon Brion, Sinead O'Connor, Smashmouth, Lost Prophets, Melissa Auf der Maur, Andy Dick, Persephone's Bees, Mandy Moore, The Vandals and most recently, Cold War Kids. His credits also include soundtrack work on "Serendipity," "Spy Kids," and "Spider-Man 2."

    Read more about Kevin's and other industry professionals favorite gear in Vintage King's 'Producer's Corner.'
  • David Kahne
    "I noticed an immediate change in my soundspace the minute I heard the 10M plugged into my OCX-V. The stereo spread out, the edges were more clear, and the center seemed to come forward."
    David Kahne
    Along with McCartney's 'Memory Almost Full,' Kahne has worked on previous McCartney outings 'Driving Rain,' 'Back in the U.S.,' 'From a Lover to a Friend,' 'In Red Square,' and 'Freedom.' As a top pop-music producer and engineer, Kahne's work spans a huge list of artists including the brand-new Kelly Clarkson album 'My December,' Imogen Heap, The Strokes, Sublime, Sean Lennon, Sugar Ray, Wilco, Tony Bennett, Fishbone, The Bangles, Shawn Colvin, Stevie Nicks, Matthew Sweet, K.D. Lang, 311, and many others.